Press RELEASE > les arts décoratifs www.lesartsdecoratifs.fr 1. Dries Van Noten, Autumn/Winter show 2006, © Mathieu Ridelle DRIES VAN NOTEN INSPIRATIONS March 1st to August 31st 2014 PRESS CONTACTS Marie-Laure MOREAU Isabelle MENDOZA Barneys New York, US-based luxury retailer, will serve as a sponsor for the exhibition along with Bonaveri PHONE. : +33 01 44 55 58 78 FAX : +33 01 44 55 57 93 [email protected] www.lesartsdecoratifs.fr press release > DRIES VAN NOTEN From March 1st to August 31st 2014, the work of the Belgian fashion designer, Dries Van Noten, is featured at the musée des Arts Décoratifs in Paris. This is the very first exhibition devoted to the artist’s work. As Dries Van Noten takes us on an intimate journey into his artistic universe, he reveals the singularity of his creative process which he illustrates with his various and numerous sources of inspiration. This event is an eye opening experience, where Dries Van Noten’s men’s and women’s collections are put together with iconic pieces from the museum’s fashion and textile collection. The show also includes photographs and videos, film clips, musical references, as well as artworks by renowned artists, from public and private collections, that have triggered the designer’s imagination throughout his life and career. Initiated into the world of textiles by his parents who were both cloth retailers, Dries Van Noten studied fashion design at the Academy of Fine Arts in Antwerp, where he gratuated in 1981. In 1986, while he was supported by Christine Mathys and Patrick created his own Vangheluwe, independent he brand and showed his first men’s collection in London the same year with the informal group of young avant-garde Belgian designers known as the ‘Antwerp Six’, that included Walter Van Beirendonck, Ann Demeulemeester, Dirk Van Saene, Dirk Bikkembergs and Marina Yee. Dries Van aesthetic Noten developped vocabulary by his combining fashion design with visual arts from different to periods, foreign memories and cultures of by as intimate referring well as to experiences. 2. Dries Van Noten, 50th show, Spring/Summer 2005 © Marleen Daniels Dries Van Noten’s collections reflect his fantasies and dreams of exotic places stemming from his imagination, while also drawing upon the ethnic and folk traditions of India, China, Africa and Mexico. These ideas contribute to his choices of refined weaves and fabrics that constitute the printed patterns used in his productions of the 2010 Women’s Spring-Summer Collection and the 2014 Spring-Summer Collection. His works are also directly influenced by masterpieces from the field of art history. Women’s In effect, the entire Autumn-Winter 2009 collection stems from paintings by Francis Bacon, whereas the Men’s Spring-Summer Collection of that same year is based on a single picture by Elizabeth Peyton, Democrats are More Beautiful (2001). Dries Van Noten’s creative references can also be subtle and therefore more intimate and suggestive. 3. ‘Bar’ suit, silk taffetas, Christian Dior, 1947 Collection UFAC, Les Arts Décoratifs, © Jean Tholance 4. Dries Van Noten, Autumn/Winter show 2009 © Rights reserved press release > DRIES VAN NOTEN 5. Dries Van Noten, Autumn/Winter show 2008 © Rights reserved 6. Long silk dress, Callot Sœurs, circa 1927 Collection UFAC, Les Arts Décoratifs, © Jean Tholance In effect, a colour in particular may Pol Bury in the Palais Royal provided the inspire him, as well as emotions and backdrop for the 2009 Women’s Spring- atmospheres : power Summer show, and the 50th show in of used Rothko’s September 2004 was staged around a painting, the particularity of the blue gigantic banquet. For this exhibition, light reflected in a grotto in Capri, or Dries Van Noten has brought together the butterfly, elements which point to other sources can be relevant starting points for a of inspiration, such as the Renaissance the red fragility the chromatic in evoked Mark by a collection. In other words, Dries Van ‘chambers Noten’s sources of inspiration transcend cabinets’ in which collectors amassed the hierarchy of the arts, as vernacular memorabilia and souvenirs. Each piece culture in is exposed with various items that seem influences. His designs rest upon these hard to grasp at first sight but become contrasts, as duality is another constant progressively legible as a reflection of his hallmark of his stylistic vocabulary. He creative process. His choice to organize often uses what defines the differences his work in a particular way, results between genders to tackle the limits of from a skilful montage in the museum dress codes : men’s garments are made space. By associating the pieces with with fabrics regarded as feminine such shared similarities, he illustrates the as lace, while masculine cuts are used in main themes and characteristics of his the women’s collections. The refinement production from the early 1980s. that the couturier brings to each of his The exhibition brings together all the works culminates in his fashion shows, artistic fields with an assemblage of several of which have been among the