download (pdf) - photoglas

aufhänger [hangers] – a walk-in drawing
by Bele Marx & Gilles Mussard
installed in the park of Palais Clam-Gallas
a work-in-progress project
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aufhänger [hangers] - a walk-in drawing
by BELE MARX & GILLES MUSSARD
a work-in-progress project
Vernissage on October 30, 2014, 19:00
Parallel to the presentation in the park an exhibition of photographs with the same name will be opened in the Salle de Bal
Duration of exhibition in the parc: October 31, 2014 to December 5, 2014 opening hours: Monday to Friday 9:00 - 19:00, Saturday 10:00 - 13:00
Duration of exhibition Salle de Bal: October 31, 2014 to December 5, 2014 opening hours: Thursday to Friday 16:00 - 19:00, Saturday 10:00 - 13:00
Finissage on December 5, 2014, 19:00
Duration of project: June 12, 2014 to December 5, 2014
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Poetic interventions accompany the production work in summer. Program at www.couscousandcookies.com
Die Toninstallation »Sprechende Bäume« im Park des Palais ermöglicht Auszüge der verschiedenen Interpretationen nachzuhören.
Laufzeit bis 5. Dezember 2014
»Sprechende Bäume«
Die Idee besteht darin, die Besucherinnen und Besucher mit Tonbandaufnahmen aus den poetischen Interventionen der vergangenen Wochen zu konfrontieren.
Gesprächsteile und Fragmente sind aus den Baumkronen der Bäume im Park zu hören, so als würden die Bäume miteinander und mit den Menschen sprechen.
Die Bäume werden so zu »akustischen Spiegeln«. Aus dem Zusammenhang gelöst, werden die Aufnahmen anders gehört und neu interpretiert.
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Location: Palais Clam-Gallas, Institut français de Vienne, Währingerstrasse 30, 1090 Vienna, Austria, www.institut-francais.at
Informations: www.couscousandcookies.com, www.photoglas.com
Press:: B&T Bader und Team, Bernhard Mayer-Rohonczy,e: [email protected], t: +43-1-524 05 42-12
Pressinformations: https://www.dropbox.com/sh/da3eomtm5jmhf5h/AABwjbZyZTjnIXlRP1TvbraLa
*Poetische Interventionen im Rahmen der »aufhänger«
https://www.facebook.com/COUSCOUSANDCOOKIES
https://www.facebook.com/ATELIERPHOTOGLAS
»Die Poetischen Interventionen« im Rahmen des künstlerischen Projekts »aufhänger« im
Park des Palais Clam-Gallas sind vom Künstlerteam organisierte Veranstaltungen, die den
Eigentümern die vielseitige Verwendung des Parks und seiner Gebäude vor Augen führen
soll, nicht allein um des Projektes willen.
Programm at www.couscousandcookies.com
Stand 26.10.2014
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General information of the project
“aufhänger” [hangers] – a walk-in drawing
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p9
publicist Elvira M. Gross about “aufhänger” p 14
previous stations of “aufhänger” p 16
presentations of photographic works of “aufhänger” p 20
book
p 23
schedule of development and implementation
p 32
sketch and plan of the park
p 33
information and offer to sponsors
p 37
publicist Elvira M. Gross about Bele Marx & Gilles Mussard p 38
cv Bele Marx & Gilles Mussard
p 40
thanks
p 44
sponsors
p 46
impressum
p 47
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aufhänger [hangers] – a walk-in drawing
by Bele Marx & Gilles Mussard
installed in the park of Palais Clam-Gallas in Vienna
An image made up of 12,000 clothes hangers is, without doubt, something
highly unusual. The spatial installation in the park of the French Culture
Institute in Palais Clam-Gallas is both surprising and amazing and reveals
new ways of seeing.
The installation “aufhänger” started on 12 June 2014 with just a few clothes hangers. In the months that followed work on the cocoon was continued and expanded. By autumn the object grew and expanded organically to around 12,000
clothes hangers. “aufhänger” extends across the garden of the Palais, connecting
the trees with each other like a giantweb. Light attracts insects, which in turn leads
spiders and other creatures to settle in the cocoon. The intention is that the spiders should continue weaving the drawing. “aufhänger” makes the abstract linear
structure of the clothes hangers look like a drawing amidst the trees. A fragile, abstract formation makes use of the park and will become an accessible total work
of art.
