BULGARIAN MUSICOLOGY 1977-2014
CONTENT
Musicology 1. Sofia, 1977
Our tasks... 3
Stoyanov, Stoyan. Musical Culture in Socialist Bulgaria... 7
Stoyanov, Pencho. Rethinking of the One Part Forms... 14
Zaharieva, Svetlana. The Period and the Bulgarian Folk Song in Conjunction with Genre Specifics... 29
Tontcheva, Elena. Does the Melodies from John Koukouzeles Sounded in Tarnovo During XIV c.?... 39
Racheva Iskra. Wilson Cooker. Music and Meaning... 53
Gajtandžiev, Genčo. Musicology – closer to life... 59
Musicology 2. Sofia, 1978
Kavaldzhiev, Ljubomir. Aesthetic System and the Musical Progress... 3
Karanlakov, Lachezar. The Chamber Symphony Music and Some of its Problems and Creativity of Contemporary
Bulgarian Composers... 21
Biks, Rosalia. Traits of Female Characters in Parashkev Hadziev’s Operas... 33
Stanchev, Krasimir, Elena Toncheva. Bulgarian Chants in the Byzantine Akoluties... 39
Todorov, Todor. From the History of the Term “Folklore” and the ssubject of folklore... 71
* * * Preparatory Scientific Session 82...
* * * On the Great October 83...
* * * Musicological congress in Berkley... 83
* * * Two symposium in Austria... 85
Musicology 3. Sofia, 1979
Ilieva, Bagryana. Actual Methodological Problems in the Study of the Musical Language... 3
Botusharov, Ljuben. The Musical Folkloristics and the Information Systems... 18
Ilieva, Anna. Structural Development of Bulgarian Folk Dances as a Criterion for Historical Stratification... 29
Kujumdzhieva, Svetlana. To the Question of the Character and the Importance of the Rila Singer School Activity
during the Renaissance... 41
Džidžev, Todor. A Contribution to the Methodology and Typology of Musical Folklore Study... 60
Kavaldzhiev, Ljubomir. The Third Musical Practice... 65
Krâstev, Venelin. With the Music of the Young Bulgarian Composers... 67
Botusharov, Luben. Reflections on Musicology Today... 70
Racheva, Iskra. “Introduction to Categorial and Methodological Analysis of Musicology”... 74
Balareva, Agapiya. “Some Methodological Problems in the Study of Realism in Music”... 76
Musicology 4. Sofia, 1980
Moscona, Leon. For Static-Arhitectonical Approach in Musicology... 3
Kaufmann, Nicolai. The Folk songs of Asia Minor Bulgarians from Region Ivaylovgrad... 15
Karastoyanov, Božidar. Tonems in Znamennoi Chanting... 50-66.
Ilieva, Bagryana. Necessary and Useful Work, Dedicated to the Problems of Musical Sociology... 71
Toncheva, Elena. Musica Antiqua Europae Orientalis... 73
Genčo Gajtandžiev. Symposium Dedicated on the Musical Culture of the Slavic Peoples... 75
Musicology, 5. Sofia, 1980
Arnaudova, Natalia. About Some General Trends in the Process of the Style Formation in the Music... 3
Kazandjieva-Velinova Zvezdelina. Preliminary Attempts to Summarize the Basic Problems of Social Psychology
of Music... 13
Bukureshtliev, Michiel. A Problems of the Child Musical Folklore... 18
Litova-Nikolova, Lydia. The Role of Invariants of the Basic Type Refrain in Structural Organization in the Form
of “Butterfly” Ritual Songs... 31
Gerasimova-Persidskaya, Nina. Genre Problems of the “Partesnoi” Concert... 41
Konsulova, Violeta. Primary Forms of Dance Culture in Bulgaria... 54
Zaharieva, Svetlana. Significant Contribution to the Study of Bulgarian Folklore Dance... 60
Todorov, Todor. Fifth National Symposium on the Problems of the Bulgarian Folklore - Yambol'79... 68
Kujumdzhieva, Svetlana. First International Conference on Bulgarian Complex... 70
Philipova, Veselka and V. G. Two Conferences on the Problems of the Choral Amateur.... 72
Bulgarian Musicology, Year 5, 1981, № 1
Ilieva, Bagryana. To the Question of Articulation of the Musical Speech... 3
Racheva, Iskra. Introduction to the Question of Historical Stadium in Bulgarian Musical Folklore... 20
Kazandjieva-Velinova, Zvezdelina. To the Problem of the Impact of Instrumental Music in Theory and Practice of
the Media... 30
Levy, Clara. Nature, Objectives and Function of Contemporary Political Song as a Special Type of Phenomenon in
the Field of the Culture... 49
Zaharieva, Svetlana. New Creative Peak... 65
Kujumdzhieva, Svetlana. “Problems of the Old Bulgarian Music”.... 69
Miladinova, Milka. National Library "St. St. Cyril and .Methodius" and Bulgarian Musical Culture... 72
Kujumdzhieva, Svetlana. First International Seminar on Slavic Paleography and Diplomatics... 79
Vâlchinova, Elisaveta. Complex International Conference “Bulgarian Cultural Renaissance”... 80
Kavaldzhiev, Ljubomir. The Music and Harmonious Development of Personality... 82
Moscona, Leon. International Seminar in Prague... 83
Bulgarian. Musicology, 1981, № 2
Neicheva, Svetlana. To the Question of Terminology in the Analysis of Thematic Category in Instrumental Music...
3
Arnaudova, Natalya. For the Process of Forming Notions of Musical Style... 17
Stoyanova, Svetla. Theoretical and Sociological Aspects of the Movement “Alen Mak”... 24
Zaharieva, Svetlana. Folklore and Music... 40
Botusharov Luben. Valuable Introduction in the Study of the Bulgarian Folk Song... 54
Krâstev, Venelin. Meeting and Symposium of the Unions of Composers from the Socialist Countries... 56
Toncheva, Elena. West German-Bulgarian Scientific Meeting... 57
Kujumdzhieva, Svetlana. “Moldavian manuscripts from the XVI century. — Great Vespers. Repertoire and
Palaeographic-Textological Study (for the Music in Literary School of Patriarh Eutimios in Turnovo during XIV
c.)“.... 59
Zaharieva, Svetlana. Problems of Morphology in the Bulgarian Folk Dances... 61
Balareva, Agapiya. “Musical Work as a Means of Spiritual Communication”... 62
Bulgarian. Musicology, 1981, № 3
Krâstev, Venelin. Cultural Feat... 3
Katsarova, Raina. Our Collaboration [with Vasil Stoin]... 6
Stoin, Elena. Vasil Stoin in My Memories... 15
Kaufmann, Nicolai. Collections and Theoretical Works of Vasil Stoin... 19
Kachulev, Ivan. The Importance of Vasil Stoin for Study of Bulgarian Folk Instruments and Instrumental Music...
