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TRADE SHOW AND CONFERENCE · BERLIN · 9 – 11 JUNE 2015
ARCHITECTURE / DESIGN · STAGE · LIGHTING · SOUND · VIDEO · MEDIA · EQUIPMENT · SECURITY
Berlin Exhibition Grounds · www.stage-set-scenery.com
PAGE 2 • STAGE|SET|SCENERY - 2015
TUESDAY, JUNE 9TH, 2015
Forum 1 (Halle 4)
Forum 2 (Halle 4)
Anatomisches Theater (Halle 4)
Presented by: Prof. Jörg Friedrich,
Architekt Hamburg
11:00-11:15
Opening of the International
Symposium
10:30-11:15
LED light and colors for costume and
stage designers
11:00-12:00
Zusatzqualifikation für
Bühnenmaler und -plastiker
11:30-12:00
Stuttgart: study before
renovation
11:30-12:15
The new boards that mean the world
12:15-12:45
‚Staging the Stage‘ - Sechs szenografische Impulse der TU Berlin für
ein TheaterMuseum
12:00-12:30
Mid term report on the project ‚Kraftwerk Mitte‘ - one Kraftwerk Mitte One year after laying the foundation
stone - a year before the opening
12:30-13:15
Perspectives in play
13:00-13:45
Von innen betrachtet - Sezieren
eines Elektrokettenzuges
12:30-13:00
Building theatres: How do as a user
achieve my aims?
13:30-14:15
Soft goods in theatre: Choosing,
comparing, tendering
14:00-14:45
Präsentation des USITT Design
AWARD Gewinners
Josafath Reynoso
Multikulturelle Einflüsse für einen
jungen Designer.
14:00-14:45
Covent Garden Opera House: renovation of the Royal Opera, new workshops involving the social community
14:30-15:15
Panel discussion on the subject future
shortage of skilled workers
15:00-16:15
Interpretation der
menschlichen Anatomie
15:00-15:30
Theatre Workshops in
Frankfurt/Main
15:30-16:15
Engineering of stage machinery by
taking relevant regulations into consideration
15:30-16:00
Standards of Quality for renovations,
refurbishments and more
16:30-17:15
Stage and control technology for the
main show of the German Pavilion at
the EXPO 2015 Milan
16:15-17:30
Discussion
Moderation: Prof. Jörg Friedrich,
Architekt Hamburg
17:15-18:00
Braking resistors - a demystification
18:30-19:30
Anatomy disassemble
Performative concert for voice, actor
and ensemble with historic addition
to instruments and electronics
STAGE|SET|SCENERY - 2015 • PAGE 3
TUESDAY, JUNE 9TH, 2015
SoundLab (Halle 3)
Safety in Action Stage (Halle 3)
Barocktheater/Roundtable
Presented by: Dieter Klein
Presented by: Michaela Heinz-Kalischefski
10:30-11:30
Flexible Akustik durch den Einsatz
von Textilien und aufblasbaren
Membranabsorbern
10:30-11:15
Denk an mich. Dein Rücken.
11:00-13:00
Treffen der Arbeitsgruppe
historische Theatertechnik
(Roundtable 2 Stuttgart)
11:30-12:30
VIVACE - virtuelle Raumakustik und
Theatereffekte von Müller BBM
11:20-11:40
Lenk- und Ruhezeiten
11:00-13:00
Treffen der IGVW AG Dekobau
(Roundtable 1 Ulm)
13:30-14:30
Audio Streaming auf mobile
Endgeräte: MobileConnect
11:45-12:30
Übungssimulation Erhöhung der
Sicherheit bei Veranstaltungen
12:00-13:00
Der Villinger Kulissenfund - barocker Bühnenzauber aus dem Kloster
(Barocktheater)
14:30-15:30
Atmosphea - Objektorientierter
3D Sound
12:45-13:30
Inszenierte Atemlosigkeit
13:30-14:30
Roundtable für Fachkräfte für
Arbeitssicherheit
(Roundtable 2 Stuttgart)
15:30-16:30
Verständlichkeit in akustisch
ungünstiger Umgebung
13:45-14:30
Die Leichtigkeit des Trapezes
14:00-17:00
Treffen der Werkstattleiter
(Roundtable 1 Ulm)
16:30-17:30
Messung und Auswertung von
3D-Impulsantworten mit dem
Messsystem IRIS
14:40-15:10
Gefährdungsbeurteilung von
szenischen Darstellungen
14:00-14:45
Theatermuseum: Entwicklung - Gegenwart und Zukunft
(Barocktheater)
15:15-16:00
Brandschutzdialog
15:30-17:30
APWPT Mitgliederversammlung
(Roundtable 2 Stuttgart)
16:05-16:20
ECA Electronic Conterweight
Assistance Schwerlastzüge als mobile
Installationen
18:30-19:30
Presentation of the Weltenbauer Award and
tribute to the winners of the architecture competition of the OISTAT
afterwards reception by the DTHG
(by invitation only)
PAGE 4 • STAGE|SET|SCENERY - 2015
TUESDAY, JUNE 9TH 2015
10:30-11:15
Forum 2 (Halle 4)
LED light and colors for costume and stage designers
LED- light is a new special light. It gives us new, special
possibilities. An understanding of what LED-light is helps us to add LED sources to our lighting toolbox both
for general lighting and for the special advantages LEDs
provide. This presentation will provide this understanding using real practical examples.
Jürgen Nase (ETC)
10:30-11:15
Safety in Action Stage (Halle 3)
Remember me. Your back.
Load manual handling in confined spaces
Nada Göltzer (VBG)
10:30-11:30
SoundLab (Halle 3)
Flexible acoustics by use of textiles and inflatable
membrane absorbers
Over recent years the requirements relating to the
acoustics in theatres, opera houses, multipurpose halls
and community centers have changed dramatically.
Not only the „typical“ applications like theatre, opera or
symphonic concerts are being required, but an increasingly amount of Pop- and Rock concerts with a †need
for electroacoustical enhancement. The use of fabrics
and inflatable membrane absorbers can be an efficient
solution for a flexible and adjustable room acoustics in
all frequency bands. The presentation deals with the
acoustic requirements as well as the technical solution
of a flexible room acoustics via fabrics and membrane
absorbers.
Jonas Schira (Gerriets)
11:00-11:15
Forums 1 (Halle 4)
Opening of the International Symposium
Keynote
Brigitte Zypries, Parliamentary State Secretary
at the Federal Ministry of Economy and Energy
11:00-12:00
Anatomisches Theater (Halle 4)
Additional qualification for scene
painters and sculptors
The Louis Lepoix school in Baden Baden offers an
additional qualification for scene painters and sculptors.
The lecture mainly focuses on the human anatomy,
combining this with seldomly used working technologies such as transparent painting.
