K Ø B
E N H
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Büroausflug 17-20 September `15 Westpol Landschafts Architektur
∂ Danish Basics for Landscape Architects
Gruezi!-Hej!
Wie geht^s? -Hvordan går det?
Nein, danke-nej tak
Ja, gerne-ja tak
Ein bier/kaffee, gerne!
-En øl/kaffe, venligst!
By- Stadt/City
Haven- Garden/Garten
Havn - Harbour/Hafen
Træer - Bäume / Trees
Blomster - Flowers / Blumen Jeg finder et smukt design! - Das finde ich ein tolles Entwurf!
Landskab Arkitektur
- Landschaftsarchitektur
Content
Overvieuw Program Büroausflug5
Travel info6
Danmark & Copenhagen7
Day Programs 8-41
Donnerstag 17.09.2015 - Ankunft
Freitag 18.09.2015 - Stadtmitte
Samstag 19.09.2015 - Umgebung Kopenhagen
Sonntag 20.09.2015 - Program Optionen / Abflug
8-13
14-23
24-29
31-41
Program Rising Architecture Week
14
Food and Drinks42
Contacts43
Program Wochenende
Freitagmittag
Samstag program
Samstag
Superkilen
* CPH Highlights (option Sonntag)
* Gärten (option Sonntag)
Haus
Freitagmorgen
* Strand (option Sonntag)
* Architecture (option Sonntag)
Flughafen ∂
4
Übersicht Program Büroausflug
Donnerstag 17.11.15
Freitag 18.11.15
Samstag 19.11.15
Sonntag 20.11.15
9.00h
Købmagergade
Royal Playhouse
10.00h
10.00h Sammeln Nørreport St.
9.00-15.00h Program nach Wahl
DAC (Geoffnet um 8h, 10h exhibtion)
10.15h Zug Gl. 1 ØR 2037 Helsingør St.
10.45h Ankunft Humlebæk St.
10.45-11.00h Walk to Louisiana Museum
•
•
•
Harbour Bath
11.00h Louisiana Museum
11.15h Anfang Führung
Nyhavn
11.00h
The Black Diamond Library
12.00h
The Crystal
13.00h
13.00h Meeting at EuroAirport BSL
Terminal 3
14.00h
14.20h Einsteigen Flug DS1151 BSL-CPH
15.00h
14.50h Abflug BSL
Lunch Torvehallerne, Nørreport St.
14.00-14.30h Charlottehavn
14.30h Führung COBE
16.00h
16.35h Ankunft CPH
18.00h
Århusgadekvarteret
Tickets Metro
Metro zu Nørreport St.
Adress Haus: Skindergade 15
Besuch Büro Cobe, Christianshavn
*Israels Plads - Cobe
*Hauserplads/Kultorvet- Polyform
*Runde tårn (Geoffnet bis 20h)
Essen Streetfood Market, Christianshavn
Diner
Paludan Bogcafé (Geoffnet bis 22h)
12.00h Ende Führung
bis 13.00h Museum selbständig
City Dune
Nordhavn
17.00h
Architektur
Strand
Highlights Kopenhagen
Lunch Unterwegs/Louisiana
13.45h Sammeln bei Eingang Museum
14.13h Zug Gl. 2 ØR 2064 Karlskrona/Kristiansstad C
14.20h Kokkedal St. Ankunft
14.30h Bus 150S zu Nørreport St.
14.54h Ankunft Nærum St.
15.00h Sammeln Flughavn Kopenhagen
15.10h Ankunft Nærum Familiengärten
15.53h Züruck bei Nærum St.- Bus 300S
Richtung Ishøj St.
16.00h Ankunft Handelsskolen Kbh. Nord
3min walk. to Kirkegard
16.40h Handelsskolen Kbh. Nord - 16.56h
Buddinge St. (Bus 300S to Ishoj St.)
17.07 Bus 6a to Rodovrehallen 17.24 Bispebjerg St. - Couple of min. walk to Superkilen
Norrebro
18.30 Beer at Mikkeler and Friends
Stefansgade 35 ( walk through Norrepark)
16.50h Einsteigen Flug DS1152 BSL-CPH
17.20h Abflug CPH
19.05h Ankunft BSL
5
Travel info
Adress of the House: Skindergade 15, 1159 København K.
Public Transport Tickets
24 hours in all zones - 130 DKK (18.90 CHF)
With a 24-hour ticket you can travel for 24 hours unlimited by bus, train, metro and harbour bus in all the zones of
the capital region, including trips to Roskilde, Elsinore or other parts of North Sealand. The 24-hour adult ticket
costs DKK 130.
24-hour or 72-hour City Pass in zones 1-4 - 80/200 DKK (11.60/29 CHF)
The City Pass gives you unlimited access to buses, trains, metro and harbour buses in zones 1, 2, 3 and 4, which
includes the centre of Copenhagen and to and from the airport. An adult 24-hour City Pass costs DKK 80 and an
adult 72-hour City Pass costs DKK 200.
Public transport in total:
thursday 17.00 h/friday 17.00 h 24 hour ticket
24 hours in all zones Saturday ab 17.00h friday
*Sunday ticket to the airport 24 hour ticket depending on travel route
Total
Bikes - Gobike
80DKK
130DKK
*80 DKK
---210 DKK-290 DKK
(30 CHF- 41 CHF)
To rent a bike, you need to create a user account. You can also create an account directly on the tablet.
Go to a docking station and take out a bike by entering your username and pin code on the bike’s tablet. Here you
can see the number of free bikes and, if you like, you can book a bike in advance. The bike has an electric motor
and will assist you up to 22 km/h. A full battery should last you a couple of hours depending on your riding style.
You can return the bike to any of the docking stations in Copenhagen and Frederiksberg. The tablet will guide you
to the nearest ones. Bikes with locks let you park the bike anywhere during your trip. The hourly payment continues
until the bike is safely returned to a docking station. The price is 25 kr/hour with a regular user account, and 6 kr/
hour with a monthly subscription. The payment happens automatically once you have registered your credit card.
25 DKK (3.6 CHF) p/h per bike
Links
Bus - www.moviatrafic.dk
All public transport - www.rejseplanen.dk
Bikes - www.bycyklen.dk
6
Planningconcept Copenhagen
Copenhagen is famous for its urban planning concept
which has pro-moted sustainable lifestyles and sustainable
modes of mobility. The Finger Plan for Greater Copenhagen was introduced in 1947 when a group of town planners realized that Greater Copenhagen was beginning to
spread uncontrollably.
In 1947 when town planners sat down to design a practical
development plan for Greater Copenhagen, they discovered that their sketches oddly resembled that of a hand.
The ‘palm’ rested on the already existing city centre and
the skeletal ‘fingers’ pointed to future development along
existing transportation infrastructure. Unsurprisingly dubbed the ‘Finger Plan’ in 1947, protected green wedges
between the fingers ensured the residents of each fingered suburb would be able to access nature, woodlands,
and pastoral landscape. Over time it became apparent
that the Plan could not be successful without legal status
and in 2007 it was incorporated into Denmark’s Planning
Act. Copenhagen has also credited the Finger Plan for its
ability to avoid traffic congestion commonly found in other
big cities—the transit system was built along the length of
the fingers to easily transport the population to the downtown core.
Greater Copenhagen is a vast area consisting of 34 municipalities. The spreading of the area created difficulties
for the public transport system, which was in danger of
reaching its capacity. It was necessary to control the urban
growth and develop a citywide network of railways and arterial roads. The idea of the plan was to concentrate the
urban development of Greater Copenhagen in the urban
“fingers” created around the railway network. At the same
time, the green wedges between the fingers would remain
undeveloped.
Greater Copenhagen resembles a hand where the city of
Copenhagen covers the palm and five larger cities and
their railway routes represent the fingers.
Since 1947 the Finger plan has been the main guiding
principle of city planning in Copenhagen. In 1989 the
planners for Greater Copenhagen implemented a “Close
to Station” structure, where the areas for additional building developments were limited to within one kilometre
from a railway station. Building would thus be concentrated closely around the 25 large railway stations in Greater
Copenhagen.
The aim was to favour public transport at the expense of
private car use. This “Close to station” structure of city
planning allowed for sustainable lifestyles and minimized
environmental impact since transportation and developments were concentrated in conveniently accessible areas.
People moving to area might even not notice how much
the city planning structure provides them opportunities
for sustainable lifestyle.
In 2007 the Danish Ministry of the Environment created
Finger Plan 2007, where this proven concept was written
into national law and had judicial binding over Greater
Copenhagen and its planning initiatives. The impacts of
this “Close to Station” principle were estimated in an environ-mental report on Finger Plan 2007. It was calculated
that it was possible to save up to 100,000 tons of CO2 per
year in the coming 30 years, or 2,000,000 kilometres driven
per day. The 100,000 ton CO2 reduction is only a small
part of the potential of the Finger Plan, because they have
only included future growth in the calculation and not all
expansion since 1947.