26
Todorov, Todor. The Problem of Modernity and Folklore in the Works of Vasil Stoin... 29
29
Džidžev, Todor. Musicsriber Vasil Stoin... 34
Zaharieva, Svetlana. Vasil Stoin and His Hypothesis of Bulgarian Origin of Diaphony... 38
Botousharov, Ljuben. In the Footsteps of Vasil Stoin... 41
Lyondev, Peter. Vasil Stoin and Irregular Parts in the Bulgarian Folk Music... 46
Zemtsovskiy, Izaliy. The Word for Vasil Stoin... 52
Kreydar, Barbara. Vasil Stoin – Collector of Bulgarian Folk Songs... 57
Kaufman, Dimitrina. Musical Form – Function of Method of Execution... 70
Moscona, Leon. For Procedural Dynamic Approach in the Musicology... 82
Toncheva, Elena. John Koukouzeles – Life, Work, Age... 96
Balareva, Agapiya. Third Complex International Conference “Modern Bulgaria”... 101
Todorov, Todor. Third Scientific Session “Rhodope Heroic Historical Folklore”... 103
Toncheva, Elena. Soviet-Bulgarian Conference... 103
Toncheva, Elena. “Svetlana Kujumdzhieva: The Rila Singer School During the Renaissance (An Attempt to
Determine the Place, Role and Importance of Its Activity in the History of Bulgarian Music Culture)”... 105
Ganeva, Bozhanka. “The Development of the Folk Instrumental Dance Music in Northwestern Bulgaria During
the Last Hundred Years”... 106
Bulgarian Musicology, 1981, № 4
Kaufman, Nicolai. Lamentations From Four Continents... 3
Samokovlieva, Maria. Mapping the Musical Dialect Boundary Between Thrace and Central Western Bulgaria in
Pazardzhik... 29
Toncheva, Elena. For “Pletenie Sloves” in the Music of the Byzantine-Slavic Cultural Community in the
Fourteenth Century... 41
Vâlchinova, Elisaveta. Czech Bandmasters and Their Contribution to the Development of Bulgarian Musical
Culture... 53
Tsalova, Pavlina. Alexander Teodorov Balan and Bulgarian Musical Culture... 69
Miladinova, Milka. To the Biography of a Remarkable Collection of Folk... 78
Ilieva, Bagryana. The Need to Create a Theory of Music Associativity... 88
Koicheva, Elena. For Some Restored Principles of Bach Canonical Technique... 99
Vitanova-Staleva, Liliana. Experimental Studies on Coordination Between Music Listening and Motor activities
Presented in Music-making in Primary School Age... 113
Kavaldzhiev, Ljubomir and Slav Kozhuharov. New Bulgarian Music '81 – Aesthetic Meditations and Some
Estimates... 125
Stoyanov, Pentcho. Contribution to Contemporary Musicology... 132
Todorov, Todor. Musicological Study of Ukrainian Epic... 135
Ilieva, Bagryana. First International Congress of Bulgarian... 138
Bulgarian musicology, Year 6, 1982, No 1
Editorial…. 4
Hannick, Christian. On the Problem of Modality In “Bolgarskii Rospev“…. 10
Konstantinova, Nina. Stylistic Peculiarities of the Partsinging Choral Arrangements of “Bolgarskii Rospev“…. 22
Vladishevskaya, Tatyana. “Bolgarskii Rospev“ by the “Oldritualists” …. 26
Petrov, Stoyan. New Evidence about the Dissimination of “Bolgarskij Rospev“…. 37
Toncheva, Elena. “Bolgarskii Rospev“ from the Monastery of “Skit Mare” …. 59
Tsalova, Pavlina. Early Evidence about “Bolgarskii Rospev“…. 67
Raasted, Jörgen. “Bogonachalnim manoveniem” in the Byzantine and in the Bulgarian Chant Practice…. 85
Protopopov, Vladimir. Polyphonic Versions of Melodies from “Bolgarskii Rospev“ in the Russian Manuscripts
from the 17lh Century…. 93
Konotop, Anatolii. Peculiarities of the Attributions of the Bulgarian and Other Local Chants in the Practice of the
Ukrainian Art of Singing in the 16-17th Centuries…. 102
Kotseva, Elena. The Preface in two Heirmologlons from the 17th Century…. 106.
Karastoyanov, Božidar. Ornamentation in “Bolgarskii Rospev“…. 114
Dimitrova, Mariana. “Bolgarskii Rospev“ in the Context of a Manuscript from the End of the 17th Century…. 120
Kujumdzhieva, Svetlana. “Bolgarskii Rospev“. as Viewed by the First Bulgarian Musical and Public Figures after
the Liberation and the Dispute about It…. 128
Kornii, Lidiya. “Bolgarskii Rospev“ In the Ukraine at the End of the 16th – 17th Centuries…. 142
Diary of the Disscoussions of the Symposium “Bulgarian-Russian Musical Relations XIV—XVIII c. –
“Bolgarskii Rospev“…. 143
Programme of the Symposium“Bulgarian-Russian Musical Relations XIV-XVIII c. – “Bolgarskii Rospev“…. 155
Bulgarian musicology, 1982, No 2
Džidžev, Todor. Factors of the Musical-Folklore Dialects in Bulgaria…. 6
Zaharieva, Svetlana. About the Vocal-Instrumental “Dialogue” in the Traditional Bulgarian Folklore Wedding….
24
Ilieva, Bagryana. Romanticism, Romance and Creative Work of Romantic Type in the Music about the Concepts
“Romantic Artistic-Creative Work" and Romantic Trend in the Art")…. 41
Gajtandžiev, Genčo. The Musical Work of the children – an instrument and not a goal…. 49
Arnaudova, Nataliya. Style and Culture…. 55
Georgieva-Kujumdžhieva, Svetlana. The Weekly Herubic Songs in the Repertory from the 19th Century…. 71
Tsalova, Pavlina. Piano Music from the Middle of the 19th Century, Based Upon Bulgarian Foik Tunes…. 75
Stoyanov, Stoyan. Work About the Soviet Mass Song…. 79
Ganeva, Božanka. International Symposium to the Theme “The Historical Fate of the People and the Folk Art”….
80
Toncheva, Elena. Musical Symposium Within the 16th Byzantologic Congress…. 82
Toncheva, Elena. Complex Scientific Session about the Rila Monastery…. 87
Alexandrova, Boryana. Scientific Conferrence to the Theme “Uniformity of the Bulgarian Folklore Culture” ….
89
Balareva, Agapia. “The Contemporary Bulgarian Popular Youth Song with Social-Political Motifs”…. 93
Bulgarian musicology, 1982, No 3
Ilieva, Bagryana. Romanticism, Romance and Creative Work of Romantic Type in the Music about the Concepts
“Romantic Artistic-Creative Work” and “Romantic Trend in the Art”)…. 14
Krâsteva, Neva. Polyphonic Techniques in the Creative Work of the First Bulgarian Composers…. 43
Statelova, Rozmary. About the Problem of the Essence of the Phenomenon “Musical-Intonational
Environment” …. 60
Biks, Rozaiya. The “Maestro” and the Bulgarian Opera Theatre… 65
Vâlchinova, Elisaveta. About the Repertory of the Military Brass Band in Bulgaria from 1879 until 1944 and the
Place of the Bulgarian Musical Creation in it…. 70
Zaharieva, Svetlana. At the Forefront of Science…. 76
Tsalova, Pavlina. Georgy Dimitrov and the Proletarian Musical Culture…. 72
Ganeva, Božanka. Raina Kacarova at the Age of 80…. 79
Bulgarian musicology, 1982, No 4
Toncheva, Elena. New Facts and Aspects of Research in the Musical Oldbulgaristics…. 30
Statelova, Rosemary. To the Problem of the Nature of the Phenomenon of the “Musical-Intonational
Environment” …. 49
Bukureštliev, Mihail. About Certain Problems of the Contemporary Children's Song Folklore…. 58
Litova-Nikolova, Lidiya. The Role of the Refrains for the Differcntalion of the Basic Types of Christmas Song….