11:20-11:40
Safety in Action Stage (Halle 3)
Driving time and resting periods
Road safety and rules of freight transport
Falco Zanini
11:30-12:00
Forum 1 (Halle 4)
Stuttgart: study before renovation
Consider not only technical theater renovation
Now that renovation work on the Schauspielhaus has
begun a further expertise has been conducted which
takes a comprehensive look at the overall complex of
Württembergische Staatstheater. In what way must
these venues adapt and how must they position themselves on the market over the next 20 years?
Karl-Heinz Mittelstädt (BW-Staatstheater Stuttgart),
Tilman Häcker (VB BW)
11:30-12:15
Forum 2 (Halle 4)
The new boards that mean the world
The stage floor from the perspective of planners and
operators
Kai-Uwe Patz (Bühnenbau Wertheim)
11:30-12:30
SoundLab (Halle 3)
VIVACE - an electronic system for room acoustics and
effects
Gunter Engel (Müller-BBM)
11:45-12:30
Safety in Action Stage (Halle 3)
Simulation Exercise - Increasing the safety of events
The exercise and simulation of critical situations is
already taken for granted in many areas and lived
practice. These considerations are slow input in the
event industry and are presented as examples.
Bastian Solke, Tobias Zweckerl
12:00-12:30
Forum 1 (Halle 4)
Halftime in the project Kraftwerk Mitte - One year
after laying the foundation stone - a year before the
opening
Former power station in the Mitte district of Dresden:
State operetta and Theater of the young generation
under one roof - chance or compromise?
Mario Radicke (Staatsoperette Dresden),
Lutz Hofmann (Theater der Jungen Generation)
STAGE|SET|SCENERY - 2015 • PAGE 5
TUESDAY, JUNE 9TH 2015
12:00-13:00
Barocktheater (Halle 4)
The Villingen scenery finding ?
The city museums of Villingen-Schwenningen under
the direction of Dr. Michael Hütt present in collaboration with the art historian Dr. Anne Schaich and the
exhibition creator Grit Wendicke in the hall 4.2 baroque
theatrical splendour.
12:15-12:45
Anatomisches Theater (Halle 4)
Staging the Stage - Six scenographic impulses by the
TU Berlin for a Theatre Museum
Capture the allure of the theatre many facets through
an exhibition with an atmospheric setting that creates
a sensual experience. In conjunction with their Masterís
theses six students from TU Berlin Bühnenbild_Szenischer Raum took on this challenge under Charlotte
Tamschicks tutelage and now offer first insights into
the design process.
Charlotte Tamschick, Franziska Ritter, Vasiliki Christopoulou, Julia-Maria Gahlow, Sandra Hanschitz, Christine
Hartwig, Afra Nohabar, Raimund Schucht
12:30-13:00
Forum 1 (Halle 4)
Building theaters: How do as a user achieve my
golas?
The user‘s role at the expansion and refurbishment of
Staatstheater Karlsruhe as an example
Ivica Fulir (Badisches Staatstheater Karlsruhe)
12:30-13:15
Forum 2 (Halle 4)
Perspectives in play
Text, stage and the eye of the beholder
Steffi Wurster
12:45-13:30
Safety in Action Stage (Halle 3)
Staged breathlessness
The game of fear in scenic representations
Jens Becker (State Ballet School Berlin and School for
artistics with the support of the Beuth Acadamy for
technology Berlin)
13:00-13:45
Anatomisches Theater (Halle 4)
Examined from the inside - Dissection of an electric
chain hoist
The structure of an electric chain hoist a interesting and
entertaining explanation, with insights into the functionality of the individual components
Torsten Simsch (CAST)
13:30-14:15
Forum 2 (Halle 4)
Soft goods in theatre:
Choosing, comparing, tendering
Soft goods in theatre are the least known products
to theatre architects, theatre advisors and technical
directors. Although they represent only a small part
of the theatres budget, theatrical drapes and drops
make a big part of the overall look of a venue. There is
not much contemporary literature about this subject
that is up to date. This presentation wants to give a
comprehensive overview of the different possibilities
and differences in materials, finishings, flame retardant
standards and so on. It will also focus on local and
international differences and ecological, acoustic and
light absorbance standards in an effort to enable easier
comparisons between different materials and possibilities.
Ivo Kersmaekers (Showtex)
13:30-14:30
SoundLab (Halle 3)
Audio streaming to mobile devices: MobileConnect
Sennheiser MobileConnect provides live audio streaming to mobile devices for the first time. The WLAN-based, low-latency, multi-channel audio transmission
system can be used for any audio-streaming applications. It is particularly impressive in the way it supports
assistive listening for people with impaired hearing yet
equally effective for transmitting audio descriptions
and translations. With MobileConnect, your visitors use
their own mobile devices and headphones, eliminating
additional costs for personnel and maintenance. The
free app was developed with optimum usability for all
users in mind. With MobileConnect, Sennheiser makes
a significant contribution to true inclusion.
Norbert Ibrom (Sennheiser), Wolfgang Guse (Sennheiser)
13:45-14:30
Safety in Action Stage (Halle 3)
The ease of the trapezoid
Real load measurement in the trapezoid
Stephan Rolfes und Jochen Hilbrand
(Beuth Hochschule)
14:00-14:45
Anatomisches Theater (Halle 4)
Presentation of the USITT AWARD Winner
The Mexican Stage designer Josafath Reynoso is the
winner of the Young USITT Designer Awards 2015. He
will present his work and the influence of two cultures
on his aesthetic understanding.
PAGE 6 • STAGE|SET|SCENERY - 2015
TUESDAY, JUNE 9TH 2015
14:00-14:45
Forum 1 (Halle 4)
Covent Garden Opera House: Renovation of the Royal
Opera, new workshops involving
the social community
Matt Lane (Royal Opera House)
14:30-15:15
Forum 2 (Halle 4)
Panel discussion on the subject
future shortage of skilled workers?
Rolf Bolwin (Deutscher Bühnenverein), Walter Maecken
(SWR), Ralph Hillbrand (Beuth Hochschule)
14:30-15:30
SoundLab (Halle 3)
Atmosphea - object-orientated 3D sound
Atmosphea is a patented, modular solution creating
high-class surround sound. Atmosphea was created by
the Shure Distribution GmbH in cooperation with the
Fraunhofer Digital Media Technology Institute (IDMT).
Due to a perfect combination of high-end Shure and
QSC audio components, Atmosphea is in a position
to create an impressive one-of-a-kind sound experience. It is based on wave field synthesis algorithms
while requiring only a significantly reduced number of
loudspeakers.
Clemens Clausen (Shure Distribution GmbH)
14:40-15:10
Safety in Action Stage (Halle 3)
Risk assessment of scenic representations
How is a risk assessment of scenic views carried out
and what differences arise in theory and reality in terms
of artistic performances.
Olaf Jastrob (Jastrob Ltd. Co KG)
15:00-15:30
Forum 1 (Halle 4)
Theatre Workshops in Frankfurt / Main
Just in time for season 2014/15 the conversion and
extension of the workshops of the Municipal Theatre
Frankfurt was completed. The spatial boundaries of the
building plot required a special solution.
