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㡢ᴦ᝟ሗ᳨⣴䠖ఱ䜢᥈䛩䛛
ᮏ᪥䛾ෆᐜ䠄12/12䠅
• 䠄᭩ㄅⓗ᝟ሗ䠖䝍䜲䝖䝹䚸䜰䞊䝔䜱䝇䝖➼䠅
я 䝁䞁䝔䞁䝒᳨⣴
• 䠄๓ᅇ䛾⥆䛝䠅
• 㡢ᴦ᝟ሗ⛉Ꮫ䠄䛂⫈䛟ഃ䛃䛾ฎ⌮䠅
• ᵓ㐀ゎᯒ
• ≉ᐃ䛾ᴦ᭤䠄䛂ཝᐦᆺ㡢ᴦ᝟ሗ᳨⣴䛃䠅
᳨⣴䜻䞊
• ᐇ㝿䛾ᴦ᭤䝕䞊䝍䠄䛂㡢ᴦㄆ㆑䝅䝇䝔䝮䛃䠅
• 䝴䞊䝄⏕ᡂ䠄䝝䝭䞁䜾᳨⣴➼䠅
• ୚䛘䛯᮲௳䜢‶䛯䛩䠄䛂᭕᫕ᆺ㡢ᴦ᝟ሗ᳨⣴䛃䠅
• ឤᛶ᝟ሗ䠄ឤᛶ⾲⌧ㄒ➼䠅
• 䝴䞊䝄䛾Ⴔዲ➼
• GTTM 䛾ᴫせ
• GTTM 䛾ᐇ⿦౛䠄὾୰௚䠅
• 㡢ᴦ᝟ሗ᳨⣴ 䠄୍㒊๓ᅇ㈨ᩱ䛸㔜」䠅
• 䛂స䜛ഃ䛃䛾ฎ⌮
1
㡢ᴦ᝟ሗ᳨⣴䠖 ᑐ㇟䝕䞊䝍
• ISMIR (International Society for Music Information Retrieval)
http://www.ismir.net/
• SMDL / Music XML Languages
http://xml.coverpages.org/xmlMusic.html
• MIREX
http://www.music-ir.org/mirex/wiki/MIREX_HOME
• W. B. Hewlett & E. Selfridge-Field:
Melodic Similarity: Concepts, Procedures and Applications,
MIT Press (1998) BN 0-262-58175-2
㡢㡪䝕䞊䝍䠄WAV 䝣䜯䜲䝹➼䠅
グྕ໬䝕䞊䝍䠄MIDI 䝣䜯䜲䝹➼䠅
䛂ឤᛶ䛃䝟䝷䝯䝍
䝍䜾䛾᭷↓
• ฎ⌮䛾ᡭἲ䞉ຠ⋡
• ⣴ᘬ䛾᭷↓
• Ꮫ⩦䛻䜘䜛䝟䝷䝯䝍䛾⮬ືྲྀᚓ
• ↷ྜ䜰䝹䝂䝸䝈䝮䛾ฎ⌮ຠ⋡
2
ᩥ⊩ 䠄㡢ᴦ᳨⣴䚸㡢ᴦ䝕䞊䝍⾲⌧䠅
• 䝕䞊䝍䛾✀㢮䞉ᒓᛶ
•
•
•
•
