Press release JULIA HALLER Smile from the Streets You Hold November 20, 2015 – January 31, 2016 Press conference: Tuesday, November 17, 2015, 10 a.m. Opening: Thursday, November 19, 2015, 7 p.m. Julia Haller engages with conventions and the history of painting, trying to leave it behind in her own work. Her exhibition Phtata at Cologne’s Reisebürogalerie in 2012 presented canvases strangely distorted as though the fabric were stretched too tightly. Bulking out from the wall, they took on an object-like character, defying the flatness that defines painting as a medium. Working with thin translucent paints on primed canvases, Haller, who studied textual sculpture with Heimo Zobernig at the Academy of Fine Arts Vienna, had painted ornamental patterns based on elemental geometric shapes or fields that stood out from the backdrop. The artist’s repertoire of materials ranges from bone and rabbit-skin glues across shellac, acrylic paints, and gouaches to iron-oxide pigment. In a series of small-format untitled works (2014) that were on view in the exhibition Passion at Galerie Christian Andersen and other venues, canvas painted with a deep black iron oxide is set behind glass to produce a strongly reflective and iridescent violet-blue surface in which fields and lines only gradually reveal themselves—almost as though they did not want to be discovered. Two concurrent exhibitions Haller presented in Vienna in 2014—one at Galerie Meyer Kainer’s Boltenstern-Raum, the other at Diana Lambert—featured another untitled ensemble of works: a series of drawings transferred onto mineral composite panels, where they emerged as engraved lines filled with color. The show at Boltenstern-Raum consisted of the pictures the artist had drawn with her right hand; the left-handed “matches” were on view at Diana Lambert, their absence from the former exhibition marked by blank spaces on the wall between the pictures. For her first institutional solo exhibition in Austria, Julia Haller has produced a new series of graphic works on mineral composite boards, whose surfaces she treats by milling, applying pigments, and other techniques. The artist’s interest in creating a situation in which works of art can be perceived both as self-sufficient and as mutually complementary—in which the display is more than the sum of its parts—is accommodated by the presentation of her works in different rooms at the Secession. Subtle interventions further manipulate the visitor’s perception of the rooms in which the works are on view. Invited by the board of the Secession Curator: Jeanette Pacher Julia Haller Julia Haller, born in Frankfurt/Main in 1978, lives and works in Berlin and Vienna. Awards: 2015 Kardinal-König-Kunstpreis of the Archdiocese Salzburg Solo exhibitions: 2014 Passion, Christian Andersen, Kopenhagen; Galerie Meyer Kainer, Vienna; Diana Lambert, Vienna; 2013 Galerie Nagel Draxler, Berlin; 2012 Phtata, Reisebürogalerie, Cologne Group exhibitions: 2015 Das unbekannte Meisterwerk, Galerie Meyer Kainer, Vienna; The Faber–Castell International Drawing Award exhibition, Neues Museum, Nuremberg; Green Postcard, ibid Projects, London; 2013 Julia Haller and Christian Lotz, Christian Andersen, Kopenhagen; Julia Haller und Astrid Wagner, Galerie Praterstraße, Berlin; The Program, Courtney Blades, Chicago; 2012 Julia Haller and Saskia Te Nicklin, Christian Andersen, Kopenhagen; Very abstract and really figurative, Galerie Emanuel Layr, Vienna; Die/DerWürfel/ Le dé (II), COCO, Wien; Sleepwalking, Freies Museum Berlin, Berlin; 2011 … FROM EREWHON TO HERE KNOWS WHEN…, Kunstverein Schattendorf; making and art, Stadtgalerie Schwaz Publication The artist’s book Peter, with an essay by Alexander Hempel, will be published in conjunction with the exhibition. Julia Haller Peter 16 pages Format : 297 x 210mm Softcover Text: Alexander Hempel German / English Secession 2015 Vertrieb: Revolver Verlag EUR 9,- List of Works Galerie (from right to left) Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 64.4 x 47.1 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 66.9 x 47.8 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 60.8 x 45.8 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 67.1 x 45.1 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 66.6 x 45.1 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 59.2 x 42.1 cm Ku Ku, 2015 Pigment, acrylic, varnish on mineral composite board 64 x 42.1 cm Grafisches Kabinett untitled, 2015 Plasterboard, cotton 44 x 31 x 29 cm Courtesy Galerie Meyer Kainer, Vienna; Galerie Nagel Draxler, Berlin; Christian Andersen, Copenhagen Press images Installation views for download http://www.secession.at/presse Contact Katharina Schniebs T. +43 1 587 53 07-10 F. +43 1 587 53 07-34 E-Mail: [email protected] secession Vienna Secession, Association of Visual Artists Friedrichstraße 12, A-1010 Vienna, Austria T. +43-1-587 53 07, F. +43-1-587 53 07-34 [email protected], www.secession.at Tuesday – Sunday 10 am – 6 pm Permanent presentation: Gustav Klimt, Beethoven Frieze Public funding and supporters: Cooperation-, media partners, sponsors:
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