3 ステレオワールド !!! a comic anthology in the making

A COMIC ANTHOLOGY IN THE MAKING
THE PREVIEW DIGEST
ステレオワールド !!!
LO-FI MONSTER IN A
HI-FI WORLD
3
J
ET PLASTIC IS AN INDEPENDENT
COMIC ANTHOLOGY, CURRENTLY
SET FOR A RELEASE IN SPRING 2015. IT
WILL FEATURE BLACK-AND-WHITE AS
WELL AS FULL-COLOR STORIES ON UP
TO 350 PAGES. THE BOOK’S MASCOT
AND MAIN CHARACTER IS JET PLASTIC,
A KAIJU-INSPIRED, YELLOW MONSTERCREATURE, CREATED BY ARTISTS FINT
AND VALENBERG IN EARLY 2013.
THE JET PLASTIC-ANTHOLOGY WILL BE
A CLASH BETWEEN ART- AND COMIC
BOOK THAT WILL NOT ONLY FEATURE
COMIC STORIES OF VARIOUS GENRES, STYLES AND LENGTH, BUT ALSO
ILLUSTRATIONS, PHOTOS, SHORT STORIES AND MORE.
FEATURED ARE NUMEROUS ACCOMPLISHED ARTISTS AS WELL AS FRESH,
FIRST-TIME TALENT, WHO ALL GAVE IN TO
OUR ONE GOLDEN RULE:
ANYTHING GOES.
WITH MORE THAN 30 ARTISTS ALREADY INVOLVED AND AT WORK ON THEIR RESPECTIVE CONTRIBUTIONS, NEW TALENT AND STORIES ARE STILL
BEING ADDED TO THE ANTHOLOGY‘S LINE-UP
REGULARLY. THIS PREVIEW DIGEST OFFERS A FIRST
LOOK OF SELECTED AND CURRENT MATERIAL.
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ARGENTINA
GREECE
SPAIN
NICHOLAS BRONDO
FRANCO VIGLINO
DIMITRIS PAGONAS
JAUME MONTSERRAT
HONG KONG
UK
KYLIE CHAN
DONNA EVANS
JACK HANKINS
RICHARD JAMES WINTER
RVF
CANADA
GREIG RAPSON
GERMANY
BENEDIKT BECK
BIRD BERLIN
VIKTORIA CICHON
MARCO CRONER
EBOY
FINT
FILIP FRÖHLICH
IRAVILLE
IRU
DAVID LEUTERT
FELIX MEYER
RALPH NIESE
THE SMIRK
JOHANNES STAHL
VALENBERG
ITALY
FRANCESCO BIAGINI
POKA BJORN
JAPAN
KIM AOTAKI
HR-FM
MEXICO
RAUL TREVINO
SINGAPORE
XUE TING
5
USA
SARAH BRALY
RAMIRO R.
LETY RZ
BABS TARR
C.B. WEBB
VENEZUELA
OSCAR RÖMER
ステレオワールド !!!
A COMIC ANTHOLOGY IN THE MAKING
MAIN JET PLASTIC LOGO CREATED BY
JACK HANKINS AKA HORRORWOOD
CREATED BY FINT & VALENBERG
STORY LOGOS CREATED BY
FILIP FRÖHLICH
EDITED BY MARCO CRONER
birth 10
stop the kaiju! 12
slacker 14
hi-fi + 15
electric monarchy 16
fuel 18
hwjp 19
videostar 20
rave 30
ice cream 32
merch: rave mask 33
hidden track 34
the day we fight 36
the big chill 38
yellow: the jet plastic comic strip 40
chicken shit 42
swallow 44
crush 58
merch: jp figurine 60
merch: jp pillow 61
eboy vs. jet plastic 62
jet plastic and the doom of dragons 64
so long, ponyboy 78
summertime 80
corporate identity 82
jet plastic vs. invaders from planet x 86
smog 88
pleasure ground 89
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FANTASTICAL PLAYGROUND IN THE SHAPE OF A MASSIVE AUDIO-CASSETTE.
ITS A-SIDE HOME TO AN INFINITE NUMBER OF QUIXOTIC CITIES AND STORIES.
ITS B-SIDE – UNDISCOVERED TERRITORY.
ITS HERO? A MONSTER! CHAIN-SMOKING – MUTE – YELLOW!