Cf: ᕹ㊊௚䠖ᴦ᭤㓄ಙ䝃䞊䝡䝇䜢ᨭ䛘䜛㡢ᴦ᝟ሗฎ⌮ᢏ⾡
• ᕹ㊊௚䠖䛂ᴦ᭤㓄ಙ䝃䞊䝡䝇䜢ᨭ䛘䜛㡢ᴦ᝟ሗ᳨⣴ᢏ⾡䛃䚸
㟁Ꮚ᝟ሗ㏻ಙᏛ఍ㄅ䠄ᤵᴗ䝨䞊䝆ཧ↷䠅,
3
4
MIREX䠄㡢ᴦ᝟ሗ᳨⣴䝁䞁䝔䝇䝖䠅
䠆䝟䝍䞊䞁䞉㢮ఝᛶ
• The Music Information Retrieval Evaluation
eXchange (MIREX) 2005䡚
• http://www.music-ir.org/
http://www.music-ir.org/mirex/wiki/MIREX_HOME
• 㡢ᴦ᝟ሗ᳨⣴䛻㛵䜟䜛ᵝ䚻䛺䝆䝱䞁䝹䛾䝁䞁䝔䝇䝖
• 䝆䝱䞁䝹䚸స᭤ᐙ䚸ឤᛶ᝟ሗ➼䛾㆑ู
• ᵓ㐀ゎᯒ䠄᭤ศ๭䚸䝯䝻䝕䜱ᢳฟ➼䚻䠅
• ྛ✀䛾᭤᳨⣴
• ᯟᵓ㐀䛺䛹䛾ඹ㏻せᅉ䜢ྲྀ䜚㝖䛔䛯䚸᭤䛾≉ᚩ䞉
ಶᛶ䜢⾲䛩䜒䛾䚹
• 㡢ᆺ (contour)䚸㦵᱁䚸signature
• 䝟䝍䞊䞁䛾✀㢮䠄䛸䜙䛘᪉䠅
• 䝟䝍䞊䞁✵㛫䠄≉ᚩ䝟䝷䝯䝍✵㛫䠅
ᩘ್ⓗ䛺䝟䝍䞊䞁㊥㞳䛻䜘䜛↷ྜ
• グྕิ
DP (Dynamic Programming) 䛺䛹䛻䜘䜛↷ྜ
• ᵓ㐀ⓗ䝟䝍䞊䞁䠄ᢳ㇟໬䞉㝵ᒙ໬䠅
ᢳ㇟໬䛻䜘䜛୍⮴䠄ඹ᭷ᒓᛶ䛻䜘䜛↷ྜ䠅
6
• “Ground truth”: ே㛫䛜୚䛘䛯䛂ṇゎ䝕䞊䝍䛃
5
䠄ᴦ᭤䝔䞊䝬㎡඾⣴ᘬ䠅
㢮ఝᛶ䜢ᢅ䛖ୖ䛷䛾ၥ㢟Ⅼ
• 䛹䛾䜘䛖䛺ほⅬ䛾ୖ䛷୍⮴䠋㢮ఝ䜢ぢ䜛䛛䚹
• ㏆ఝ䠄㢮ఝ䠅䛸䛧䛶䛾㢮ఝᛶ
• 䛂୍⮴䛃䛸䛧䛶䛾㢮ఝᛶ эᢳ㇟໬䚸㒊ศᵓ㐀
• グྕᩘ䠄㡢➢ᩘ䠅䛜␗䛺䜛ሙྜ䚸
᫬㛫ⓗ䛺㛗䛥䛜␗䛺䜛ሙྜ䛻䛹䛖↷ྜ䜢⾜䛖䛛䚹
• ఱ䜢䜒䛳䛶୍⮴䞉㢮ఝ䛧䛶䛔䜛䛸⪃䛘䜛䛛䚹
䛂䝜䜲䝈䛃䛜ධ䜚㎸䜐వᆅ䛿䛹䜜䛠䜙䛔䛒䜛䛛䚹
7
8
(Mozart: Rondo in D, K.485)
• 䛂䝋䝣䜯䝭䝺䝗䛃(AGF#ED)䛷䛿ぢ䛴䛛䜙䛺䛔䚹
9
10
↷ྜ䜰䝹䝂䝸䝈䝮
• 䝧䜽䝖䝹↷ྜ
• ≉ᚩᢳฟ䚸䝟䝍䞊䞁✵㛫ෆ䛾᳨⣴
