Meet the Young Artists The Cleveland Institute of Music Class

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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Dear Educator,
Thank you for choosing the Cleveland Institute of Music. Inside this packet, you will find all of the
materials your class will need for your upcoming Meet the Young Artists videoconference. There is a
suggested preconference activity; please allow 10-15 minutes. If at any time you have questions or
concerns, please feel free to contact me. We look forward to “meeting” you!
Sincerely,
Heather Young Mandujano
Distance Learning Education Coordinator
Cleveland Institute of Music
216-368-0874
[email protected]
Table of Contents
Pre-Conference Activity…………………………………………………………………………………………………………………………2
KWL Chart (Optional)…………………………………………………………………………………………………………………………….3
During the Videoconference………………………………………………………………………………………………………………….4
Academic Content Standards…………………………………………………………………………………………………………………5
© Cleveland Institute of Music, 2011
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Pre-conference Activity:
Prior to the videoconference, have a brief discussion with your students about what they
should expect during the videoconference. Give some basic background information on the
Cleveland Institute of Music (e.g., it’s a conservatory, students come here from all over the
world to pursue degrees in classical music—bachelor’s, master’s, doctoral, students have to
audition to be accepted to the school, etc.)
Allow your students time to brainstorm some questions they’d like to ask the performers
during the videoconference.
You may also choose to use the KWL chart on the next page. (Have students fill in the first two
columns—“K” and “W”—before the conference; they will fill out the third column, “L,”
afterwards.
The types of performers used for each videoconference will vary depending upon student
availability. If there is a particular area where you would like us to focus (band instruments,
orchestral instruments, singers, etc.), please contact Heather Mandujano ([email protected]; 216368-0874) and we will try our best to accommodate your requests. We generally include 3-4
performers.
© Cleveland Institute of Music, 2011
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Meet The Young Artists
KWL Chart
K
W
What do you already know
What would you like to
about careers in performing
learn about careers in
classical music?
performing classical music?
© Cleveland Institute of Music, 2011
L
What did you learn about
careers in performing
classical music?
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
During the Videoconference
Videoconference activities will be selected from the following:
Students will be introduced to the presenter and the performing musicians.
Each musician will perform a short piece.
Ample time is allowed for questions in between performances.
Post-Conference Activities (Optional)
Allow students to discuss the performances they saw and heard in small groups. Which was
their favorite? Why?
Have students fill out the third column in their KWL chart (if using)
Have students write a journal entry about what they have learned.
© Cleveland Institute of Music, 2011
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Ohio Academic Content Standards: Music
Historical, Cultural and Social Context
Grade 6
2. Examine the chronological development of various music styles.
4. Identify selected composers and their works and place them in the appropriate historical
period.
Grade 7
4. Classify by composer and historical period a varied body of exemplary music works.
Grade 8
4. Compare and contrast selected composers and their works.
Grade 9
2. Compare various music styles from the United States, other cultures and historical periods.
3. Recognize and classify Western music literature by historical periods.
Grade 10
3. Discuss and evaluate the performance of music from different historical time periods.
4. Examine (e.g., listening, performing, score study) music literature of various composers.
Grade 11
3. Compare and contrast the performance practices of music from various historical periods.
4. Compare and contrast music selections from various composers and describe the
distinguishing characteristics of their works.
Grade 12
2. Critique various music styles from the United States, other cultures and historical periods.
Analyzing and Responding
Grade 6
1. Distinguish the use of dynamics, meter, tempo and tonality in various pieces of music.
3. Describe instruments used in Western traditional instrumental ensembles and in world music
ensembles.
Grade 7
1. Apply music vocabulary to describe a varied repertoire of music.
Grade 8
1. Compare and contrast a varied repertoire of music on the basis of how elements of music are
used to make the works unique and expressive.
Grade 9
Grade 10
1. Describe the use of elements of music as they relate to expression in a varied repertoire of
music.
5. Evaluate the use of elements of music in music examples of contrasting genres and/or
cultures.
© Cleveland Institute of Music, 2011
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Grade 11
1. Demonstrate extensive knowledge of the technical vocabulary of music.
Grade 12
1. Describe compositional devices and techniques (e.g., motives, imitation, suspension,
retrograde) that are used to provide unity, variety and tension and release in a music work.
Valuing Music/Aesthetic Reflection
Grade 6
1. Practice audience etiquette in selected music settings.
2. Attend and reflect on a variety of live music performances.
Grade 7
1. Practice audience etiquette in selected music settings.
2. Participate in and reflect on a variety of live music performances and activities.
Grade 8
1. Practice audience etiquette in selected music settings.
2. Participate in and reflect on a variety of live music performances and activities.
Grade 11
3. Evaluate music works and performances using criteria for aesthetic qualities.
Grade 12
1. Respond to aesthetic qualities of a performance intellectually using music terminology.
Connections, Relationships and Applications
Grade 6
6. Describe roles musicians assume in various cultures and music settings, and identify skills
needed for each role.
7. Identify various careers for musicians (e.g., in education, in entertainment and to provide
technical support).
Grade 7
3. Identify involvement in the arts as a listener, creator and performer.
6. Using elements of music, describe distinguishing characteristics of music from a variety of
cultures.
7. Identify exemplary music role models and describe their activities and achievements in the
music field.
Grade 8
3. Use technology in creating, performing and/or researching music.
Grade 9
4. Explain the role of technology in creating, performing and listening to music.
6. Describe the role of music and musicians in various cultures.
Grade 10
3. Demonstrate one or more uses of technology in creating, performing and listening to music.
6. Explore and identify opportunities for lifelong involvement in music (e.g.,
religious/community music organizations, arts advocacy, consumer).
© Cleveland Institute of Music, 2011
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Meet the Young Artists
The Cleveland Institute of Music
Class Materials
Grade 11
1. Explain how the roles of creators, performers and others involved in the production and
presentation of the arts are similar and different.
Grade 12
5. Compare and contrast different roles musicians assume in various cultures and music
settings, and describe skills and training needed.
6. Explore and identify opportunities for lifelong involvement in music (e.g.,
religious/community music organizations, arts advocacy, consumer).
National Standards in Music Education:
6. Listening to, analyzing, and describing music.
7. Evaluating music and music performances.
8. Understanding relationships between music, the other arts, and disciplines outside the arts.
9. Understanding music in relation to history and culture.
© Cleveland Institute of Music, 2011