Eterogenesi dell`XXX ben curato, ben prodotto e ben

ROBINSON di Greg Gazdowicz
combina la pressione del
pennino calligrafico con la
costruzione lineare di un sans
serif. Sarà distribuito nel corso
del 2015 da commercialtype.com
di Francesco Franchi
MANUALE DI SOPRAVVIVENZA PER CARTOFILI
Eterogenesi dell’XXX ben curato,
ben prodotto e ben stampato
PRINT IS DEAD. LONG
LIVE PRINT. THE WORLD’S
BEST INDEPENDENT
MAGAZINES di Ruth
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oltre cinquanta testate
di magazine indipendenti
suddivisi in nove
categorie: art & culture,
design, travel, men’s &
women’s, food & drink,
sports, life, current affairs
e style (Prestel, 24 × 28 cm,
208 pp., 2015, inglese, 40
euro). prestel.com
Non è proprio vero che la Rete sta uccidendo la carta stampata. Anzi, grazie
internet. Infatti il passaparola online ha
permesso la diffusione e la promozione
di centinaia di magazine indipendenti
e l’offerta discount di porno sul web ha
stimolato la nascita di una sensualità
più sofisticata e ricercata, che viene oggi inseguita dalle riviste glam: ben curate, ben prodotte e ben stampate. Ed ecco
allora che il settore dei magazine erotici torna, forse per reazione, a crescere.
Hello Mr.
Hello Mr.
78
hello mr. – issue 03
hello mr. – issue 03
Habibi
Habibi
Text by Aruthur Allen
Illustration by Daniel Gray
Text by Aruthur Allen
Illustration by Daniel Gray
As a gift to my girlfriend I went back into the closetAs adidn’t
gift to have
my girlfriend
before. II never
went back
tiredinto
of the
theattention
closet itdidn’t have before. I never tired of the attention it
for the night of her wedding. I hated the idea, butfor the
gave
night
me.of
I imagine
her wedding.
the effect
I hated
is similar
the idea,
to finding
but agave me. I imagine the effect is similar to finding a
our mutual friends convinced me to find more pro-our mutual
handsome
friends
magazine
convinced
model
meinterested
to find more
in learning
prohandsome magazine model interested in learning
ductive outlets for my militancy. She comes fromductive
youroutlets
name.for my militancy. She comes from
your name.
a large Palestinian family, and I was persuadeda largeAfter
Palestinian
the ceremony
family,was
andfinished
I was persuaded
and the din- After the ceremony was finished and the dinthat there was no harm in toning down my love ofthat ner
there
was
was
eaten,
no harm
the dancing
in toningbegan.
down my
It was
lovea of
whilener was eaten, the dancing began. It was a while
men for the duration of her nuptial feast.
menbefore
for thethe
duration
hired of
troupe
her nuptial
of traditional
feast. dancersbefore the hired troupe of traditional dancers
“Besides, they could very well ask you to leave “Besides,
finishedthey
theircould
show and
verythe
well
DJask
exhausted
you to leave
his playl-finished their show and the DJ exhausted his playlif they catch you hunting groomsmen,” pointedif they
ist of
catch
Middle
you Eastern
hunting pop
groomsmen,”
songs. Mypointed
girlfriendsist of Middle Eastern pop songs. My girlfriends
out a close friend who had already met the family.out aand
close
I clapped
friend who
from
had
the
already
sidelines.
met the
Thefamily.
melodiesand I clapped from the sidelines. The melodies
Ask me to leave? My exposure to the ways of Ask
had
me
lifetoand
leave?
felt appropriate
My exposure
to the
to the
romance
ways of
of thehad life and felt appropriate to the romance of the
Arab men was admittedly limited, but I had heardAraboccasion,
men wasbut
admittedly
not knowing
limited,
any but
Arabic,
I hadwe
heard
couldn’toccasion, but not knowing any Arabic, we couldn’t
of their protectiveness. Her family was traditionalof their
connect
protectiveness.
to the moment.
Her family
We could
was traditional
only observeconnect to the moment. We could only observe
enough to plan the wedding halal, so no alcoholenough
it, which
to plan
was
thepleasant
weddinguntil
halal,our
so no
feetalcohol
started toit, which was pleasant until our feet started to
would be served and I would have no room towould
hurtbe
from
served
standing.
and IBy
would
the time
havewenoheard
roomfamiliar
to
hurt from standing. By the time we heard familiar
misbehave. The idea of a dry wedding was foreignmisbehave.
music, the
Thecrowd
idea of
had
a dry
already
wedding
loosened
was foreign
up withoutmusic, the crowd had already loosened up without
to me, but so were the guests.
to me,
us.but
It didn’t
so were
take
theusguests.
long to catch up, but it wasus. It didn’t take us long to catch up, but it was
My girlfriends and I had our own table, which Mysome
girlfriends
time before
and I Ihad
noticed
our own
things
table,
were
which
not howsome time before I noticed things were not how
stood out from the masses of cousins, secondstood
I expected
out fromthem:
the masses
enchanted
of cousins,
young men
second
were notI expected them: enchanted young men were not
cousins, and great aunts filling the rented ban-cousins,
surrounding
and great
us. aunts
Ignoring
filling
the music
the rented
for a moment,
bansurrounding us. Ignoring the music for a moment,
quet hall. Everyone but ourselves seemed MiddlequetI hall.
