By リア・マ manga (漫画／まんが): literally means “whimsical pictures” or “whimsical sketches”; refers to Japanese comics drawn in a cartoon style. Generic manga (and anime) characters are portrayed with large eyes, small noses and mouths, and unrealistic hair. mangaka (漫画家／まんがか): refers to an artist or artists who draw manga shounen (少年／しょうねん): manga intended for boys of about 10-18 years, hence the meaning of shounen (young boy). Shounen series typically feature male protagonists and have a large focus on fighting and action. seinen (青年／せいねん): means "young man", indicating that this kind of manga is aimed toward males in their late teens and up. Because of the older target audience, seinen titles are more graphic in nature than shounen (and shoujo). shoujo (少女／しょうじょ): manga intended for girls of about 10-18 years, hence the meaning of shoujo (young girl). Shoujo manga are usually idealized romantic comedies, with the protagonist being female. doujnshi (同人誌／どうじんし): self-published manga, often being fan comics by amateurs. “Doujinshi” is a portmanteau of the words “どうじん” (same person) and “ざっし” (magazine). furigana (ふりがな): kana characters to help read kanji. For horizontal text, the furigana goes above the kanji; for vertical text, the furigana is placed to the right. the term “manga” became widely used starting in the late 1700s the most famous artist of traditional manga is woodblock printmaker かつしか ほくさい (better known simply as ほくさい) modern manga refers to manga from after World War II and beyond during the U.S. occupation of Japan (1945-1952), manga was influenced by American culture, particularly Disney てずか おさむ was the “Father/God of Manga”. He was a major contributor in shaping the style and the modern definition of manga, and is well-known for creating the children‘s series てつわんアトム (known as "Astro Boy" in North America). in 1947, all forms of censorship had been banned in Japan; this led to much experimentation by artists from 1950-1969 was when manga started to become solidly categorized into two main target audience groups: shounen and shoujo manga was originally mostly targeted at boys and young men, and shounen manga initially had few female characters playing very minor roles. This began to change in the 1980s, but sexism is still present in manga today Two pages from the ほくさい まん が depicting bathers. てつわんアトム／Astro Boy. the traditional style of manga was 浮世絵／うきよえ (pictures of the floating world) “うきよ”, the “floating world”, refers to the urban culture of the Edo Period (1600-1867). Urban culture of the era included げいしゃ、かぶき actors、すも wrestlers, さむらい、 and ちょうにん (the merchant class) “え” means “pictures” early modern manga was cartoonish in style and Disney-inspired. This is also the case with today’s こどもむけ まんが (manga for young children) The art style in shoujo manga is often feminine and flowery, and epitomizes the generic “big, bright eyes/tiny nose/heart-shaped face” style of manga. Female characters are often drawn cute, while male characters are effeminate in appearance shounen art styles are more varied げきが／劇が、or “dramatic pictures”, is a more realistic and serious style of manga In the background: かながわ おき なみ うら (The Great Wave Off Kanagawa) Examples of kodomo, shounen, shoujo, and gekiga manga art styles. the panels in Japanese manga go from right to left Japanese text is traditionally read vertically furigana helps younger readers with kanji, but is typically not present in seinen or 女性／ じょせい (manga for older female teens and up). when translations of manga are published, they are now usually kept in the original rightto-left form flipping the art can distort the original meaning of some images (e.g. an image of a shirt that originally says “MAY” on it would read “YAM” when flipped) the Chinese, Hong Kong, and Taiwanese equivalent of manga is "manhua” the Korean equivalent in "mahna” French artists of the 19th century were influenced by Japanese art and culture. This influence was known as “Japonism(e)”. “La nouvelle manga” refers to French and Belgian comics inspired by manga. manga was introduced to the U.S. in the 1970s, but it was little-known at that time manga was made popular in Western countries in the mid-1990s by the titles Ghost in the Shell, Sailor Moon, and Magic Knight Rayearth the U.S. has been influenced by modern manga and anime more than any other Western country; Americans have created manga/anime-inspired works such as Usagi Yojimbo and Avatar: The Last Airbender The influence of manga on different countries (France, Hong Kong, Korea, U.S.A.). MANGA AMERICAN GRAPHIC NOVELS -printed in black and white with screentone patterns in place of colour -colour -usually made by a single story writer/artist; some manga are created by a separate writer and artist -usually made by a team of writers/artists (writer, sketcher, inker, colourer) -larger panels/less panels per page; less dialogue -smaller panels/more panels per page; more dialogue -often shows exaggerated styles and expressions -less exaggerated/wacky style -can be categorized into a variety of demographics (e.g. shounen, shoujo) -typically aimed toward young boys -about 200+ pages per volume -about 20-30 pages per volume What is a manga artist or artists called? A: Mangaka. When the U.S. occupied Japan, which company was a great influence on manga? A: Disney. Why is Osamu Tezuka an important part of the history of manga? A: He shaped the style and definition of modern manga. In the term “ukiyo-e”, what does “ukiyo” refer to? A: The urban culture What is Japonism(e)? A: The influence of Japanese art and culture on French artists in the 1800s. Why are manga often kept in the original right-to-left orientation when being published in other languages? A: By keeping the original orientation, the original meanings of the images are retained. How many pages are in a volume of manga, and how many are in an American comic? A: Around 200 pages or more, as opposed to 20-30 pages.
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