ROBINSON di Greg Gazdowicz combina la pressione del pennino calligrafico con la costruzione lineare di un sans serif. Sarà distribuito nel corso del 2015 da commercialtype.com di Francesco Franchi MANUALE DI SOPRAVVIVENZA PER CARTOFILI Eterogenesi dell’XXX ben curato, ben prodotto e ben stampato PRINT IS DEAD. LONG LIVE PRINT. THE WORLD’S BEST INDEPENDENT MAGAZINES di Ruth Jamieson è un manifesto per la rinascita della carta stampata. Analizza oltre cinquanta testate di magazine indipendenti suddivisi in nove categorie: art & culture, design, travel, men’s & women’s, food & drink, sports, life, current affairs e style (Prestel, 24 × 28 cm, 208 pp., 2015, inglese, 40 euro). prestel.com Non è proprio vero che la Rete sta uccidendo la carta stampata. Anzi, grazie internet. Infatti il passaparola online ha permesso la diffusione e la promozione di centinaia di magazine indipendenti e l’offerta discount di porno sul web ha stimolato la nascita di una sensualità più sofisticata e ricercata, che viene oggi inseguita dalle riviste glam: ben curate, ben prodotte e ben stampate. Ed ecco allora che il settore dei magazine erotici torna, forse per reazione, a crescere. Hello Mr. Hello Mr. 78 hello mr. – issue 03 hello mr. – issue 03 Habibi Habibi Text by Aruthur Allen Illustration by Daniel Gray Text by Aruthur Allen Illustration by Daniel Gray As a gift to my girlfriend I went back into the closetAs adidn’t gift to have my girlfriend before. II never went back tiredinto of the theattention closet itdidn’t have before. I never tired of the attention it for the night of her wedding. I hated the idea, butfor the gave night me.of I imagine her wedding. the effect I hated is similar the idea, to finding but agave me. I imagine the effect is similar to finding a our mutual friends convinced me to find more pro-our mutual handsome friends magazine convinced model meinterested to find more in learning prohandsome magazine model interested in learning ductive outlets for my militancy. She comes fromductive youroutlets name.for my militancy. She comes from your name. a large Palestinian family, and I was persuadeda largeAfter Palestinian the ceremony family,was andfinished I was persuaded and the din- After the ceremony was finished and the dinthat there was no harm in toning down my love ofthat ner there was was eaten, no harm the dancing in toningbegan. down my It was lovea of whilener was eaten, the dancing began. It was a while men for the duration of her nuptial feast. menbefore for thethe duration hired of troupe her nuptial of traditional feast. dancersbefore the hired troupe of traditional dancers “Besides, they could very well ask you to leave “Besides, finishedthey theircould show and verythe well DJask exhausted you to leave his playl-finished their show and the DJ exhausted his playlif they catch you hunting groomsmen,” pointedif they ist of catch Middle you Eastern hunting pop groomsmen,” songs. Mypointed girlfriendsist of Middle Eastern pop songs. My girlfriends out a close friend who had already met the family.out aand close I clapped friend who from had the already sidelines. met the Thefamily. melodiesand I clapped from the sidelines. The melodies Ask me to leave? My exposure to the ways of Ask had me lifetoand leave? felt appropriate My exposure to the to the romance ways of of thehad life and felt appropriate to the romance of the Arab men was admittedly limited, but I had heardAraboccasion, men wasbut admittedly not knowing limited, any but Arabic, I hadwe heard couldn’toccasion, but not knowing any Arabic, we couldn’t of their protectiveness. Her family was traditionalof their connect protectiveness. to the moment. Her family We could was traditional only observeconnect to the moment. We could only observe enough to plan the wedding halal, so no alcoholenough it, which to plan was thepleasant weddinguntil halal,our so no feetalcohol started toit, which was pleasant until our feet started to would be served and I would have no room towould hurtbe from served standing. and IBy would the time havewenoheard roomfamiliar to hurt from standing. By the time we heard familiar misbehave. The idea of a dry wedding was foreignmisbehave. music, the Thecrowd idea of had a dry already wedding loosened was foreign up withoutmusic, the crowd had already loosened up without to me, but so were the guests. to me, us.but It didn’t so were take theusguests. long to catch up, but it wasus. It didn’t take us long to catch up, but it was My girlfriends and I had our own table, which Mysome girlfriends time before and I Ihad noticed our own things table, were which not howsome time before I noticed things were not how stood out from the masses of cousins, secondstood I expected out fromthem: the masses enchanted of cousins, young men second were notI expected them: enchanted young men were not cousins, and great aunts filling the rented ban-cousins, surrounding and great us. aunts Ignoring filling the music the rented for a moment, bansurrounding