Rainer Münz (Städtische Bühnen Frankfurt)
15:00-16:15
Anatomisches Theater (Halle 4)
Interpretation of the human anatomy
Makeup artist of the 2nd practical training year of
the Louis Lepoix School under the direction of Sibylle
Ostertag
15:15-16:00
Safety in Action Stage (Halle 3)
Fire Protection Dialog
The fire resistance of building material. An event always
takes various building materials and these must correspond to different material classes. When does which
material class apply and is there one who still understands this? Does a personal standardisation help?
Jörg Krüseke (German Protect & Defense GmbH), Ivo
Kersmaekers (Showtex), Harald Scherer (4events.Direktkommunikation), Karl-Heinz Mittelstädt (BW Staatstheater Stuttgart)
15:30-16:00
Forum 1 (Halle 4)
Standards of Quality for Renovations, Refurbishments and more
Doris Gruber, BDA
15:30-16:15
Forum 2 (Halle 4)
Engineering of stage machinery by taking into consideration relevant regulations
Engineering of stage machinery is defined by many
regulations as law, directives and standards but as
well by other requirements from specifications and risk
analysis.
Andreas Bickel (Bosch Rexroth)
15:30-16:30
SoundLab (Halle 3)
Intelligibility in acoustically unfavorable environments
Using different radiating speakers with an identical
transfer function (magnitude + phase) shows how
the course varies with the coverage and the acoustic
environment.
Dieter Klein (KS Audio)
16:05-16:20
Safety in Action Stage (Halle 3)
ECA Electronic Conterweight Assistance
Wouter Peasen (Trekwerk)
16:15-17:30
Forum 1 (Halle 4)
Discussion
Moderation: Prof. Jörg Friedrich, Architekt Hamburg
STAGE|SET|SCENERY - 2015 • PAGE 7
TUESDAY, JUNE 9TH 2015
16:30-17:15
Forum 2 (Halle 4)
Stage and control technology for the main show of
the German Pavilion at the EXPO 2015 Milan
For the main show of the German Pavilion at the EXPO
2015 Milan twofold airframe was provided on the part of
the creative design, with which two objects („bee eyes“
- projection with high-performance projector) should be
moved scenic above the audience.
Ulrich Kunkel (e3 Engineering)
16:30-17:30
SoundLab (Halle 3)
Measurement and analysis of 3D room impulse responses with the IRIS measurement system
IRIS is a powerful and user-friendly measurement
system for capturing and analysing room impulse
responses in 3D. Besides measuring standard room
acoustic parameters (ISO 3382), IRIS allows to analyse
room reflections, their direction and their intensity. The
3D plot (ìIgelî) can be imported into a 3D model, drawn
in the 3D design software SketchUp for further analyses. By exporting the model to a simulation Software
like Odeon or CATT/ TUCT it is also possible to design
and evaluate room acoustic treatments on the same
platform. IRIS consists of an ambisonic microphone, a
calibrated multi-channel hardware and a PC-Software.
Besides demonstrating the functions of IRIS, live measurements will be performed
Peter Rahe (Akustikbüro Rahe-Kraft GmbH Berlin)
17:15-18:00
Forum 2 (Halle 4)
Demystifying Braking Resistors
Calculating braking resistor requirements in entertainment automation effects can be a daunting challenge
for control system designers. This event will present
the current research findings on the topic of braking
resistor calculations for the entertainment industry.
Support for this research was jointly provided by the
University of Wisconsin - Madison Graduate School with
funding from the Wisconsin Alumni Research Foundation and the United States Institute for Theatre Technology.
Daniel Lisowski (USITT)
PAGE 8 • STAGE|SET|SCENERY - 2015
WEDNESDAY, JUNE 10TH 2015
Forum 1 (Halle 1)
Forum 2 (Halle 4)
Anatomisches Theater (Halle 4)
10:30-12:00
Panel discussion: Planning security for
wireless microphone
10:15-10:45
Buchpräsentation der neue Ausgabe
(2015) von „Bühnentechnik“ von
Bruno Grösel
Presented by:
Dr. Gabriele Högg
10:30-11:15
Russia - China - old and new cultural
buildings in two empires
11:00-11:45
Produktion im geschlossenen
Kreislauf - das Cradle-to-Cradle-Konzept im Theater
11:30-12:15
Planning and design of the
new opera house in Dubai, UAE
12:30-13:15
The contemporary soundscape
trough acoustics and technology
12:30-13:15
The design of new media presentations
with LED technology and displays in
combination with kinetic elements
12:00-12:45
Beispiele für nachhaltiges Arbeiten
im Bereich Theaterplastik
13:30-14:15
3D sound in the theater - Possibilities
and limitations
13:30-14:15
Efficiency and sustainability through
integral automation
13:00-13:45
Von innen betrachtet - Sezieren
eines Elektrokettenzuges
14:30-15:15
Stavanger Concert House a multifunctional building
14:30-15:15
Project report and outlook: Energy
efficiency in hessian theaters
14:00-14:45
Projektorientierte Ausbildung in der
Bühnenmalerei und Bühnenplastik
an der Wilhelm-Ostwald-Schule
Berlin
15:30-16:15
International cooperations with theatrical productions, advantages and
disadvantages
15:30-16:15
Changes in the European
procurement law
15:00-16:00
Aktzeichnen für Anfänger und
Fortgeschrittene
16:30-17:15
The change of museums to
interactive experience centres
16:30-17:15
Photobiological safety of stage light at
the theaters
17:00-18:00
Cirque de freak
für Maskenbildner
17:30-19:00
DTHG-Mitgliederversammlung
STAGE|SET|SCENERY - 2015 • PAGE 9
WEDNESDAY, JUNE 1OTH 2015
SoundLab (Halle 3)
Safety in Action Stage
Moderation: Dieter Klein
Moderation: Michaela Heinz-Kalischefski
10:30-11:30
Flexible Akustik durch den Einsatz
von Textilien und aufblasbaren
Membranabsorbern
10:30-11:15
Eine Kultur der Verantwortung
10:00-13:00
Meeting der Architekturkommission
der OISTAT
(Roundtable 2 Stuttgart)
11:20-11:40
Sind wir schon (zu) voll?
10:30-13:00
Treffen der Inspizienten
(Roundtable 1 Ulm)
11:45-12:30
Sicherheitsdurchsagen für Evakuierungen und Notfallmanagement
11:00-11:45
Das Bourla Theater in Antwerpen:
Renovierung versus Restaurierung
(Barocktheater)
12:45-13:30
Sanitätswachdienst bei Veranstaltungen
13:15-14:00
Leuchtende Bilder auf neuem
Schwarz
(Roundtable 3 Trier)
13:45-14:30
Übungssimulation Erhöhung der
Sicherheit bei Veranstaltungen
14:00-15:00
Treffen der DTHG-Regionalleiter
(Roundtable 1 Ulm)
14:40-15:10
Inszenierte Atemlosigkeit
13:00-13:45
Historische Theatertechnik:
ungeahnte Möglichkeiten
Heritage Theatre Machinery:
unexpected possibilities
(Barocktheater)
15:15-16:00
Die Leichtigkeit des Trapezes
14:00-15:00
MV des Vereins
TheaterMuseum e.V.