DENMARK
Population
Area
Population density Gross domestic product GDP per capita Capital Other major cities Form of state Government Head of state Head of government Religion Currency 5,627,235 (2014)
42,916 square kilometres
130.50 per square kilometre
DKK 1,915 billion (2014)
DKK 322,000 (2014)
Copenhagen 1,246,611 (2014)
Aarhus 259.754, Odense 172.512 & Aalborg 109.092 (2014)
Monarchy
The Liberal Party (Venstre)
Queen Margrethe II (since 14 January 1972)
Lars Løkke Rasmussen (since 28 June 2015)
90% Protestant
Danish Kroner, DKK 1 Krone = 100 Øre (1 CHF = 6.88 DKK) / ( 1 EUR = 7.46 DKK)
7
Program Donnerstag
Route Donnerstag nachmittag
Do 17.11.15
9.00h
•
•
Arrival M2 metroline at Nørreport Station around 17.15h
Walk via Fredriksborggade>Kultorvet>
Købmagergade to the house to drop of the luggage
Optional
Visit of the Round Tower (Runde tårn)
Israels Plads via Krystralgade>Fiolstræde>
cross Nørre Voldgade >Vendersgade
Walk back to Fiolstræde for diner at Paludan Bogcafé
10.00h
11.00h
1 Nørreport
Station
12.00h
13.00h
13.00h Meeting at EuroAirport BSL
Terminal 3
14.00h
14.20h Einsteigen Flug DS1151 BSL-CPH
15.00h
5 Israels
Plads
4 Kultorvet
14.50h Abflug BSL
3 Hauser plads
16.35h Ankunft CPH
2 Runde tårn
16.00h
17.00h
Tickets Metro
Metro zu Nørreport St.
18.00h
*Israels Plads - Cobe
*Hauserplads/Kultorvet- Polyform
*Runde tårn (Geoffnet bis 20h)
Diner
Paludan Bogcafé (Geoffnet bis 22h)
8
Paludan Bogcafé
1 Nørreport Station
Architects: Program: Size: Status: COBE, Gottlieb Paludan Architects, Grontmij, Bartenbach Lichtlabor
Renovation of Nørreport Station
10.500m² urban space, 2,500 parking lots for bikes
1st prize in international competition 2009, construction start 2012, com
pletion mid-2015
EN
Nørreport Station is the busiest station in Denmark with
roughly 250,000 people bustling through it daily. The new
Nørreport station is composed of a series of rounded, floating roofs, mounted on striking glass pavilions. A study of
pedestrians’ preferred routes has formed the basis for the
station’s new design, providing an open and welcoming
public space with specific thought directed to the needs
of cyclists and pedestrians. Ample bike parking will be a
main feature accommodating 2,500 parking lots for bikes.
In order to create a clear hierarchy between the area for
bicycles and the area for city life, all bicycle parking is placed 40 cm below the city floor - as sunken ‘bicycle beds’
the bicycle parking will be lit by innumerable LED lights
at night.
Furthermore 11 ventilation towers will be placed on the
plaza surrounding the train station.
they will provide fresh air to the underlying train platforms.
the towers will also function
as lighting on the plaza and as digital information pillars
with fully integrated LED screens
for information about train departures, cultural events, advertisement etc.
Nørreport, the busiest station in Denmark, has undergone
a highly successful conversion. The old, dark nooks and
crannies have disappeared, making way for open, inviting
buildings in a streamlined public space. It was an excellent
idea to unite the station as a thoroughfare with the public
space as a place to spend time in. Both elements have
been equally successful.
DE
Der Bahnhof Nørreport ist heute mit einer Größe von
10.500 m² der verkehrsreichste Bahnhof in Dänemark mit
rund 250. 000 Fahrgästen pro Tag und 100.000 Passanten,
welche diesen durchqueren. Auch in der Vergangenheit
war die Nørreport Station immer ein stark frequentiertes
infrastrukturelles Zentrum in Kopenhagen. Im Jahre 1600
fungierte es als eins der 4 Tore durch die Wälle von Kopenhagen. Vor 1932, als die aktuelle Bahnhofshalle errichtet
wurde, bestand die Bahnhofstation aus zwei Runden Pavillons. Es war eine Art offene Plaza, wo Straßenbahnen,
Autos, Radfahrer und Fußgänger konzentriert über diesen
öffentlich Raum geführt wurden. Ab dem 21.
Jahrhundert wurde die Nørreport Station mit Hilfe von
Cobe Architects Copenhagen wieder ein öffentliches Gesicht dieser Offenheit, Klarheit und Übersicht. Die Passagiere und Passanten werden durch eine Reihe von runden,
schwebenden Dächer mit transparenten Glas-Pavillons
geführt. So werden alle Bereiche des Bahnhof sichtbar
und leicht zugänglich und der Bahnhof selbst erscheint
wie ein offener und einladender öffentlicher Raum. Weiterhin bieten 11 Belüftungstürme aus dem unterirdischen
Bahnhof Frischluft zu den oberen Bahnsteigen. Eine weitere Funktion ist die besondere Optik dieser Türme sowie
die Nutzung als digitales Leitsystem mit LED Bildschirmen,
wo Informationen über Abfahrten und Ankünfte sowie
Städtische Veranstaltungen abzurufen sind. Kopenhagens
Ruf als Fahrrad-Stadt der Welt folgend, werden alle Parkstationen für Fahrräder ein sichtbares Element im urbanen
Raum. Zirka 20.000 Fahrradfahrer passieren den Bahnhof
täglich. Um eine klare Hierarchie zwischen den Bereichen
für Fahrräder sowie einen Bereich für den „Fahrrad-Flow“
zu schaffen, werden alle Anlagen mit Fahrradständern
um 40 cm zur Oberfläche tiefer gelegt. Vergleichbar mit
Blumenbeeten in einem Park, werden die abgesenkten
Fahrrad-Parkflächen als kleine „Taschen“ des Raumes
wahrgenommen. Die gesenkten Fahrrad-Bereiche stellen
eine klare Hierarchie zwischen dem Bereich für Fahrräder
sowie einen Bereich für das urbane Leben in der Stadt und
geben ihn somit eine visuelle Klarheit.
9
2 Runde tårn
Architect: Hans van Steenwinckel
the Younger
Architectural styles: Dutch Baroque
Year of opening: 1642
---------------------------Openinghours:
10:00h-20:00h
Price: 25 DKK = 3.6 CHF
Address: Købmagergade 52A
One of the most popular structures in DK The Round Tower was built by Christian IV between 1637 and 1642. It
was the first part of the Trinitatis Complex, which combined church, library and observatory in a single building.
The Round Tower does not have an elevator, so visitors
have to climb the winding, white-washed Spiral Walk. The
spiral walk is unique in European architecture. The 209 m
long spiral ramp winds itself 7,5 times round the hollow
core of the tower, forming the only connection between
the individual parts of the building complex
The Library was once the home of the entire University
book collection. Situated halfway up the Round Tower, the
Library opened in 1657. It housed approximately 10,000
books, which had previously been spread around old university buildings in the city. At one end of the hall was an
exhibition of Old Norse artefacts, which would grow and
become known as the National Museum. By 1861, the
book collection had grown so big that it was moved to
the new premises on Fiolstræde. The old Library was later
used as a studio by theatre-painter Carl Lund, and as a depot for the Zoological Museum.The Library was restored
in 1987 and now serves as a popular gallery and concert
venue.
The two original privies in the Round Tower still exist –
one on the top floor, the other beside the Library, halfway
up the tower. Although not in use, the Library privy has
been restored and re-opened. You may enter, sit yourself
down and gaze up at the arched ceiling, where nicotine
used to seep through the limestone in the days when it
was popular to smoke a pipe while visiting the smallest
room. We know that famous names such as Ludvig Holberg, Ole Rømer, H.C. Ørsted and Hans Christian Andersen studied in the Library, and probably also needed to
visit the privy now and again – with or without a pipe.
Waste from the privy ran down into a large bricked-up
container (the latrine pit), but despite experiments with
open windows and double doors, the stench up in the
Tower was almost overpowering. Water closets were
installed in 1902.
10
The bells of the Church of the Trinity hang in the Bell
Loft, above the gallery and concert venue. At one stage,
the people of Copenhagen discovered that it was an
ideal spot in which to dry laundry. Later, it was used to
store tanned hides, dried herbs, painted theatre sets and
feathers for the fine clothes and hats of society ladies. In
1880, Lieutenant Bernhard Olsen rented the loft and set
up a peasant museum, which would become the Open
Air Museum in 1901. After the Great Fire of 1728, the Bell
Loft was rebuilt from Pomeranian pine. The impressive
original timbers are still intact and visible in the loft,
which also houses the big clock from 1731, as well as
many other objects that have stories to tell about the
history of the Round Tower and the church.
It is possible to go into the niche at the end of the Spiral
Walk to stand on a glass floor and look 25 m down to the
bottom of the hole. This point was used as the point zero
when Denmark was triangulated in the 1760s.The planetarium in the Round Tower is a three-dimensional model
of the Solar System with the Sun at the centre, orbited
by the six innermost planets. Copied from Bayer’s early-17th-century work, the background depicts the starry
sky of the North. It was mounted in 1928 as a replacement
for the original 1740 model. The original planetarium showed both the Copernican system, with the Earth orbiting
around the Sun, and Tycho Brahe’s divergent system, with
the Earth at its centre.
Used by the University of Copenhagen until 1861, the
Round Tower is Europe’s oldest functioning astronomy
observatory. Astronomy was an important science in
17th-century Europe, and Denmark’s Tycho Brahe was one
of its leading figures. It was almost certainly due to Brahe’s
influence that the Round Tower was built as a university
observatory in 1642. Unfortunately, he died in 1601, so did
not live to see it. The Round Tower has contained several
different observatories. The latest is from 1929. The observatory is 6.75 metres high and 6 metres in diameter and
contains a refracting telescope with 80–450 x magnification.
From the platform, 34.8 m above the street, the visitor
has a magnificent view of the old part of Copenhagen.
Along the edge of the platform runs a beautiful wroughtiron lattice made in 1643 by Kaspar Fincke, Court Artist
in metalwork. In the latticework, Christian IV’s monogram
and the letters RFP are seen; these letters represent the
King’s motto: Regna Firmat Pietas – Piety strengthens the
Realms.