68
Levy, Klara. Discussion ol the Bulgarian Musicology and Criticism…. 69
Bulgarian musicology, Year 7, 1983, No 1
Moskona, Leon. About the Pulse-genetic Approach in the Musicology…. 16
Balareva, Agapiya. Choral Activities During the Bulgarian National Revival…. 32
Zenginov, Dimitâr. The String Quartet in the Bulgarian Music until 1944 (Materials to a Research Work on the
Genre)... 53
Vitanova-Staleva, Lilyana. Experimental Study on the Coordination Between the Musically-aural Concepts and
the motive activities by music making at early school age (Motives of the specific cognitive and
Nonspecific-Reflective Activities) …. 72
Kachulev, Ivan. Signal Giving Whistlings…. 82
Kaufman, Nikolai. Creative Works on Musical Folklore…. 83
Toncheva, Elena. Musica Anliqua Europe Orientalis '82 in Bidgosczc…. 90
Hristov, Dimitâr and Mihail Bukurestliev. ISME: Two Musical Scientific Events…. 93
Zaharieva, Svetlana. Folklore Music Mid the Creative Work of Composers (Parallels and Perspectives) …. 96
Dieva, Yordanka. International Folklore Festival Burgas '82…. 102
Bulgarian musicology, 1983, No 2
Toncheva, Elena and Elena Kotseva. Musical Ascriptions from l5th Century in the Rila Monastery…. 36
Balareva, Agapiya. Choral Activities During the Bulgarian National Revival…. 70
Pitev, Hristo. Quant Octaves and Quant Numbers…. 81
Pugev, Petâr. A Wedding in the Village of Dren…. 83
Neicheva, Svelana. The “Young Bulgarian Music” in the town of Haskovo…. 95
Kaufman, Dimitrina. Traditional Instrumental Music from Southwest Bulgaria – the Pirln Region…. 100
Ganeva, Božanca. Bulgarian Children's Song Folklore…. 102
Yapova, Kristina. Problems of the Thematism in the Symphonic and Instrumental-Chamber Creative Work of the
Bulgarian Composers from the Period of the Twenties and the Forties…. 104
Bulgarian musicology, 1983, No 3
Kavaldziev, Ljubomir. Theory of the Musical Culture – Structure and Functions…. 19
Krâsteva, Neva. Polyphonic Vehicles in the Choral Music of Petko Stajnov…. 31
Arnaudova, Nataliya. Certain Movements in the Evolution of the Term “Style” in the West European Aesthetical
Thought…. 47
Krâstev, Venelin. In memoriam…. 48
Stoyanov, Stoyan. Bulgarian Symphonic Music…. 56
Kaufman, Nikolai. Musical Folklore and History…. 65
Kolarov, Rumyan. The “Lazarian” Songs from the Region of Ruse…. 85
Džidžev, Todor. Filip Kutev and the State Ensamble lor Folk Songs and Dances…. 86
Bukureštliev, Mihail. Folk Songs of the Bulgarians from the Ukrainian and the Moldavian SSR…. 92
Bulgarian musicology, 1983, No 4
Statelova, Rosemary. Contemporary Parameters of the Intonational Media (New Methodological Approaches to
the Problem) …. 17
Suliteanu, Ghizela. Intra- and Interdisciplinar Researches in Ethnomusicology…. 31
Dimitrova, Mariana. Divine Services about Bulgarian Saints in the Old-Russian Musical Tradition…. 49
Ljondev, Petar. Inlonalional Process in the Mode Phrase in the Thracian Folk Instrumental Dance Melody…. 62
Mikov, Ljubomir. Easter Chain Dances…. 77
Bratanova, Radka. Dynamics of the Development of the Byphony in the Town of …. 87
Ivanov, Atanas. About the First Brass Band in Bulgaria…. 97
Moskona, Leon. A Great Achievement of the Theoretical Musicology…. 98
Zaharieva, Svetlana. The Institute ol Folklore Celebrates It's Tenth Anniversary…. 102
Bulgarian musicology, Year 8, 1984, No 1
Krâstev, Venelin. A Historic Stage in the Re-creation of the Bulgarian Music and Dance Folklore…. 26
Kaufman, Dimitrina. The Music of Diko Iliev under the Eyes of the Folklorist…. 46
Hurcidze, Liya. On Some Peculiarities in the Sympho-Style of Pancho Vladigerov…. 60
Zaharieva, Svetlana. To the Question about the Origin of the Polyphony…. 75
Dončev, Dončo. Emanuil Manolov in the Memories of His Contemporaries…. 76
Statelova, Rosemary. Meditations upon a Topical Book…. 94
Editorial Note…. 104
Bulgarian musicology, 1984, No 2
Leon Moskona. The Methodological Importance ol Marx's Outlook on Art…. 12
Neva Krâsteva. Liubomir Pipkov's Choral Polyphony…. 36
Rozalia Biks. Nikolai Ghiaourov in the World Opera Theatre…. 53
Violeta Konsulova. Maria Dimova's Creative Work During the 1920ies and '30ies…. 67
Božanka Ganeva. Intonations Similiarities of Some Spring Rituals…. 80
Nikolai Kaufman. :Muzika: Publishing House — 1983 Folklore Collections…. 81
Sveilana Zaharieva. A Look at the Present…. 86
Todor Todorov. The Folk Music Heritage of K. Vitka…. 89
Dimitrina Kaufman. V National Conference of Bulgarian Ethnographers…. 92
Tsenka Yordanova. National Conference on Folklore…. 94
Bulgarian musicology, 1984, No 3
Elena Toncheva. A Neuly Founded Monument ol Medieval Music at the Bačkovo Monastery… 44
Nikolai Kaufman. Raina Kacarova and the Institute of Musicology…. 51
Todor Džidžev. Raina Kacarova and Vasil Stoin... 54
Todor Todorov. Raina Kacarova's Scientific Contribution... 60
Elena Stoin. Our Work Together with Raina Kacarova... 65
Anna Ilieva. Founder of the Science of Bulgarian Dance folklore... 70
Mihail Bukureštliev. Raina Kacarova's Contribution In Finding, Publishing and Studying Children's Folklore... 74
Dimitrina Kaufman. The Instrumental Folk Music in Raina Kacarova's Investigations... 77
Mira Peševa. Raina Kacarova about the Amateur Folklore Activities, the Fairs — Singing, Competitions and the
First Steps of “Filip Kutev” State Folk Song and Dance Ensemble... 83
Geo Kukudov. My Mother... 85
Elisaveta Vâlchinova. “The Czech Bandmasters in Bulgaria”... 89
Bulgarian musicology, 1984, No 4
Venelin Krâstev. Four Decades Socialist Musical Culture... 17
Dimitâr Hristov. Some Questions of Contemporary Bulgarian Creative. Work and the Fight for an Artistic
Reflection of our Socialist Contemporaneity… 25
Agapia Balareva. On Genre Peculiarities of the Bulgarian Cantata and Oratorios and Some Intonations
Phenomena and Proceses in Them... 31
Genčo Gajtandžiev. On Some Trendsin Contemporary Bulgarian Musicology… 42.