CAUGHT IN THE TANGLES OF CIVILIAN LIFE, BEING COMPLETELY UNAWARE
OF ITS OWN DESTRUCTIVE POTENTIAL AND AS SUCH...
THE PERHAPS MOST SIGNIFICANT CREATURE TO EVER WALK THE CASSETTE--
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STEREO
WORLD
9
"i don't like working with graphic tablets. the fingers don't get dirty." Johannes
THE BIRTH OF A COMIC BOOK UNIVERSE, CAPTURED IN LYRICS BY BRITISH SONGWRITER
RICHARD JAMES WINTER, PUT TO THE PAGE BY GERMAN ARTIST JOHANNES STAHL.
STARTING POINT FOR ALL STEREO WORLD ADVENTURES!
WRITTEN BY RICHARD JAMES WINTER
ART BY JOHANNES STAHL
UNITED KINGDOM / GERMANY
4 PAGES
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11
Stahl
ARTWORK BY POKA BJORN
ITALY
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13
WITH COMPETITION HIGH AND AMBITION AT AN ALL-TIME LOW, VINYL COULD NOT BE MORE BORED WITH
HER JOB AT RECORD SHOP HI-FI. ONLY AFTER ADDING A SMALL + TO THE SHOP‘S NAME – AND A NEW KIND
OF OFFER TO ITS SERVICE LIST – THINGS ARE LOOKING UP, AND QUITE LITERALLY TOO...
ARTWORK BY VALENBERG「LINES」
GERMANY
WRITTEN BY FINT
ART BY FRANCO VIGLINO
GERMANY / ARGENTINA
6 PAGES
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15
"because there are far too little comic books
featuring glowing guitars and giant desert cocks."
CROWN ON HEAD, SPACE GUITAR IN HAND – AND A SEX SLAVE THAT WAS OFFERED TO HIM AS A PRESENT IN TOW –
THE COSMICAL KING OF STEREO WORLD SETS OUT TO FREE ALL THE SLAVES FROM THEIR STICKY STRUGGLE. A QUEST
THAT LEADS HIM TO A MASSIVE DESERT PENIS MONUMENT AND ITS OWNER, A PISSED-OFF EARTH-BOUND MEGABEAST.
A STORY SO LOUD IT CAN ONLY COME FROM JET PLASTIC‘S VERY OWN CREATORS, FINT AND VALENBERG.
WRITTEN BY FINT
ART BY VALENBERG
GERMANY
16 PAGES
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17
Valenberg
ARTWORK BY JACK HANKINS AKA HORRORWOOD
UNITED KINGDOM
ARTWORK BY FRANCESCO BIAGINI
ITALY
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19
FULL
STORY
FED UP WITH HER LIFE AS A PORN ACTRESS, A YOUNG GIRL VENTURES
ACROSS THE CASSETTE IN ORDER TO LEAVE THE A-SIDE FOREVER.
A JOURNEY THAT SEEMS TO HAVE A SIMILAR END FOR A LOT OF PEOPLE...
WRITTEN BY FINT
ART BY IRU
GERMANY
7 PAGES
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21
22
23
24
25
26
"at its core videostar is very much about
the social cage thats inherent in japanese culture,
and the power it holds over people"
Fint
28
29
THIS IS THE STORY OF A GIRL AND THE SILVER BULL SHE SCREWED. A MATCH MADE IN BESTIALITY-HEAVEN – UNTIL JET PLASTIC,
GREATEST BEAST OF ALL, STEPPED ON THE BULL‘S NEON CRIB, LEAVING THE GIRL WITH ONLY HER LOVER‘S HORNY GRIMACE IN HAND.
NOW – A NEW HEAD ON HER SHOULDERS – THE GIRL‘S READY FOR RAVING ACTS OF REVENGE, PLAYED OUT ALL OVER THE CASSETTE.
WRITTEN BY FINT
ART BY RAUL TREVINO
GERMANY / MEXICO
10 PAGES
30
ARTWORK BY VALENBERG
GERMANY
PROJECT BY THE SMIRK
GERMANY
32
33
FOLLOW COMIC-ROCKSTAR RALPH NIESE (POPGUN) TO THE B-SIDE! JOIN HIS ÜBER-ARMED GROUP OF
SCIENTISTS IN THEIR OVER-POWERED SPACESHIP AS THEY ATTEMPT TO TRAVEL THROUGH THE SPOOL AND RIGHT
INTO THE UNKNOWN. STRANGE TALES. FEATURING HOT BABES.