3 Center for Renhold
Architect:
Joint venture of Polyform Arkitekter and karres+brands Landschaps
architecten (KBP.EU)
Location: Hauser Plads
Assignment: Design transformation of under
ground parking garage into cleaning services offices
Size:​
1,000 m² GFA
Design:​
2009
Construction:​2010 – 2012
Budget: ​€ 2.5 Mio
Hauser Plads lies in the heart of the medieval city centre
of Copenhagen. The square is part of the public space
around the Købmagergade shopping street, designed by
karres+brands and Polyform. The former parking garage
underneath Hauser Plads has been transformed into the
offices of the municipal cleaning services, and its sunken
position forms a hidden gem in the historic core. The project is a good example of reuse (an outdated garage) and
dual land use (a playground and the premises of the Cleaning Services Centre) in a historical context.
The Center for Renhold is the new base for the city’s 75 cleaners, and also houses the cleaning vehicles. The amenities include shower facilities, changing rooms, cafeteria,
parking, and office functions, along with a conference
room. The primary work areas and staff rooms are organised around a sunken patio garden. The curved glass walls
of the patio allow maximum daylight into the building and
a generous view from the workspace, making the garden
an extension of the interior space. The undulating forms
of the sunken garden establish a direct connection to the
playful landscape above: on the aboveground square is a
playground for various day care centres in the immediate
vicinity.
The courtyard is planted with different types of vegetation,
which change in colour and texture with the seasons. The
flagstone paving creates spots for a coffee break, so the
patio can also serve as an outdoor workplace. The hidden
courtyard offers a constant interplay between inside and
outside, between the buildings below and the recreational
landscape above—and a lull in the continuous rhythm of
the surrounding city.
11
4 Købmagergade Shopping Street /
Kultorvet
Design team: Assignment: Area: Design: Construction: Budget: KBP.EU, a joint venture between karres+brands and Polyform
design of shopping street and three squares
2.2 hectares
2007
2009 – 2013
€ 9.9 mio
The curved course of the Købmagergade shopping street
is characteristic of the city of Copenhagen. Along with
the squares Hauser Plads, Kultorvet, and TrinitatisKirkeplads, this long street forms a characteristic image of the
labyrinthine medieval centre. On one hand, the design by
karres+brands and Polyform stimulates the growth of an
intensive urban life and, on the other, it is closely related
to the rich history of Copenhagen.
Købmagergade is a major shopping street and the main
link between the city and the busiest station in Copenhagen. The road was known for its shabby decor, a stagnant
commercial base, and a lack of connection to the surrounding characteristic shopping streets. A full refurbishment
was necessary. KBP, a joint venture of karres+brands and
Polyform Arkitekter, won the international competition
for the shopping street’s new design, plus three adjacent
squares.
During the day and through the week, the shopping area
has its own rhythm: people biking, walking, shopping,
playing, and going out. But supply, garbage, and maintenance traffic is also part of this dynamic. The first step
is to make the area clean and empty, so that the flow of
people at leisure can find its way. The second step is to
choose a strong material: natural stone, a durable material
that both lends a contemporary image and connects to
the traditional granite boulders in the historic centre.
On and along the Købmagergade are three important
squares: Kultorvet, Hauser Plads and TrinitatisKirkeplads.
In the design, these history-laden, subtly colour-changing
squares shoot from dark coals to bright stars, from Kultorvet to the Milky Way.
The organisation of the three squares differs following
the historical situation, and they differ from each other
according to their place in the city. Kultorvet has a dark,
almost black, stone paving pattern inspired by the eigh
teenth-century coal trade. Kultorvet is the largest square,
12 and has been outfitted with a fifteen-metre fountain
and adjoining stage.
The fountain is located on the main walking route through
which pedestrians are guided in the direction of the shops
and terraces. The square’s surface slopes downward toward the centre so that the fountain and events organised there can be seen from its edges. On Hauser Plads, a
much quieter square, exciting hills of grass for recreation
form a green oasis in the city—and the municipal cleaning
services housed underground are like a hidden pearl at
first glance. The church square, Trinitatis Kirkeplads, with
its famous Rundetårn observatory, changes into a giant sky
after sunset by way of 1,000 bright points of light in its
surface.
In the evening and night, the medieval town has its own
mysterious and melancholy atmosphere, especially in the
wintertime. This special character is emphasised in the
squares through the use of warm, indirect lighting with a
few extra touches. Thus it is still possible to see the stars,
just as Christian IV did in the seventeenth century from the
observatory in Rundetårn.
5 Israel Plads
Architect:
Year of opening: Location: Client: Size: Budget:
COBE and Sweco Architects
2008
Copenhagen, Denmark
City of Copenhagen
12.500 m2
60 mio. kr.
In 2008 the City Council in Copenhagen agreed on a major renovation of the square in order to establish an open
space that would unfold, open up and encourage the citizens of Copenhagen to engage in outdoor life and activities on a site where the only boundaries of engagement
are those of the mind. The car park is gone and Sweco
Architects have created a ‘flying carpet’ square that now
interconnects with H.C. Ørsteds Park and enhances the
coherence between the square and its surroundings. The
‘flying carpet’ nickname comes from the folded and soft
waved surface floating 30 cm above the ground.
The new Israel’s Square
The square has wings, as the southwest and northeast corners fold up and create sitting areas whilst covering the
ramp from the underground parking garage. As opposed
to the wings of the square, the surface runs downward as
a waterfall in the southwest corner into H.C. Ørsteds Park
and thereby blends with the trees that stretch into the
square. Across the square, water trickles in a small creek,
which continues into H.C. Ørsteds Park, where it ends in
stairs created of three oval vessels completing the waterfall. Depending on the purpose, the light of the pylons on
the square can be changed from a dimmed, scattered light
to one focused on specific areas during events. Along the
edge of the square, small LED-lights are installed to give
the illusion of a flying carpet and a hovering surface.
To create a space, that invites everyone, different features
have been created on the surface of the square:
• Round holes in the square, which are filled with grass
and trees and surrounded by benches thus creating green,
urban hangout spots
• Areas, which invite the citizens to several activities: ballgames, skating, and playing.
• Stairs in the corners which can be used as an observation
post from where you can see the activities on the square,
the pulsating life of the Market place, and the beautiful
green areas of H.C. Ørsteds Park.
In this way, Israel Square has been designed to be a square
for every citizen and visitor to explore urban life.
The special connection of the square to the Park
Sweco Architects and subcontractor COBE have worked intensively on the transition from the square to H.C.
Ørsteds Park. The square extends approximately seven
meters over the park, but without touching anything since it “hovers” over the greenery. Instead of cutting down
the existing trees, the holes in the square have been designed to integrate the trees into the square. These trees,
together with a number of newly planted trees, make the
park seem to continue into the square creating a gentle
transition. Access between the square and the park is via
a spiral staircase, which widens as it nears the ground in
H.C. Ørsteds Park.
The challenges in the process
NIRAS was involved in all engineering disciplines in the
full process from idea competition to the transformation
of Israel Square into a coherent urban space. The project
included several engineering challenges:
• The interaction between the square and H.C. Ørsteds
Park needed to be built without damaging the existing
trees.
• The square was built on top of a parking garage that
could only tolerate a certain load. This led to limited space
for drainage pipes, etc.. Furthermore, access to the parking garage had to be possible throughout the construction.
• During the construction phase, building activities on
Nørreport Station required increased planning logistics.
• Zahle’s School is located within the project area. Therefore, school traffic crossed the area during completion.
The schoolyard is now a part of the square itself.
Israel Square – a positive urban area
Morten Kabell (Red-Green Alliance Party), Mayor for Technology and Environment in the City of Copenhagen, believes that the square will help enhance the quality of life
and sense of community in Copenhagen. “Nine out of ten
Copenhagen residents want a vibrant, diverse, urban lifestyle. The new place adds to this. It’s wonderful that we
are creating room for playing and hanging out right in the
center of the city as an alternative to the outdoor cafés
and commercial activities that characterize the city center.
Here it doesn’t cost you a penny to have fun,” he said in an
interview with the national daily, Politiken.
13
Program Rising Architecture Week Copenhagen
14
Program Freitag
Fr 18.11.15
10/11
9
Nordhavn / Århusgadekvarter
9.00h
Nordhavn St.
1. Købmagergade
10.00h
2. Royal Playhouse
3. Nyhavn
4. DAC (Open 8h, 10h exhibtion)
11.00h
5. Harbour Bath
12.00h
6. The Black Diamond Library
7. The Crystal
13.00h
8. City Dune
14.00h
Lunch Torvehallerne, Nørreport St.
14.00-14.30h 9. Charlottehavn
15.00h
14.30h Führung COBE
1
Nørreport
10. Nordhavn
2
3
12
Kongens Nytorv
16.00h
4
11. Århusgadekvarteret
17.00h
Christianshavn
6
12. Besuch Büro COBE, Christianshavn
18.00h
7
KBH H
Central Station
Essen Streetfood Market, Christianshavn
Shops opened till 19/20h
Islands Brygge
5
4
15
Route Freitagmorgen
Route
Follow Kobmagergade and take a left at Silkegade,
continue this direchtion till Gothersgade and make a
right turn into Nyhavn. At the end of the harbour is the
Royal Playhouse.
Nørreport
Got
her
Køb
ma
ger
sga
1 Royal Playhouse
de
gad
Nyh
e
avn
e
d
ga
ilke
S
Kongens Nytorv
Walk back to Christianshavn metrostation and take the
M1 richtung Vestamanger, get off the metro at Islands
Brygge.Cross the road and follow Njalsgade till the waterfront, where the Harbour Bath is located. Cross
the Langebro bridge and take a right into Christians
brygge till the Black diamond Library.
