C - 02 - The Wenatchee World

C2
Thursday, January 1, 2015
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The Wenatchee World
MOVIES, From Page C1
4. Winter Sleep
No one delivers a three-hour-plus movie called “Winter Sleep” with any real hope of
attracting an audience, making it all the more unaccountable that Nuri Bilge Ceylan’s
Palme d’Or winner turned out to be one of the year’s most richly engrossing deep-dish
experiences. This wise and wrenching study of human frailty may be indebted to Chekhov,
but its ability to find beauty in the craggiest landscapes — and the landscape of the human
face in particular — was nothing short of Bergmanesque.
5. Foxcatcher
Mark Ruffalo, Steve Carell and Channing Tatum give three of the year’s finest performances
in Bennett Miller’s latest razor-sharp study of obsessive American striving. A mesmerizing,
slow-motion tragedy, a darkly comic satire of power and privilege, and a tightly coiled psychological triangle where the balance of power keeps shifting from one man to the next, the movie
is above all a singularly haunting experience -- one that, judging by its chilly reception so far,
might just be too subtly brilliant for that trumped-up national pastime we call awards season.
Above: David Oyelowo as Dr. Martin Luther King, Jr., and Carmen Ejogo as Coretta Scott King
in “Selma.” Left: From left, Matthew McConaughey, Anne Hathaway, and David Gyasi in
“Interstellar.”
6. Bird People
8. Selma
Not to be confused with the more attention-grabbing “Birdman,” Pascale Ferran’s oddball
two-hander was the year’s most unheralded delight, a wholly original work that turns a
nondescript airport-adjacent hotel into a veritable playground of magical possibilities.
Following the sensual, earthy pleasures of “Lady Chatterley,” this contemporary Parisian
pas de deux for Anais Demoustier and a post-”Good Wife” Josh Charles reveals Ferran to
be an artist unbound by language, literature, or indeed anything other than her wondrously
eccentric imagination.
You can feel the urgency in every moment, but what’s astonishing is not just the righteous
anger but the exacting control with which Ava DuVernay directs it in her furiously incisive,
politically savvy and emotionally overwhelming account of a pivotal chapter of the civil rights
movement. Those who would call “Selma” conventional clearly live in a more equitable world
than the rest of us: Radical is the only one word for an American movie that so bracingly
charges its black women and men (led by David Oyelowo’s soulful Martin Luther King Jr.) with
the task of forging their own destiny.
7. Gone Girl
9. Mr. Turner
The most lacerating relationship movie in a year with no shortage of first-rate examples
was itself a surprisingly harmonious and indecently entertaining marriage of sensibilities, wedding Gillian Flynn’s devious booby trap of a thriller to the cold-blooded precision
of David Fincher’s filmmaking. No wonder it was a massive hit: The sick beauty of “Gone
Girl” is that it affords even the best of us a fleeting, nightmarish glimpse of the husbands
and wives that we might, left to our own dark devices, become.
Too often thought of as a grotty realist-miserablist-caricaturist of the British kitchen-sink
school, Mike Leigh has somehow evolved into one of our most unobtrusively great visual
stylists, as evidenced by every shimmering scene in this luminous portrait of J.M.W. Turner.
Easily the most revealing of the year’s numerous British-genius biopics, it’s one great artist’s
tribute to another, in which Leigh’s invaluable repertory player Timothy Spall finally gets the
full-throated showcase he deserves.
Paramount Pictures
January art: Start the year with fresh exhibits
BY KELLI SCOTT
World staff writer
blend together, and the excitement of a successful wash. My
renditions are mostly impressionistic; and I can’t spend too
much time on a painting or I
lose the creative energy that
motivates the painting.”
There is no organized art
walk effort this month, but
exciting new exhibits are going
up on gallery walls all around
town. Here are a few of the
month’s art highlights:
Dave Kocher, “Hooked on
Watercolors” Opening reception
5 p.m. Friday, on display through
January, Two Rivers Gallery, 2rivers
gallery.com 888-9504
Need your regularly-scheduled art fix this first Friday
night? Two Rivers Gallery will
host their January opening
reception with local wines and
music by jazz pianist Patrick
Thompson. The artist of the
month is local hobbyist Dave
Kocher, whose watercolors
Howard and Lorraine Barlow,
“XOXO” On display Monday-Feb. 13,
artists reception 5-7 p.m. Feb. 6, MAC
Gallery, Wenatchee Valley College
682-6800
Ellensburg husband and wife
artists Howard and Lorraine
Photo provided Barlow explore death, together.