studied
Everyone
my girlfriends.
but ourselves
Their dancing
seemed Middle
didn’t haveI studied my girlfriends. Their dancing didn’t have
Eastern in origin. I was the cherished gay in aEastern
its usual
in origin.
confidence
I wasand
thetheir
cherished
expressions
gay inlooked
a
its usual confidence and their expressions looked
group of the most covetable single women I’vegroup
dejected.
of the most
Theycovetable
weren’t enjoying
single women
the Palestinian
I’ve
dejected. They weren’t enjoying the Palestinian
ever had the privilege of knowing. We loved wed-everflavor
had the
of the
privilege
wedding.
of knowing.
Their furrowed
We loved
brows
wed-andflavor of the wedding. Their furrowed brows and
dings, and every wedding we’d attended thus fardings,
side-glances
and every wedding
drew my we’d
eyes attended
to the gyrating
thus far
massside-glances drew my eyes to the gyrating mass
had ended with my girls owning the dance floor,had of
ended
young
with
men
myoccupying
girls owning
thethe
center
dance
of the
floor,
danceof young men occupying the center of the dance
dancing their hearts out while enchanted youngdancing
floor.their
Not one
hearts
wasout
paying
whileany
enchanted
attention young
to the girlsfloor. Not one was paying any attention to the girls
men summoned the courage to join. By findingmenofsummoned
my gang orthe
thecourage
veiled young
to join.
women
By finding
in distantof my gang or the veiled young women in distant
my way to the centers of these dance circles Imy way
orbittoaround
the centers
the banquet
of thesehall.
dance
I was
circles
stunned.
I
orbit around the banquet hall. I was stunned.
would broadcast my closeness to the girls, so thatwould
These
broadcast
dappermy
emirs
closeness
were dancing
to the girls,
with each
so that
other,These dapper emirs were dancing with each other,
whenever I would leave them for a drink I wouldwhenever
and enjoying
I would leave
– solely
them
– each
for a drink
other’s
I would
dancing.and enjoying – solely – each other’s dancing.
instantly have buds, bros, dudes, and buddies Iinstantly
They have
all lip-synched
buds, bros,along
dudes,
to the
andAmerican
buddies IpopThey all lip-synched along to the American pop
143
143
hello mr. – issue 04
hello mr. – issue 04
hello mr. – issue 04
78
79
79
hello mr. – issue 04
History, History,
According
According
to Boys: to Boys:
Saeed Jones on the Past,
Saeed Jones on the Past,
Poetry, and Leaving Poetry,
Home and Leaving Home
When you read the poems of Saeed
When
Jones,
you read
you can’t
the poems
help but
of try
Saeed
to Jones, you can’t help but try to
imagine the type of speaking voice
imagine
he might
the type
have.ofHis
speaking
poems voice
have he might have. His poems have
a distinct audibility. The concision
a distinct
of his line
audibility.
breaks The
and concision
the jazz ofof his line breaks and the jazz of
his occasional rhyme. When youhis
meet
occasional
him in person,
rhyme.you
When
findyou
that
meet him in person, you find that
the voice you’ve made up in yourthe
head
voice
matches
you’vehis
made
actual
upvoice
in your
with
head matches his actual voice with
startling accuracy: the low swings
startling
of a soul
accuracy:
singer and
the the
lowstaccato
swings of a soul singer and the staccato
conviction of someone who’s rehearsed
conviction
a speech
of someone
a hundred
who’stimes.
rehearsed a speech a hundred times.
