Bombois_Pont_478480_ FINAL PRINT COPY_2016-01-08

©TaskForceSchwabingArtTrove
ObjectrecordexcerptforLostArtID:478480
CamilleBombois
PontdelaChausséeàMontargis,c.1944
Oiloncanvas,46x65cm
onrecto,lowerleft,signed:“Bombois.C.Me”
onverso,frame,lowerleft,handwrittenlabel:“(…)635x445/M(…)Petiten9½,/(…)orfindica…”;
lowerright,inscribedinpencil:“1”
onstretcher,upperleft,inscribedinpencil:“(PontdelaChaussée)(àMontargis)”;inblack:“22446”;
upperright,inred:“D.G.”;farright,inblack:“70.M.[?]””;lowerleft,inred:“D.3266”;lowerright,in
blue:“X”;inred:“X”;onverticalstretcher,attop,inpencil:“1”;inwhite:“DG8”;atcentre,inwhite:
“65x45”;below,inwhite:“5Kos”
oncanvas,inscribedinred:“No.3”
Provenance:
By28April1944:withRaphaëlGérard,Paris(perCorneliusGurlittPapers)
BySeptember1953:HildebrandGurlitt,Dusseldorf(perCorneliusGurlittPapers)
BydescenttoCorneliusGurlitt,Munich/Salzburg
From6May2014:EstateofCorneliusGurlitt
Exhibition:
ExpositionCamilleBombois.GalerieO.Pétridès,Paris,28January–12February1944.[no.3,ill.]
Primarysources:
CorrespondenceHildebrandGurlitt–possiblereference:
20March1947[vol.6,fol.58]
CorneliusGurlittPapers,Salzburg:
Photographs,no.17.1_F1701[n.d.]
ListRaphaëlGérard,referenceno.inprocess,28April1944,[itemno.1]
ListofartworkswithRaphaëlGérard,referenceno.inprocess,[c.September1953],[itemno.1]
SeizureInventory[Sicherstellungsverzeichnis],2012,no.SV(Part2)/081
29September2015(interimresults)
www.lostart.de/EN/Fund/478480
©TaskForceSchwabingArtTrove
ObjectrecordexcerptforLostArtID:478480
Furthersourcesconsulted(selected):
Hans F. Secker. “Camille Bombois–Paris,” pp. 136–144. In: Deutsche Kunst- und Dekoration, vol.
34,no.7(April1931).
Tableauxmodernes,aquarelles,pastels.Auct.cat.,HôtelDrouot,Paris,19February1932.
Tableauxmodernes,aquarelles,pastels.Auct.cat.,HôtelDrouot,Paris,3May1935.
Tableaux anciens et modernes, gravures, aquarelles, gouaches, par ou attribués à Augustin,
Bando,Bailly,Bombois[...].Auct.cat.,HôtelDrouot,Paris,18June1941.
Collection of Mr. and Mrs. Maurice J. Speiser: Modern art, paintings and sculptures. Auct. cat.,
Parke-BernetGalleries,NewYork,26–27January1944.
Uhde, Wilhelm. Fünf Primitive Meister: Rousseau, Vivin, Bombois, Bauchat, Seraphine. Zurich:
Atlantis,1947.
Crnković, Vladimir, Eva Karcher, Dorothee Messmer and Hans F. Secker. Camille Bombois.
Bönnigheim:Wachter,1999.
ArchivesdeParis
ArchivesDurand-Ruel
BibliothèqueKandinsky,Paris
BNFRichelieu–Estampesetphotographie
BusinessrecordsHildebrandGurlitt
CulturalPlunderbytheEinsatzstabReichsleiterRosenberg:DatabaseofArtObjectsattheJeude
Paume
Database“CentralCollectingPointMünchen”
Database“EntarteteKunst”
Database“KunstsammlungHermannGöring”
GettyProvenanceIndex,GermanSalesCatalogs
Lootedart.com
LostArt
RépertoiredesBiensSpoliés
RijksbureauvoorKunsthistorischeDocumentatie
VerzeichnisnationalwertvollerKunstwerke(“Reichslistevon1938”)
WittLibrary
Note:
AbridgereflectedinwaterbelowisarecurrentmotifinBombois’œuvre.
Theinscription“No.3”onthecanvasversoreferstotheBomboisexhibitionmountedbyGalerie
Pétridès in 1944. According to the exhibition catalogue, the show featured the artist’s recent
works.Althoughthepaintingdoesnotappeartobedated,wemayassumethatitwasexecuted
intheimmediateperiodpriortoJanuary1944.
This work was one of over 70 works with the art dealer Raphaël Gérard in Paris in 1944. It is
unclearwhetheratthetimeGérardand/orGurlittownedorco-ownedtheseworks,whetherthey
hadbeenplacedoncommission,orindeedsimplydepositedwithGérard.Itisconspicuousthatan
inventory of works with Gérard was drawn up in the very late stages of the war; one possible
hypothesis is that Gurlitt placed for safekeeping with Gérard works that he had acquired in
occupiedParis,withtheintentionofmovingtheseobjectsatalaterdate.
In1953,someoftheseworkswereshippedtoGurlittinDusseldorf,whileothersremainedwith
Gérard until 1957 (at Gurlitt’s cost). The inscription “1” on verso refers to two inventories of
29September2015(interimresults)
www.lostart.de/EN/Fund/478480
©TaskForceSchwabingArtTrove
ObjectrecordexcerptforLostArtID:478480
artworkswithGérard,onedated28April1944,theotherdatingfromaboutSeptember1953.This
workisrespectivelyreferredtohereinas“Bombois,LePont”(1944)and“Bombois,DieBrücke”
(1953).
ThepersonalpapersfoundinCorneliusGurlitt’sSalzburghomeincludeacollectionofabout2,400
photographsofartworks.Photographno.17.1_F1701isareproductionofthiswork.
Disclaimer:
TheresearchoftheTaskforceSchwabingArtTrovefocusedexclusivelyontheprovenanceofthe
artworkdescribedinthisreport.Thisreportdoesnotpurporttomakepronouncementsonany
legalclaimsandlegalpositions.TheheadoftheTaskforceSchwabingArtTroveisresponsiblefor
thecontentsandthepublicationofthisreport.
TheTaskforceendeavouredtoensuretheaccuracyandreliabilityoftheinformationprovided.No
liabilitywillbeacceptedfortheaccuracyoftheusedsources;thefacts,andconclusionscontained
therein; the exhaustiveness of research and evaluation of the available source material; any
analyses or conclusions drawn from the sources in the course of research; the findings on the
subjectofthereportandhowtheywerederived;theauthenticityoftheartwork,itsattribution
toaparticularartist,oritsmonetaryvalue;and/orconclusionsdrawnbythirdpartiesbasedon
thisreport.
Thisreportisbasedonthesourcesavailableatthetimeitwaswritten.Itisaninterimreportthat
may be revised and updated, should additional relevant material be discovered. The Taskforce
Schwabing Art Trove welcomes any information that may augment or clarify the provenance of
thiswork.
29September2015(interimresults)
www.lostart.de/EN/Fund/478480