Poetic interventions accompany the production work in summer. Program at www.
couscousandcookies.com
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aufhänger [hangers *] – a walk-in drawing
Sometimes a coincidental impression determines a whole idea. Sometimes it is an empty
space, an absence of conventional means.
How we perceive space is determined by light,
colour, lines. But our gaze is not entirely free.
It is dependent on everyday things, the objects
we hold on to, not least of which is what we
wear. Bele Marx & Gilles Mussard’s installation
is called ‘aufhänger’ and shows a skeleton of
silver-coated wire clothes hangers which throw
shadows, abstract line structures, on the wall.
The fragile construction distorts the room and
lets our gaze diffuse into nothingness. To disentangle the lines is impossible, but their interconnectedness is a peg on which to hang one’s
own ideas, images and spaces far beyond their
practical value.
Text: Elvira M. Gross
Translation: Tim Sharp
Kubus EXPORT Der transparente Raum
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Stations of the presentation aufhänger:
Several earlier presentations of the project “aufhänger” led to its largest-scale implementation in the garden of Palais Clam-Gallas in Vienna.
2008privat
(10 hangers)
2008 Atelier Photoglas
(200 hangers)
1010 Vienna, Wollzeile 9/1/30
2010 Galerie Wechselstrom
(600 hangers)
1160 Vienna, Grundsteingasse 44
23. 4. – 8. 5. 2010
2011 Kubus EXPORT Der transparente Raum
(2.100 hangers)
1080 Vienna, Lerchenfelder Gürtel, Stadbahnbogen 43
10. 3. – 29. 4. 2011
2013 Palais Yeniköy, Istanbul, Turkey
(6.500 hangers)
It was part of the exhibition “Desiring the Real. Austria Contemporary” of the Federal Ministry for Education, the Arts and Culture, which was presented in
the framework of the international Istanbul Biennale 2013 in the ballroom of the Austrian Cultural Forum/General Consulate.
Palais Yeniköy-Istanbul, Turkey
3. 10. 2013 – 22. 1. 2014
2014 permanent site-specific intervention in the atelier of
Architektin Gisela Podreka
(500 hangers)
1080 Vienna, Florianigasse 41, Stge 2
2014 temporary intervention in the Park of Palais Clam-Gallas
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(12.000 hangers)
1090 Vienna, Währingerstrasse 30
12. 6. 2014 – 5. 12. 2014
Palais Yeniköy, Istanbul, Türkei
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Palais Yeniköy, Istanbul, Türkei
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presentations of photographic works of “aufhänger”
2012–2014
Desiring the Real. Austria Contemporary was commissioned by the Federal Chancellery of Austria (in 2014 the
Arts Division and the Culture Division, which were originally part of the former Federal Ministry of Education, Arts
and Culture were integrated into the organisational structure of the Federal Chancellery). The exhibition presents
the works of 25 artists which have been acquired in recent years by the federal state, complemented by art loans.
Desiring the Real has been touring through various countries since April 2012. The previous stations are:
NCCA, National Center for Contemporary Arts, Moscow, Russia, 17.10. 2014 – 30.11.2014
NCCA, National Center for Contemporary Arts, Nishny Novgorod, Russia, 19. 7. 2014 – 28. 9. 2014
Art Gallery of Bosnia-Herzegovina, Sarajevo, Bosnia-Herzegovina, 10. 4. 2014 – 30. 4. 2014
Depo, Jewish Bakery and Austrian Cultural Forum, Istanbul, Turkey, 13. 9. 2013 – 10. 11. 2013
Chifte Haman, National Gallery of Macedonia, Skopje, Mazedonia, 10. 7. 2013 – 18. 8. 2013
Merano Arte und MUSEION, Meran/Bozen, Italy, 22. 6. 2013 – 8. 9. 2013
MSU, Museum of Contemporary Art Zagreb, Croatia, 7. 5. 2013 – 16. 6. 2013
GAALS ISIC, Culiacán Sinaloa, Mexiko, 27. 2. 2013 – 4. 4. 2013
Centro Wilfredo Lam, Havanna, Cuba, 3. 11. 2012 – 2.12.2012
FIC Cervantino International Festival in Guanajuato, Mexiko, 4. 10. 2012 – 21. 10. 2012
MUAC Contemporary Art University Museum, Mexico City, Mexico, 30. 6. 2012 – 2. 9. 2012
MOCAB Museum of Contemporary Art Belgrade, Belgrade, Serbia, 19. 4. 2012 – 20. 5. 2012
2013 DIYALOG: ART FROM VIENNA, OMV Special Project, CI Contemporary Istanbul, Turkey, 6. 11. 2013 – 10. 11. 2013
2013 899km (Bremen – Salzburg), Galerie im Traklhaus, Salzburg, Austria, 18. 1. 2013 – 23. 2. 2013
2012 8stunden27, Bremer Verband Bildender Künstlerinnen und Künstler e.V., Bremen, Germany, 29. 9. 2012 – 14. 10. 2012
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Permanente Installation bei Architektin Gisela Podreka
Book – illustrated volume
An extensive illustrated volume is a further element in the project that will compile
all the previous presentations, from the first work consisting of 10 clothes hangers
to the participation in the Istanbul Biennale in Palais Yeniköy and to the installation
in Palais Clam-Gallas in Vienna with 12,000 clothes hangers.