us. Ignoring the music for a moment, quet hall. Everyone but ourselves seemed MiddlequetI hall. studied Everyone my girlfriends. but ourselves Their dancing seemed Middle didn’t haveI studied my girlfriends. Their dancing didn’t have Eastern in origin. I was the cherished gay in aEastern its usual in origin. confidence I wasand thetheir cherished expressions gay inlooked a its usual confidence and their expressions looked group of the most covetable single women I’vegroup dejected. of the most Theycovetable weren’t enjoying single women the Palestinian I’ve dejected. They weren’t enjoying the Palestinian ever had the privilege of knowing. We loved wed-everflavor had the of the privilege wedding. of knowing. Their furrowed We loved brows wed-andflavor of the wedding. Their furrowed brows and dings, and every wedding we’d attended thus fardings, side-glances and every wedding drew my we’d eyes attended to the gyrating thus far massside-glances drew my eyes to the gyrating mass had ended with my girls owning the dance floor,had of ended young with men myoccupying girls owning thethe center dance of the floor, danceof young men occupying the center of the dance dancing their hearts out while enchanted youngdancing floor.their Not one hearts wasout paying whileany enchanted attention young to the girlsfloor. Not one was paying any attention to the girls men summoned the courage to join. By findingmenofsummoned my gang orthe thecourage veiled young to join. women By finding in distantof my gang or the veiled young women in distant my way to the centers of these dance circles Imy way orbittoaround the centers the banquet of thesehall. dance I was circles stunned. I orbit around the banquet hall. I was stunned. would broadcast my closeness to the girls, so thatwould These broadcast dappermy emirs closeness were dancing to the girls, with each so that other,These dapper emirs were dancing with each other, whenever I would leave them for a drink I wouldwhenever and enjoying I would leave – solely them – each for a drink other’s I would dancing.and enjoying – solely – each other’s dancing. instantly have buds, bros, dudes, and buddies Iinstantly They have all lip-synched buds, bros,along dudes, to the andAmerican buddies IpopThey all lip-synched along to the American pop 143 143 hello mr. – issue 04 hello mr. – issue 04 hello mr. – issue 04 78 79 79 hello mr. – issue 04 History, History, According According to Boys: to Boys: Saeed Jones on the Past, Saeed Jones on the Past, Poetry, and Leaving Poetry, Home and Leaving Home When you read the poems of Saeed When Jones, you read you can’t the poems help but of try Saeed to Jones, you can’t help but try to imagine the type of speaking voice imagine he might the type have.ofHis speaking poems voice have he might have. His poems have a distinct audibility. The concision a distinct of his line audibility. breaks The and concision the jazz ofof his line breaks and the jazz of his occasional rhyme. When youhis meet occasional him in person, rhyme.you When findyou that meet him in person, you find that the voice you’ve made up in yourthe head voice matches you’vehis made actual upvoice in your with head matches his actual voice with startling accuracy: the low swings startling of a soul accuracy: singer and the the lowstaccato swings of a soul singer and the staccato conviction of someone who’s rehearsed conviction a speech of someone a hundred who’stimes. rehearsed a speech a hundred times. Text by Francisco Tirado Photography by Michael George Text by Francisco Tirado Photography by Michael George 29 29 The List The List Poem by Noah Michelson Illustration by Tom McQuaid Poem by Noah Michelson Illustration by Tom McQuaid Two Bills, two Wills, a William, a Willis, a kindTwo of halo Bills,constantly two Wills, a William, a Willis, a kind of halo constantly circling my ruptured head formed from an alphabet circling my of ruptured eyelashes, head of formed from an alphabet of eyelashes, of lumpy unfamiliar queen-sized beds, of last nights lumpy and unfamiliar tomorrow queen-sized nights beds, of last nights and tomorrow nights and that Tuesday lunch hour with Aaron at the andairport that Tuesday Marriott, lunch twohour with Aaron at the airport Marriott, two Adams, a Benjamin, a Bennett, the beginning Adams, little more a Benjamin, than theaidea Bennett, of the beginning little more than the idea of the idea there must be more than my sore sorry the idea self,there a Stephen, must be more than my sore sorry self, a Stephen, a Steve, two Sams, a Brad, Joshua the bonaafide Steve, storm twotrooper, Sams, aJoshua Brad, Joshua the bona fide storm trooper, Joshua the soon-to-be preacher, the wide-mouthed the zippers, soon-to-be the sloppy preacher, courage the wide-mouthed zippers, the sloppy courage conjured by six beers on an empty stomach,conjured a Montyby who, six beers while kissing on an empty stomach, a Monty who, while kissing his way to my waist admitted a little too brightly his way believe-it-or-notto