STORY & ART BY RALPH NIESE
GERMANY
8 PAGES
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THERE‘S A WAR RAGING IN STEREO WORLD – AND IT‘S BEING FOUGHT ONE DAY AT A TIME! EACH YEAR ON THE SAME EXACT DATE JET PLASTIC DISMANTLES THE SAME
EXACT CITY AND THE ARMY-FORCE THAT COMES WITH IT. EACH YEAR THE CITY IS REBUILT WHILE QUESTIONS ABOUT THE ENEMY‘S MOTIVE REMAIN UNANSWERED.
THEN: BATTLE BEGINS ANEW. COME AND JOIN DOG-UNIT IN THEIR TRENCHES AS THEY NAVIGATE THROUGH SHEER, SENSELESS TERRORS.
WRITTEN BY MARCO CRONER
ART BY FELIX MEYER
GERMANY
23 PAGES
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37
ARTWORK BY FILIP FRÖHLICH
GERMANY
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ACCOMPANYING THE MAKING OF THE ANTHOLOGY IS YELLOW: THE JET PLASTIC COMIC-STRIP,
SPOTLIGHTING BIG ARTWORK IN SMALL BOXES, THE MOST HUMOROUS CORNERS OF STEREO WORLD
AS WELL AS A BRAND-NEW VERSION OF JET PLASTIC WITH EACH EPISODE.
WRITTEN BY MARCO CRONER
ART BY FELIX MEYER
GERMANY
12+ STRIPS
MORE COMIC-STRIPS AT WWW.JETPLASTIC.NET
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LOOKING FOR A FRESH START, PETTY CRIMINALS JOAN AND CASH MAKE FOR A PLACE BEYOND THE DESERT. ON THEIR TRAIL IS NOT ONLY
NELSON HAWK, THE TRIGGER-HAPPY FARMER THEY STOLE THEIR RATIONS FROM, BUT ALSO JET PLASTIC HIMSELF – OR SO IT SEEMS ...
20 PAGES OF GUNFIGHTS, CACTUS-DRUGS AND A BIRD CALLED CHICKEN. COURTESY OF U.S.-ARTIST C.B. WEBB.
STORY & ART BY C.B. WEBB
USA
20 PAGES
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43
FULL STORY
& INTERVIEW
A WOMAN FINDS HERSELF TRAPPED INSIDE WHAT SEEMS TO BE A HELLISH NIGHTMARE SHE CAN‘T WAKE UP
FROM, AND THUS MUST RELY ON FORCES BIGGER THAN HERSELF TO SHAPE THE WAY OUT. A SHORT HORROR,
BROUGHT TO YOU BY AMERICAN COMIC BOOK ARTIST RAMIRO R.
STORY & ART BY RAMIRO R.
IDEA BY FINT
USA / GERMANY
9 PAGES
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48
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INTERVIEW
RAMIRO R.
RED MUSEUM – THAT IS RAMIRO ROMAN, OR RAMIRO R., THE 29-YEAR-OLD LOS ANGELESBASED ARTIST BEHIND SWALLOW, THE FIRST JET PLASTIC-STORY TO EVER BE COMPLETED.
Give us a personal fun fact to remember
you by.
One of my hobbies is collecting odd, religious ephemera. Things like pamphlets
or comics, urging people to convert to
whatever belief they‘re preaching. I‘m
not entirely sure when or why I started doing this. Might be my Catholic upbringing.
I’m also really into dinosaurs and extinct
megafauna.
same school – and actually graduated
– might disagree with me, but I felt that
there was no encouragement to really
experiment or try new things. It was a
very stifling and upsetting experience.
I majored in animation, and grew to
loathe it. I did very well in anything that
had to do with actual drawing or storyboarding though. Towards my third year
there I was just skipping classes and drawing comics in my sketchbooks.
It was around that time that a friend
of mine started self-publishing comics.
Once I found out that this was a thing, I
quickly left the school.
Fair enough. Now, comic book artist.
Where did that come from?
I remember drawing all the time as a
child. I distinctly remember wanting very
much to draw comics sometime when I
was around 11 or 12? At that age I discovered horror comics. Around that time
comics were very popular in the U.S.,
though they were mostly superhero stories and such. Finding out that different
genres existed was very exciting to me. I
wanted to tell stories, and comics are a
fantastic way to do so.