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schedule of development
rot : Auslassungspunkte
: konzentrierter Bereich
29. 5. 2014
11. 6. 2014
Zone 3
6.8
26.0
6.
0
.0
Zone 2
Auslassen
4
4.
06 – 09/2014
.1
book publication
.2
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27
.9
13.5
06 – 09/2014
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5.1
interventions and accompanying events
Zone 4
6.8
23.0
15.7
06 – 09/2014
17.0
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13.0
artistic film and photo creation of new work of “aufhänger”
06 – 09/2014
9.4
installation of a total of 12,000 hangers Zone 1 : aus Sicherheitsgründen reduziert und in Zone 4 verschoben
Zone 2 : Quelle-Ursprung des Kokons
Zone 3 : arbre à palabres
Zone 4 : Finale
Auslassen
gefährliche Äste
formal completion of the exhibition with book launch 30. 10. 2014
26.1
opening of “aufhänger” as work-in-progress project
01 – 05/2014
.0
beginning of installation and first hanging
Dimension Park Palais Clam-Gallas
Maßstab : 1/200
Datum : 23/05/2014
couscous & cookies
verein für elastische poesie
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design, organizational preparations
Palais Clam-Gallas
33.7
Zone 1
4.0
31.9
Auslassen
finissage before dismantling the exhibition with signature of single hangers 5.12. 2014
Währinger Strasse 30
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Information and offer for sponsors
+ acquisition of an art work from the project “aufhänger” in a limited edition
photograph or photoglas, edition 5, format 60 x 60 to 120 x 120 cm
+ special edition of the book
limited and signed special edition for sponsors (for example Christmas presents)
+ project partnerships in the media work
Announcement of project partnership in media work (print media, radio and television),
Use of the logo on invitations, post-cards, press releases and in the book
+ post-cards
Possibility of a limited special edition
+ exclusive reception in the Baroque palace garden for selected summer guests,
events in the rooms of Palais Clam-Gallas
with a special programme: musical accompaniment, art tours or activities which have a symbolic character. (soirée privée d‘entreprise, for clients, project partners, co-workers)
+ film and book production during the summer months
festive presentation planned for the 9 October 2014
Bühne der Siebsten Poetischen Intervention, abschliessendes Sommerfest
mit Konzert der BIGGABAND am am 5. September 2014
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Bele Marx & Gilles Mussard – Artist couple, inventor team, metteurs en scene
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Moving towards each other from different directions, setting off together: Bele Marx & Gilles Mussard,
their names a lyrical coincidence. Painter and photographer Marx meets the metteur en scene and
experimental filmmaker Mussard. Intensive discussions and investigations begin, not just about content
but also, and especially, about technical matters.
Technology and technique – the essence of art, their origins emphasise craft and science and can be
seen more clearly in their processual use than in the completed work. To introduce something, to initiate it, to cause it. Saying something is a question of the means, the technology. If the available tools are
inadequate, Marx and Mussard set about inventing new ones. (and to patent them: PhotoglasTM technology).
Questions must not necessarily be followed by answers. Their art goes its own way, over rough territory, against the current. It seeks to bind the material with the immaterial, to produce connections; to play
with levels of space and time. To generate realities. To build humour, irony, in. To suspend the self in art
and to bring it forth again anew.