• グྕⓗ↷ྜ
LCS (Longest Common Subsequence) ᢳฟ䛾
DP 䝬䝑䝏䞁䜾➼
• ᵓ㐀↷ྜ
chromatic [0 2
4
5
7]
[0 2 3
5
7]
{* +2 +2 +1 +2} {* +2 +1 +2 +2}
diatonic [0 1 2 3 4]
11
12
䝧䜽䝖䝹↷ྜ
DP 䝬䝑䝏䞁䜾
• ༙㡢ิ
[ 0 2 4 5 7]
ᕪ䝧䜽䝖䝹䠖 [0 0 1 0 0]
[ 0 2 3 5 7]
• ㄪ䛜㐪䛖䛸䠛
[ 0 2 4 5 7]
ᕪ䝧䜽䝖䝹䠖 [-2 -2 -1 -2 -2]
[ 2 4 5 7 9]
• 㡢⛬ิ䠄༙㡢䠅
{* +2 +2 +1 +2} ᕪ䝧䜽䝖䝹䠖 {* 0 +1 -1 0}
{* +2 +1 +2 +2}
• ᭱㛗୍⮴㒊ศิ䠄LCS䠅
[0 2 4 5 7] 䛸 >@ĺ>@
୙୍⮴Ⅼ䠖 4я3
• DP 䝬䝑䝏䞁䜾䠖
DP (Dynamic Programming) 䛾ᡭἲ䛻䜘䜚䚸ຠ⋡
ⓗ䛻グྕิ↷ྜ䜢⾜䛖䜰䝹䝂䝸䝈䝮
13
14
⾲⌧䛾ᢳ㇟໬䠄㡢㧗䞉㡢㝵䠅
㡢㡪ಙྕᑐ㇟䛾ሙྜ
• CEG 䛾࿴㡢䠖
• ༙㡢㝵䠖 [0 4 7] C+{+4 +3}
• ඲㡢㝵䠖 [0 2 4] C+{+2 +2}
• ࿴㡢䠖 [0 1 2] C+{+1 +1}
• 䜰䝹䝧䝹䝔䜱䞉䝞䝇 CGEG CAFA BGDG ...
࿴㡢䝺䝧䝹䛷䛿 {+2 ̺1 +1} 䛸䛔䛖ྠ୍䝟䝍䞊䞁
• ヲ⣽䛺ゎᯒ䞉↷ྜ䛿ᘬ䛝ྜ䜟䛺䛔䛾䛷䚸኱㞧ᢕ
䛺≉ᚩ㔞ᢳฟ䛻䜘䜛↷ྜ䛜୰ᚰ
• ౛䠖 SmartKiosk 䠄ᚋ⸨䠅
䠄⥆䛟䠅
15
16
䠆䛂స䜛ഃ䛃
㡢⣲ᮦ䛾సᡂ (1)䠖 ┠ⓗ
• 㡢⣲ᮦ䛾సᡂ䠄㟁Ꮚᴦჾ䞉㡢㡪ྜᡂ䠅
• 㡢ᴦ₇ዌ䜲䞁䝍䝣䜵䞊䝇䠄䛄᪂ୡ௦ᴦჾ䛅䠅
• 㡢ᴦ᝟ሗฎ⌮䝅䝇䝔䝮䞉䝒䞊䝹
•
᪤Ꮡ䛾㡢䠄ᴦჾ㡢䠅䛾ᛅᐇ䛺෌⌧
ྛ✀䛾ྜᡂ᪉ᘧ䚸Analysis by Synthesis䚸