2 DAC
ad
.
ge
eg
ng
Br
ni
fsg
tor
yg
s
ian
on
Dr
ad
t
ris
e
Ch
5 The Crystal
Christianshavn
e
gg
ry
B
ds
bo
lve
Ka
6 City Dune
3 Harbour Bath
Nj
als
ga
de
Islands Brygge
16
e
Gd
rns
Be
KBH H
Central Station
æ
nn
tA
nk
Sa
4 Black Diamond Library
Take the metro M1/M2 at Kongens Nytorv in the direction of Flughavn. Get out at the next stop Christians
Havn. Cross the street and walk into Dronningsgade,
make a left at Sankt Annæ Gade and follow till the crossing with Strandgade, go right and left to the docks
with the Danish Architecture Center.
Return on the Christians brygge/Kalvebods Brygge in
the direction of The Crystal and City Dune. At the City
Dune go left and follow Bernstorfsgade till KBH central
station and take the S-train till Norreport Station.
1 Royal Danish Playhouse
2 Danish Architecture Centre
Architect:
Adress: Metrostop: Adress: Webpage: Metrostop: Lundgaard & Tranberg (2008)
Sankt Annæ Pl. 36
Kongens Nytorv St.
The building complex consists of three compositional elements: the foyer, a broad „sidewalk“ floating on thin columns over the water, the auditorium and stage tower, and
the service area, placed in an expansive and unifying roof
level, clad in glass. These three elements form a charged,
geometric composition that completes the surrounding
urban structure and opens the city to the harbor.
Thermoactive structures, seawater cooling and demand-controlled ventilation: the Royal Playhouse features
numerous technical solutions intended to reduce energy
bills and ensure a sustainable profile. The company behind
the energy concept applied at the Playhouse is COWI.
Seawater and surplus heating from the large auditoria are
used to cool and heat parts of the Playhouse using thermoactive concrete structures. Tubes are embedded in the
building‘s concrete slabs, where they function as both a
heating and a cooling system.
In the winter, surplus heat generated by the light and by
the audience is stored in the thermoactive structures from
which it is released the next day. In the summer, the building is cooled at night so that it will be ready for use the
day after.
Strandgade 27B
www.dac.dk
Christianshavn St.
Exhibition opening hours:
60 DKK / 8.50CHF p.p
Monday - Friday: 10 AM - 6 PM
Saturday - Sunday: 10 AM - 5 PM
Bookstore opening hours:
Monday - Friday: 8 AM - 6 PM
to the exhibition 5-9 PM
Saturday - Sunday: 10 AM - 5 PM
Current Exhibition:
SNØHETTA - World Architecture
The summer of 2015 the Danish Architecture Centre is
welcoming Snøhetta to Copenhagen. Snøhetta is a mountain in Norway - and the most talked-about architecture
firm in Scandinavia. Their most famous building is the
iceberg-like Oslo Opera House located in the downtown
area of the city, but they are worth getting to know for
lots of other reasons. Their holistic and social democratic
approach to architecture resonates in Seoul as well as New
York, and soon Copenhagen will get its very own Snøhetta
building too.
3 Copenhagen Harbour Bath
Architect: Adress: Opening hours: Metrostop: Bjarke Ingels/JDS (2003)
Islands Brygge 14
Opened till 31 August
Islands Brygge St.
Copenhagen‘s harbour is in the midst of a transformation from an industrial port and traffic junction to being the
cultural and social centre of the city. The Harbour Bath has
been instrumental in this evolution. It extends the adjacent park over the water by incorporating the practical
needs and demands for accessibility, safety and programmatic flexibility.
Rather than imitating the traditional Danish indoor swimming bath, the Harbour Bath offers an urban harbour
landscape with dry-docks, piers, boat ramps, cliffs, playgrounds and pontoons. As a terraced landscape, the Harbour Bath completes the transition from land to water,
making it possible for the citizens of Copenhagen to go
for a swim in the middle of the city.
There are five pools in all, two of which are specifically for
children. The shallowest pool is 30 cm deep. The diving
towers are one, three and five metres high respectively.
17
4 Black Diamond Library
Architect: Adress: Opening hours: Metrostop: Schmidt Hammer Lassen (1999)
Søren Kierkegaards Pl. 1
8-22h daily, sunday closed
Kongens Nytorv St.
The “Black Diamond” is a characteristic new library building at the waterfront of Copenhagen. The building from
1999 is designed by the Danish architects Schmidt, Hammer and Lassen as an extension of The Royal Library and
lies adjacent to the old library cathedral of Hans J. Holm
from 1906. However, in form and materials it strikingly contrasts the old library building.
The name refers to the prismatic sharp edges and the
black marble plates and glass of the exterior, that reflects
the water of the harbour. Also from the wave-like balconies of central foyer, that cuts into the building as an 24
meter high atrium, there is a panoramic view over the harbour. The variety of cultural activities of the new building
has turned The Royal Library into a central cultural centre
of Copenhagen as part of the harbour promenade. The
seven stories of the building contain not only traditional
library functions such as the four new reading rooms, but
also a concert hall, exhibition galleries, bookshop, café
and restaurant. The ceiling of the bridge between the old
and the new is decorated by the Danish artist Per Kirkeby.
18
5 The Crystal
Architect: Adress: Schmidt Hammer Lassen (2011)
Krystallen, Hambrosgade
From the onset, the design team called this project Crystal, and the name has stayed with the building. This solitaire, an extension of a financial institution at the threshold
between the historic centre and the port, dominates the
trapezoidal square it inhabits, yet, because it pays heed to
the height of the existing buildings as well as visual relationships, is well integrated. The impression the sharp-edged, prismatic building massing makes varies significantly
corresponding to the observer’s standpoint.
The double-folded underside disengages the structure
from the plaza’s surface, and, in combination with the parallel roof, defines the six vertical facade surfaces. Where the planes intersect, three high points and three low
points come about: only at one point and one line does
the form meet the ground. The structural system consists of criss-crossing steel sections running diagonally,
with supplementary horizontal beams edging the ceiling
decks. Together they form, directly behind the facade surface, a vertical lattice that acts as a diaphragm and directs
the loads to just three supports. In combination with the
two cores it supports the floor slabs and the roof structure.
6 City dune
Landscape Architecture: Adress:
Client: Area:
Design: Realization:
SLA
Bernstorffsgade
SEB Bank & Pension
7.300 m2
2005-2007
2007-2010
The harbor front of Copenhagen has through the years
been widely criticized for being the site of low quality office buildings, introvert shopping malls, bad infrastructure,
and few, if any, public spaces worth using. Here, above
an underground car park on the most traffic-heavy corner
of Copenhagen, the Swedish SEB Bank chose to erect its
Scandinavian headquarters. SLA got the assignment to
create an urban space that could tie the new headquarter
together with the surrounding area, the harbor, and the
rest of Copenhagen.
An open space in front of a bank does not necessarily
need to be anonymous, grey, and void of people. On
the contrary, SLA designed the area as a green and welcoming ‘open foyer’ for the public and employees of the
bank alike. The result is a sustainable and fully accessible
urban space covering an area of 7.300 m2. Like a giant
dune of sand or snow it slips in between the buildings,
thereby creating a spatial coherence in the design. Simultaneously, the urban space, elevated 7 meters above the
surroundings, ensures the mobility of pedestrians and cyclists, leading from SEB and the harbor past The Danish
National Archives and on to the Tivoli Congress Center.
The City Dune, as the urban space quickly came to be called, is made of white concrete, borrowing its big, folding
movement from the sand dunes of Northern Denmark and
the snow dunes of the Scandinavian winter. The folding
movement and the contour of the terrain not only handle
functional and technical demands from drainage, accessibility and lighting to plantation and the creation of a
root-friendly bearing layer. It also offers a variety of routes
for customers and employees of SEB as well as ordinary
Copenhageners, creating an ever changing urban space.
The ascent from Kalvebod Brygge is shorter and steeper.
Here one will soon rise to a splendid view of the harbor.
Acclimatization is the single most important principle in
the design of The City Dune. Through the folding movements of the concrete, the surface reflects as much of
the incoming sun’s radiation as possible, thereby creating
a cooler microclimate during the hot months of the year.
This is further enhanced by 110 water atomizers emitting
out moist air, spread by the wind. The result is the experience of being in the middle of the lush Scandinavian nature. Narrow drains lead the rainwater from the concrete
surfaces and into two large rainwater tanks. From here it
is pumped to the plantation and the water atomizers through a fine-meshed network of tubes. As such, no rainwater ends up in the sewers or on the roads.
The trees and herbaceous borders are placed in fissures
between the horizontal planes. Both deciduous and evergreen plantation has been utilized to achieve the metabolism of water throughout the year in addition to enhancing
the microclimatic environment with wind and shelter. The
trees and plantations are not arranged to emulate nature.
It is a new manner of seeing and experiencing nature in
the city. The ambition is to create an urban view of nature
through a design that clarifies the presence of nature as a
process, while simultaneously supporting acclimatization
and other functional conditions.
All in all, The City Dune provides not only acclimatization and utility through the sustainable use of concrete and
plantation; it also gives a much needed recreational value
to a part of Copenhagen long neglected by city planners.
To fully experience The City Dune, one has to physically
move through it. When passing through the area, the space evolves and opens up in different directions, creating
new spatial connections in the process. When ascending
from Bernstorffsgade, the space gradually unfolds as you
walk along the 300 meter long and winding incline. Looking back against the city, the buildings frame a solid cut
of Copenhagen.
19
Route Freitagmittag
Route
9
10/11
Nordhavn / Århusgadekvarter
Nordhavn St.