Intensive research follows from intuition and leads to dialogues with scientists, architects. What results
is takes over spaces. Art in public spaces, the immobile simultaneously questioned, redefined, apparently set in motion.
The Verein couscous & cookies, the Verein für elastische Poesie zur Förderung interdisziplinärer und
interkultureller Kommunikation [Society for Elastic Poetry and the Propagation of Interdisciplinary and
Intercultural Communication], founded in 2010 by Bele Marx & Gilles Mussard, invites you to encounter
Madame et Monsieur Teste on the wide field of experimentation and to let their art astound you.
Text: Elvira M. Gross
Translation: Tim Sharp
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BELE MARX & GILLES MUSSARD
Painting, drawing, film, directing, art in public and social space, research and development.
Career BELE MARX
Bele Marx & Gilles Mussard married in 1998 and have worked together since 1996.
Born in 1968 in Salzburg, Austria.
1997 Invention of PHOTOGLASTM. Photoglas is a technology that enables large-format slides
to be embedded in glass. This process was further developed in cooperative ventures and was
patented in 2001.
1986 – 1989 studied PAINTING at the University of Applied Arts in Vienna under Maria Lassnig
(and Hubert Schmalix).
2001 Move from Paris to Vienna and founding of ATELIER PHOTOGLAS. Since then work has
been carried out on various designs and projects for the areas of architecture (mostly art in
building) and museums.
2010 Start of COUSCOUS & COOKIES, VEREIN FÜR ELASTISCHE POESIE, [Society for
Elastic Poetry and the Propagation of Interdisciplinary and Intercultural Communication].
Exhibitions and projects
in Austria, Germany, France, Switzerland, Italy, Belgium, Poland, Hungary, Bosnia-Herzegovina,
Serbia, Croatia, Macedonia, Turkey, Israel, Brazil, Mexico, Cuba, Russia, USA and Canada.
Awards for innovation, research and development
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2000 and 2003 grant received from the FFF (Forschungsförderungsfond),
Austrian Industrial Research Promotion Fund, Austria.
2001 among the top ten in the business plan competition i2b.
2nd place in Call Creative Industries Vienna 2002, ZIT,
Zentrum für Technologie der Stadt Wien, research grants.
Granting of Austrian patent in spring 2003, Patent No. 410.790.
Granting of patent in various other countries, including the USA, Patent No. 10/489699.
Cooperation partners (selection)
Since 2003 – 2006 Cooperation with Vienna University, the Institute of Modern History of Vienna
University and the Archive of Vienna University for the projects Controversy – Siegfried Head
and Nobel Prize and University – a group portrait with question marks. Both projects were made
in the context of the redesign of the main hall, the side halls and the courtyard wing of Vienna
University, Arch. Roger Baumeister (BAUMEISTERARCHITEKTEN), Vienna, Austria.
Since 2004 Cooperation and research with C2RMF, Centre de Recherche et de Restauration
des Musées de France, Palais du Louvre and with the Musée Toulouse-Lautrec for the
exhibition Georges de la Tour, Albi, France.
Since 2005 – 2006 Cooperation with C2RMF, Centre de Recherche et de Restauration des
Musées de France, Palais du Louvre and CNRS, Conseil National de Recherche Scientifique
and many others, for the project Art et Science, informatique et numérique au musée,
(La Joconde, Métamorphose), Laval, France.
2007 – 2008 Cooperation with the CNRC, Conseil National de Recherche du Canada d‘Ottawa,
the Canadian national research centre for the project Le Louvre à Quebec in the Musée des
Beaux Arts, Quebec, Canada.
2008 Cooperation with ENSPS, Ecole Nationale Supérieure de Physique de Strasbourg,
National physics university in Strasbourg, Université Pasteur, for the project Homo Modernus,
Strasbourg, France.
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Lived and worked in Paris from 1989 – 2001, since 2001 in Vienna.
1989 – 1995 took various study courses in Paris: among others at the École nationale supérieure des Beaux-Arts (under Christian Boltanksi until 1991), at the École nationale supérieure
des Arts Décoratifs, (Espace Art, 1989 – 1993, during which graduation diploma in 1992 Vienna
under Christian Ludwig Attersee who had taken over Lassnig’s master class), and at the École
nationale supérieure des Arts Décoratifs study of PHOTOGRAPHY from 1993 – 1995.
