passage dangereux

Stefan Bartling
PASSAGE DANGEREUX
for Clarinet, Kalimba, Violin, Viola, Violoncello, Contrabass
| P L A I N S O U N D | M U S I C | E D I T I O N |
Stefan Bartling
(2007)
PASSAGE DANGEREUX
für Klarinette, Kalimba, Violine, Viola, Violoncello und Kontrabass
Kontrabass (4-saitg) scordatura (s.u.).
Vorzeichen:
Pfeile am Vorzeichen bedeuten Terzbeziehungen, abgeleitet vom 5. Partialton.
Häkchen vor der Note bedeutet septimale Intervallbeziehung, abgeleitet vom 7. Partialton.
Zahlen mit Plus/Minuszeichen (über/unter dem Notensystem) geben die Centabweichung des Tones von der temperierten Stimmung an (100 Cents = ein Halbton).
Z.B. Violine (s.u.): III.5/7 heisst: 3. Saite (D) der 5. Oberton (fis) darunter eine Septime (gis im unteren System) ist 16 cent höher als das temperierte gis.
Das Tonmaterial und die Ableitung von den leeren Saiten der Streicher ist unten aufgelistet.
Die Klarinette spielt zu den Intervallen der Streicher deren Summations und Differenztöne.
Alle haben den gleiche Rhythmus. Vierteldauern immer etwas breiter (ca. 9 Zweiundreissigstel) .
Die Reihenfolge der Intervalle ist durch Akkorde aus Franz Schuberts Lied "Der Wegweiser" (T.57-64) bestimmt.
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PASSAGE DANGEREUX
dem Kammerensemble Neue Musik Berlin
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