(Roundtable 2 Stuttgart)
16:05-16:20
Böden sind nicht gleich Böden
15:30-16:30
Treffen der Berufsschullehrer und
Prüfer
(Roundtable 1 Ulm)
16:30-17:00
Denk an mich. Dein Rücken
15:30-17:30
Frauen im Theater und in der Veranstaltungstechnik
(Roundtable 2 Stuttgart)
11:30-12:30
VIVACE - Raumakustik und Theatereffekte von
Müller-BBM
13:30-14:30
Audio Streaming auf mobile Endgeräte: MobileConnect
14:30-15:30
Atmosphea - Objektorientierter
3D-Sound
15:30-16:30
Verständlichkeit in akustisch ungünstiger Umgebung
Barocktheater/Roundtable
15:00-16:00
Der Villinger Kulissenfund - barocker
Bühnenzauber aus dem Kloster
(Barocktheater)
17:30-19:00
DTHG Anual Member Meeting
Forum 1 (Halle 4)
(only by Invitation)
ab 18:00
Stage|Set|Scenery Night 2015
Palais Funkturm
PAGE 10 • STAGE|SET|SCENERY - 2015
WEDNESDAY, JUNE 10TH 2015
10:15-10:45
Anatomisches Theater (Halle 4)
Book presentation of the new edition of „Bühnentechnik“ (stage machinery) of Bruno Grösel
In 1995 the first edition was published. Now the elaborately revised edition (enlarged to 400 pages) will
be presented.
Bruno Grösel
10:30-11:15
Forum 1 (Halle 4)
Russia - China - Old and new cultural buildings in
two huge empires
Nowhere else in the world are there more theaters
and performance venues being renovated and built
than in Russia and China. While Russia is renovating
world-famous performance venues such as Moscow’s Bolshoi Theater, in China the focus is on new
buildings, all of which feature outstanding architecture. As the status symbols of mega cities they are
changing the cultural landscape.The paper provides
an insight into how, based on established practices,
existing venues in Russia are being renovated, expanded and new buildings are being added. In China
modern event venues are being built in an effort to
raise popular awareness for western traditions and
culture.
Horst Kunkel (Kunkel Consulting)
10:30-11:15
Forum 2 (Halle 4)
Panel discussion: Planning security for wireless
microphones
among others these points will be discussed: - Situation in Germany after the 700 MHz radio spectrum
was auctioned. - Question with regard to the switch
over from DVB-T to DVB-T2. - Do we have proper radio
spectrum for alternative solutions?
Matthias Fehr (APWPT)
10:30-11:15
Safety in Action Stage (Halle 3)
A culture of responsibility
Results of the Working Group - When is an event
safe and which methods, measures lead to success?
These issues were discussed in a Working Group led
by the Institute for Rescue Engineering and Security
at the University of Applied Sciences Cologne from
winter 2009/2010 until the fall of 2014 fully with different partners. The current results will be presented
by Christian Buschhoff (xEMP Extra Entertainment
Media Publishing GmbH oHG)
10:30-11:30
SoundLab (Halle 3)
Flexible acoustics by use of textiles and inflatable
membrane absorbers
Over the recent years the requirements relating to
the acoustics in theaters, opera houses, multipurpose
halls and community centers have changed dramatically. Not only the „typical“ applications like theater,
opera or symphonic concerts are being required, but
an increasingly amount of Pop- and Rock concerts
with a need for electroacoustical enhancement. The
use of †fabrics and inflatable membrane absorbers
can be an efficient solution for a flexible and adjustable room acoustics in all frequency bands. The
presentation deals with the acoustic requirements
as well as the technical solution of a flexible room
acoustics via fabrics and membrane absorbers.
Jonas Schira (Gerriets)
11:00-11:45
Anatomisches Theater (Halle 4)
Production for a closed loop - the cradle-to-cradle
concept in theatre
How can we realise sustainability in theatre? - The
innovative concept „cradle-to-cradle“ shows an intelligent, future-orientated production process.
Esther Bätschmann
11:00-11:45
Barocktheater (Halle 4)
Bourla Theatre in Antwerp: renovation versus
restoration.
The Bourla theatre is the last large municipal theatre
in Europe that combines a historic building with its
original stage machinery from 1834, with an understage of 3 levels, having still its heritage machinery
almost intact and in good condition. This presentation is a reaction on the feasibility study ordered by
the City of Antwerp on a radical renovation of this
theatre. Pointing out the weaknesses of the study,
specifically on the pretended ameliorations of sight
lines and pretended upgrade of the auditorium. Also
replying to the prejudices of the study on a restoration option of the heritage theatre machinery. Besides
proposing alternatives for the residing company Het
Toneelhuis, it will also look at possibilities of specific
programming for a theatre with restored and active
heritage theatre machinery. The presentation wants
to make clear that a restored Bourla theatre is far
from being condemned to a pure museum function
but on the contrary can stay a living and contemporary performance space that takes full advantage of
its uniqueness†in the world.
Jerome Maeckelbergh
STAGE|SET|SCENERY - 2015 • PAGE 11
WEDNESDAY, JUNE 10TH 2015
Safety in Action Stage (Hall 3)
11:20 - 11:40
(Too) crowded?
Counting technologies at a glance.
Stefan Leitmannslehner (Qounts. Real Data. Real Time.)
11:30-12:15
Forum 1 (Halle 4)
Planning and design of the new Opera in Dubai, UAETom Davis (Theatreprojects)
11:30-12:30
SoundLab (Halle 3)
VIVACE - an electronic system for room acoustics and
effects
Gunter Engel (Müller-BBM)
11:45-12:30
Safety in Action Stage (Halle 3)
Safety announcements for evacuations and
emergency management
Oliver Reimann (Sprech Fabrik®)
12:00-12:45
Anatomisches Theater (Halle 4)
Examples of sustainable working in the sector of
theater sculpture
In his lecture Ron Holthus, former student of HfBK
Dresden, presents his diploma thesis as well as the
theses of some of his fellow students with the common
topic Sustainable theatre sculptures? Holthus emphasizes in his speech the practical works. He focuses on
two works that have been created unter the criterion of
environmental impact of the materials. At the moment
Ron Holthus is working as a freelance theater sculptor.
12:30-13:15
Forum 1 (Halle 4)
The contemporary soundscape trough acoustics and
technology
Nowadays, planning a theater or concert venue poses
a major challenge for everyone involved. Among the
requirements are a variety of possible uses, a unique
aesthetic appeal and perfect acoustics. Venues for contemporary performances become places that establish
a delicate balance between things that are tangible and
our innermost subjective perceptions. This paper goes
in search of new ideas and solutions and examines why
we consider a theatrical setting to be „good“ or „bad“ ...