For “XOXO,” Lorraine Barlow
Dave Kocher’s work is on
knitted a shroud that Howard
display this month at Two
will be buried in, and Howard
Rivers Gallery.
loaded shotgun shells with
scraps of Lorraine’s wedding
softly capture landscapes and
dress, which will be fired into
wildlife. Kocher writes: “I love
the air after her death. From
the way water and paint quickly the artists: “How we handle
personal deaths has steadily
become hands off, euphemistic, and uninvolved in our
culture. Lawyers, churches,
and funeral homes help us to
be well ‘prepared’ to usher
loved ones away in an often
dull, distanced, and businesslike series of transactions. In
‘XOXO,’ Howard and Lorraine
Barlow anticipate and acknowledge one another’s impending
deaths by creating sculptural
works examining oath, love,
loss, ritual, and tradition in a
way that is anything but dull,
distanced, or businesslike.”
This exhibit is interactive.
Visitors are invited to write
letters to loved ones who have
died, which the Barlows will
sink into the ocean at the edge
of the continental shelf on the
next blue moon.
Robert Wilson’s paintings,
drawings and sculpture On display
Monday-Feb. 9, opening reception
5-7 p.m. Jan. 8, closing celebration
5-7:30 p.m. Feb, 6, Robert Graves
Gallery, WVC campus, 682-6776
Abstract painter Robert
Wilson came of age artistically in Seattle in the 1960s,
and his paintings reflect that
unique time and place in art
history. Much of his work is
straightforward and monolithic — powerful blocks of black
with flashes of primary colors.
His exhibit opens Monday,
with a reception next Thursday. During the reception,
Wilson will be on hand to
give a demonstration of his
technique from 6-6:30 p.m.
220@mela On display through
January, Caffè Mela, 888-0374
You can catch this exhibit
for one more month at
Mela. Local artists Niki
Stewart, Sheryl Smith,
Lindsay Breidenthal,
Cynthia Neely and Adele
Little Caemmerer each
have distinctive styles and
art-making processes, but
they come together every
two weeks to talk about their
work and encourage each
other, along with exhibit
curator Karen Dawn Dean.
The exposed brick walls,
the well-designed display
lighting and the smell of
coffee make this one a
must-see.
Stage Kids offers winter classes for young performers
BY KELLI SCOTT
World staff writer
Is your son a bit dramatic? Does your
daughter break into jazz hands at the
breakfast table? You may be raising a
stage kid, and a new children’s theater
group in Wenatchee is here for them.
Stage Kids Washington launched last
summer with a theater camp program
that drew 41 young participants. Last
month, it staged its first production,
“Annie Jr.,” at the Riverside Playhouse.
And the group is just getting warmed up,
according to Stage Kids founder Michelle
McCormick, with musical theater classes
beginning next week (for grades 1-8) and
another big production coming up this
spring (for grades 3-8).
In 2010, McCormick started a drama
organization for children in California
called Stage Kids California, which
continues today. When she and her family
moved to Wenatchee last year for her
husband’s job, she set to work creating
a similar program here. “I just started
making phone calls and introducing
myself,” McCormick said. “There were a
lot of coffee appointments.”
Now with five employees (mostly “stayat-home moms with theater degrees”)
and with the support of Music Theatre
of Wenatchee and the Numerica PAC,
Stage Kids rehearses at the PAC and holds
performances at the Riverside Playhouse.
The group is a nonprofit and sustains
itself with ticket sales and registration
fees, McCormick said. And it just received
its first grant — $2,500 from the Woods
Family Music and Arts Fund through
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Photo provided
Madison Gardner and Whitney Clifton of Stage Kids Washington perform “Annie Jr.”
in December.
the Community Foundation of NCW —
which will help the organization expand
its training program locally.
The group’s motto is: “Building characters one child at a time.”
“This is a place where we train kids to
accept each other,” McCormick said. “It
becomes one big Stage Kids family.”
Stage Kids’ next production will be
“The Wizard of Oz” in March. Registration for that show begins Feb. 1.
“We don’t turn anyone away,” McCormick said. “If they register, they’re in the
show.” Stage Kids does hold auditions, but
only for “part placement,” and participation is limited to 40 children.
Beginning next week, Stage Kids will
offer six-week musical theater courses
for first- through fifth-graders on Monday
nights at the PAC. Classes include:
“Grease” Broadway dance class for grades
6-8; fundamentals of acting for grades
3-5; imagination journey for grades 1-2;
improve your improv for grades 6-8; and
“Willy Wonka” Musical Theatre Jam for
grades 3-5. Each six-week session cost $70.
For a full list of classes, see the Planner on
page C4 or go to stagekidswa.org.
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