Teacher (assistant) at the Salzburg International Summer Academy of Fine Arts
for the following courses:
Konrad Winter and Anton Drioli (workshop graphics), 1989
Gerhard Rühm (drawing and collages), 1991
Jim Dine (drawing), 1993 and 1994
Anne et Patrick Poirier, 1995.
Has also worked as a photographer since 1993. 1996 among other works documentation
of the Rio Carnival in collaboration with VALERIE ROSENBURG.
Since 1988 recognitions, exhibitions, projects and artistic awards.
Career GILLES MUSSARD
Born in 1956 in Paris, France.
Has lived since 2001 in Vienna, Austria.
1977 – 1980 studied acting at the École Internationale de Mimodrame Marcel Marceau
(master class and tuition by Marcel Marceau, Pavel Rouba, Maximilien Decroux,
Stephan Niedzialkowzki, Gerard Le Breton, Edmond Tamiz, Maître Lacaze and
Maître Eddel-Roboth). 1981 studied acting at the École Etienne Decroux.
STAGE SETS AND PRODUCTIONS
1986 – 1997, 10 projects. Co-productions with culture ministries, countries, cities,
theatres and festivals.
EXPERIMENTAL FILMS AND VIDEOS
Since 1986 short films which were nominated for festivals in Europe, the United States,
Canada, South America and Japan and were awarded prizes. Most of these films have been
shown s everal times on France 2, France 3, TF1, Canal+ and ARTE.
ARTISTIC UNIVERSITY RESEARCH PROJECTS AS ARTIST IN RESIDENCE
1986 – 2008 for culture ministries, foreign ministries or certain regional councils in
France and Brazil.
ARTISTIC MANAGEMENT AND DIRECTION FOR INDUSTRY AND RESEARCH
1988 – 2001 ca. 30 events commissioned by France Telecom, CANAL +, Universities of Paris,
Lille, Belo Horizonte, Montreal and many others. One of the two finalists for the opening
ceremonies for the World Football Championships in Paris in 1998, artistic conception and
(artistic) director for the celebrations of the 10 year anniversary of CANAL+.
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Exhibitions / projects / art in public space
(selection from more than 80 projects)
2006 Glass Cube, invited to Glass Technology live, Düsseldorf, Germany.
2014 aufhänger [hangers] in the park of Palais Clam-Gallas in Vienna,
invited by the French Cultural Institute of Vienna, Vienna, Austria.
2005 – 2006 Exhibition Metamorphose in cooperation with C2RMF, CNRS, and many others,
Laval, France.
2012 – 2014 Desiring the Real. Austria Contemporary, is a group exhibition which was
commissioned by the Federal Chancellery of Austria and has been touring through various
countries since April 2012.
2003 – 2006 Nobel Prize and University – a group portrait with question marks, Vienna
niversity, in the context of the redesign of the main aula, the side aulas and the courtyard wing
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of Vienna University, Arch. Roger Baumeister (BAUMEISTERARCHITEKTEN), Vienna, Austria.
2014 aufhänger [hangers], permanent site-specific intervention in the atelier of Architektin Gisela
Podreka, Vienna, Austria.
2003 – 2006 Controversy – Siegfried Head, Vienna University, in the context of the redesign
of the main aula, the side aulas and the courtyard wing of Vienna University, Arch. Roger
Baumeister (BAUMEISTERARCHITEKTEN), Vienna, Austria.
2013 Design of the Heinz Nittel Award, commissioned by the Austrian-Israeli society, Vienna, Austria.
2013 Diyalog: Art from Vienna, OMV Special Project, CI Contemporary Istanbul, Turkey.
2013 Luminous wall, private, Werkbundsiedlung, Vienna, Austria.
2013/2014 aufhänger [hangers] in the ballroom of the Austrian Cultural Forum/General
Consulate in Istanbul, Turkey, as part of the exhibition Desiring the Real. Austria Contemporary.
2005 Façade study, Florence TAV Station commissioned by Foster + Partners, London, UK.
2005 Various façade studies, Foster + Partners, London, UK.
2005 Sculpture, Sonn & Partner Intellectual Property Law Firm, Vienna, Austria.
2013 Mona Lisa gone astray in Istanbul, two performances, Istanbul, Turkey.
2005 Sculpture, private collection, Vienna, Austria.
2013 beauté, exhibition at masc/39dada, Vienna, Austria.