Rozalia Biks. The Opera Staging out of the Capital... 52
Todor Džidžev. The Folk Choirs and Ensembles... 61
Petâr Krumov. Formation and Development of the Folk lnsiruments Orchestra... 67
Rosemary Statelova. The Main Points in the Development of Bulgarian Variety and Jazz (1944-1984)... 77
Venelin Krâstev. Reflections on “New Bulgarian Music ‘84”…79
Bulgarian musicology, Year 9, 1985, No 1
Neil Moran.The Plagal Second Mode in the Greek, Slavonic and Latin Chant.… 3
Neva Krâsteva. The Polyphony in Svetoslav Obretenov's Choral Work…. 29
Li1yana Vitanova-Staleva. Music Acts and Activities... 41
Violeta Konsulova. Soviet Balet-masters in Bulgaria…. 54
Yordanka Dieva. On the Track of a Forgotten Ritual in the Rhodopes…. 85
Iza1ii Zemcovskii. B. V. Asafiev's Ethnomusicological Conception…. 95
Svetlana Zaharieva. Let Us Listen, Think and Work like Asafiev…. 102
Iskra Raceva. Music Folklore and History... 111
Krasimira Mineva. Bulgarian Music Folklore in Phonograms, Notograms, Text and Film Materials in the Institute
of Musicology Archives... 117
Bulgarian musicology, 1985, No 2
Božidar Karastoyanov. Two Newly Founded Music Sources in Slavonic for the Singing Practice during the 16th
Century... 13
Agapiya Balareva. Union of the Bulgarian Folk Choirs (Bulgarian Singers Union)... 32
Rozalia Biks. Music in Bulgarian Drama Theatre (until 1944)... 45
Nikolai Kaufman. The Songs of the Singers of Satiric Songs Milenkov and Dzib... 60
Tsenka Yordanova. An Attempt of a Typological Analysis of the Sound Medium in the Rituals... 75
Nikola Yanev. Worker's Choirs and Orchestras... 76
Mira Peševa. “Popular Choreographic Art of the Northeastern Siberia Native Population”... 88
Bulgarian musicology, 1985, No 3
Elena Toncheva. Of Early Balkan’s Polyeleos Practice (On Sources from XII -XIII cc.)... 28
Venelin Krâstev. “New Bulgarian Music’85”... 4l
Agapiya Balareva. Choral Performing In Bulgaria (1926-1944)... 60
Rosalia Biks. The Interaction between the Russian and the Soviet Producer's and Staging Thought and thc
Bulgarian Opera Theatre... 71
Elena Kuteva. Some Principles of the Folklore Morphology in Contemporary Bulgarian Composer's Work... 88
Todor Todorov. Elena Stoin....89
Todor Džidžev. A Lifetime Dedicated to Music... 91
Venelin Krâstev. “History of the Russian Music, vols. I and 2”... 95
Tsenka Yordanova. “Musical Work and Asociativeness”... 99
Svetlana Kujumdzhieva. “Military Brass Bands in Bulgaria and Their Repertory – 1879-1944”... 101
Bulgarian musicology, 1985, No 4
Vladimir Gosovskii. The Sociological Aspect of the Musical Ethnography…. 20
Maria Kostakeva. To the Methods of Analysing the Dramatic Structure of the Musical Theatre... 30
Venelin Krâstev. Stefan Makedonski... 50
Lidiya Lltova-Nikolova. Professional Folk Song and Dance Companies…. 64
Kaufman, Nikolaj. The Partisan Composer Marin Penkov... 66
Milka Miladinova. Asen Zlatarov and the Bulgarian Musical Culture…. 71
Kaufman, Dimitrina, Božanka Ganeva, Ruža Nejkova. 7th International Symposium on Folklore....75
Svetlana Nejčeva. “The Player in Folk Culture”…. 81
Bulgarian musicology, Year 10, 1986, No 1
Svetlana Zaharieva. Folklore Art and Functioning... 15
Izalii Zemcovski. Reconstruction of the Concepts of the Folklore Genre Integrity (method an examples)....23
Ljubomir Kavaldzlev Kavaldziev. Non-Classical Approach and Topicality in the Attitude towards the Ancient
Symbols of Musical Culture... 39
Božidar Karastoyanov. The Tunes of the Russian Znamennoj Raspev…. 50
Hrizanlema Pasunkova. Solo Violin Sonata and Suite in the Works of Bulgarian Composers... 59
Nikolaj Kaufman. New Data on Working-Class Songs... 86
Dimitrina Kaufman. Achievements and Trends of Development of Professional Folk Song and Dance Companies...
102
Violeta Naletova. Of Music Teaching at Ruse Schools (1878 — 1944)... 104
Svetlana Kujumdzhieva, Božidar Karastoyanov. International Congress on Ancient Music of the European East...
109
Boryana Aleksandrova. A Collection of Popular Folklore and Ethnography. Book LVIII. Populai Prose from the
District of Blagoevgrad (New Recordings)... 114
Bulgarian musicology, 1986, No 2
Venelin Krâstev. Bulgarian Music for the Last Three Decades... 17
Agapiya Balareva. On Some Problems of Choral Music and Performance... 26
Dimitrina Kaufman. The Work for Folklore Choirs and Ensembles... 33
Elena Toncheva. Bulgarian Historical Musicology: Problems and Trends (An Attempt at a Historical and
Theoretical Construction)... 40
Svetlana Zaharieva. Folklore – Contemporaneity – History... 50
Svetlana Zaharieva. New Trends in the Development of Bulgarian Musical Theoretical Thought... 60
Rosalia Biks. … And in the Bulgarian Opera Theatre... 70
Nikolaj Kaufman. Bulgarian Folk Choirs and Ensembles... 77
Bulgarian musicology, 1986, No 3
Venelin Krâstev. New Bulgarian Music '86... 33
Nikolaj Kaufman. A Glimpse at Bulgarian Satirical and Protest Songs... 61
Jörgen Raasted. Contents and Authors of the so-called Hagiopolites treatise... 62
Todor Todorov. Wandering Blind Singers in Bulgarian Popular Professional Musical Tradition... 76
Christian Hannik. Lada Braschowanowa; Die mittelalterliche bulgarische Musik und Joan Kukuzel... 78
Elena Toncheva. A New Bulgarian Publication about Joan Kukuzel in the German language... 81
Bulgarian musicology, 1986, No 4
Božidar Abrašev. Einstein's Special Theory of Relativity and the Time and Space Continuum in Music... 13
Ivelina Nikolova. Musical Perception with Guido and Grocheo – a Stage of the Musical-Psychological Process of
Notion Creation... 24
Božidar Karastoyanov. The Syllable – the Tiniest Vocal Meaningful Unit in Znamennoj Rospev... 34
Ruža Nejkova. St. Lazar's Sundays in South-Western Bulgaria... 50
Svetlana Zaharieva. A Book about Music and the Man Creating it... 61
Elena Toncheva. Gabriel Hieromonk and His Treatise on Church Music. A New Valuable Musical Byzantology
Series... 56
Elena Toncheva. International Symposium to Commemorate Egon Wellesz...61
Hristo Hristozov. Computer Modelling of Musical Problems... 67
Božanka Ganeva, Božidar Karastoyanov, Elisaveta Vâlcinova, Svetlana Nejčeva. 2nd International Congress of
Bulgarian Studies – Subsection Music... 67
10 Years of Bulgarian Musicology (1977-1986). Compiled byManya Ivanova... 78
Bulgarian musicology, Year 11, 1987, No 1
Svetlana Zaharieva. Discoveries and Authorihip... 9
Ivelina Nikolova. Horizontal Course of the Intervals and Musical-Auditive Perception of Euphony and
Dissonance in Medieval Theory (9-15 c.)... 20
Božidar Abrašev. Specific Manifestations of the Categories Time and Space in Music... 34
Kristina Yapova. Chamber-Instrumental Ensembles in Pancho Vladigerov's Work by 1944 (On the Issue of
Interpreting the Genre)... 44
Milos Velimirovič (USA). The Melodies of the Ninth Century Kanon for St Demetrius... 62
Ruža Nejkova. About St. Lazar's Ritual Song in South-Western Bulgaria... 69
Liudmila Andonova. Essence and Significance of Typological and Comparative Method in Dialectological Studies
of Vocal Folklore... 75
Dimitrina Kaufman. Reflection on Koprivstica'86... 77
Svetlana Zaharieva. Important Theoretical Study... 84
Bulgarian musicology, 1987, No 2
Agapiya Balareva. The Choral Ballads of Petko Stajnov... 9
Nikolaj Kaufman. Pelko Stajnov’s Work and Folklore... 19
Svetlana Zaharieva. With a Humanitarian Approach to Folklore... 27
Rozalia Biks. Petko Stajnov’s Publicism... 33
Gajtandžiev, Genčo. Petko Stajnov and the Problems of School Musical Education... 38
Liliya Gju1eva. Performer's Problems in Petko Stajnov's Choral Works... 43
Evgenii Avramov. Petko Stajnov's Harmonious Style... 59
Svetlana Nejčeva. Petko Stajnov's Symphony Work till September 9, 1944... 71
Božidar Spasov. Of Some Evident and Hidden Freatures of Orchestration in Petko Stajnov’s Work... 79
Bagryana Ilieva. Petko Stajnov’s Work as a “Romantic Type of Work”... 93
Yanina Bogdanova. New Elements in Petko Stajnov's Symphonic Music after September 9, 1944... 97
Elisaveta Valčinova. Petko Stajnov in Donco Petkov's Memoirs of the Musical Past of Kazanlâk... 98
Mi1ka Miladinova. Bulgarian Musicology for the Creator and Public Figure Petko Stajnov... 104
Bulgarian musicology, 1987, No 3
Venelin Krâstev. New Bulgarian Music ’87… 13
Cristina Yapova. Bulgarian Chamber Music from the 20ies to 1944… 25
Stoyan Stoimenov. Interaction of Image and Music… 30
Božidar Karastoyanov. Stihera for Boris and Gleb “Plotskuju bogatiasha”– Remarcable Model of the Old Russian
Art of Singing… 66
Nataliya Rashkova. Poetry and Rhytmical Types and Teritorial Occurance of St. Lazar’s Day in Eastern
Bulgaria… 80
Kosta Nikolov. Problems of Solfeggio Teaching… 86
Joanna Chobanova. Concepts for the development of mental and musical abilities of students through education...