my waist admitted a little too brightly believe-it-or-notI’m-married, a Markus, two too many Michaels, I’m-married, a Mathew a Markus, with onetwo T and too many Michaels, a Mathew with one T and two piss slits, three Johns, a James, each name twoled piss toslits, and three lacedJohns, through a James, each name led to and laced through its own story until the two are merely the memory, its own the story endless until the mending two are merely the memory, the endless mending of the memory until only a spangled bit of the of the truememory or rottenuntil remains, only a spangled bit of the true or rotten remains, Andrew with the badly behaved poodle, Anthony Andrew with with thethe beautiful badly behaved poodle, Anthony with the beautiful asshole, two Christophers—one a bargain, the asshole, other two a blunder—a Christophers—one Tanner a bargain, the other a blunder—a Tanner and a Miller, two vaguely Dutch craftsmen equally and a Miller, skilledtwo in the vaguely art of Dutch craftsmen equally skilled in the art of ignition and delay, a Danny, a Darren, the desire ignition drawn and up delay, out a ofDanny, the dream a Darren, of the desire drawn up out of the dream of raw possibility, of plenty, of famine, a Jeffery, raw a Jeremy, possibility, an incurable of plenty, of famine, a Jeffery, a Jeremy, an incurable inclination towards the maimed or unattainable inclination or suspiciously towards the longmaimed or unattainable or suspiciously long sideburns, a Blake, a Zack, all of the unnamed, sideburns, the ones a who Blake, now a Zack, only all of the unnamed, the ones who now only exist in fumy, inkjet flashbacks—a balcony with exista in view fumy, of the inkjet tugboats flashbacks—a balcony with a view of the tugboats swarming Jersey, a pair of nipples like pastelswarming mini-marshmallows—a Jersey, a pair ofNathan, nipples like pastel mini-marshmallows—a Nathan, a Neil—if I never loved any of you I hope youanever Neil—if knew I never it, will loved never any of you I hope you never knew it, will never know it, and after all of it what did I expect?—A know Sean, it, and a Sebastian, after all of ait Seth. what did I expect?—A Sean, a Sebastian, a Seth. Noah Michelson received his MFA in Poetry from New York Noah University. Michelson He has received been published his MFA in in Poetry from New York University. He has been published in Americanmagazines Erotic Poetry 1800 – Present,including The Best American Erotic Poetry 1800 – Present, numerous magazines and anthologies, including The Bestnumerous and anthologies, edited by David Lehman, The New Republic and The Beloit edited byJournal David ,Lehman, Poetry among others. The New HeRepublic is and The Beloit Poetry Journal, among others. He is him at @NoahMichelson. the Executive Editor of The Huffington Post Gay Voices. Follow the Executive Editor of The Huffington Post Gay Voices. Follow him at @NoahMichelson. Shirt by J.Crew, Pants by Zara, Shoes by Generic Surplus Shirt by J.Crew, Pants by Zara, Shoes by Generic Surplus Clockwise from top Clockwise left: from top left: An interview withAn poet interview Saeed with Jones. poet Saeed Poem Jones.by Noah Michelson, Poem by Noah editorMichelson, of Gay editor A fashion of Gay story by A fashion Anais & story Dax. by Anais & Dax. Arthur Allen’s short Arthur story Allen’s aboutshort goingstory about going Voices at the Huff Voices ingtonatPost. the Huffington Post. back in the closetback for ainfriend’s the closet wedding. for a friend’s wedding. A close-up of a floral A close-up jacket of is juxtaposed a floral jacket is juxtaposed with hand-drawnwith typography. hand-drawn typography. Volume 5 delves into the topic of humour with Laura Gardner’s essay on fashion comedy, Fiktion’s first contribution – Rajeev Balasubramanyam’s Starstruck (part 5), and Johan Jonsson’s series Luscious. Featuring photography by Philippe Gerlach, Arnaud Lajeunie and Pol Agustí, Odiseo Vol. 5 closes with Luis Cerveró’s views on Sam Haskins’ work. MMXIII NICO nicomagazine.com, DIENACHT dienacht-magazine. com, JACQUES jacques-mag. com, TALC talcmagazine.com, C.A.P. 74024 cap74024.com, ODISEO folchstudio.com, SECRET BEHAVIOR secretbehavior.com, GIRLS LIKE US glumagazine.com, PARADIS paradismagazine. com, E.R.O.S. erosjournal. co.uk, NEW GENTLEMEN’S CLUB, L’IMPARFAITE limparfaite.com, S MAGAZINE smagazine.com, EXTRA EXTRA extraextramagazine.com, RICHARDSON richardsonmag. com, PERLE perlemag.com, BARON baronmagazine.co.uk, PANTYHOSE pantyhose-mag. com, DARIUS dariusmag. com, MIMIK mimikmagazine. com, ADULT adult-mag.com, IRÈNE irene-eroticfanzine.com, TISSUE tissuemagazine.com, EDWARDA edwarda.fr, FLUFFER MAGAZINE fluffermagazine. net, GIDDYHEFT jungsheft. de, TREATS! MAGAZINE treatsmagazine.com INSTAGRAM YAF @yaf.magazine youarefire.com $20.00 US/CND 0 02 74470 26227 5 02 42 01. Hello Mr. di Ryan Fitzgibbon, Berlino, 2013, hellomrmag.com — 02. @margogogo94 by @emanueleferrariph E . R .O. S . 01
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