Maria Cairoli (Biobyte), Enrico Moretti (Biobyte)
12:30-13:15
Forum 2 (Halle 4)
The design of new media presentations with LED
technology and displays in combination with kinetic
elements
In this presentation, the combination is demonstrated
of kinetic horizontally and vertically moving traction
drives with different image reproducing media. On the
basis of very unusual media installations and visionary
ideas for the future is revealed to the listener the combination of these techniques and their advantages.
Thomas Tennagels (Tennagels)
12:45-13:30
Safety in Action Stage (Halle 3)
Medical guard service at events
Protection of vulnerable persons - The protection of the
visitors is the focal points of the operator or organizer.
The establishment of a sanitary guard service is necessary clearly regulated depending on the event. But the
medical security services are at events with protection
of vulnerable people?
Leander Strate (Johanniter Unfall Hilfe e.V.)
13:00-13:45
Anatomisches Theater (Halle 4)
Examined from the inside - Dissection of an electric
chain hoist
The structure of an electric chain hoist an interesting
and entertaining explanation, with insights into the functionality of the individual components.
Torsten Simsch (CAST)
13:00-13:45
Barocktheater (Halle 4)
Heritage Theatre Machinery: unexpected possibilities
On the hand of video clips from a scale model and explanatory drawings, solutions are shown for companies
who have complaints and problems to play or make a
production on a raked floor. We will also demonstrate
unexpected possibilities of the understage†machinery.
Mostly, when people talk or think about such historical
machinery, they hypothesize it is only possible to make
baroque scene changes with it as they know them from
the different historical documentations. But an imaginative scenographer can surprise you with themost
unexpected use of the miscellaneous opportunities of
this neglected machinery.
Jerome Maeckelbergh
13:15-14:00
Roundtable 3 (Trier)
Vibrant images on a new Black
Roundtable for scene painters and sculptors
Andrea Bohacz (Scenedeluxe), Ilka Licht (Studio Hamburg Atelierbetriebs GmbH), Damir Ibrahimovic (A.
Haussmann GmbH)
PAGE 12 • STAGE|SET|SCENERY - 2015
WEDNESDAY, JUNE 10TH 2015
13:30-14:15
Forum 2 (Halle 4)
3D sound in the theater - Possibilities and limitations
Multi-channel audio systems have the potential to
overtake home movie systems in terms of audio quality. New methods of acoustic design can produce the
desired effects.
Gunther Engel (Müller-BBM)
13:30-14:15
Forum 1 (Halle 4)
Efficiency and sustainability by integral automation
Michel Matuschke und Bernd Hölscher (Beckhoff Automation GmbH & Co. KG)
13:30-14:30
SoundLab (Halle 3)
Audio streaming to mobile devices: MobileConnect
Sennheiser MobileConnect provides live audio streaming to mobile devices for the first time. The WLAN-based, low-latency, multi-channel audio transmission
system can be used for any audio-streaming applications. It is particularly impressive in the way it supports
assistive listening for people with impaired hearing yet
equally effective for transmitting audio descriptions
and translations. With MobileConnect, your visitors use
their own mobile devices and headphones, eliminating
additional costs for personnel and maintenance. The
free app was developed with optimum usability for all
users in mind. With MobileConnect, Sennheiser makes
a significant contribution to true inclusion.
Norbert Ibrom (Sennheiser), Wolfgang Guse (Sennheiser)
13:45-14:30
Safety in Action Stage (Halle 3)
Simulation Exercise - Increasing the safety of events
The exercise and simulation of critical situations is
already taken for granted in many areas and lived
practice. These considerations are slow input in the
event industry and are presented as examples.
Bastian Solke, Tobias Zweckerl
14:00-14:45
Anatomisches Theater (Halle 4)
Project-oriented training in scene painting and scene
sculpture at the Wilhelm-Ostwald-School in Berlin
Since 2000, the Wilhelm-Ostwald-School in Berlin
forms within the German dual education system of
vocational training of future scene painters and scene
sculptors.
Ines Bode (Wilhelm-Ostwald-Schule)
14:30-15:15
Forum 1 (Halle 4)
Stavanger Concert House The multi-purpose concert house
This new building is not far from the domed halls, Stavanger’s former concert hall, in the Bjergsted Park. The
aim of the project is to establish the entire complex as a
cultural centre which will also include a music academy
and a school of arts and dance.
Torsten Nobling, theater planner and partner of AIX, will
talk about the planning of the stage engineering carried
out together with collaborators at his office. Stavanger
Symphony Orchestra will perform its concerts in the new
house. There are three different spaces for concerts. The
concert hall designed for acoustic concerts with seating
for 1,500 listeners is named Fartein Valen. Alongside is
the multi-purpose hall, Zetlitz. A concert hall designed
for electro-acoustic music with 850 seats. Combined
seating and standing room allows for concert attendances of up to 1,900. Inside the foyer a suspended platform
can be used for chamber music performances and solo
concerts which audiences of up to 100 can attend. All the
stages have facilities for guest performances by orchestras and other music productions.
Torsten Nobling
14:30-15:15
Forum 2 (Halle 4)
Project report and outlook:
Energy efficiency in Hessian Theaters
In 2014, seven theaters in Hessia (state and fringe
theaters) were analysed with regard to their potential in
energy efficiency. The presentation introduces the project results, points out potentials and stumbling blocks,
discusses the important levers as well as financials
and dares to look into the future of energy efficiency in
theatres.
Annett Baumast (baumast. kultur & nachhaltigkeit),
Walter Spruck (Institut für Nachhaltigkeit in Kultur und
Tourismus)
14:30-15:30
SoundLab (Halle 3)
Atmosphea - object-oriented 3D sound
Atmosphea is a patented, modular solution creating
high-class surround sound. Atmosphea came about
through the cooperation between Shure and the Fraunhofer Digital Media Technology Institute (IDMT). Due to
a perfect combination of high-end Shure and QSC audio
components, Atmosphea is in a position to create an
impressive one-of-a-kind sound experience. It is based
on wave field synthesis algorithms while requiring only a
significantly reduced number of loudspeakers.
Clemens Clausen (Shure Distribution GmbH)
STAGE|SET|SCENERY - 2015 • PAGE 13
WEDNESDAY, JUNE 10TH 2015
14:40-15:10
Safety in Action Stage (Halle 3)
Staged breathlessness
The game of fear in scenic representations
Jens Becker (Staatliche Ballettschule Berlin und
Schule für Artistik) mit Unterstützung der Beuth
Hochschule Berlin
15:00-16:00
Anatomisches Theater (Halle 4)
Nude drawing for beginners and advanced
The Louis Lepoix school will be represented in the
anatomical theater in the hall 4.2 with a demonstration from the department of Scene painting and stage
plastic on the subject Act drawing. The†visitors of the
fair are invited to take in hand the pencils themselves
to do some drawing.