93
Elka Bakalova . Singers in Late Byzantine and Slavonic painting... 94
Elena Toncheva. Contribution international musicological meeting … 98
Svetlana Kujumdzhieva . Choral work in Bulgaria since the middle of the XIX century to 9 IX in 1944… 100
Bulgarian musicology, 1987, No 4
Venelin Krâstev. Taking a Look at the Bulgarian-Soviet Musical Cooperation... 16
Nikolaj Kaufman. The Russian and Soviet Song in the Anti-Fascist Strugle of the Bulgarians…32
Svetlana Nejčeva. The Soviet Theory of Musical the Present Stage (periodical “Problems of Musical Studies”)...40
Rosalia Biks. The Soviet Opera in Bulgaria... 48
Violeta Konsulova. The Soviet Ballet in Bulgaria... 55
Mariya Kostakeva. Shostakovich's Operas in the Context of Russian-Soviet National Traditions... 65
Nikolaj Kaufman and Dimitâr Stojnov. The Songs of Vassil Levski... 87
Elena Toncheva. Kalophonic Verses by Master John Koukouzeles (from the Athene manuscript No 2458 from
1336).. 107
Valentina Dičeva. Space in the Musical Work... 129
Valentina Dičeva. An Attcmps to Obtain Musical and Psychological Knowledge from the Theory of the Middle
Ages (IX-XVI Century)... 130
Elisaveta Valčinova. On Musical Space and Its Rationalization in Bulgarian Music in the First Half of the 80-ies...
132
Bulgarian musicology, Year 12, 1988, No 1
Svet1ana Zaharieva. Folklore and Contemporary Ecological Consience science... 12
Todor Todorov.The Introduction of the Subject „Folk Music" in the Syllabus of the State Musical Academy... 20
Ljudmila Andonova. The Application of Melodic Models in the Intonational Characteristics of the Song Cycles...
26
Elena Kuteva. The Terminological Apparatus in the Melodic Concepts of Bulgarian... 44
Albena Najdcnova. Aspects of Modal Organization in Contemporary Bulgarian Music... 56
Rozalia Biks. The Bulgarian Opera Theatre Outside the Capital... 72
Asen Atanasov About the Author’s Singings of Neofit Rilski (based on source data from the Church-Slavonic song
musical manuscripts from the 19-th century at the National Museum Library “Rilski Manastir”),,. 86
Svetlana Zaharieva. A Systematic View at White-Russian Song Folklor... 87
Elena Toncheva. A Valuable International Scientific Mcething... 90
Tsenka Yordanova. The Professionalism in Folk Music Practice... 93
Elena Toncheva. The Professionalism in Middle-Age Singer's Practice... 95
Bulgarian musicology, 1988, No 2
Venelin Krâstev. The Annual Survey ("New Bulgarian Music 88")… 14
Agapia Balareva. Secular Vocal Music during the Lale Period of the Bulgarian Renaissance (On the problem of its
inclusion in the context of the national spritual culture… 25
Božidar Spasov. An Attempt for a Comparative Characterization of Some Polyvalent Compositional Principles in
Bulgarian and European Music in the First Half of the XX Century… 39
Elena Toncheva. The Musical Interpretation (exegsis) of the Balkan Melodies. The Scythian “Bulgarian Chant”
(following the problem for the post-Byzantine musical exegesis in the Balkans during the XVII to the XVIII
century)... 59
Nikolaj Kaufman and Dimitâr Stojnov. Vassil Levski's Songs... 85
Tsenka Yordanova. The Affective Vocalization of the Rituals... 98
Rosmari Statelova. Social and Phsycological Motives for the Pacticipation in Musical Amateur Activities... 106
Asen Atanasov. Neofit Rilski's Translated Chants (from source data of Church-Slavonic collections of singing
manuscripts from the 19 th century at the Rila Monastery National Museum)... 111
Genčo Gajtandžiev. A Valuable Musical Pedagogical Document... 116
Bulgarian musicology, 1988, No 3
Svetlana Nejčeva. Lazar Nikolov’s Third and Fourth Symphonies... 16
Dimitâr Zenginov. On Atanass Boyadjiev’s Songs... 26
Nataliya Arnaudova. Artistic Style and his Functions in Culture... 35
Iliya Kožuharov. The Multi-Dimensional Space in the Musical Process... 50
Izalii Zemcovskii. Intonation as a Way of Homo Musician’s Thinking... 61
Rumiyan Kolarov. The Lazar Original Bridegroom in North Eastern Bulgaria... 74
Rosemari Statelova, The Amateur (An Outline of the Portrait of the Participant in the Musical Amateur
Activities)... 88
Krasimira Mineva. Bulgarian Folk Music at Radio Sofia (Ideas and observations)... 96
Hristo Hristozov. Contemporary Study of Musical Perception... 98
Elena Toncheva. Bulgarian Musical Culture During the National Revival Period... 103
Elisaveta Valčinova. “Chamber and Instrumental Ensembles in the Works of Bulgarian Composers from the 20ies
to 1944”... 105
Radka Nikolova. “The Lazar Play in North-Eastern Bulgaria:... 108
Bulgarian musicology, 1988, No 4
Venelin Krâstev. Fourtieth Anniversary of the Institute of Musicology... 3
Selected Bibliography. Compiled by Manya Ivanova... 7
Venelin Krâstev. On the Historical Development of Bulgarian Music... 40
Elena Stoyanova. Variational Proceses in A. Rajchev’s Symphony No 4... 46
Natalia Arnaudova. The Stylistic Adjustment as a Necessary Component in the Perception of a Musical Work... 54
Ruzha Neikova. Sons-Refrains of “Big Lazaritsa” in the Pirin Region... 68
Krasimira Mineva. The Feed-Back in the Radio Propaganda of Bulgarian Musical Folklore... 80
Elena Toncheva. Half century Musica Antiqua Europae Orientalis – Bydgoszcz (Poland)... 81
Musica Antiqua Europae Orientalis. Bibliography of Bulgarian participation. Compiled by Asen Atanasov… 84
Bulgarian musicology, Year 13, 1989, No 1
Venelin Krâstev. The Individual Model of Bulgarian Music after Bulgaria’s Liberation from Ottoman Yoke... 17.
Yanina Bogdanova. To the Question or the Typology of Bulgarian Symphony in the First Decade after September
9, 1944... 24.