historical, pictorial, ethnic, cinematic, most musical is for him memorable in just as recent rich decades. of and wonder’ or geographic stressing references. Dries Van Noten chooses uncommon While locations but ones always related to analogies the theme of the collection, such as Dries Passage Brady in the Indian quarter combines fashion design with the world of Paris’ 10th arrondissement, for the of decorative and fine arts, in order to 1994 Men’s Spring-Summer Collection. illustrate the Belgian creator’s distinctive More recently, in 2008, the fountain by techniques and stylistic vocabulary. Van and the ‘curiosity the Noten’s influences, the contradictions work, the in show 7. Dries Van Noten, Spring/Summer show 2014 © Tommy Tom press release > DRIES VAN NOTEN Dries Van anonymous Noten 19 th has century selected pieces and works by emblematic couturiers such as Elsa Schiaparelli and Christian Dior and 1980s designers, to evoke intimate subject matters such as youth, the archetype, while ambiguity highlighting and his passion, ‘signature’ themes. Thanks to exceptional loans, masterpieces by important artists such as Bronzino, Kees Van Dongen, Yves Klein, Victor Vasarely, Francis Bacon, Elizabeth Peyton and Damien Hirst are on display in each section of the show. Major films, including Stanley Kubrick’s Clockwork Orange and Jane Campion’s The Piano, are also part of the event. The exhibition is the result of Dries Van Noten’s close collaboration with the Arts Décoratifs Museum, which has prompted him to use several 19 th century textile patterns in his 2014 men’s and 8. Detail of a dress, Cortina, circa 1966 Collection UFAC, Les Arts Décoratifs © Jean Tholance 9. Dries Van Noten, Spring/Summer show 2009 © Patrice Stable women’s Spring/Summer ready-to-wear collections that he unveiled in Paris in June and September 2013. 10. Embroidered leather jacket, Yves Saint Laurent, 1980-1981 Collection UFAC, Les Arts Décoratifs © Jean Tholance 11. Textile detail, embroidered satin, circa 1889 Collection UFAC, Les Arts Décoratifs © Jean Tholance 12. Dries Van Noten, Spring/Summer show 2014 © Tommy Tom 13. Dries Van Noten, Autumn/Winter show 2006 © Olaf Wipperfurth renseignements key information pratiques Curator : > Pamela Golbin, general curator of Contemporary Fashion and Textiles, Les Arts Décoratifs Exhibition design : > Jean-Dominique SECONDI, ARTER les arts décoratifs Bruno ROGER, Chairman Marie-Liesse Baudrez, General director Olivier GABET, Museums director Pascale de SEzE, Communication director the museums The Arts Décoratifs museums 107 rue de Rivoli, 75001 Paris > phone +33 01 44 55 57 50 Metro stations : Palais-Royal, Pyramides, Tuileries Open Tuesday to Sunday 11am to 6pm (Late opening Thursday until 9pm : Temporary exhibitions and jewellery gallery only) admission > full rate : 9 € > reduced rate : 7.50 € Publication : > Dries Van Noten French edition : Les Arts Décoratifs ; English and Dutch editions : LANNOO 320 pages, 600 illustrations, 59 € educational and cultural services The Educational and Cultural Department organises museum tours for adults, groups and individuals > reservations +33 01 44 55 59 26 thematic workshop-tours and guided tours related to an exhibition for 4 to 18 year-olds > reservations +33 01 44 55 59 25 lectures and panel discussions > reservations +33 01 44 55 59 75 library The Arts Décoratifs Library 107 rue de Rivoli, 75001 Paris > phone +33 01 44 55 59 36 Open Tuesday to Saturday 10am to 6pm école camondo 266 boulevard Raspail, 75014 Paris > phone +33 01 43 35 44 28 ateliers du carrousel Musée Nissim de Camondo 63 rue de Monceau, 75008 Paris > phone +33 01 53 89 06 40 Open Wednesday to Sunday 10am to 5.30pm Closed Monday and Tuesday admission > full rate : 7 € > reduced rate : 5 € 107 rue de Rivoli, 75001 Paris 266 boulevard Raspail, 75014 Paris 63 rue de Monceau, 75008 Paris > phone +33 01 44 55 59 02 partners ’ club The Partners’ Club brings together firms wishing to participate in promoting Les Arts Décoratifs, developing a lasting relationship with our institution and broadening their network of contacts. It acts as a laboratory for ideas and interaction between economic and cultural actors and creators. Members – at three different levels – benefit from the advantages of patrons and sponsors. > phone +33 01 44 55 58 07 les amis Les Amis des Arts Décoratifs promote the Arts Décoratifs museums and library in France and abroad. Their support contributes to the enrichment and restoration of the museum’s collections. Members have free admission to the Arts Décoratifs museums and can participate in private visits, thematic days and cultural tours. > phone +33 01 44 55 59 78 the museum boutique 107RIVOLI art mode design paris 107 rue de Rivoli, 75001 Paris > phone +33 01 42 60 64 94 Open 10am to 7pm Closed Monday le restaurant the restaurant Le Saut du Loup restaurant - bar – terrace 107 rue de Rivoli, 75001 Paris or access via the Carrousel Gardens > phone +33 01 56 88 50 60 website www.lesartsdecoratifs.fr www.facebook.com/lesartsdecoratifs www.twitter.com/artsdecoratifs
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