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BOOK REVIEW
Imagining a Casteless and
Classless Society
framework of both discourses. Arguably,
the emergence of the dalit consciousness in the state was manifest in dalit
creative writings.
No Instant Revolution
Yogesh Kumar
T
he colonial state in India attempted
to marginalise Punjabi through
policies that denied the language
all forms of state patronage. However,
both as a colloquial language and a literary tradition Punjabi thrived during the
colonial period. Mir (2010) argues that
Punjabi literary culture enjoyed relative
autonomy from the colonial state practices particularly vis-à-vis certain other
Indian vernacular languages such as
Hindi, Urdu and Bengali. This relative
autonomy allowed the language greater
scope for continuity with precolonial
practices. Punjabi literary culture has
therefore always offered an example of
stability as people and institutions in
the region traversed the divide between
precolonial and colonial rule. It also
continues to play a significant role in
understanding the sociocultural and
political aspects of Punjabi society.
Lal Singh’s poetic and other writings
have been widely considered as a contribution to the Punjabi literary tradition
especially in the context of the sociocultural and political turmoil in Punjab
(the 1960s), when the Naxalbari and
30
Poet of the Revolution: The Memoirs and
Poems of Lal Singh Dil translated by Nirupama Dutt
(New Delhi: Viking /Penguin), 2012; pp 216, Rs 399.
leftist movements were at their peak.
The memoirs and poems of Lal Singh Dil
have exposed the untold aspects of life of
a dalit poet-revolutionary. His main
protagonists were landless dalits, agricultural workers, still others were daily
wage earners and the unemployed. His
writings come to us as a mix of both
the neo-Marxist and subaltern approach
being used to understand Punjabi society
in the postcolonial context. Dil exposes
in his autobiography the caste-based
composition of leftist cadres in Punjab,
which was the immediate historical
reason for the withdrawal of dalit
support to the Naxalite movement in the
1960s. Dil’s poetic instincts never rejected
the significance of religion and the
revolutionary way of life. In fact, he
carved his own identity from both perspectives. As a poet, Dil incorporated
both his revolutionary and cultural
instincts and tried to give shape particularly to his own identity under the
DECEMBER 27, 2014
Hans (2008) tells us about the revolutionary rise in Punjab as witnessed in the form
of Naxalism in the late 1960s, and which
produced two dalit poets with revolutionary as well as dalit consciousness.
These were Sant Ram Udasi (1939-86)
and Lal Singh Dil (1943-2007). Dil was
born in a Ramdasia Sikh (Chamar) family
in 1943 and was trained to be a schoolteacher when the Naxalbari movement
attracted him. As a dreamer of a casteless and classless society, he visualised a
new dawn for the oppressed. Dil’s dalit
consciousness and identity was free
from feelings of hatred, vengeance and
malice. As a sensitive poet whose poetry
was true to life experiences of poverty,
injustice and oppression Dil was viewed
as the bard of the Naxalite movement in
Punjab. His collection of poetry Satluj Di
Hawa (1971), Bahut Sare Suraj (1982)
and Sathar (1991) as well as his autobiography Dastaan (1998) enjoyed a significant place in Punjabi letters.
The memoir reveals how he was
discriminated and suffered from neglect
and worse, humiliation. This was so not
only in a caste-ridden society but surprisingly even among his comrades who
were supposedly free from caste-based
vol xlIX no 52
EPW
Economic & Political Weekly
BOOK REVIEW
prejudices and opposed to the caste
system as a system of power and
discrimination. After his disillusionment with the party as well as the
very idea of an instant revolution, he
shifted to Uttar Pradesh in the early
1970s, where he worked alter­natively as
a cowherd, house servant, watchman
and peddler. It was seen as a self-exile.
As an act of defiance, he converted to
Islam changing his name to Muhammad
Bushra. Juergensmeyer (1982) argues
that the Chuhra and Chamar communities (both were considered to be untouchable castes in Punjab) constituted
a major support base for the Marxist
movements in the state but for a short
span of time. The so-called untouchables soon withdrew their support
because all cadres were dominated and
operated by Jat Sikhs – the large landholding caste in Punjab who treated
both the Chuhras and Chamars as impure or untouchable. The Marxist appeal for equality among the “haves and
have nots” seemed to Dil to be very
bleak under the shadow of the caste
lines. The Jat Sikhs never agreed to
share their large landholdings with the
dalits and denied them an equal s­ocial
status (Ram 2004).
Dil’s poetry covers four decades of
the history of post-Partition Indian
­Punjab. Sharma (2014) argues that Dil
invented a peculiar poetics of disjunction to deal with the world that called
him to do b­attle again and again. He is
the only contemporary Punjabi poet
who deals comprehensively and fearlessly with capitalism’s historical geo­
graphy in this part of the world (East
Punjab). He had grasped very early the
unequal and o­ppressive social order
­under the neo-liberal economic order.
Dil mentions in his writings the process
of expropriation of the commons in
the Punjab and shows how pastures,
ponds, graveyards and other common
lands are being occupied by the wealthy
and powerful who also control the
­political parties. The poor, the overwhelming majority being dalits, are
thus violently robbed of the barest
means of survival and are unable to find
sustenance in their villages, and compelled to rush to the cities, where again
they face disappointment. In his poetry
entitled Satluj Di Hawa, he addresses
the river Satluj as a witness to the subcontinent’s history of dispossession
and dishonour and further talks in his
poetry about the critique to the global
capitalism, which blends sadness, anger
and joy.
Dil’s relevance lies in the fact that he
provided an alternative vision to the
Marxist perspective by refashioning it
through religious world views. He took
both perspectives in order to ignite the
dreams of a casteless and classless s­ociety.
He argued that both Mao and Prophet
Muhammad are saviours of h­umanity.
D­espite converting to Islam Dil never
w­avered from the tenets of Marxism. His
was the position that “­Allah is very kind to
Maoists because he understand culture”.
Yogesh Kumar ([email protected])
is with the Department of Political Science,
Panjab University, Chandigarh.
References
Hans, R K (2008): “Dalits and the Emancipatory
Sikh Religion”, 3-5 December, University of
Pennsylvania Conference.
Juergensmeyer, M (1982): “Religious Rebels in the
Punjab: The Ad Dharm Challenge to Caste”
(Berkeley: University of California Press).
Mir, F (2010): The Social Space of Language:
V­ernacular Culture in British Colonial Punjab,
University of California Press.
Ram, Ronki (2004): “Untouchability in India with
a Difference: Ad Dharm, Dalit Assertion, and
Caste Conflicts in Punjab”, Asian Survey,
Vol 44, No 6, November/December, pp 895-912.
Sharma, R (2014): “Lal Singh Dil and the Poetics of
Disjunction: The Poet as a Political Cartographer”,
Economic & Political Weekly, Vol XLIX, No 6.
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