Antonina Stojnova. The Religious and Empire Sanction on Music in the Light of Early Byzantine Culture... 33
Iskra Racheva. To the History of the Musical Beginning in Bulgarian Folklore Culture. Introduction in the
Typology of the Archaic Layers... 47
Svetlana Nejčeva. To the Question of Individuality in New Music... 57
Zheni Yordanova. Time As a Cultural System... 66
“
Elena Stoyanova. Problems of the Big Form in Symphony No 3 “Onsets by Al. Rajchev… 73
Iliya Kožuharov. A Possible Idea for a Unified Functional Theory... 90
Mira Peševa. An Attempt at a Typological Characterization of the West Rhodope Dances… 99
Bulgarian musicology, 1989, No 2
Svetlana Zaharieva. In Search of a Proper Object of Study… 16
Svetlana Nejčeva. The Historical Preconditions for the Decentralized Classical Form of Music in the First Decades
of the 20th Century... 26
Ljubomir Kavaldjiev. Knight at Sundown (An Essay with Questions and Answers about Theodor Adorno)... 49
Natalia Arnaudova. Style as an Artistic Value... 59
Mariana Dimitrova. The “Bolgarskii Rospev” Repertoire in Joseph Kreinitski’s Collection from 1677... 75
Georgi Dyakovski. Characteristic Features on the Perception of Music by Students from the 1st to the 3rd Grade at
School... 83
Mira Peševa. The Rhodope Folk Dances — in the Social and Cultural Layers of Time... 95
Milos Velimirovič. An Italian Musician in Bulgaria in the 18thc Century?...97
Božanka Ganeva, “Bulgarian Musical Folkloristics – Formation and Traditions”... 98
Rumyan Kolarov. “Metrorythmic and Functional and Intonational Typology in Bulgarian Folk Songs”... 101
Bulgarian musicology, 1989, No 3
Venelin Krâstev. In the Days of the Successive Review of “New Bulgarian Music”... 15
Rositza Draganova. Polyphonic Phenomena and Imagery in Pancho Vladigerov's Piano Plays...34
Evgenii Avramov, The Harmonic Style of Lyubomir Pipkov... 47
Svet1ana Zaharieva. Teaching and Style... 54
Valcntina Dicheva. Some Notes on the Socio-Cultural Movement on the Term “Program Music”… 66
Yavor Konov. The Bulgarian Text Books On Counterpoint and the Development of the School Discipline
Polyphony... 76
Stefka Kaleva. Communicational Abilities of the Musical Genres on the TV Screen...85
Ljubomir Kavaldjiev. “The Player in Folk culture”... 86
Svetlana Zaharieva. Third International Symposium on the Questions of the Folklore Dance... 89
Elisaveta Vâlchinova. “Bulgarian Opera Theatre Outside the Capital”... 91
Jheny Yordanova, “Cultural and Historic Problems or the Bulgarian Ritual System – the Lazar Dances in
South-West Bulgaria”... 94
Krishna Yapova. “General Principles of Mode Formation in Bulgarian Folk Songs and the Works of
Contemporary Compositors”...96
Bulgarian musicology, 1989, No 4
Christina Yapova. The Formation of Bulgarian Musical Science – End of 19th- 20ies of the 20th Century... 16
Elisaveta Vâlchinova. City Orchestra Culture in Bulgaria before the Liberation... 38
Svetlana Nejčeva. Variation op. 30 by A. Vebern. Line and Classical Form... 57
Rosmary Statelova. From the History of Pop Music...73
Todor Todorov. 50 Years without Vassil Stoin... 92
Nikolaj Kaufman. Ivan Katchulev (1905-1989)… 94
Lidiya Lilova-Nikolova. A Valuable Contribution in the Investigation of Bulgarian Musical Folklore ..96
Ruža Nejkova. A New Musical-Folkloristic Collection... 99
Svetlana Zaharieva. “Bulgarian Folk Music”… 101
Dimiter Christoff. A New Encyclopedial Work in German... 103
Bulgarian musicology, Year 14, 1990, No 1
Rosalia Biks. The Formation of an Opera Theatre in Bulgaria and Roumania. Parallels… 18
Stefan Lazarov. The Bogomils and an Old Musical Tradition in Western Europe… 32
Timothy Rice. Multiple Perceptions or Bulgarian Instrumental Folk Music…. 38
Iliya Kožuharov. A Musical Psychophysical Experiment… 67
Andrian Pervazov. The Fugue Theory in the First Half of the 18th Century… 85
Christo Christozov. Contemporary Studies o the Educational Process in Music… 93
Dimiter Christoff. 30 th International Conference of the International Council for Traditional Music… 100
Bulgarian musicology, 1990, No 2
Svetla Stoyanova. Some Observations on Bulgarian Film Musk During the Period 1944 Up To the End of the
60ies… 15
Cler Levy. An Introduction to the Problem of Interactions in Rock Music… 28
Venelin Krâstev. Tsvetana Tabakova… 39
Boryana Mangova-Petkova. The “Lladder”in the Theoretic Expose of Boris Trichkov50
Agni Spohr-Rassidakis. Fünf Totenklagemelodien aus Kreta (Griechenland). Eine vergleichende Untersuchung…
65
Elena Toncheva. The Definition “Bulgarian” in the Musical Manuscripts of Byzantine-Slavonic Area… 71
Yordan Ganev. Problems Connected With the Old Modes… 77
Elena Toncheva. The Historically Unique in the Musical Figure Petar Dinev… 83
Stefan Hârkov. Petar Dinev About the Rclhgious Schools of Singing in Bulgaria During the Revival… 89
Albena Naidenova. On the theoretic Problems in the Sound Order and Mode in the East Orthodox Eight Echos…
96
100th Anniversary of Petâr Dinev’s Birth. Scientific Studies and Musical Works (1922- 1979). Compiled by Asen
Atanasov… 97
Elena Toncheva… The Problematics of Balkan Studies in Our Historical Study of Music… 113
Ljuben Botuscharov. Music as a Revolution of the Spirit… 115
Bulgarian musicology, 1990, No 3
Еlisavеta Vâlchinova-Chendova. The City Orchestra Culture From the Liberation to the 20 ies of thе 20 th
Century… 23
Božidar Spassov. Some Aspects of Contemporary polyvalency in B. A. Zimmerman's Works… 38
Andrei Andreev. The Worldly Musical Education In the Plovdiv School “St. St. Cyril and Methodius” During the
50ies and 70ies of the 19th Century… 58
Svetla Stoyanova. The Musical Medium in Bulgaria (1878-1944)… 81
Maria Dimitrova. B. L. Pasternak’s World of Music… 87
Assen Atanassov. The Authors Singings of the Rila Musical Figures (based on source data from the
Church-Slavonic song musical manuscripts from the 19th century in the library of the “Rila Monastery” National
Museum)… 91
Clara Mechkova. The Turnovo Teacher of Music David Hadjipenkov Tuleshkov… 105
Bulgarian musicology, 1990, No 4
Todor Todorov. The Interest in the Study of Folk Musical Creativity in Bulgaria (from the 20ies till the end of
World War II)… 17
Rumyana Karakostova. The Bulgarian Operetta Creations during the Period Between the Two World Wars… 47
Helga de la Motte-Haber (Germany). Music As a Language… 68
Christina Yapova. The Musical Criticism and Pubblicism in Bulgaria in the Period 1900-1920… 76
Rosmary Statelova. On the Sociological Approach towards Mass Musical Entertainment Genres… 93
Elena Stoin. 2nd Symposium Bulgarian Musical Culture during the National Revival Period… 94
Asen Atanasov. Translated Chants of Rila Musical Creators t Based on Sourse Data from the Churh-SIavonic Song
Musical Manuscripts from the 19-th Century at the “Rila Monastery” National Museum)… 104
Bulgarian musicology, Year 15, 1991, No 1
Svetlana Neicheva. On Methodological, Evolutional and Historical Prerequisites in the Analysis of 20th Century
Musical Form… 26
Božidar Karastoyanovr. The “Popevka” and “Phyta” in Znamennoj Rospev Centon-compositions and Their Basic
Formulae…70
Tsenka Yordanova. On Signification in Music… 80
Martha Forsyth. Traditional Singing During Harvest and Haying in the Samokov Region in 1988… 84
Mariela Hristova. The National Rebec School at the Village of Popina, Silistra District. Traditions and Continuity
in the Work of the Children’s Rebec Orchestra… 89
Biserka Gramatikova. Some Moments in the Development of the National School of Music with the Musical
Society “Native Sounds” in the Town of Burgas… 103
Bulgarian musicology, 1991, No 2
Yosif Zhordania. The Caucasus, the Balkans, the Alps. Northern Europe: Musical and Ethnographic Parallels… 9
Nino Tsitsishvili. Parallels Between South Slavonic and Georgian Music and Ethnography… 20
Nana Schiöd. The 741 Final Cadences from the Hymn of the twelve month* in the Byzantine Sticheraxion Cois1in