What utensils do you work with?
Pens and inks. Sakura Microns mostly.
I color everything in Paint Tool SAI. Sometimes Photoshop, but SAI is simply
easier to control. I’m always trying new
software, though.
What’s your general process like? Was it
different with Swallow?
I don’t really tend to over-think any of
the stories I come up with. They start
out as small ideas and gradually evolve
into stories in my head. When the time
comes to actually write them, I end
up writing way too much. I do a lot of
Are you self-taught or did you receive a
formal education?
I consider myself self-taught, but I did go
to an art college. However, it was one
of the worst times of my entire life so
far. Some of my friends who went to the
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editing afterwards, and cut out all the
things that feel pointless or don’t fit the
mood. Lots of dialogue is cut, pointless
action etc.
Fint provided the general idea for
Swallow, and I let it sit in my mind for several days. I was at a restaurant, waiting
for a meal, and all of a sudden I started
thumbnailing the comic on the back of
a placemat. It felt right, so I didn’t question it. As you can see, sometimes I just
skip writing altogether!
Afterwards comes penciling and inking,
and that takes forever… That’s pretty
much it, though.
with something else. I’m sure there’s
something in there about me, but I certainly wasn’t thinking about it.
Let’s stay with “getting creative“ and the
story’s dreamlike feel. Considering the
idea came from Fint, how did you go
about making it your own?
The interesting thing is: I had a very similar idea years before and never followed up on it. So, I figured this was fate
and merged the ideas together. Fint
gave me free reign to do whatever, , so
I drew something that was a complete
stream of the subconscious. It all felt
right in the end.
Was it always this way, or has this process changed over time?
It hasn’t!
Speaking of getting it right – that Jet
Plastic of yours…
Jet was mandatory, but I wanted to do
something with him that would make
him exist in the Jet Plastic-universe
while still look like he could come from
the universe I work in.
The part of the process you enjoy most?
I really like forming the idea. The writing
and thumbnailing, designing characters. Creating the feel and look.
How much of yourself goes into your work?
More than I care to think about. A lot of
artists put themselves into their work, sometimes without even realizing it. I never
do it consciously. But – art is strange like
that. It gets you to reveal things about
yourself and the audience, even if you
are both unwilling to do so. It knows.
What themes do you pursue in this universe, in your art?
One thing I’m really obsessive about is
coming up with a mood or atmosphere. It’s very difficult to do so without coming across like a pretentious weirdo. I
never question too many things in my
work. As long as it feels like it needs to
be there, I keep it. Which is why I do a
lot of editing. I like things to feel as if
they unconsciously came about. As if
the strange situations are actually natural ones. I really like things that feel
like dreams.
Where do we find Ramiro R. in Swallow?
With Swallow, I wanted to do something
really weird. I had been working on a
very standard story before, so I was itching to get creative and “dreamlike”
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As for recurring themes, I’m not sure. I
never consciously think about that.
group, called the Church of the Red
Museum. I have this odd interest in the
paranormal, secret societies, cults and
religious groups for some reason. I don’t
know why I chose that name. It just had
an ominous tone to it that I liked.
What’s your workplace like?
I work at my desk, in my room here in
L.A. The room is poorly insulated, and
there’s always insects crawling in and
out. Very atmospheric!
Also, when I work, I try to have some kind
of noise on in the background. I prefer if
it’s television, specifically something I’ve
seen many times before.
There’s also a Red Museum book with
some of your stories out there. Can we
expect a second volume?
I’m working on many new comics now,
in the hopes that I’ll have new material for a second volume. I’m not sure if
there will be one yet. But I would like to
make one.
That’s interesting – what exactly are you
(re)watching?
I think TV shows have definitely gotten
more interesting over the years, and I
find myself watching a lot of new stuff
these days. But for when I work I always put on something I’ve seen many
times over such as The X-Files, Mystery Science Theater 3000, or anything
on RedLetterMedia.com. I’ve pretty
much memorized every episode I’ve
seen – I don’t have to look up from a
page to see what’s happening on the
screen anymore. Late night talk shows
help too, since it‘s similar to listening to
the radio. I suppose it has that same
effect.
What other projects are you working on?
I’m finishing up a story for another anthology. It has kind of a horror/fantasy
vibe to it.
I’ve also been working on what I hope
I can make into an ongoing webcomic
– with a planned ending though. It’s a
more “traditional” horror story, but set in
a dystopian future. It gets really weird. I
can’t wait for people to see it!
