グラフィック社 7月の新刊 アジアンタイポグラフィ＆ロゴ NEXT マルチリンガルなデザインアイデア さまざまな言語が入り交じりながらもその組み合わせの妙を感じさせる 120種類以上のロゴや約100種類のイベントビジュアル、パッケージデザイン を集め、多言語のオーディエンスに訴えかけるために工夫したデザイン をまとめた資料集。それぞれの国特有の文字や文化的共通認識を調和 させることで、異言語同士をどうデザインしていくのか。 グローバル社会を 生きる現代のデザイナーたちの試みをとくとご覧下さい。 TOKYO PERFOR MING AR TS F ES TIV AL 2015/16 Tokyo Metropolitan Theatre B5変型判/並製/256ページ 定価：本体3,800円 (税別） ISBN978-4-7661-2940-3 C3070 1 2 3 4 COMMUNITY PER FORMATIVITY Sulki & Min ¦ Client: Asian Culture Center Theater ¦ Design: Ryota Kobayashi Client: Tokyo Metropolitan Government, Tokyo Metropolitan Foundation for History and Culture 1 2 3 4 5 GWANGJU B IENNALE 2014 Sulki & Min ¦ Typography: (Korean) Shin Shin ¦ Client: Gwangju Biennale 1. Hokusetsu Sake Brewery 140th Anniversary Rebranding 2. Bar amon Dejima Graph 3. Kakino Kinoshita tegusu TAKAHASHI HIROKO INC. 1. Nagatoro et Galet Yago Naonori 2. Subsurface Inclination Ho Design 3. Ozawa Tsuyoshi: Answer with Yes and No! Miyamura Yasuwo, Oooka Hironori 4. JIROY A LENS ASSOCIATES INC. 4. Liyun Beer Wang Chen-ying Aa 5. The Time Of Memory Hello Design The graphic potential of kanji typography is maximised by imagination in Tokyo Performing Arts Festival s 2015 and 2016 posters. Meaning arts that are created and performed by Tokyo citizens , the four characters in the 2015 poster LOGOTYPE 028 / 029 resemble an aerial view of Tokyo streets and alleys, dotted with 11 icons and respective English captions on the variety of performing arts that nourish the city. The same kanji characters in the 2016 poster are transformed into art deco stained glass, with the festival s English name runs in length and breadth amidst a geometric composition. J IGAZO LENS ASSOCIATES INC. Aa Asian Culture Center Theater wishes to boost a sense of community among Gwangju citizens by encouraging them to participate in theatre performances. Staging shows such as 100% Gwangju and Everything By My Side, Community Performativity lets local residents partake in the production, from audition through to actual performances. Adopting a coherent language, stencil types on the posters reflect the project s provisional nature. The layout evolves by programmes, with traces of previous shows accumulating in the background. Aa Titled Burning Down the House, The 10th Gwangju Biennale addresses the process of burning and transformation throughout history and explores the capacity of art to critique social and political issues. With an attempt to put forward the provocative theme, the event s identity features a typographic system inspired by the dynamic nature of fire. The custom Korean type breaks some conventional rules to form a cohesive whole with its English counterparts. Together they occupy maximum layout space to manifest forcefulness of the ideas expressed in the event. SHOWCASE 072 / 073 Aa To exercise the designer s fascination with the correlation between a person s face and name, LENS ASSOCIATES INC. created a collection of faces for the designers of studio OPENENDS using their individual names. Meaning a portrait derived from word, Jigazo, the homonym of self-portrait in Japanese, illustrates not only each model s face but also their characters, comprehensible to even those who cannot read Japanese. The models first names at the bottom of the posters draw a striking contrast against hiragana s graceful curves. SHOWCASE 地区 書店コード 書店印 書 名 新 刊 126 / 127 注文数 アジアン・タイポグラフィ＆ロゴ NEXT マルチリンガルなデザインアイデア ヴィクショナリー編 ISBN978-4-7661-2940-3 C3070 本体：3,800円（税別） 冊 株式会社グラフィック社 〒102-0073 東京都千代田区九段北 1-14-17 TEL 03-3263-4318 FAX 03-3263-5297
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