42… 21
Stefan Hurkov. Dragan Manchovs Churchsong Printed Collection… 55
Elisaveta Petkova. Timbre-Texture Organisation of the Form in the Symphonies of Tsvetan Tsvetanov… 71
Todor Todorov. Vasil Stoin’s Idea of Founding a Slav Research Institute of Music in Prague… 72
Lyuben Botousharov. The Problem of Variants and Vasil Stoin's Heritage… 77
Ivan Koumichin. The Instrumental Folk Music Recorded by Vasil Stoin… 81
Mihail Boukoureshtliev. Vasil Stoin’s Contribution to Folk Music for Children… 84
Roumyana Toma1evska. On the Problem of Vasil Stoin's Manuscript Heritage… 87
Asen Dotsinski. A Memoir for Vasil Stoin… 99
Milka Miladlnova. The Indexes in Vasil Stoin’s Collections….. 100
Publications About Vasil Stoin. Compiled by Manya Ivanova… 103
Svetlana Zaharieva. Studies in Musical Folklore: Problems of History and Methodology… 107
Yuliana Alexieva. Historical Outlines of Totalitarian Art… 116
Bulgarian musicology, 1991, No 3
Mariana Dimitrova. Zur Frage der Typologie der Groß-Skit Kloster-Musik man uskripte… 8
Elissaveta Valtschinova-Tschendova. Die städtische Laien-Orchesterkultur von den 20-er bis zu den 40-er Jahren
des 20. Jh… 42
Ciaire Levy. Von der Rockmusik und ihrer Expansion (Ein Versuch zum Aufwerfen des Problems von der
nationalen Identität der Rockmusik unter den Verhalnissen der heute vorherrschenden Popkultur)… 54
Lozanka Peitscheva. Gegenwärtige Formen zur Aktualisierung des Reigentanzgesangerbes in den Regionen der
Städte Kjustendil und Stanke Dimitrov… 63
Rossitza Draganova. Zur Frage der zyklischen Entwicklung des musikalischen Kulturprozesses: ein Versuch der
Typologisierung der zyklischen Vorstellungen… 74
Lewis Wickes. Untersuchungen zu Franz Schrekers Oper “Die Gezeichneten” (Fünf Thesen zu verschiedenen
Aspekten des Werkes)…. 82
Bulgarian musicology, 1991, No 4
Agapia Balareva. Ähnliche Erscheinungen und Prozesse in der Chorkultur von Serben, Kroaten und Bulgaren (von
den 30-en Jahren des 19. Jh bia tum Ende dea Ersten Weltkriegs)… 29
Milena Boshikova. Die Formen in der Musik Vassil Kazandshievs der 60-er Jahre (Statik und Dynamik der
offenen Form)… 51
Ljubomlr Kavaldhiev. Totalitarismus und Kultur (Über den östichen Zerfall der Ideen der Aufklarung)… 61
Valentina Ditcheva. Die Imitatiorutheörie und ihr Einfluss auf die Programmromantik. Genrebildung unter dem
Einfluss ausaermuaikalischer Erscheinungen… 92
Agapia Balareva. Der Anfang vor 100 Jahren… 94
Nikolay Sterev. Eine Erinnerung an Rajna Katzarova… 96
Bulgarian musicology, Year 16, 1992, No 1
Rosmari Statеlova. An Attempt for Surmounting the Negative Paradigma in the Knowledge for Amusement… 3
Rositsa Draganova. To the Problem of Cyclic Development of Art Historical Protest: An Attempt to Define the
Cyclic Idea… 25
Mariela Hristova. About Some Resemblances and Differences in the Instrumental Folklore of Grebens and the
Settlers in the Dobrudza-Region… 38
Stefan Hârkov. Newly Found Music Manuscript Fragment in the History Museum in Sliven…65
Asen Atanasov. A Handwrite Manuscript Fragment with late-Byzantine Notation from the History Museum in
Sliven…69
Lada Brashovanova. The Bulgarian Musical Creativity and Performance Reflected in the German Musical
Journals Between 1920-1960…82
Manya lvanova. Music Sources in Bulgarian Press Periodicals During the 40ies of the 19th Century…98
Bulgarian musicology, 1992, No 2
Dimiter Christoff. Musicology in the System of Science… 32
Ivelina Nikolova. The Leadership Problem in the Union of Bulgarian Composers in the 1960-ies and the 1970-ies
from the Viewpoint of Publicity and Public Space…41
Elena Toncheva. The Polyeleos Refrains for St. John of Rila from the 15th c….53 Tsenka Yordanova. Semiotics of
the aesthetic 79
Michail Boukoureshtliev. The Chaplets: A Interesting Part of Contemporary Children) Musical Folklore… 92
Christian Hannick (Germany). A Musical and Liturgical Meaning of Kratema and Prologos in the Byzantine
Manuscripts till the 15th c...93
Bulgarian musicology, 1992, No 3
Todor Todorov. The firedince (Nestinarstvo) in Bulgaria…19
Ruža Nejkova. Božeime (A Lord’s Name). Other names: Enjova bulya, Kalinica, Cumen Enjo, Dragajka...64
Danica Petrovič. An Attempt To Publish Music in Neumatic Notation in Sremski Karlovci At The Begining of
XIX c….72
Svetlana Balinova. M. V. Lisenko and the Bulgarian Music Culture.80
Manya Ivanova. The Music Sources in Bulgarian Press Periodicals During the 50-ies of the 19th c…81
Bulgarian musicology, 1992, No 4
Agapiya Balareva. Stoiyan Brashovanov and Bulgarian Music Culture…12
Kristina Yapova. Bulgarian Musicology from 20ies till the Middle of the 40ies [of XX c.] .An Attempt for
Historical and Theoretical Construction...20
Todor Todorov. Franijo Kuhac and Bulgarian Song from the Renaisanse...33
Anеliya Yanеva. Formation of the Dance-Symphony as a New Ballet Genre…44
Tomi Karklisiiski. On Art Logic (Structure - Time - Perception) in Johannes Brahma's Ballades op.10...78
Journal "Bulgarian musicology" (1977-1991). Bibliography. Compiled by Maniya Ivanova… 79
Bulgarian musicology, Year 17, 1993, No 1
Elena Toncheva. The Polyeleos Psalmos 135 Based On Sources from XII-XIII c. ...3
Elena Kouteva. Modality in 20th Century. From Monody to New Modality... 32
Dimiter Christoff. Technique of the Musicologist's Manuscript. An Attempt At Entering Into Fundamentals of the
Musicologist's Creative Process (In the Form of Polite Advices to the Young Musicologist)... 66
Svetlana Zaharieva. Hommage A... 93
Bulgarian musicology, 1993, No 2
Gregory Myers. The Asmatic Troparia, Hypakoai, and Katavasiai Cycles in Their Paleoslavonic Recensions... 37
Elisaveta Valtchinova-Chendova. Musical Creativity From the Middle of the XIX c. or the Instrumental Practice
of a European Type in Bulgarian Music Culture From the Renaissance... 43
Ivelina Nikolova. “We” and “They” in the Knowledge of Bulgarian Composers During the 60ies and 70ies [of XX
c.]. A Ideological-Role Contrasts in the Composers Society, As Reflected in the Journal “Bulgarian Music”... 66
Angelina Petrova. Post-Modern Tendencies in the Creative Activity of Bozidar Spassoff and Stefan Dragostinov at
the End of 7070ies [of XX c.]… 80
Dimiter Christoff. Marin Goleminov's Music As A Mental Essense... 89
Elena Toncheva. Marin Goleminov and Bulgarian Medieval Music... 94
Agapia Balareva. Marin Goleminov and Bulgarian Choral Culture... 97
Božidar Abrashev. Marin Goleminov’s Work "A Problems of Orchestration And What Is New In It... 99
Rosalia Biks. Marin Goleminov and Bulgarian Operatic Theater... 102
Kristina Yapova. The Chamber Music of Marin Goleminov... 105
Roumiana Apostolova. Marin Goleminov’s Public Activity... 106
Bulgarian musicology, 1993, No 3
Agapia Balareva. The Musical Publicism In Bulgaria From The Liberation To The End Of 19th Century... 8
Claire Levy. The Rock Music In Bulgaria. The Beginning... 16
Keith Negus. Traditional Policies And Local Predicaments - The Recording Industry And The (Re) construction
Of European Musical Identities... 21
LjubomirKavaldjiev. General Theory of Music Culture Through The Age Of Scientific Technical Revolution (In
Bulgaria During 80ies And 90ies [of XX c.])... 31
Anatolii Konotop. Unknown Partiture Of Bolgarskii Raspev In Russian Neumatic Manuscript From The 17th
Century. (On The Problem Of Transcription)... 49
Elena R. Tomova. Contemporary Folk Situation And Her’s Models of Communication…71
Christina Yapova. The Polyeleos Melodies. Marked As Bulgarians In The Balkan Singer Practice (Psalm 135
Based On Sources From The 12th-13th - 14th-15th Century)... 75
Aneliya Yaneva. Violeta Konsulova has gone... 78
Donna Buchanan. Bibliography of Bulgarian Traditional Music in English Language Sources..78
Bulgarian musicology, 1993, No 4
Dimitеr Christoff. “The Heavy Gasp Of Our Folk Songs” (P. P. Slavejkov) - A Probables Stocks And Reasones.
