Museum Mayer van den Bergh Houten Clara “Houten Clara” (“Wooden Clara”) is a seventeenthcentury oak wood statue that once served as the main column of a staircase in the orphanage’s front building. It represents an orphan girl wearing a uniform. This statue inspired Hendrik Conscience to write his short novel “Houten Clara”. Beg ijne nve st at ersstra Scherm Opening hours Ta ba ks ve st H Nationale Bank 12 24 1 13 290 500 Weekdays from 10 a.m. until 5 p.m. Weekends from 1 p.m. until 5 p.m. Closed on Tuesdays and on the following public holidays: 1 January, 1 May, Ascension Day, 11 November and 25 December. Rates Ticket price: 5 euro Reduced ticket price: 3 euro, 1 euro or free. These rates may vary in case of temporary exhibitions. Take a look at our website for more detailed information on our rates and conditions. Activities for visitors Tours Keen to book a tour for your colleagues, friends or relatives? We can organise a tour for 12 to 20 persons. Workshops for children Schools or (cultural) associations can book a workshop for groups of ten children each. Follow us on Facebook! www.facebook.com/Maagdenhuismuseum Houten Clara (seventeenth century) by an anonymous artist Public Welfare Service Information Office tel. 03 338 28 28 [email protected] www.ocmw.antwerpen.be 2013007_st • Verantwoordelijke uitgever: Marc De Bens, Lange Gasthuisstraat 33, 2000 Antwerpen “De Nood Gods” (“God’s Need”) by Jacob Jordaens is one of the main paintings on display at Maagdenhuismuseum. It illustrates Christ being removed from the cross and buried. The painting has been thoroughly restored, making the colours stand out more than ever before. Elzenveld St.-J Sint-Elisabeth oris poo rt Leopoldplaats estwg Restored masterpiece: ‘De Nood Gods’ Maagdenhuismuseum Mechels The orphan girls ate from porridge bowls made of Antwerp pottery (majolica). Specialists consider these sixteenth-century ceramics the predecessors of Delftware. The bowls were painted using various colours and depict the busts of men, women and saints. The 63 bowls on display were included in the Flemish Masterpieces List in 2011. 33, Lange Gasthuisstraat 2000 Antwerp Mechelseplein tel. 03 338 26 20 | fax 03 338 91 31 [email protected] www.maagdenhuismuseum.be 4 7 at Leopoldstra Porridge bowls Theaterplein Fr an kr ijk lei Maagdenhuismuseum Lange Gasthuisstraat Showpieces Maagdenhuismuseum From majolica to Rubens en vleesch, potagie, boterammen, botermelk en aerdappelen of zoetemelk” (meat broth, soup, sandwiches, buttermilk and potatoes or sweetened milk). The art heritage owned by Antwerp’s Public Welfare Centre is of high artistic and documentary value. It includes sensitive topics such as poverty, the abandonment of babies, solidarity and care for orphans and poverty-stricken people. The Works of Mercy: feeding the hungry by an anonymous artist The collection Orphanage for abandoned children Adèle Grisar (1921) Maagdenhuis: heart-warming heritage Maagdenhuismuseum (which translates as “Virgins’ House Museum”) is a historical and inspiring museum that gives you a glimpse into how abandoned children, orphans and poverty-stricken people were cared for in Antwerp throughout the centuries. The museum has a unique art collection, including paintings by masters such as Rubens, Van Dyck and Jordaens. Moreover, it showcases beautiful sculptures, original pottery, antique furniture and archival documents from various centuries. From 1552 to 1882 Maagdenhuismuseum, then known as “Maagdenhuis”, was an orphanage for girls (or “maegdeckens” in Dutch). It was a place where they were educated, learned to sew and tat lace, and carried out housework. Orphan boys were cared for at another facility, “Knechtjeshuis”. The former chapel of the orphanage now is a repository for daily objects used by the orphans: • porridge bowls • clothes and insignia worn by abandoned children • embroidery samplers • the house rules, including a description of the “noenmael” (lunch): “sop Cover photo: De Nood Gods by Jacob Jordaens Vertaling uit het Nederlands van de folder ‘Het Maagdenhuismuseum, Van majolica tot Rubens’ in het Engels. The collection is extremely varied and includes paintings, decorative arts and an archive. Everything is stored and displayed in a discrete and intimate setting, an oasis of peace and serenity in the centre of the busy and trendy city of Antwerp. The collection and archive are a tangible testimony to the history of Antwerp’s Public Welfare Centre and its predecessors. This collection includes daily objects as well as: • paintings by Peter Paul Rubens, Jacob Jordaens, Anthony van Dyck, Pieter Aertsen, Maarten de Vos and Maarten Pepyn, among others • sculptures by Huybrecht van den Eynde and Walter Pompe, among others • pottery made in Antwerp, including the famous sixteenth-century majolica porridge bowls • antique furniture • sixteenth- to twentieth-century stained glass (roundel) windows • archival documents, including the oldest known seal of the city of Antwerp, dating back to 1233 Faustina by Huibrecht Van den Eynde (1594-1661) Fine architecture The museum is based in a historical building that dates back to the sixteenth and seventeenth centuries, which the city of Antwerp once used to organise care for the poor. The building is now a listed monument. Together with its beautiful inner courtyard this unique complex is the ideal location to store and showcase the heritage of the Public Welfare Centre.
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