Starting at Norreport Station take the S-train to Nordhavn. At arrival cross the
street and turn right on the Østbanegade and the first left into the Hjørringgade, enter the 9. Charlottehaven.
Meeting Lars (COBE) at 14.30, Nordhavn St.
12
20
9 Charlotte Garden
Landschaftsarchitect:
Location:
Design phase:
Realization:
Area:
Cost: SLA
Hjørringgade
2003
2003-2004
1,3 ha.
1,1 mio. €
Charlotte Garden in Copenhagen, Denmark, is located
on the site of a former factory that produced cryolite aluminum. Today, the factory has been replaced by a modern
residential complex with 178 apartments. Its facade is covered with bricks in multiple shades of blue.The building’s
square structure follows the current composition of other
buildings in the city. Transformed into a salt meadow the
garden tells a story of the historic proximity of the place
to the ocean.
With vegetation consisting of tall grasses, paths are drawn
with free and undulating curves framed within a straight, linear space. One can feel the creative freedom that comes
from these blends, this mixing between curved and straight, mineral and plant, with nuanced colors and different
planting heights.
The garden is used more and more by local people. On
the way to the café, as a meeting place, chatting at the
playground – or because they live in the housing blocks
of the same name that surround the open park and courtyard. The garden has become a place and a room.
The experience of the garden takes place through movement or simply being there. In addition it is experienced as an enriched visual extension of living space: When
viewed from the apartments the interplay of colour and
billowing form stands out as a friendly and constantly changing pattern.
The planting consists mainly of different grasses such as
meadow grass, Festuca glauca, Seslevia and Molina caerulea. Unusual for Scandinavian latitudes there is now
colour all year round. Colours that change from blue and
green in the summer to golden tones in the winter – a space of nuances. The different and changing spaces are held
together by paths crossing through the garden, whilst the
delineation of the spaces is achieved by means of change
of material. A textural and sensory space with a particular
attention to nuances and movement.
As a place for meeting, sharing, and gaming, Charlotte
Garden is a space where you can walk, but also eat, read,
or relax. Charlotte Garden multiplies the functions that it
offers to residents of the building and visitors from elsewhere. The corten steel edges associated with the quasi
strict use of grasses gives the garden a great contemporary look and confirms that SLA has a dynamic and innovative team in landscape.
21
10/11 Nordhavn - Århusgade quarter
Location: Client: Program: Size: Status: Architects: Copenhagen, Denmark
Copenhagen City and
Port Development
Strategy and development plan
3.6 mio m²
1st prize in competition 2008, appoin
ted as final advisor for Copenhagen City and Port, 1st phase under const
ruction
Sleth, Polyform, Rambøll, Cobe
In the coming years, the character of the southernmost
area of Nordhavnen will change considerably, from a harbour area used as a free port with extensive use of space
into an urban area with districts laid out as small islets directly connected with the water: a versatile, diverse and
inclusive city district. Delimited by the Nordbassin, the
Kronløbsbassin and the Kronløb, Inner Nordhavn is the
first of these districts to be realised. It will have room for
about 3000 residents and workplaces for 6-7000 people.
Planning for the Inner Nordhavn district began with an international design competition in 2009. Subsequent work
on the winning entry includes development strategies,
development plans and a number of planning themes
that will govern the future development of Nordhavnen.
Copenhagen City Council has adopted the required local
plan. The Nordhavn project consists out of three areas;
Sundmolen, Marmormolen and Århusgade quarter.
22
Århusgade quarter
The uniqueness of the Århusgade quarter is based on its
long history and strong identity: The history of the port
and the area‘s qualities, combined with the future urban
spaces and buildings, will create a unique neighbourhood
with strong contrasts: New meets old. Large meets small.
Closed meets open. The refined meets the rugged. The
city meets the water.
The Århusgade quarter‘s old buildings, silos and quays
will combine with the new urban spaces, buildings and
wharfs to create a progressive urban district with distinct
historical traces. The dense buildings with narrow streets,
small urban spaces and well-defined courtyards, will stand
in contrast to the water‘s wide open spaces.
The port‘s raw nature, sturdy materials and simple construction practices are utilised and supplemented with
refined details and refined materials. This continues the
port‘s coarse aesthetics in new ways and creates a special
character in the meeting the rugged and the refined.
The outdoor areas will mainly appear new, because in addition to a number of buildings in the area, it is primarily
the bulwarks that are retained. The outdoor areas contribute to the area‘s identity by interpreting the port‘s simple and raw aesthetic in a modern idiom that supports the
needs of the neighbourhood‘s users.
Varied urban spaces
The Århusgade Quarter will become a vibrant city district,
with 10,000 m² of shops, as well as restaurants and other
public functions that will attract attention outside the local
area. The local plan for the Århusgade Quarter was adopted in 2011. This was also the starting point for the sale of
land in the area.
Flexible use
The expansion of the Århusgade Quarter with an estimated 300,000 m² of construction started in 2012 and is expected to be completed within a decade. The area will
contain 165,000 m² residential space and 140,000 m² commercial space. The first residents and employees will move
into the area in 2014.
The squares in the Århusgade quarter offer a high degree of flexibility and will be very different. Each square
features special qualities, has specific purposes and offers
special opportunities.In the central squares, Århus Torv
and Silo Plads, there will be opportunities to utilise the urban spaces in different ways in connection with temporary
events. Alleyways, streets and promenades shall ensure
that the neighbourhood‘s traffic structure works well, but
boundary zones and relaxation zones here ban be rearranged in different ways and used for relaxation, plants,
displaying goods for sale etc.
Comfortable urban spaces
The Danish climate is not always ideal for outdoor relaxation. This is especially true at the coast, where the wind is
stronger and the temperature during the summer is lower.
This also applies to the Århusgade quarter. Wind studies
show that the Århusgade quarter generally is not adversely affected in relation to the dominant wind directions,
although naturally it will be windy some days. This is part
of the experience of being by the water. Wind studies also
show that it is especially around tall buildings that the
wind may sometimes be particularly strong and wind conditions must therefore be considered when deciding on
the building‘s design.
In order to achieve the best possible level of comfort in
the urban spaces, the vegetation is placed so that local
areas with shelter are created at selected sites.
Robust materials
The character and identity of the Århusgade quarter is based on the history of the harbour area. Traditional robust
materials are therefore used that are consistent with the
harbour‘s history: concrete, asphalt, hard wood and steel.
These materials can withstand the climate at the waterfront. They age beautifully and satisfy the functional requirements in the best possible way.
Concrete is used for the majority of surfaces, which creates
a continuous floor for the entire area. The island streets
are laid with asphalt on roadways and bicycle paths, while
granite (cobblestones) and steel are used in selected sites.
Street furniture of steel and wood are used with sturdy solutions inspired by traditional harbour equipment.
Several different types of vegetation will be planted. The
promenades and island streets become strong green features, thanks to the continuous sequence of uniform trees
and vegetation. Simple species are used on the square that interact with the specific character of the square,
while the urban gardens contain many different species
of trees and plants that create different green experiences and contribute to ensuring that the green structure is
experienced as diverse and varied.through the choice of
pavement, vegetation and lighting, while transforming it
into a lively pedestrian and bicycle friendly area. The original intention was to divide the project into a number of
phases, but as a result of the high demand for building
plots in the area, the project will now be carried out in one
phase as quickly as possible.
The area‘s structure ensures a high degree of variation in
the urban spaces. The area features small, intimate city
gardens and large open spaces. There are narrow streets
and well-defined urban spaces that are enclosed by buildings all the way around. There are also squares and island
streets that open up, as well as promenades by the water.
The buildings will help to create diversity, as their design,
scale and content will vary from place to place. The outdoor spaces unite the area‘s buildings and facilities into
a coherent unit that provide the framework for a diverse
urban environment and ensures good functionality of the
area‘s infrastructure.
23
Program Samstag
Samstag 19.11.15
Louisiana Museum
1
9.00h
10.00h
11.00h
10.00h Sammeln Nørreport St.
10.15h Zug Gl. 1 ØR 2037 Helsingør St.
10.45h Ankunft Humlebæk St.
10.45-11.00h Walk to Louisiana Museum
11.00h Louisiana Museum
11.15h Anfang Führung
12.00h
12.00h Ende Führung
bis 13.00h Museum selbständig
13.00h
14.00h
15.00h
Lunch Unterwegs/Louisiana
13.45h Sammeln bei Eingang Museum
14.13h Zug Gl. 2 ØR 2064 Karlskrona/Kristiansstad C
14.20h Kokkedal St. Ankunft
14.30h Bus 150S zu Nørreport St.
14.54h Ankunft Nærum St.
Naerum
2
Lyngby Park Cemetery
3
15.10h Ankunft Nærum Familiengärten
16.00h
15.53h Züruck bei Nærum St.- Bus 300S
Richtung Ishøj St.
16.00h Ankunft Handelsskolen Kbh. Nord
3min walk. to Kirkegard
16.40h Handelsskolen Kbh. Nord - 16.56h
Buddinge St. (Bus 300S to Ishoj St.)
17.00h
18.00h
24
17.07 Bus 6a to Rodovrehallen 17.24 Bispebjerg St. - Couple of min. walk to Superkilen
Norrebro
18.30 Beer at Mikkeler and Friends
Stefansgade 35 ( walk through Norrepark)
4
Superkilen
Norreport St.
1 Louisiana Museum of Modern Art
The beautiful museum, Louisiana Museum of Modern Art,
is located 40 kilometres north of Copenhagen and it has
gained a reputation as a museum in touch with the zeitgeist of the contemporary art world. Experience international artists, concerts and lectures.
