jukka tiensuu 2002

Zolo
version for piano accordion
jukka tiensuu 2002
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jukka tiensuu 2002
Zolo
version for piano accordion
Performance note:
There are two versions of Zolo: one for button accordion, the other one for piano accordion. The version for piano accordion was made on
the iniatitive and with the kind help of Margit Kern.
Notation:
In combined registers, the lowest sounding pitch is notated.
A single 8' is always cassotto.
A bend of either a quarter-tone (bars 94, 102) or 3/8-tone (bars 18, 25, 30-31, 46, 69, 70).
A traditional (quasi) chromatic glissando.
These traditional glissandi are never played with B.S. (But see about bars 34-35, 56-57 below).
A quarter-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
An eight-tone higher/lower than the written note. All accidentals are valid till the end of the bar.
Start and end marks of a way of playing, where the keys are pressed down before the bellows are activated. When a chord is
repeated, the keys are kept down and the rhythm is produced by the bellows shake, only. This is also meant by "(B.S.)".
However, it is possible to use occasionally "normal" bellows shake to give more impetus to the accentuated notes. Note that all
tremoli (B.S.) are measured 1/32-notes. (But see about bars 29 and 45 below).
o
dal niente/start from nothing
o al niente/let sound die (the last notes need not be heard by the audience)
>
All accents should be exaggerated.
bars 13, 21 and similar: in left hand the small cluster grows wider and gets narrow again.
bars 29, 45: tremolo unit lenghtens gradually from 1/32-note to 1/8 note.
bars 34, 56 suggested realisation: with a rotational movement quickly glide through (quasi) chromatic scale during the ricochet. Let tones
overlap.
bars 38-, 57-, 86- if rall. is done, the tempo must not go below MM. 63

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