Got a dream project?
I would like to work on or be part of a
film. I often tell people that I draw comics because I can’t make films. I like
doing comics too, though!
Tell us about Red Museum. Why that name?
Red Museum is the title of an X-Files episode. The episode itself is not very interesting, but it centers on this strange
What advice would you give to an aspiring artist reading this?
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What artists inspire you?
William S. Burroughs, H.P. Lovecraft , David Lynch, David Cronenberg, Guillermo
Del Toro, and Alejandro Jodorowsky.
These are all writers and filmmakers, and
some of my favorite artists.
For comics, not too many. Suehiro Maruo
had a big influence on me. His comics
are always so strange and surreal. Junji
Ito and Hideshi Hino of course. Graham
Ingels. I like artists that lay the mood on
very thick.
Any artist that can really take you somewhere else with images alone is inspiring to me.
Don’t worry about doing it exactly like
the professionals. Just get it done any
way you can.
Let’s talk comics. What are your favorites?
I’m a big, BIG fan of E.C. Comics. They
did all these horror comics in 1950s like
Tales from the Crypt, Vault of Horror, and
Haunt of Fear. They reprinted these in
the 90s when I was a child, and I bought
nearly everything they put out. Even the
non-horror stuff.
Horror manga is something else I love,
and was a huge influence on me. It‘s
dwindled in interest here in the U.S., the
only horror manga that people hype up
now being by Junji Ito. I love Junji Ito, but
I miss the variety.
I also buy a lot of weird indie comics
from the 80s and 90s. I just like things I
haven’t seen before.
Let’s end with a cliché: know a good joke?
One day a tiny man entered a North Zone
café and said, “I want a cup of very hot,
sweet coffee,“ adding: “I shan’t pay, because I fear no one.” He drank his coffee,
he left. He didn’t pay. The café owner said
nothing, he was afraid of scandal. But when
the tiny man repeated the trick a few times,
the café owner said: “I’ve had it. I’ll get a
tough guy to beat up the tiny man if he
comes back.” So, on the fourth day, when
the tiny man said, “I want a cup of very hot,
sweet coffee,“ the tough guy goes to him
and says: “So you’re afraid of no one?” –
“That’s right.” – “Well, neither am I.” – “Well,“
says the tiny man, “make that two cups of
coffee. Very hot and very sweet!”
And in other media, what gets to you?
Film is a big inspiration. Videogames are
also on the list. One of the recent comics I started working on was inspired
by a simple phrase in the game Fallout:
New Vegas.
Music is inspiring too, but not in the way
you’d expect. A musician that was a big
influence on me was Marilyn Manson. I
loved how most of his earlier albums all
had this unifying theme and look. Even
in their physical CD packaging. I really
get a kick out of that!
MORE ARTIST INTERVIEWS AT WWW.JETPLASTIC.NET
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ARTWORK BY HR-FM
JAPAN
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PROJECT BY SARAH BRALY
USA
PROJECT BY DONNA EVANS
UNITED KINGDOM
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PREPARE FOR PIXEL-MADNESS AS THE TEAM BEHIND JET PLASTIC AND THE ART GROUP KNOWN AS THE
GODFATHERS OF PIXEL JOIN FORCES AND LET THEIR VERY OWN VERSION OF JET PLASTIC RUN RAMPAGE
IN AN EBOY-DESIGNED PIXORAMA-METROPOLIS, FILLED TO THE BRICK WITH POP CULTURE!
WRITTEN BY EBOY, FINT, VALENBERG & MARCO CRONER
ART BY EBOY & VALENBERG
GERMANY
4 PAGES
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FULL
STORY
ONCE MORE DELEBOR, DOOM OF DRAGONS, GETS TO PROVE HIMSELF TO HIS DEVOTED
CONVENT BY SLAYING A FIREBREATHING MENACE. ONLY THIS TIME THERE‘S A THIRD PARTY
INVOLVED – A YELLOW ONE – AND DELEBOR‘S TITLE IS PUT TO THE TEST IN EARNEST.
STORY & ART BY BENEDIKT BECK
GERMANY
12 PAGES
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"doom of dragons and just my style in general are very
much inspired by all those 90s animated shows i love."
Benedikt Beck
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“I‘m getting out of here“, she said, and paused,
waiting for a reaction that never came.