You can always be sure to take in refreshing and innovative
contemporary art as well as modernist classics when you
visit Lousiana. Besides the impressive permanent collection with over 3,000 works, the museum has 8-12 special
exhibitions annually.
Louisiana
Museum
Louisiana Museum of Modern Art is situated in Denmark
on the North Zealand coast in a spacious, old park with a
fine view across the sound of Sweden. It houses an exquisite collection of modern art by international artists such
as Arp, Francis Bacon, Calder, Dubuffet, Max Ernst, Sam
Francis, Giacometti, Kiefer, Henry Moore, Picasso, Rauschenberg and Warhol.
Every year, the Louisiana Museum shows six to eight major exhibitions of modern and contemporary art, including
classical masters of modern art as well as new and upcoming international artists.
Louisiana is not merely an experience in modern and contemporary art, but a congenial reflection of the interplay
between art, architecture and landscape.
The park serves as an ideal setting for displaying the museum’s collection of modern sculptures. A short train trip
away, this modern art museum – one of the world’s best
– is worth a day trip out for its beautiful location alone.
Humlebæk
Station
After touring the exhibits step out on the cafe’s patio and
onto its manicured lawns to wander around the awesome
sculpture park. The pieces themselves are impressive but
more so against the picturesque backdrop of the Øresund
strait, offering panoramic views across to Sweden on most
days.
Similarly the prominent museum buildings, constructed
between 1958 and 1998, offer a fascinating background
for the permanent collection of twentieth century art.
Opening hours: Adress: Tue-Fri 11-22h
Sat-Sun 11-18h
Gl. Strandvej 13
3050 Humlebæk
Route: Walk from Humlebæk Station via Oscar Brunsvej and Gl.Strandvej to the museum
25
Exhibitions
26
YAYOI KUSAMA
IN INFINITY
17.9.2015 - 24.1.2016
AFRICA
ARCHITECTURE, CULTURE AND IDENTITY
25.6.2015 - 25.10.2015
Within a few years, Yayoi Kusama (born 1929) has become a favourite of Louisiana’s guests because of her Gleaming Lights of the Souls installation at the museum – a
mirror-lined room with hundreds of lamps in various colours that give the viewer a cosmic sensation of being in
an infinite space.
This summer’s major exhibition at Louisiana focuses on
architecture, art and culture on the African continent. By
pinpointing a number of judiciously selected examples
from a cultural here and now, the exhibition sheds light on
the diversity and complexity of the part of Africa south of
the Sahara Desert.
But with a career spanning six decades, Kusama is much
more than this. She came onto the art scene almost as a
woman counterpart to Andy Warhol in New York in the
1960s, where she expressed herself in a mixture of art, fashion and happenings. Since then, her striking visual language and constant artistic innovation have rightfully earned
her a position as one of today’s most prominent artists.
Louisiana’s exhibition of Kusama tells the full story of this
Japanese artist who with prodigious productivity has created an entire world unto itself, in which color, patterns
and movement together bear witness to her fascination
with the infinite.
Through a number of projects spread over the African continent the exhibition tells a story of the new architecture of
different regions – with its various proposals for accommodating local traditions, strengthen the existing ones and
create solutions for the future. The exhibition presents a
sensuous architectural scenography and a number of installations, where the form, scale and space of architecture
can be perceived on a 1:1 scale. Life around the buildings
is also part of the architecture. In the exhibition art, photography, film and other arts create perspective to the architects‘ efforts - and helps to refine our image of this part
of the world.
The Louisiana exhibition unfurls the whole of Kusama’s
life’s work: from early watercolours and pastels to her
ground-breaking paintings and sculptures from the 1960s,
psychedelic films, performances, installations and political happenings in the 1960s and the early 1970s, as well
as shedding new light on works from the 1980s, after the
artist’s return to Tokyo. Also on show exhibition are several of Kusama’s recent installations, and a series of new
paintnings by the 86-year-old Kusama, created especially
for Louisiana’s exhibition. The exhibition is the first Kusama retrospective to take into account the artist’s interest
in fashion and design but also includes several important
works from her early period that have never before been
exhibited.
The AFRICA exhibition is the third chapter in Louisiana’s
major series Architecture, Culture and Identity. In 2012, the
museum unveiled the first chapter – NEW NORDIC – and
in 2014, it turned attention toward the Arab world with the
ARAB CONTEMPORARY exhibition.
2 Nærum Allotmentgardens
Landscapearchitekt: Year of opening: Adress: C. Th. Sørensen
1948
Nærumgårdsvej, Nærum
Die Kleingartenanlage wurde 1948 vom dänischen Landschaftsarchitekt C. Th. Sørensen in Nærum, einem Vorort
von Kopenhagen, angelegt. Auf der welligen Rasenfläche
reihen sich 40 ca. 400m² große ovale Parzellen auf unsichtbarem Raster asymmetrisch aneinander. Jede Parzelle ist
von einer Hecke umrandet. Vom Rand der Anlage betrachtet, scheinen die geometrisch präzise konstruierten
Ellipsen die Hänge herunter bis zum tiefsten Punkt, einem
Teich in der Mitte des Geländes, zu fließen. Die Gestaltung der Parzellen ist dem jeweiligen Besitzer überlassen,
Sørensen hat jedoch einen Guide herausgegeben, der
verschiedene Gestaltungsvorschläge macht. Dabei sind
die Anordnung der Elemente in der Parzelle und die Auswahl der Pflanzen bis ins kleinste Detail durchdacht. So
besteht eine ideale Gestaltung etwa aus drei Ovalen, die
nach dem Matrjoschka-Prinzip ineinander geschachtelt
sind: in der Mitte der Gemüsegarten, davon halb verdeckt
ein Blumenbeet und zum Rand hin Rasen mit Obstbäumen. Die Gartengestaltung sei laut Sørensen einfach gehalten, erziele aber durch die besondere Anordnung der
Elemente eine enorme Erlebbarkeit. Die Anordnung der
Kleingärten in einzelnen Ovalen hat auch ganz praktische
Gründe: Da jede Parzelle von einer separaten Hecke umrandet ist, gibt es keinen Streit über die Höhe der gemeinsamen Hecke zwischen zwei benachbarten Parzellen. Der
Raum zwischen den Ovalen ist öffentlich.
Nærum
Station
Nærum
Familiengärten
27
3 Lyngby Park Cemetery
Landscape Architect:
Harald Plum, Henrik Iversen
Year of Realization:
1952-1967
Address: Lynby Parkkirkegard
Gyrithe Lemches Vej 9
2800 Kongens Lyngby
Die Gemeinde Lyngby lobte für die Gestaltung des Friedhofs samt dazugehörender Friedhofskapelle im Jahre
1951 einen Wettbewerb aus, den die Architekten Plum
und Iversen gewannen (Sehe Eintrag Alvar Aalto links unten).Vorgabe war, die seichten Täler, die das Gebiet kennzeichnen und eher untypisch für die eher flache dänische
Landschaft sind, in ihrem Naturzustand als Grasfläche mit
Wildblumen zu belassen.
Wie der Entwurfsplan zeigt, sollte der Friedhof auf dem
nördlichen Bereich zwischen den beiden Tälern sowie im
südlichen Bereich angelegt werden. Der übrige Teil sollte
als natürlicher, öffentlicher Park dienen. Wie auf den Plänen zu erkennen ist, sind die Grabfelder kreuzförmig angelegt (von gestutzten Hecken umgeben) und verlaufen in
zwei Reihen. Die Hauptwege werden von Pinienbäumen
gesäumt. Im Osten steht die Friedhofskapelle, die von einem Pinien-und Eichenwald umgeben wird. Wie das Luftbild zeigt, wurde der Planentwurf nicht in vollem Umfang
umgesetzt. Statt der Grabfelder im nördlichen Bereich
zwischen den beiden Tälern wurde ein Wäldchen angelegt. Auch die Grabfelder im südlichen Bereich wurden
nicht in gleichem Maß umgesetzt, wie vorgesehen. Nur
zehn kreuzförmige Grabfelder sind hier realisiert worden.
28
4 Superkilen
Project: Team: Location: Planning: Size: Urban Revitalization Superkilen C
TOPOTEK 1, BIG, Superflex
Norrebro, Copenhagen (Denmark)
2007
39.000 m2
Superkilen is a heterogenous site-collage in a dense, centrally located neighborhood in Copenhagen. The strongly
international quarter with a mix of different cultures is to
be revitalized using open space as a physical framework.
This space is to be propelled beyond its current role as
a mono-functional transit area into being innovative and
dense with sychronicities.
Accordingly, the concept aims at enhancing the diverse
characters within the site, creating a black square, a red
square and a green park. Further, in the way of a dialogue with the realities of Superkilen, the design reattributes
motifs from garden-history. In the garden, the translocation of an ideal, the reproduction of a another place, such
as a far off landscape, is a common theme through time.
Where the historic Chinese garden features miniature rock
formations of famous mountain ranges, the Japanese zen
garden abstracts the sea into waves of gravel. The historic
gardens in Florence or Versaille are loaden with allegorical depictions and the historic English landscape garden showcases replications of Greek ruins. We propose
to employ a contemporary, an urban version of a universal garden. Familiar, yet surprising. At Superkilen, a new
transfer of significant elements from other places is to give
meaning and ambiance. Simultaneously, this transfer will
reflect and engage the quarter’s urban reality.
The furnishing and equipment of Superkilen will be a compilation from an international catalogue of elements, including international billboards and light-advertisement.
The flashing neon advertisement for a Japanese pachinko
parlour astonishes analogous to historic chinoseries, while
telephone cells from Latinamerica create the flicker of an
illusion of a beach promenade.