2005 Wall, private, Budapest, Hungary.
2012 – 2013 Façade study of the conwert Immobilien Invest SE building,
commissioned by architect Claus Radler, Vienna, Austria.
2005 Skulpture, private surgery, Vienna, Austria.
2012 moods and methods: save our souls, exhibition, invited by masc/39dada, Vienna, Austria.
2005 Skulpture, ZIT, Zentrum für Innovation und Technologie, Vienna, Austria.
2012,Kunstankäufe des Landes Salzburg 2010 – 2012, exhibition, Salzburg, Austria.
2005 Invited to take part in an exhibition within the framework of SFT-ArchitecturCongress,
Münster, Germany.
2011/2012 kaleidoskop, design of areas of glazing for a residential care facility in Liesing,
Vienna, Austria.
2004 Metamorphose, invited to Glass Technology live, Düsseldorf, Germany.
2011/2012 Study for a monument to Aron Menczer, Vienna, Austria.
2004 permanent site-specific intervention within the framework of architect Silja Tillner‘s design
for Opfikon Market Place, Opfikon Zürich, Switzerland.
2011 aufhänger [hangers] im Kubus EXPORT Der Transparente Raum, Vienna, Austria.
2010 mona lisa gone astray, performance and billboard within the framework of
MUSAO Museum gone astray Ottakring, invited by masc/39 dada, Vienna, Austria.
2010 aufhänger [hangers], Galerie Wechselstrom, invited by masc/39 dada, Vienna, Austria.
2009 Luminous wall, attorneys office, Vienna, Austria.
2009 Audiophonium, competition, Vienna University, Vienna, Austria.
2008 Nationalparkzentrum Mittersill, competition, Salzburg, Austria.
2008 7 Tage, 7 Nächte + eine neue Welt erscheint, exhibition, OFROOM, Vienna, Austria.
2008 Homo Modernus, cooperation with the National Physics University in Strasbourg,
Université Pasteur, Strasbourg, France.
2004 Cooperation and research with C2RMF, Centre de Recherche et de Restauration des
Musées de France, Palais du Louvre and with the Musée Toulouse-Lautrec for the
exhibition Georges de la Tour, Albi, France.
2003 Musée LOUIS LUMIERE, concept and planning for the use of the museum park for the
celebration of the 100th anniversary of Autochrome plates Lyon, France.
2003 point of departure, exhibition, Ein-hod, Israel.
2003 Study for the cladding of a 60m3 aquarium commissioned by Peter Marino Architect,
New York, USA.
2002/2003 Luminous wall, in an eye laser clinic, within the framework of the renovation by
architect Claus Radler, Vienna, Austria
2002 Selected to present a mock-up façade within the framework of Glass Technology live,
Glasstec, Düsseldorf, Germany.
2007 – 2008 Mona Lisa, Cooperation with the CNRC – Conseil National de Recherche du
Canada d‘Ottawa, the Canadian national research centre for the project Le Louvre à Quebec
in the Musée des Beaux Arts, Quebec, Canada.
2002 EXPO 02, Pavillon Fribourgeois, concept and planning,
study commissioned by Canton Freiburg, Freiburg, Switzerland.
2007/2008 Study for interior architecture, office, Salzburg, Austria.
2001 – 2003 Swiss Center Shanghai, Façade study commissioned by Freiburger
andelskammer, Shanghai, China.
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2007/2008 Study for interior architecture, Gußwerk, Salzburg, Austria.
2007/2008 Study for a luminous wall, private, Vienna, Austria.
2007 40 Jahre FWF – Der Wissenschaftsfonds, Beautragung für eine Ausstellung im Rahmen
der 40-Jahr Feiern, Wien, Österreich.
2007 Study for a glass cube, private, Vienna, Austria.
2006/2007 Family portraits, Sculpture, private collection, Vienna, Austria.
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2005 Study for Luminous Wall, by order of Peter Marino Architect, New York, USA.
2006/2007 Façade study (entrance) for the United Nations Capital Master Plan,
commissioned by R.A. Heintges & Associates, New York, USA.
2001 Finishing of the permanent site-specific intervention Die Linde – Le Tilleuil, Graz, Austria.
2001Installation Talking trees within the framework of the festival SZENE Salzburg, Salzburg,
Austria.