PCM 㡢※䚸≀⌮䝰䝕䝹
•
᪂つ䛺㡢⣲ᮦ䛾సᡂ
㟁Ꮚᴦჾ䠄≉䛻䜰䝘䝻䜾䠅䚸ྛ✀䛾ྜᡂ᪉ᘧ
•
᪤Ꮡ䛾㡢䠄㠀㡢ᴦⓗ䛺㡢䠅
䝔䞊䝥㡢ᴦ䚸Musique Concrete
• 䜰䞊䝖䛸䛧䛶䛾䝁䞁䝢䝳䞊䝍㡢ᴦไస
• ⮬ື₇ዌ䞉కዌ䚸༶⯆₇ዌ
• ⮬ືస᭤䞉⦅᭤
17
18
䝕䜱䝆䝍䝹(䝋䝣䝖䜴䜵䜰䠅ྜᡂ䞉ኚ᥮
㡢⣲ᮦ䛾సᡂ(2)
• 㟁Ꮚᴦჾ
• 䜰䝘䝻䜾ᴦჾ
• ཎ⌮ⓗ䛻䛿↓㝈䛾⮬⏤ᗘ䛜䛒䜛
я 㡢㡪ⓗ䞉䝝䞊䝗䜴䜵䜰ⓗ⏕ᡂ䛻䛿ከ䛟䛾ไ⣙
Thermin, Ondes-Martenot,
䜰䝘䝻䜾䝅䞁䝉䝃䜲䝄䠄Moog ➼䠅
• ₇ዌ䜲䞁䝍䝣䜵䞊䝇䛺䛹䚸௚䛾ᶵ⬟㒊ศ䛛䜙ศ㞳
ྍ⬟
• 䝕䜱䝆䝍䝹ᴦჾ
• 䝝䞊䝗䜴䜵䜰ྜᡂ
• 䝋䝣䝖䜴䜵䜰ྜᡂ
• ฎ⌮㈇Ⲵ䞉₇⟬㔞䚸⭾኱䛺タᐃ㔞䚸」㞧䛥
• ⮬⏤ᗘ䛜኱䛝䛩䛞䜛䠛
• ே㛫䛸䛾᥋Ⅼ䠖䛂␯እឤ䛃
• 㘓㡢ᶵ䛾฼⏝
䝔䞊䝥㡢ᴦ䚸Musique Concrete䚸䠄PCM 㡢※䠅
19
㡢㡪ྜᡂ᪉ᘧ
20
ḷၐศᯒ䞉ྜᡂ䠄䠍䠅
• Ἴᙧྜᡂ
• ຍ⟬ྜᡂ
• 䝣䜵䞊䝈䞉䝪䝁䞊䝎 (phase vocoder)
• ῶ⟬ྜᡂ
• ୚䛘䜙䜜䛯䝯䝻䝕䜱䞉ḷモ䛻ᑐ䛩䜛ḷၐ䜢䝁䞁䝢䝳
䞊䝍䛻䜘䜚ྜᡂ䛩䜛䚹
• M.Mathews: “Daisy” (1962) 䛜᭱ึ䛾౛
• ḷၐ䛾ศᯒ䞉ྜᡂ䛿᪥ᮏ䛷◊✲䛜┒䜣䛺ศ㔝
• ၟᴗⓗ䛻䜒㔜せ䛻䛺䛳䛶䛝䛶䛔䜛䚹
• 䝇䝨䜽䝖䝹䝰䝕䝹
• FM ྜᡂ
• Waveshaping
• Granular Synthesis
• ≀⌮䝰䝕䝹
• Ἴᙧ䛾ኚ᥮
• ྛ✀䛾䜶䝣䜵䜽䝍
• 䝰䞊䝣䜱䞁䜾
21
ḷኌศᯒ䞉ྜᡂ䠄䠎䠅
22
ḷၐ䛾䝣䜷䝹䝬䞁䝖䠄䝔䝜䞊䝹䠅
• 㡢ኌ䛷䛿䚸ẕ㡢䛻ᛂ䛨䛶≉ᐃ䛾࿘Ἴᩘᡂศ䛜ᙉ
䛟䛷䜛䚹䛣䜜䜢䛂䝣䜷䝹䝬䞁䝖(formant)䛃䛸ゝ䛖䚹
• 䝣䜷䝹䝬䞁䝖䜢䛖䜎䛟ྜᡂ䛩䜜䜀㡢ኌ䜙䛧䛟
⪺䛣䛘䜛䚹
• Ꮚ㡢䛾ྜᡂ䛿䜒䛳䛸㞴䛧䛔䚹