Edith Rugel (Louis Lepoix Schule), Bernd Krause (Louis
Lepoix Schule)
15:00-16:00
Barocktheater (Halle 4)
The Villingen scenery finding - baroque stage magic from a monastery
The city museums of Villingen-Schwenningen under
the direction of Dr. Michael Hütt present in collaboration with the art historian Dr. Anne Schaich and
the exhibition creator Grit Wendicke in the hall 4.2
baroque theatrical splendour.
15:15-16:00
Safety in Action Stage (Halle 3)
The ease of the trapezoid
Real load measurement in the trapezoid
Stephan Rolfes, Jochen Hillbrand (Beuth Hochschule
für Technik Berlin)
15:30-16:15
Forum 1 (Halle 4)
International cooperations with theatrical productions - advantages and disadvantages
Bob Brandson (Opera Europa)
15:30-16:15
Forum 2 (Halle 4)
Changes in the European procurement law
Katrin Oelgarten (attorney)
15:30-16:30
SoundLab (Halle 3)
Intelligibility in acoustically
unfavorable environments
Using different radiating speakers with an identical
transfer function (magnitude + phase) shows how
the course varies with the coverage and the acoustic
environment.
Dieter Klein (KS Audio)
15:30-17:30
Roundtable 2 (Stuttgart)
Women working in theatre and event technics
career opportunities, equality on opportunities
family politics
Martina Meyer, Anja Dansberg
16:05-16:20
Safety in Action Stage (Halle 3)
Grounds are not the same
Requirements for dance floors for stage performances - What are the technical requirements arise on
dance floors for scenic representations? How can this
be implemented in operational practice?
Dirk Rüter (Harlequin Floors)
16:30-17:00
Safety in Action Stage (Halle 3)
Remember me. Your back.
Load manual handling in confined spaces
Nada Göltzer (VBG)
16:30-17:15
Forum 1 (Halle 4)
The change of museums to
interactive experience centres
Lecture on the use of media and stage technology in
modern museums
Kai Ter Meulen (Benart Sound-Light-Vision-Stage
System)
PAGE 14 • STAGE|SET|SCENERY - 2015
WEDNESDAY, JUNE 10TH 2015
16:30-17:15
Forum 2 (Halle 4)
Photobiological safety of stage light at the theater
With the introduction of the directive on optical radiation (VOPST – Federal Gazette (Bundesgesetzblatt) for
the Republic of Austria, no. 8, July 2010), EU directives
EU-RL-2006/EG/25 and EN-62471/2009 ensuring workers are protected against the risk of artificial optical
radiation have come into force. The paper describes
the threshold values for eyes (UV-A, UV actinic, blue
light, IR) and for skin (UV actinic, IR thermal), parameters such as radiation H (J/m2), radiation intensity E
(W/m2) and radiation density L (W/m2 sr). Furthermore, the paper describes measuring these parameters
using spectral and integral measurement methods
as well as the relevant procedures. It presents the
results of these measurements carried out using
spotlights at the Vienna State Opera. The distance
between a spotlight on stage and radiation exposure
are equivalent criteria for gauging the suitability of
such equipment in the theater. The paper proposes
other measures for safe stage lighting equipment.
Tadeusz Krzeszowiak
17:00-18:00
Anatomisches Theater (Halle 4)
Cirque de freak
Makeup artist of the 2nd practical training year of
the Louis Lepoix School under the direction of Sibylle
Ostertag
PAGE 16 • STAGE|SET|SCENERY - 2015
THURSDAY, JUNE 11TH 2015
Forum 1 (Halle 1)
Forum 2 (Halle 4)
Anatomisches Theater (Halle 4)
10:30-11:15
Saarland State Theater Saarbrucken refurbishment of the stage technology
10:30-11:15
RTS Geneva - The world‘s first fully
automated studio with LED technology
11:30-12:15
National and international standardization: DIN NVBF and CEN/TC
Entertainment Technology
11:30-12:15
A new approach to upper stage machinery: „Packaged Hoists“
11:00-12:45
Aus Wissenschaft und Forschung die Beuth Hochschule Berlin stellt
ausgewählte Abschlussarbeiten aus
den Bachelor- und Masterstudiengängen der Theater- und Veranstaltungstechnik vor.
Eurocodes im Dekorationsbau
Zur räumlichen Abbildung von
stereofonem Audiomaterial über
Lautsprecher mit Koaxialtreiber
Sicherheitstechnische Betrachtungen von Kettenzugsystemen in der
Veranstaltungsbranche
Das Arbeitszeitgesetz in der
Veranstaltungsbranche
12:30-13:15
Faster. Free of knots
High-Speed Hoists
12:30-13:15
LED Lighting: Unlocking Creativity
13:00-13:30
Zusatzqualifikation für Bühnenmaler und Plastiker
13:30-14:15
The new generation of Serapid
LinkLifts and its market evolvement
13:30-14:15
Case Study: Opera di Firenze - a new
system - from ‚green‘ light to a ‚green‘
scenery
13:30-14:15
Interpretation der menschlichen
Anatomie
(Leichensezierung)
14:30-15:15
Hydraulics in stage machinery - discontinued model or technology with
a right to the future
14:30-15:15
Visions in Light LED 3rd Generation
14:30-15:15
Nicht ohne uns! Der deutsche Beitrag auf der Prager
Quadriennale 2015
15:30-16:15
Challenges in complex renovation
projects
15:30-16:15
Lighting control for Lighting directors does software save time?
15:30-17:00
AR‘istophanes Mixed Reality Theater
16:15-17:00
Modern stage manager desks
STAGE|SET|SCENERY - 2015 • PAGE 17
THURSDAY JUNE 11TH 2015
SoundLab (Halle 3)
Safety in Action Stage
Barocktheater/Roundtable
10:30-11:30
Flexible Akustik durch den Einsatz
von Textilien und aufblasbaren
Membranabsorbern
10:30-11:15
Incident Management & Business
Continuity Management - Managementprozesse in der Veranstaltungsdurchführung
10:15-11:00
Treffen der DTHG-OISTAT
Delegierten
(Roundtable 1 Ulm)
11:20-11:40
Sind wir schon (zu) voll?
11:30-13:00
Podiumsdiskussion
Szenografen
(Roundtable 1 Ulm)
11:45-12:30
Crowd Barriers
10:30-13:00
Treffen der Inspizienten
(Roundtable 2 Stuttgart)
11:30-12:30
VIVACE - Virtuelle Raumakustik und
Theatereffekte von
Müller-BBM
12:45-13:30
Böden sind nicht gleich Böden
13:30-14:30
Audio Streaming auf mobile Endgeräte: MobileConnect
13:45-14:30
Inszenierte Atemlosigkeit
11:30-12:30
Der Villinger Kulissenfund - barocker
Bühnenzauber aus dem Kloster
(Barocktheater)
14:40-15:10
Lastüberwachte Hängepunkte
13:00-13:45
Theatermuseum: Entwicklung - Gegenwart und Zukunft
(Barocktheater)
14:30-15:30
Atmosphea - Objektorientierter
3D-Sound
15:15-16:00
Die Leichtigkeit des Trapezes
14:00-15:00
Maskenaufbau mit
Hilfe der 3D Technik
(Barocktheater)
15:30-16:30
Verständlichkeit in akustisch ungünstiger Umgebung
16:05-16:20
Digitale Kartensysteme
14:00-15:00
Workshop Erasmus Plus
(Roundtable 1 Ulm)
PAGE 18 • STAGE|SET|SCENERY - 2015
THURSDAY, JUNE 11TH 2015
10:30-11:15
Forum 1 (Halle 4)
Saarland State Theatre Saarbrücken - refurbishment of stage technology
In the year of 2013 the restoration works of the stage
and safety constructions of the State Theatre Saarbrücken have been executed. The lecture explains the
planning process beginning with the baseline study
of the inventory till the final step, the technical certifications of the new constructions.