29
30
Program Sonntag
Option 3
Little Mermaid
Kastellet
Option 1
Amager Strand
Option 1
Amager
Strand
Option 2
Amager Architecture
Option 3
Little Mermaid / Kastellet
Option 4
Gardens
Option 2
Amager
Architecture
31
Strandpavilion
Amager Helgoland
Øresund
Amager
Strand
Strandpavilion
Strandpavilion
Route to Amager Strand
Take the Metro (line Mx in the direction to Kobenhavn
Lufthavn/Cophenhagen Airport)
When getting of at
- Oresund St. : follow oresundsvej-oresundsstien in the
direction of Amagerstrandpark.
- Amager Strand St: follow Italiensvej in the direction of
Amagerstrandpark
To return: Return via Femoren St. to continue the Metroride to Copenhagen Airport, which is directly the next
stop.
Kastrup
Søbad
Femøren
32
Next stop Copenhagen Airport
Amager Strand Beach (Pavilions)
Amager Helgoland
Architect: Haslov and Kjaersgaard
Adress: Amager Strandpark, 2770 Kastrup
Architect: white architekter (2004)
Adress: Amager Strandpark, 2770 Kastrup
Geoeffnet: 1. juni til 15. september 2015
Lapping waves, beach volleyball and life on the esplanade, just minutes from Kongens Nytorv by Metro. With the
inauguration of Amager Strand Beach, this is now a reality
for Copenhagen residents.
The Amager Strand Beach complex consists of the beach
along the coastal road, Amager Strandvej, a lagoon, an
island, and the two parks, 10-øren and 5-øren (the Danish
10 Øre and 5 Øre coins). The island is 2 km. long and the
lagoon is 400 m. at its widest point. Concrete beach stations have been installed in the middle of the island, and
provide toilets, refreshment kiosks and other amenities.
These beach stations also act as vantage points, providing
a fantastic view of the large vessels plying the Øresund
Sound, Øresund Bridge, and the planes preparing to land
in Kastrup.
The new island has been bisected, so that in the north
you encounter a landscape of sand dunes, only to find
more park-like grounds in the south. Beautifully designed
pedestrian and bicycle bridges lead across to the new island‘s north and center. In the south it is also possible to
drive to the island without missing the natural scenery, the
sky and the sea.
The whole of Amager Beach has been listed as a recreational area, which can be used all year round.There are facilities for playing beach volley, surfing, flying kites and taking
a winter dip, or „polar bear swim.“ In order to create Amager Beach, the old baths (Helgoland) were demolished,
but they have been reconstructed off the new coast.
The sea bath is open till 31th of august.The rest of the year
Helgoland Sea Bath is solely for members of the Helgoland winter bathers club.The new Helgoland Sea Bath was
rebuild in 2008 by Fritid & Idræt
Helgoland Sea Bath is the place of residence for the winter
bathers’ club „Det Kolde Gys“, founded in 1929.
Kastrup Søbad
Architect: white architekter (2004)
Adress: Amager Strandpark, 2770 Kastrup
Geoeffnet: 1. juni til 15. september 2015
Über einen 100 m langen Steg erreicht man die kreisförmige, hölzerne Badeplattform, die auf 900 qm vielfältige
Aufenthalts-, Aussichts- und Einstiegsmöglichkeiten bietet. Die simple Konstruktion besteht hauptsächlich aus
tropischem Hartholz, das sich im Meerwasser als äußerst
widerstandsfähig erweist.
33
Option 3
Little Mermaid / Kastellet
Østerport
Little Mermaid
Kastellet
Amalienborg
Nørreport
Trainstation
Kongens Nytorv
34
Kastellet
Den lille havfrue
Amalienborg
Kastellet is one of the best preserved star fortresses in
Northern Europe. It is constructed in the form of a pentagram with bastions at its corners. Kastellet was continuous with the ring of bastioned ramparts which used to
encircle Copenhagen but of which only the ramparts of
Christianshavn remain today.
The Little Mermaid (Danish: Den lille havfrue) is a bronze statue by Edvard Eriksen, depicting a mermaid. The
sculpture is displayed on a rock by the waterside at the
Langelinie promenade in Copenhagen, Denmark. It is 1.25
metres tall.
Amalienborg is made up of four identical buildings Christian VII’s Palace (also known as Moltke‘s Palace, used
as guest residence), Christian VIII’s Palace (also known as
Levetzau‘ Palace, used as guest palace for Prince Joachim and Princess Benedikte), Frederik VIII’s Palace (also
known as Brockdorff’s Palace, home of the Crown Prince
family), and Christian IX’s Palace (also known as Schack’s
Palace, home of the Queen and Prince Consort). In the
middle of the palace square there is a statue of King
Frederik V from 1771.
A number of buildings are located within the grounds of
Kastellet, including a church as well as a windmill. The area
houses various military activities but its mainly serves as a
public park and a historic site.
The Citadel has two gates, King‘s Gate on the south side,
facing the city, and Norway Gate on the north side of the
edifice, which both date from 1663 as part of Ruise‘s original citadel. They are built in the Dutch Baroque style,
and are on their interior side flanked by guardhouses. The
King‘s Gate is decorated with garlands and pilasters, and
a bust of King Frederik III. The clock and two bells on the
interior facade of the gate come from the Central Guard
House at Kongens Nytorv and were installed in 1874 when
the central guard moved to the Citadel. In front of the gate
stand two so-called caponiers from where it was possible
to keep assaulting troops under fire. The Norway Gate
used to face open countryside outside the city, and has
therefore been built to a more simple design. The caponiers of this gate were demolished in the late 19th century.
Based on the fairy tale of the same name by Danish author
Hans Christian Andersen, the small and unimposing statue
is a Copenhagen icon and has been a major tourist attraction since 1913. In recent decades it has become a popular
target for defacement by vandals and political activists.
The statue was commissioned in 1909 by Carl Jacobsen,
son of the founder of Carlsberg, who had been fascinated
by a ballet about the fairytale in Copenhagen‘s Royal Theatre and asked the ballerina, Ellen Price, to model for the
statue. The sculptor Edvard Eriksen created the bronze
statue, which was unveiled on August 23, 1913. The statue‘s head was modelled after Price, but as the ballerina
did not agree to model in the nude, the sculptor‘s wife,
Eline Eriksen, was used for the body.
The Copenhagen City Council arranged to move the statue to Shanghai at the Danish Pavilion for the duration of
the Expo 2010 (May to October), the first time it had been
moved officially from its perch since it was installed almost
a century earlier. While the statue was away in Shanghai
an authorised copy was displayed on a rock in the lake in
Copenhagen‘s nearby Tivoli Gardens. Copenhagen officials have considered moving the statue several meters out
into the harbour to discourage vandalism and to prevent
tourists from climbing onto it, but as of May 2014 the statue remains on dry land at the water side.
At the Amalienborg Museum in Christian VIII’s palace you
can experience royal life past and present. The museum
there presents the private interiors of the most recent
kings and queens and an exhibit on the monarchy today
with its many traditions.
Changing of The Royal Guard
Amalienborg is also known for its Royal Guard, called
Den Kongelige Livgarde. Every day you can experience
the changing of the guards, as they march from their barracks in Gothersgade 100 by Rosenborg Castle through
the streets of Copenhagen and end up at Amalienborg,
where the changing of the guard takes place at 12:00
noon. The route varies.
35
Option 2
Amager Architecture
Ch
ris
tia
ns
ha
v
n
Route Architecture Amager
Islands Brygge Tietgenkollegiet
•
Take the M1 Metroline starting from Norreport,
get out at Islands Brygge.
•
Follow directions given at the project description
Tietgenkollegiet to the buidling.
•
Take the M1 Metroline in the direction of Vestamager and get out at Bella Center to see the Bella
Center Hotel (follow directions at project description.
•
Take the metro further the end of the Metroline:
get of at Vestamager to see 8 Tallet/ (follow directions at projectdescription)
•
To go to the Airport take the M1 metroline back
towards Christianshavn and switch here to the
M2 metroline in the direction at Lufthavnen ( it is
the last stop of this line).
Bella Center - The leaning towers
Vestamager - 8 Tallet
36
1 Tietgenkollegiet Student Housing
(Campus University of Copenhagen)
Islands Brygge Station
Tietgenkollegiet
Architect: Lundgaard & Tranberg
Adress: Rued Langgaards Vej 10 2300 København
Metrostop: Islands Brygge St.
Tietgenkollegiet is a gift from Nordea-fonden, no upper
financial limit was set for the architects – Tietgenkollegiet
had to be something special and they would have to pay
whatever it cost.The residence hall its main concept is
arranged as a circular building in 7 storeys containing all
the facilities of the residence hall and encircling one big,
planted courtyard in the centre.
The cylindrical main shape is transected by 5 vertical lines
that visually and functionally divide the building into sections and appear to be continuous, open passages providing access from the outside to the central courtyard.
In the inner courtyard of the residence hall, you see
the main common areas, the kitchens and the common
rooms, that contrary to nature seem to be hanging freely
in the air. With a depth of up to 8 meters, these boxes are
an impressive feat of engineering requiring gathering inspiration from e.g. building bridges in the open sea.
Besides the characteristic circular shape, one of the most
conspicuous elements in the architectural layout of Tietgenkollegiet is the choice of materials. On the outside, the
front of the residence hall is clad with the cobber-based
alloy tombak and oak. The indoor areas are characterised
by the smooth, unpainted concrete walls clad with birch
ply and floors of magnesite.
37
2 The Leaning Towers
(Bella Sky Hotel)
The leaning
Towers
Bella Center
Station
Architect: 3XN (2011)
Adress: Center Boulevard 5
2300 København S
Metrostop: Bella Center St.