• Singer’s formant䠖 ୺䛻䜽䝷䝅䝑䜽ḷᡭ䛻
≉᭷䛾ḷኌ䛾䝣䜷䝹䝬䞁䝖䠄3000Hz ௜㏆䠅
A
800-1200 Hz
23
24
E
400-600 Hz
2200-2600 Hz
I
200-400 Hz
3000-3500 Hz
O
400-600 Hz
U
200-400 Hz
ᩥ⊩䠄㡢㡪ྜᡂ䠅
ḷኌศᯒ䞉ྜᡂ䠄䠏䠅
• ᐇ㝿䛾ḷኌྜᡂ䛷䛿༢䛻㡢㡪䛰䛡䛷䛺䛟䚸
䜲䞁䝖䝛䞊䝅䝵䞁䚸䜰䜽䝉䞁䝖䛺䛹䜢䛖䜎䛟௜䛡䛺䛔䛸
⮬↛䛻⪺䛣䛘䛺䛔䚹
• ḷኌ䛾◊✲䛿᪥ᮏ䛷┒䜣䛺ศ㔝䚹
• 〇ရ䛸䛧䛶䚸Vocaloid 䛻䜘䜛ḷኌ
ྜᡂ䛜䝠䝑䝖䚹䠄ึ㡢䝭䜽䝅䝸䞊䝈䠅
• ே㛫䠄ኌඃ䠅䛾㡢ኌ䛾䝃䞁䝥䝸䞁䜾䛜
䝧䞊䝇
• ᨵⰋ䠖 Vocalis䠄୰㔝௚䠅
• ᑠᆏ┤ᩄ䠖䝁䞁䝢䝳䞊䝍㡢ᴦ䛸ᴦ㡢ྜᡂᢏ⾡䚸
bit ู෉䛂䝁䞁䝢䝳䞊䝍䛸㡢ᴦ䛾ୡ⏺䛃䚸2.3 ⠇
• 㛗ᔱὒ୍䠖 ᴦ㡢ྜᡂ䜰䝹䝂䝸䝈䝮䠉 Kyma 䛻
䜘䜛ᵓᡂ౛䚸
bit ู෉䛂䝁䞁䝢䝳䞊䝍䛸㡢ᴦ䛾ୡ⏺䛃䚸2.4 ⠇
䠄㡢㡪䝃䞁䝥䝹䜒䠅
• ๢ᣢ⚽⣖䛂ḷኌྜᡂ䛸䛭䛾ᛂ⏝䛃,
᝟ሗฎ⌮䚸vol.50, no.8 (2009), pp.723-728
25
₇ዌ䜲䞁䝍䝣䜵䞊䝇䠄䛄᪂ୡ௦ᴦჾ䛅䠅
26
₇ዌ䜲䞁䝍䝣䜵䞊䝇䠄䠎䠅
• 䛂⡆༢䛺䛃䠄ㄡ䛷䜒౑䛘䜛䠅䜲䞁䝍䝣䜵䞊䝇
• ᚑ᮶ᆺ䜲䞁䝍䝣䜵䞊䝇䠄䠙ᴦჾ䠅䛾෌⌧䞉ᶍೌ
• ᪂つ䛺䜲䞁䝍䝣䜵䞊䝇䞉₇ዌᙧែ䛾㛤ᣅ
• ᝟ሗ※䠖㌟᣺䜚䚸ືస
• TFP/SFP (Two/Single Finger Piano) ➼䠄∦ᐤ◊䠅
• Max Mathews: Radio Baton
http://csounds.com/mathews/
ྛ✀䝉䞁䝃䞊᝟ሗ䠄➽㟁䚸⬻Ἴ䚸㰘ື䚸䠊䠊䠊䠅
ගᏛⓗ䠄⏬ീⓗ䠅᝟ሗ
• ₇ዌ⪅䛜䛹䛣䜎䛷ไᚚ䛧䛖䜛䛛
• ₇ዌάື䛾⣽ศ
ᴦ㆕₇ዌ䛸⾲᝟䛵䛡䛾ศ㞳
• ᪂つ䛺䛂₇ዌ䛃ᙧែ
• ₇ዌ䛾㞴᫆ᗘ