Text by Francisco Tirado
Photography by Michael George
Text by Francisco Tirado
Photography by Michael George
29
29
The List
The List
Poem by Noah Michelson
Illustration by Tom McQuaid
Poem by Noah Michelson
Illustration by Tom McQuaid
Two Bills, two Wills, a William, a Willis, a kindTwo
of halo
Bills,constantly
two Wills, a William, a Willis, a kind of halo constantly
circling my ruptured head formed from an alphabet
circling my
of ruptured
eyelashes,
head
of formed from an alphabet of eyelashes, of
lumpy unfamiliar queen-sized beds, of last nights
lumpy and
unfamiliar
tomorrow
queen-sized
nights
beds, of last nights and tomorrow nights
and that Tuesday lunch hour with Aaron at the
andairport
that Tuesday
Marriott,
lunch
twohour with Aaron at the airport Marriott, two
Adams, a Benjamin, a Bennett, the beginning
Adams,
little more
a Benjamin,
than theaidea
Bennett,
of the beginning little more than the idea of
the idea there must be more than my sore sorry
the idea
self,there
a Stephen,
must be more than my sore sorry self, a Stephen,
a Steve, two Sams, a Brad, Joshua the bonaafide
Steve,
storm
twotrooper,
Sams, aJoshua
Brad, Joshua the bona fide storm trooper, Joshua
the soon-to-be preacher, the wide-mouthed
the
zippers,
soon-to-be
the sloppy
preacher,
courage
the wide-mouthed zippers, the sloppy courage
conjured by six beers on an empty stomach,conjured
a Montyby
who,
six beers
while kissing
on an empty stomach, a Monty who, while kissing
his way to my waist admitted a little too brightly
his way
believe-it-or-notto my waist admitted a little too brightly believe-it-or-notI’m-married, a Markus, two too many Michaels,
I’m-married,
a Mathew
a Markus,
with onetwo
T and
too many Michaels, a Mathew with one T and
two piss slits, three Johns, a James, each name
twoled
piss
toslits,
and three
lacedJohns,
through
a James, each name led to and laced through
its own story until the two are merely the memory,
its own the
story
endless
until the
mending
two are merely the memory, the endless mending
of the memory until only a spangled bit of the
of the
truememory
or rottenuntil
remains,
only a spangled bit of the true or rotten remains,
Andrew with the badly behaved poodle, Anthony
Andrew
with
with
thethe
beautiful
badly behaved poodle, Anthony with the beautiful
asshole, two Christophers—one a bargain, the
asshole,
other two
a blunder—a
Christophers—one
Tanner a bargain, the other a blunder—a Tanner
and a Miller, two vaguely Dutch craftsmen equally
and a Miller,
skilledtwo
in the
vaguely
art of Dutch craftsmen equally skilled in the art of
ignition and delay, a Danny, a Darren, the desire
ignition
drawn
and up
delay,
out a
ofDanny,
the dream
a Darren,
of
the desire drawn up out of the dream of
raw possibility, of plenty, of famine, a Jeffery,
raw
a Jeremy,
possibility,
an incurable
of plenty, of famine, a Jeffery, a Jeremy, an incurable
inclination towards the maimed or unattainable
inclination
or suspiciously
towards the
longmaimed or unattainable or suspiciously long
sideburns, a Blake, a Zack, all of the unnamed,
sideburns,
the ones
a who
Blake,
now
a Zack,
only all of the unnamed, the ones who now only
exist in fumy, inkjet flashbacks—a balcony with
exista in
view
fumy,
of the
inkjet
tugboats
flashbacks—a balcony with a view of the tugboats
swarming Jersey, a pair of nipples like pastelswarming
mini-marshmallows—a
Jersey, a pair ofNathan,
nipples like pastel mini-marshmallows—a Nathan,
a Neil—if I never loved any of you I hope youanever
Neil—if
knew
I never
it, will
loved
never
any of you I hope you never knew it, will never
know it, and after all of it what did I expect?—A
know
Sean,
it, and
a Sebastian,
after all of ait Seth.
what did I expect?—A Sean, a Sebastian, a Seth.
Noah Michelson received his MFA in Poetry from New York
Noah
University.
Michelson
He has
received
been published
his MFA in in
Poetry from New York University. He has been published in
Americanmagazines
Erotic Poetry
1800
– Present,including The Best American Erotic Poetry 1800 – Present,
numerous magazines and anthologies, including The Bestnumerous
and
anthologies,
edited by David Lehman, The New Republic and The Beloit
edited
byJournal
David ,Lehman,
Poetry
among others.
The New
HeRepublic
is
and The Beloit Poetry Journal, among others. He is
him at @NoahMichelson.
the Executive Editor of The Huffington Post Gay Voices. Follow
the Executive
Editor of The Huffington Post Gay Voices. Follow him at @NoahMichelson.
Shirt by J.Crew, Pants by Zara,
Shoes by Generic Surplus
Shirt by J.Crew, Pants by Zara,
Shoes by Generic Surplus
Clockwise from top
Clockwise
left: from top left:
An interview withAn
poet
interview
Saeed with
Jones.
poet Saeed Poem
Jones.by Noah Michelson,
Poem by Noah
editorMichelson,
of Gay editor
A fashion
of Gay story by
A fashion
Anais & story
Dax. by Anais & Dax.
Arthur Allen’s short
Arthur
story
Allen’s
aboutshort
goingstory about going
Voices at the Huff
Voices
ingtonatPost.
the Huffington Post.
back in the closetback
for ainfriend’s
the closet
wedding.
for a friend’s wedding.
A close-up of a floral
A close-up
jacket of
is juxtaposed
a floral jacket is juxtaposed
with hand-drawnwith
typography.
hand-drawn typography.
Volume 5 delves into the topic of humour with Laura Gardner’s essay on fashion comedy,
Fiktion’s first contribution – Rajeev Balasubramanyam’s Starstruck (part 5), and Johan
Jonsson’s series Luscious. Featuring photography by Philippe Gerlach, Arnaud Lajeunie
and Pol Agustí, Odiseo Vol. 5 closes with Luis Cerveró’s views on Sam Haskins’ work.
MMXIII
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01. Hello Mr. di Ryan Fitzgibbon, Berlino, 2013, hellomrmag.com — 02. @margogogo94 by @emanueleferrariph
E . R .O. S .
01