The iconic two 75 meter towers are striking – standing as a
pair they lean out from a common base at a staggering 15
degree incline. This allows for nearly all 814 rooms to have
views over the neighboring nature preserve and the city
center just a few kilometers away.
The glass and aluminum facade reflects the angled movement of the building and underlines the dynamic urban
pulse. The inside offers innovative features such as green
walls, uniquely designed acoustics panels for the conference facilities, a custom made LED lamp installations in
the foyer and 200 different combinations of architectural
design in the rooms. Also, the hotel sky bar on the 23rd
floor offers an absolutely stunning view and is public accessible.
38
3 8-Tallet
Plug N Play
Vestamager
Station
8 Tallet
Architect: BIG Bjarke Ingels
Adress: Robert Jacobsens Vej
Architect: Kragh & Berglund A/S
Adress: Robert Jacobsens Vej
2300 København S
2300 København S
Metrostop: Vestamager St.
Metrostop: Vestamager St.
Ørestad is an emerging neighborhood in Copenhagen
that is redefining 21st century living. At the heart of the
development is 8 Tallet (or 8 House), a progressive apartment complex that is a small neighborhood in itself. The
bowtie-shaped 61,000 sqm mixed-use building of three
different types of residential housing and 10,000 sqm of
retail and offices comprises Denmark’s largest private development ever undertaken.
In only 3 months Ørestaden has been given a new outdoor
public space, which claimed by media, the new town has
lacked for a long time. Landscape Architects Kragh & Berglund A/S has made a proposal for this new public space
from early sketches to final drawings. Plug N Play is a temporary activity park placed on a future building site almost
adjacent to Vestamager Metro Station. The site consisting
of grasslands and earth mounds of excess soil from other
recently built plots. The temporary park spans approx. 2.5
hectares and contains a variety of known as well as lesser
known courts for physical activity – all joined together by a
simple and almost white concrete slab paving meandering
in between the activity courts as paths and larger open
plazas.
The 8 House creates two intimate interior courtyards, separated by the centre of the cross which houses 500 sqm
of communal facilities available for all residents. At the
very same spot, the building is penetrated by a 9 meter
wide passage that allows people to easily move from the
park area on its western edge to the water filled canals to
the east. Instead of dividing the different functions of the
building – for both habitation and trade – into separate
blocks, the various functions have been spread out horizontally. The apartments are placed at the top while the
commercial program unfolds at the base of the building.
As a result, the different horizontal layers have achieved a
quality of their own: the apartments benefit from the view,
sunlight and fresh air, while the office leases merge with
life on the street.
The proposal operates with a dynamic placing of activities, all in order to make it possible to remove and plug
in new play activities or just reshape or move the existing.
The concept is supporting the synergy between groups of
users and activities. The proposal works with sustainability
and recycling. Storm and drainage water is collected and
let to a ditch, where it is delayed, before being sent to the
nearby canal system. Many of the materials used in paving
and retaining walls are not fixed – they can simply be taken up and reused in another context at another site. An
essential part of the proposal is to add very strong vertical
elements / focal points to the site; the orange containers
used as a café, storage rooms and club facilities
39
for the users and sports clubs.
Option 4
Gardens
Route
SMK
Botanical
Garden
Kongens Have
Follow the Gothersgade to the
entrance of the Kongens Have.
Walk straight through the park and
cross the Ostervoldgade behind Rosenborg Slot to enter the Botanical
garden. Turn left on the Ostervolgdgade to enter at the main Entrance.
The Statens Museum Entrance is at
the exit of the Botanical Garden.
Norreport Station
SMK
BOTANICAL GARDENS
KONGENS HAVE
40
Kongens Have
Once a monastery garden, then a Baroque garden, Kongens Have (The King‘s Garden) is today also a place for
many open air concerts or carnivals.
Kongens Have is the oldest and most visited park in central Copenhagen, Denmark. Established in the early 17th
century as the private gardens of King Christian IV‘s Rosenborg Castle, the oark also contains several other historical buildings, including Rosenborg Barracks, home
to the Royal Guards, as well as a high number of statues
and monuments. The park also plays host to temporary
art exhibitions and other events such as concerts throughout the summer. The park traces its history back to 1606
when King Christian IV acquired land outside Copenhagen‘s East Rampart and established a pleasure garden
in renaissance style which also delivered fruit, vegetables
and flowers for the royal household at Copenhagen Castle. The garden had a relatively small pavilion which was
later expanded into present day Rosenborg Castle, which
was completed in 1624.
In 1634, Charles Ogier, secretary to the French ambassador to Denmark, compared the gardens to the Tuileries
Garden in Paris. The garden contained a pavilion, statues,
a fountain and various other features. Its plants included
mulberries, vine, apples, pears and lavender. Later in the
century, as fashions changed, the garden was redesigned.
A garden plan from 1669 show a garden maze, a typical
feature of the Baroque garden. It had an intricate system
of paths which led to a central space with an octagonal
summerhouse in its centre. From about 1710, after Frederiksberg Palace had been built, Rosenborg Castle, as well
as its gardens, was largely abandoned by the royal family
and the gardens were instead opened to the public.
Statens Museum for Kunst (SMK)
Entrance
In 2011, together with Polyform Arkitekter, Karres en
Brands won the international competition for the redesign
of the museum garden of the Statens Museum for Kunst
in Copenhagen. The design, ‘SMK tilbage i Parken’ (SMK
returns in the Park) connects the museum garden with the
Østre Anlæg park, located on the city’s former fortifications. With this, the SMK will become naturally embedded
in the park, by which it in fact revises the previous situation. The museum garden thus forms the new entrance area
for the SMK and Østre Anlæg.
The design is simple, distinctive and flexible. The new plan
offers an alternative to the huge, monolithic building, and
uses the terrain’s existing shifts in elevation. The heart of
the museum garden is a ‘base’, a unique water feature that
can at the same time be used as a stage for the museum,
city life, and other activities. The garden has a pronounced green character, with spacious lawns and plantings of
native tree species. The interplay of the spatial elements
ensures that the garden is an intermediary between collection, museum, park, and city. Museum visitors, artists,
and passers-by are thus invited make versatile use of the
museum garden.
In September 2014, the museum garden was officially opened. The 32-metre-wide pond in the middle of
the garden is a dominant gathering point: this element
brings people together, and acts as a large reflecting
pool that brings the sky and many towers of Copenhagen into the garden. If the pond is empty, it can be
used for art installations and concerts, and in the winter
as an ice rink. Within the new museum garden, city life
mixes with art, installations, and events—and thereby
announces a new era for the Statens Museum for Kunst
Botanical Garden Copenhagen
Monday - Sunday 08:30 - 18:00
Botanical Garden is located in the centre of Copenhagen.
The garden covers an area of 10 hectares and is particularly noted for its extensive complex of historical glasshouses
dating from 1874. The garden is open for the public.
The Botanical Garden was first established in 1600 but it
was moved twice before it was ultimately given its current
location in 1870.
The garden contains more than 13,000 species and is arranged in different sections including: Danish plants (600
species), perennial plants (1,100 species), annual plants
(1,100 species), rock gardens with plants from mountaineous areas in Central and Southern Europe and Conifer Hill which is planted with coniferous trees. One of the
newest inclusions is a rhododendron garden
The garden has 27 glasshouses. The most notable is the
old Palm House from 1874 that is 16 metres tall and has
narrow, cast-iron spiral stairs leading to a passageway
at the top.The garden also has a special air-conditioned
greenhouse that can re-create environments suitable for
Arctic plants.Botanical Garden also has a café, where you
can order a sandwich and have something to drink.
The botanical garden was first established in 1600 but it
was moved twice before it was ultimately given its current
location in 1870. It was probably founded to secure a collection of Danish medicinal plants after the reformation
had seen many convents and their gardens abandoned or
demolished.
41
Paludan Book café
Torvehallerne
Thursday/ Friday 9:00 am – 10:00 pm
Saturday/ Sunday 10:00 am – 10:00 pm
Opening hours:
Address: Fiolstræde 10, 1171 København
Phone:+45 33 15 06 75
Drinks and Diner
Address: Frederiksborggade 21
1360 København K
Man-Tor 10-19
Fredag 10-20
Lørdag 10-18
Søndag 11-17
Kaffe, brød & kage:
Breakfast, Coffee, Lunch, Diner, Drinks
LêLê Street Kitchen
// Østerbro
Østerbrogade 56
2100 København Ø
+45 3322 7131
42
// City
H.C. Andersens Boulevard 8
1553 København V
+45 3322 7137
Mikkeler Bar
Vesterbro
THUR-FRI: 13:00-02:00
SAT: 12:00-02:00
VIKTORIAGADE NO. 8 B-C
1655 COPENHAGEN.
+45 3331 0415
Norrebro
STEFANSGADE NO. 35 KLD.
2200 COPENHAGEN N.
+45 3583 1020
40 different beers on tap from Mikkeller, To Øl, Three
Floyds and more great microbreweries. More than 200
bottled beers, selected spirits, cider and soft drinks,
adjoining bottle shop and a unique interior. All of it to be
enjoyed by beer geeks as well as novices.
Once upon a time Mikkel Borg Bjergsø worked as a math
and physics teacher at a Copenhagen high school. After
school he taught two enthusiastic students to brew beer
in the school kitchen. The brewing quickly became more
than just a hobby for the two students, who started their
own brewery, To Øl, in 2010. In March 2013 the two former students and their teacher joined forces and opened
up the second Mikkeller bar in Copenhagen, Mikkeller &
Friends. The bar was born out of the first bar’s popularity.
Now there ar bars world wide.
44

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