2000 Presentation of the first part of the permanent site-specific intervention
Die Linde – Le Tilleuil, within the framework of the festival steirischer herbst, Graz, Austria.
2000 Installation Talking trees within the framework of the festival steirischer herbst,
Graz, Austria.
1997 – 2001 Die Linde – Le Tilleuil, permanent site-specific intervention, Graz, Austria.
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Wir danken herzlich / We would like to warmly thank / Nous remercions chaleureusement
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Esther Bourasseau
Jaqueline Gillespie
Alexander Emanuely
Maria & Thomas Leitner
Wolfgang Czihak
Matze Pfisterer und GLUTAMAT
David Czihak
Bastian Wilplinger und MIASMA
Udo Kirchmayer
BIGGABAND
Isabelle Dupont
Klaus Hallmann
Jalil Etebari
Emil H. Lubej
Ewald Kühschelm
Dieter Schreiner, atelier1060
Klaus Ulbrich
Timna Brauer
Daniela Strohmaier
Diana Amichaud & Philippe Devaux
Elvira M. Gross
Mijou Kovacs
Elvira Faltermeier & Fred Misik
Michel Mehle
Susanne Kappeler-Niederwieser
Wilfried Nußbacher
Rosita Rechberger
Jutta Bauer-Boran, Manfred Pendl und Josh Mikocki von MA 22
Momo Kreutz und Die Grünen
Mary Figl-Zavos, Wolfgang Sengelin und die Repro von MA 21
Manfred Stadler & Dina Groisman
Tim Sharp
Patrick Melon
J. Roderick O‘Donovan
Georg Wieser
Firma Petschenig
Melanie Wieser
Bernadette Gisinger-Schindler
Sophie Tesarik-Wieser
Daniela Gregori
Roger Baumeister
Karin Zimmer
Susi Shaked
Bernhard Rehn
Oliver Zehner & Mireia Verdaguer
Doris Danler und allen MitarbeiterInnen des österr. Kulturforums in Istanbul
Stephanie & Dominique Groz
Firma Leitner
Evelyn von Wieser
Foto Fayer
Ursula Kumeneker, Vivian und Gretchen
Esther Attar
Katja Klopf
Lukas Groh
Alexander Ehrmann
masc/39dada
Stefan Neuwirth
Christoph Keintzel
Hélène Doub und allen MitarbeiterInnen des Institut Français de Vienne
Silja Tillner & Alfred Willinger
Céline Garaudy und Mathilde Aureau von CCFA
Maria Auböck & János Kárász
Christian Girod und Patrick Ugo von Club du Mardi
VALIE EXPORT
Arnaud Garancher
Joanna Jachowicz & Michel Delauney
Pierre Avédikian
Dominique & Corinne Fina
Florian Guy
Fede Brodar
Werkraum Wien
Günther Brodar
Astrid Bader
Georg Strommer
Bernhard Mayer-Rohonczy
Renate Fritsch
Christoph Theiler & Renate Pitroff (Wechselstrom)
Diejenigen, die wir versehentlich nicht namentlich genannt haben,
Thomas Posch
mögen uns bitte verzeihen ….
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impressum
artistic direction and conception:
bele marx & gilles mussard
production:
couscous & cookies, society for elastic poetry
and atelier photoglas
Arbeitsbühnen
Vermietung GmbH
in co-operation with the French Cultural Institute of Vienna
The events on 29th of August and 5th of September
are organized in co-production with the Club du Mardi,
Association for the support of francophone culture in Vienna.
Press: B&T Bader und Team, Bernhard Mayer-Rohonczy,
e: [email protected], t: +43-1-524 05 42-12
press informations:
https://www.dropbox.com/sh/da3eomtm5jmhf5h/AABwjbZyZTjnIXlRP1TvbraLa
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couscous & cookies, society for elastic poetry
1010 wien, wollzeile 9/1/30
UID: ATU66497757, ZVR: 762770679
w: www.photoglas.com
e: [email protected]
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atelier photoglas
1010 wien, wollzeile 9/1/30
m: +43-(0)6991-585 26 10
e: [email protected]
w: www.photoglas.com
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https://www.facebook.com/COUSCOUSANDCOOKIES
https://www.facebook.com/ATELIERPHOTOGLAS
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