The conditions of the Theater building that has been
established between 1936 and 1938 and the approach
to solve the problems caused by it will be shown.
Specially the arrangement of the machines in the fly
tower, the rebuilding of the grid and the construction
of the two-storied stage lifts with tilt platforms will
be commented.
Kurt Wagner (Bühnenplanung Walter Kottke Ing.
GmbH)
10:30-11:15
Forum 2 (Halle 4)
RTS Geneva - The world‘s first fully automated
studio with LED technology
The presentation will introduce the advanced equipment of a new 340 magazine studio with motorized
multifunctional LED luminaires and LED background
lighting.
Rüdiger Kreckel (Despar Systeme AG)
10:30-11:15
Safety in Action Stage (Halle 3)
Incident Management & Business Continuity Management
Incident Management & Business Continuity Management are unwieldy terms. But behind it hides
the question of a continuous control of processes: for
example, based on map-based location representations in live operation of an event
Bernd Frenz (IFIS-FR)
10:30-11:30
SoundLab (Halle 3)
Flexible acoustics by use of textiles and inflatable
membrane absorbers
Over the recent years the requirements relating to
the acoustics in theaters, opera houses, multipurpose
halls and community centers have changed dramatically. Not only the „typical“ applications like theater,
opera or symphonic concerts are being required, but
an increasingly amount of Pop- and Rock concerts
with a need for electroacoustical enhancement. The
use of †fabrics and inflatable membrane absorbers
can be an efficient solution for a flexible and adjustable room acoustics in all frequency bands. The
presentation deals with the acoustic requirements
as well as the technical solution of a flexible room
acoustics via fabrics and membrane absorbers.
Jonas Schira (Gerriets)
11:00-12:45
Anatomisches Theater (Halle 4)
Master- and research projects - Beuth college for
technology
Moderation: Prof. Stephan Rolfes
11:20-11:40
Safety in Action Stage (Halle 3)
Too crowded ? Poeple counting system at a glance
How can I measure the number of visitors in my venue
and is it possible to determine where they are located
in the venue? Is the venue (too) crowded and what
types of counting systems exist?
Stefan Leitmannslehner (Qounts. Real Data. Real
Time)
11:30-12:15
Forum 1 (Halle 4)
National and international standardization: DIN
NVBF and CEN/TC Entertainment Technology
Actual projects and aspects of standardization in Germany and Europe
Andreas Bickel (Bosch Rexroth), Peter Steinhäuser (DTHG)
11:30-12:15
Forum 2 (Halle 4)
A new approach to upper stage machinery:
„Packaged Hoists“
Michael Lichter (ETC)
11:30-12:30
Barocktheater (Halle 4)
The Villingen scenery finding - baroque stage magic from a monastery
The city museums of Villingen-Schwenningen under
the direction of Dr. Michael Hütt present in collaboration with the art historian Dr. Anne Schaich and
the exhibition creator Grit Wendicke in the hall 4.2
baroque theatrical splendour.
11:30-12:30
SoundLab (Halle 3)
VIVACE - an electronic system for room acoustics
and effects
Gunter Engel (Müller-BBM)
STAGE|SET|SCENERY - 2015 • PAGE 19
THURSDAY, JUNE 11TH 2015
11:45-12:30
Safety in Action Stage (Hall 3)
Crowd Barriers
Construction and state of Crowd Barriers - What requirements does one need to consider and how must
the installation be carried out?
Matthias Moeller (Prolyte)
any TheaterMuseums in the world that can be taken
seriously.
The initiative sees this from another point of view,
convinced that it is able to work out another way.
Here, they relate to the extremly succesful german
theater exhibition in Magdeburg, dated in 1927.
Stefan Gräbener (Initiative TheaterMuseum e.V.)
12:30-13:15
Forum 1 (Halle 4)
Faster. Free of knots
Choreographed 3D flights with high-speed hoists
Oliver Brück (Waagner Biro)
13:30-14:15
Anatomisches Theater (Halle 4)
Dissecting a corpse
Makeup artist of the 2nd practical training year of
the Louis Lepoix School under the direction of Sibylle
Ostertag
12:30-13:15
Forum 2 (Halle 4)
LED Lighting: Unlocking Creativity
Join Mike Wagner from ARRI to explore some of the
concepts, ideas, and techniques in using LEDs to light
in ways never before possible with conventional fixtures. We will cover topics such as color metamerics,
mixed lighting, color matching, and much more.
12:45-13:30
Safety in Action Stage (Halle 3)
Grounds are not the same
Requirements for dance floors for stage performances - What are the technical requirements arise on
dance floors for scenic representations? How can this
be implemented in operational practice?
Dirk Rüter (Harlequin Floors), Dr. Eileen M. Wanke
(tamed, Tanzmedizin Deutschland e. V.)
13:00-13:30
Anatomisches Theater (Halle 4)
Additional qualification for scene painters and
sculptors
The Louis Lepoix school in Baden Baden offers an additional qualification for scene painters and sculptors.
It is focused mainly on the human anatomy in combination with working technologies only seldom used
in the education as for example transparent painting.
Vero Moss and Edith Rugel introduce the concepts for
painters and sculptors to you.
13:00-13:45
Barocktheater (Halle 4)
Theatre Museum: Development
- Present and Future
It seems to be merely impossible to illustrate the
complexibility of a theater in a museal concept.
Maybe this is also the reason, why there are rarely
13:30-14:15
Forum 1 (Halle 4)
New Generation Serapid LinkLift
and its market evolution
Traditionally, Serapid and its LinkLift product are very
well known for state of the art stage and orchestra
lifts. Such lifts are usually large, with very heavy
loads, and with somewhat slow lift speeds and
usually infrequent lift operation per day. The LinkLift
has undergone the usual testing to meet certifications such as T‹V, Machinery Directive, and ISO, and
its market has been mainly in stage and theater
applications. The LinkLift exists since 1999 and there
have been more than 1000 installations of LinkLift
during the last 15 years worldwide. During the last
few years, Serapid and its Rigid Chain Technology
(RCT) has seen many demands in other areas, namely
for Performance Lifts at higher speeds, Special Effects
Lifts, Multi-Purpose Venue Lifts or Passenger Lifts.