SO
LONG,
PONYBOY
a stereoworld novella by RVF
L
“Why me exactly, and not some guy
before or after me?“, he asked, though
he knew the answer already.
exi‘s container was designed to be
the acme of cute. Your basic Lolita
shtick: lots of pink, lots of pillows, lots of
pink pillows and bubblegum and plush
and dildos. What was suppossed to feel
all cheerful and “easy“ not only made
it quite hard to get hard, it actually got
him sad. An aftertaste that became even
more intense upon hearing Lexi‘s damped voice through the bathroom door,
encouraging him to take a look at her revised list of services. She had to add some
stuff, she said, “to keep up with the actual
18-year-olds, you know?“.
He knew.
IN A CITY ALREADY RESTING UPON A MASSIVE MECHA-PILLAR THERE‘S NO MORE REACHING FOR THE STARS. ESPECIALLY NOT FOR
A YOUNG PROSTITUTE LIKE LEXI. LONGING FOR A REGULAR LIFE ON THE GROUND FLOOR, THE GIRL TAKES A FATAL DECISION – FATAL FOR
ONE OF HER MOST FAITHFUL COSTUMERS, THAT IS. A STEREO WORLD SHORT STORY, ACCOMPANIED BY ILLUSTRATIONS.
WRITTEN BY RVF
ILLUSTRATIONS BY VALENBERG「LINES」
UNITED KINGDOM / GERMANY
4 PAGES
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HEATWAVE IN A HOLIDAY RESORT – AND A HITMAN IN A ROOM WITH A VIEW. ENTER JET PLASTIC, STROLLING TOWARDS
THE PICTURE SCENERY. BUT IT CAN‘T POSSIBLY BE THE YELLOW TITAN THE HITMAN IS AIMING FOR – CAN IT..?
A REVEALING PLAY OF PULP, PUT ON STAGE BY BREAKTHROUGH ARTIST BABS TARR (BATGIRL).
WRITTEN BY KIM AOTAKI
ART BY BABS TARR
JAPAN / USA
6 PAGES
80
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CURTAIN UP FOR STEREO WORLD‘S FIRST AND ONLY NEO-NOIR-ODYSSEY: THE STORY OF VINCENT, AD-MAN IN THE TOBACCO INDUSTRY, WHO AFTER HIS LAST
CAMPAIGN CAN ALREADY SEE HIS RESIGNATION LETTER FLASH FROM THE CITY-BILLBOARDS. SLURPING THROUGH HIS VERY LAST STRAW HE ATTEMPTS TO
GAIN NO OTHER THAN BAD-BOY JET PLASTIC AS AN ADVERTISING CHARACTER – STANDING TO LOSE EVERYTHING HE HOLDS DEAR IN THE PROCESS.
WRITTEN BY MARCO CRONER
ART BY DIMITRIS PAGONAS
GERMANY / GREECE
17 PAGES
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INSPIRED BY THE CULTIC GODZILLA-FLICK INVASION OF ASTRO-MONSTER PIXEL-ADVENTURER VALENBERG
HAS JET PLASTIC BEING CAPTURED AND BEAMED RIGHT INTO STEREO WORLD SPACE IN THIS BIT-BY-BIT-SIZED SHORT.
PLANET-WARFARE INCLUDED.
STORY & ART BY VALENBERG
GERMANY
4 PAGES
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ARTWORK BY FRANCO VIGLINO
ARGENTINA
ARTWORK BY XUE TING
SINGAPORE
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CREATED BY FINT & VALENBERG
FINT’s 2008 directional debut, a 10-part series discussing
arthouse films and their directors, received widespread critical
acclaim. Ever since he has kept busy by working as a designer,
writer, director and actor withing various media outlets, from
helming documentary features and music videos to publishing
books. Currently he is directing his first feature film with shooting taking place in Tokyo, Berlin and the USA.
www.justfint.com
VALENBERG has been engaged in work for daily newspapers
for many years, having had published a successful weekly
compic-strip from 2008 to 2012. His designs and illustrations
can be seen on film- and music-merchandise alike. As a storyboard artist he will once more contribute to a high-profile
movie project for Fint’s feature film debut.
www.mrvalenberg.com
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JETPLASTIC.NET
EDITING: MARCO CRONER I DESIGN: FINT I IMAGE PROCESSING: JUDITH MACKOWSKI
© 2014 FINT & VALENBERG
[email protected]
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