㞴᫆ᗘ䛾㧗䛔䠄⩦ᚓ䛾ᚲせ䛺䠅䜲䞁䝍䝣䜵䞊䝇䠛
• ⎔ቃ䛛䜙䛾᝟ሗྲྀᚓ
⎔ቃ㡢ᴦ䚸䝃䜴䞁䝗䝇䜿䞊䝥䚸അ↛ᛶ䛾㡢ᴦ䚸䠊䠊䠊
cf. Thermin, Ondes-Martenot
27
䠆⮬ື₇ዌ 䠄䠍䠅
䠆⮬ື₇ዌ䠄䠎䠅
• ₇ዌᴦჾ䠖 MIDI 㡢※䚸player piano ➼
• ฎ⌮ᙧែ䛾≉ᚩ
• ඲ཧ↷ᆺ ĺ ₇ዌィ⏬
• ᒁᡤⓗฎ⌮䛸኱ᇦⓗฎ⌮
• ඹ㏻䜲䝕䜱䜸䝮䛸ಶᛶ
䠄㏻ᖖᴦჾ䛾⮬ື₇ዌ䛿䜎䛯ู䛾ヰ䠅
• ᴦ㆕᝟ሗ䛻⾲᝟௜䛡䜢䛧䛯₇ዌ䜢⾜䛖䚹
䛴䜎䜚ᴦ㆕᝟ሗ䛿ᡤ୚
• ᴦ㆕㏻䜚䛾₇ዌ䠖䛂ᶵᲔⓗ₇ዌ䛃
• ᐇ㝿䛾₇ዌ䛿䚸ᴦ㆕㏻䜚䛂ṇ☜䛻䛃⾜䛺䜟䜜䜛䜟
䛡䛷䛿䛺䛔䠖 ពᅗⓗ䞉ⱁ⾡ⓗ㐓⬺
• ไᚚᑐ㇟
• 㡢㛗 (agogics)䠖 onset 䛾䝍䜲䝭䞁䜾䚸㛗䛥
• 㡢䛾ᙉᙅ (dynamics)
• ዌἲ䞉⾲᝟ (articulation)
28
29
• 䜰䝥䝻䞊䝏
• 䠄₇ዌ᝟ሗ䛾ᡭືసᡂ䠅
• ₇ዌ䝹䞊䝹䜢స䜚䛣䜐䚹
• ே㛫䛾₇ዌ䛛䜙≉ᚩ䜢ᢳฟ䛩䜛䚹
஦౛䝧䞊䝇䚸 analysis by synthesis
• cf. 䛂Rencon 䠄ⶈ᰿䠅䛃 http://www.renconmusic.org/
30
䠆ᩥ⊩➼䠄⮬ື₇ዌ䞉కዌ➼䠅
䠆⮬ືకዌ䞉ྜዌ䚸༶⯆₇ዌ
• ᙧែ䠖
⮬ືకዌ
⮬ືྜዌ
༶⯆₇ዌ
ᴦ㆕᝟ሗ
┦ᡭ
䕿
䕿
䕧
༢ᩘ
」ᩘ
༢」
• Rencon: http://www.renconmusic.org/
• ᖹ㈡⍠⨾䠖 ₇ዌ䛾⾲᝟䛵䛡䚸
bit ู෉䛂䝁䞁䝢䝳䞊䝍䛸㡢ᴦ䛾ୡ⏺䛃䚸5.2 ⠇
• ᇼෆ㟹㞝䠖 ⮬ືకዌ䚸
bit ู෉䛂䝁䞁䝢䝳䞊䝍䛸㡢ᴦ䛾ୡ⏺䛃䚸5.1 ⠇
• 㟷㔝⿱ྖ䠖䝆䝱䝮䝉䝑䝅䝵䞁䝅䝇䝔䝮䚸
bit ู෉䛂䝁䞁䝢䝳䞊䝍䛸㡢ᴦ䛾ୡ⏺䛃䚸5.3 ⠇
୺ᑟᶒ
୺䛻⊂ዌഃ
஺஫䛻
஺஫䛻
• 䝸䜰䝹䝍䜲䝮ฎ⌮䛜ᚲせ
• ₇ዌ㏣㊧
┦ᡭ䛾₇ዌ䜎䛱䛜䛔䜈䛾ᑐᛂ
• 䝔䞁䝫ண 䞉ྜ䜟䛫᪉