These demands have led to significant improvements
and the development of some derivative products,
such as the TeleMast or the Serapid Stage Wagon
System, what was an adaptation and improvement of
the industrial RCT. The feedback from the market, our
experience, application challenges and the creative
capabilities of the Serapid team forces us every day
to be more creative, to always question ourselves and
to think outside of the box. Serapids products were
being pushed in essentially 3 categories: Speed. Noise. Safety. These types of requirements were forcing
us to evolve from the entertainment industry to the
elevator industry, or, as commonly called, vertical
transportation? what led us finally to EN81 - the European Standard for lifts.
Said Lounis (SERAPID)
PAGE 20 • STAGE|SET|SCENERY - 2015
THURSDAY, JUNE 11TH 2015
13:30-14:15
Forum 2 (Halle 4)
Opera di Firenze - Case study: opera house of Florence - a new economic system - from ‚green‘ light
to ‚green‘ scenery
Presentation of a new sustainable solution in a contextual realization of the first Opera House worldwide
- driven by a new environmental concept: To place
human kind in the middle of an harmonic fusion with
the New Green Line Innovations to become Art.
Enrico Moretti (Biobyte), Maria Cairoli (Biobyte), Thomas Nell (Spotlight)
14:30-15:15
Forum 1 (Halle 4)
Hydraulics in stage machinery - discontinued model or technology with a right to the future
Is the hydraulic system merely a century old driving
technology or are we handling an antiquated and very
easy technology that has proven itself over the years
and is able to give easy answers to complex technical
questions? Give yourself the oppertunity to view this
topic from an undisguised point of view!
Volker Kirsch (Bosch Rexroth AG)
14:30-15:15
Forum 2 (Halle 4)
Visions in Light - LED 3rd Generation
Innovate the way you think
Peter Plesner (Cast)
13:30-14:30
SoundLab (Halle 3)
Audio streaming to mobile devices:
MobileConnect
For the first time Sennheiser MobileConnect provides live audio streaming to mobile devices. The
WLAN-based, low-latency, multi-channel audio transmission system can be used for any audio-streaming
applications. It is particularly impressive in the way it
supports assistive listening for people with impaired
hearing yet equally effective for transmitting audio
descriptions and translations. With MobileConnect,
your visitors use their own mobile devices and headphones, eliminating additional costs for personnel
and maintenance. The free app was developed with
optimum usability for all users in mind. With MobileConnect, Sennheiser makes a significant contribution
to true inclusion.
Norbert Ibrom, Wolfgang Guse (Sennheiser)
14:30-15:30
SoundLab (Halle 3)
Atmosphea - object-oriented 3D sound
Atmosphea is a patented, modular solution creating
high-class surround sound. Atmosphea came about
through the cooperation between Shure and the
Fraunhofer Digital Media Technology Institute (IDMT).
Due to a perfect combination of high-end Shure and
QSC audio components, Atmosphea is in a position
to create an impressive one-of-a-kind sound experience. It is based on wave field synthesis algorithms
while requiring only a significantly reduced number of
loudspeakers.
Clemens Clausen (Shure Distribution GmbH)
13:45-14:30
Safety in Action Stage (Halle 3)
Staged breathlessness
The game of fear in scenic representations
Jens Becker (Staatliche Ballettschule Berlin und
Schule für Artistik) mit Unterstützung der Beuth
Hochschule Berlin
14:40-15:10
Safety in Action Stage (Halle 3)
Monitored loads of suspension points
Intelligent load distribution systems - Demonstration
and explanation of Intelligent load distribution systems with load-controlled suspension points.
Ulrich Kunkel (e3 Engineering)
14:00-15:00
Roundtable 2 (Stuttgart)
Workshop Erasmus Plus
14:30-15:15
Anatomisches Theater (Halle 4)
Not without us! The German Exposition at the Prague Quadrennial
2015
15:15-16:00
Safety in Action Stage (Halle 3)
The ease of the trapezoid
Real load measurement in the trapezoid
Stephan Rolfes und Jochen Hilbrand (Beuth Hochschule)
STAGE|SET|SCENERY - 2015 • PAGE 21
THURSDAY, JUNE 11TH 2015
15:30-16:15
Forum 1 (Halle 4)
Challenges in complex renovation projects
Renovations represent a major challenge for all
involved parties in the project. In contrast to new buildings reconstructions are influenced by a number of
additional factors. The range of refurbishments reach
from partial reconstruction of the stage equipment
to complete construction of the complete installation
with their own specific requirements.
Christian Freimüller (Geschäftsführer SBS Bühnentechnik GmbH
15:30-16:15
Forum 2 (Halle 4)
Lighting control for lighting directors
- does software save time?
One of the biggest challenges for lighting directors and designers in their daily work is the ever
shortening production and rehearsal timeline. This
problem exists for repertory theaters, En-Suite productions and tours. This presentation introduces the
partricipants to the latest developments in lighting
control and supporting applications for creating and
maintaining lighting paperwork. Practical examples
will be provided by the presenter from his work in rep
at the Bayreuth Festival.
Peter Younes (Sein & Schein GmbH)
15:30-16:30
SoundLab (Halle 3)
Intelligibility in acoustically unfavorable environments
Using different radiating speakers with an identical
transfer function (magnitude + phase) shows how
the course varies with the coverage and the acoustic
environment.
Dieter Klein (KS Audio)
15:30-17:00
Anatomisches Theater (Halle 4)
AR‘istophanes - Mixed Reality Theater
AR‘istophanes deals with augmented reality for theater
productions.
The issue of this research project is the use of so called
Smartglasses to let real characters play together with
virtual characters.
Thiemo Kastel (St. Poelten University of Applied Sciences)
16:05-16:20
Safety in Action Stage (Halle 3)
Digital Ticket Systems
Jens Groskopf (GROSKOPF Rescue Engineering Consulting)
16:15-17:00
Forum 2 (Halle 4)
Modern stage manager‘s desks
A multi-faceted as the art they are serving for
Hans Hermann Hönsch (HFE)
16:30;16:45
Safety in Action Stage (Hall3)
DIN socket applied with new saftety functions.
The new and innovative mechanical linkage from RESBIG Technology allows a more faster installation and an
extended safe mounting of the studio equipment. Especially during self supporting on a ladder or a hydraulic
hoist. Compared with the known manuel fixation by
metal pin and clamping screw, the connecting with the
RESBIG linkage is carried out automatically! This results
through an integrated mechanical trigger with pre- and
final interlocking. All mounting steps are visual and
acoustic reproducible. Moreover a two-hand operating
is always guaranteed. The new and patent registered
mechanical linkage from RESBIG Technology fulfill the
increasing safety requirements for stages and studios.
Because of system requirements a faulty operation is
excluded.\n An implementation to the audience follows
after the lecture.
Walter Bolenz (RESBIG Technology)
Fachzeitschrift für
Veranstaltungstechnik,
Theaterbau und Szenografie
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