• ₇ዌ䛾⮬୺ᛶ
31
32
(K. Ebcioglu: Harmonization of Bach-Style Chorales)
䠆⮬ືస᭤䞉⦅᭤
Chorale
286
• ⮬ືస᭤䠖
ึᮇ䛛䜙◊✲䛥䜜䛶䛔䛯䛜䚸⌧ᅾ䛷䛿୺ὶ䛸䛿ゝ䛘䛺䛔䚹
• 䝷䞁䝎䝮䞉☜⋡ⓗ䛺ฎ⌮я๰㐀ᛶ䚸๰సពᅗ
• స᭤ᐙ䛾䝇䝍䜲䝹䛾ᢳฟ䛸䛭䛾ᶍೌ
э ◊✲ⓗ䛺┠ⓗ ( D. Cope ➼)
• ⮬ື⦅᭤
• 䝞䝑䜻䞁䜾䞉䝟䝍䞊䞁䛾㑅ᢥ䞉฼⏝
• ࿴ኌ௜䛡 (Harmonization),
Reharmonization
33
䠆ㄢ㢟䞉ၥ㢟Ⅼ
䛂䜰䞊䝖䛃䛸䛧䛶䛾䝁䞁䝢䝳䞊䝍㡢ᴦ
• ฎ⌮ෆᐜ䛿䠄㡢ᴦⓗ䛻䠅㧗䛔䜒䛾䛸ゝ䛘䜛䛛䚹
э䠄ᚲ䛪䛧䜒䠅ゝ䛘䛺䛔
•
•
•
•
34
• 䜸䝣䝷䜲䞁䚸㠀䝸䜰䝹䝍䜲䝮䛷䛾㡢䞉ᴦ᭤〇స
э 䝔䞊䝥㡢ᴦ
• 䝁䞁䝢䝳䞊䝍䛾ฎ⌮䛻⮬⏤ᗘ䜢ᣢ䛯䛫䜛
э 䜰䝹䝂䝸䝈䝮స᭤➼
䠄㡢ᴦ䛻䛴䛔䛶䛾䠅▱㆑䛾䝺䝧䝹
ฎ⌮䛩䜉䛝ෆᐜ䛜」㞧䞉㞴䛧䛔䚹
䛸䛻䛛䛟ື䛛䛺䛡䜜䜀ጞ䜎䜙䛺䛔䚹
䛸䛻䛛䛟ື䛔䛶䛧䜎䛖䚹
• 䝸䜰䝹䝍䜲䝮䛷䛾స᭤䠋₇ዌ䚸ྜዌ
• 㟁Ꮚᴦჾ
• 䜰䝁䞊䝇䝔䜱䝑䜽ᴦჾ
䛂Cyber ᑻඵ䛃➼
• ฎ⌮䛾䝰䝆䝳䞊䝹ᛶ
• ⼥ྜⓗ䞉⤫ྜⓗฎ⌮
35
36
䛂䜰䞊䝖䛃䛸䛧䛶䛾䠊䠊䠊䠄䠎䠅
䛂㡢ᴦᐙ䛃䛸䛧䛶䛾䝁䞁䝢䝳䞊䝍
• 䛂䝟䝣䜷䞊䝬䞁䝇䛃䛾㔜せᛶ
• ⮬ືస᭤䞉⦅᭤䚸⮬ື₇ዌ䞉కዌ䞉ྜዌ➼
• 䝁䞁䝢䝳䞊䝍䛜୺య䛸䛺䜛
я 㐨ල䛸䛧䛶䛾䝁䞁䝢䝳䞊䝍
я 䜰䞊䝖䛸䛧䛶䛾㡢ᴦ
⮫ሙឤ䚸䝷䜲䝤䛾䛂୍ᅇᛶ䛃䚸䠊䠊䠊
э䝅䝇䝔䝮䝎䜴䞁䜈䛾䝞䝑䜽䜰䝑䝥
• 䝁䞁䝢䝳䞊䝍䛜ఱ䜢䛧䛶䛔䜛䛛䛜ぢ䛻䛟䛔
• ᢏ⾡ඃ఩䞉୺ᑟ
• ⱁ⾡ᛶ䚸๰ព䞉๰సᛶ䛸䛾㛵ಀ
• ๰㐀ᛶ䞉ⱁ⾡ᛶ䞉ಶᛶ䛸䛿䠛
э അ↛ᛶ䚸䝷䞁䝎䝮ᛶ䛸䛾㛵㐃
37
38

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