Semantic Transgresion Demonstrated On The Example Of Bulgarian Folk Song “Grozdanka i Bogdan vojvoda”...
34
Natasha Yapova A Origin of Music-Historical Consciousness... 41
Tomi Karklisiiski J. Brahms - To The Problem Of the Identification in the Art...75
Elena Stoynova. Monuments Of Ancient Music In Bulgarian Lands...76
Bulgarian musicology, Year 18, 1994, No 1
Svetlana Zaharieva. The Bulgaruan Folk-InstrumemalTradition As A Phenomenon Of Culture... 21
Kristina Yapova. Andrey Stoyanov And The Musical Aesthetic Ideas In Bulgaria (20ies – 40ies) [of XX century]...
31
Ruža Neikova. Vasilia – Bulgarian Folk Custom... 45
Biserka Gramatikova. The Arrangements Of Georgy Shagounov
(Based On Documents From The Regional State Archive – Bourgas)... 49
Portia K. Maultsby. Ethnicity And African American Popular Music... 58
Aneliya Yaneva. Nadya Vinarova – The Frist Bulgarian Primebalerine... 63
Gergana Panova. Folk Festivals – Pazardjik ‘93... 64
Bulgarian musicology, 1994, No 2
Lybomir Kavaldzhiev. To The General Theory of the Sound (Part One)... 25
Ivelina Nikolova. The Two Images Of the Bulgarian Composer -His Creative “Ego” And Specialization... 34
Valentina Dicheva. On The Musucal Denomination As A Sign Objekt Of Study (The Problem Of Titles In
Bulgarian Music)... 71
Aneliya Yaneva. The Seasons Of “Arabesque”... 96
Svetlana Zaharieva. The Bagpipe In Macedonia... 103
Mariela Hristova. One Interesting Festival...104
Bulgarian musicology, 1994, No 3
Svetlana Zaharieva. “...Armed With Guitars...”... 9.
Konstantin Koukoushev. The Music Education in Varna s Bulgarian School During The Second Half of the XIX
c... 30.
C1aire Levy. The Impact Of Some Social-Cultural Processes On Bulgarian Music Culture… 50.
Gerda Wolfram. Der Byzantinische Chor wie er sich in den Typika des l0. - 12. Jh. darstellt... 51
Lybomir Kavaldzhiev. To The General Theory of the Sound (Part Two)... 78
Tomi Kurklisiiski. On The Symphonic Creativity of J. Brahms -An Approach To The Reprise As A Problem Of
the Continuum... 79
Bulgarian musicology, 1994, No 4
Agapia Balareva. The Bulgarian Academy of Sciences And Her Members About Music... 3
Svetlana Kujumdzhieva. The Historical-liturgical Reports About The Kekragarion Verses... 13
Neva Krâsteva. Contrapunctus Et Compositio: Aspects Of the Polyphonic Creation... 35
Svetlana Zaharieva. Ethnomusicology - History, Definitions And Scope... 72
Krum Maksimov. The Style Of Alexander Tanev In The Choral ACappella Music... 100
Margarita A.Popova Georgi Atanasov, But He Is Not "The Maestro"... 107
Claire Levy. The Turn-Down Pyramide... 111
Bulgarian musicology, Year 19, 1995, No 1
Agapia Balareva. Urban Musical Culture During The Bulgarian National Revival… 18
Svetlana Zaharieva. Musical Folkloristics Study And Nationalism. A Scope To The Past With Mind For The
Present... 38
Mariana Dimitrova. The Proceimena in the Byzantine Music Manuscripts from the 14th and 15th Century...53
Γρ. θ. Στάθης. Ή ψαλτική τέχνη στο Αγίον "Ορος : Σπουδαιότητα μερικών αγιορείτικων χειρογράφων… 61
AngelinaPetrova. The Polyphony In The Aleatorical-Sonorislic Methods Of Vasil Kazandziev, Ivan Spasov And
Georgi Minchev (From Their Creativity Of 70-ies)... 72
Violeta Konsulova. Bogdan Kovachev...98.
TsenkaYordanova. An Unparallele Book On Bulgarian Folk Music... 99
Bulgarian musicology, 1995, No 2
Svеtlana Zaharieva. The Musical-Theoretical Publications In The Bulgaian Musicology. An View In Retro… 33.
Svetlana Kujumdzieva. The Kekragaria Verses In The Musical Collections (Based On Manuscripts From The 14th
To The Beginning Of l9th c.)... 58
Rosemary Statelova. Dinamic In The Development Of Pop Music-Genres In Bulgaria During The First Half Of
90ies [of XX c.]... 87.
Irena Poniatowska. Historismus und Tradition in den Musikforschungen (zum Jubiläum der MAEO-Kongress)...
88
Asen Atanasov. Bulgarian Musical Medieval Studies (1984-1994) Compiled by... 96
Bulgarian musicology, 1995, No 3
TsenkaYordanova. The Faramusical Sphere As A Subject Field Of Semiotics... 3
Asen Atanasov. The Singer Service (H ãUyosij tou= Timi/ou Staurou= — 14. IX In The Apostle of Enina... 44
Lybomir Kavaldzhiev. The Place Of Music In The Cfntemporary Information Model Of the Culture... 52
Rumyana Lazarova-Karakostova. First Bulgarian Operetes — Professional Attempt And Historical Heritage... 76
Gergana Panova. Dance Sources In The Archive Of the Institut Of Art Studies From The National Folk Festival
Koprivstitsa-1986... 91.
Bulgarian musicology, 1995, No 4
Nikolai Gradev. Non Classical Conditions Of Tonality In The Petko Staynov's Creation
(Theoretical-Methodological Study On The Composer's Choral Music)... 46.
Rumyana Karakostova. The Beginning Of Bulgarian Opera Theatre... 74.
Tomi Kurklisiiski. A Condition Of the oretical Image For The Musical Analitic Meaning (The Scopes,
Commentaries, Aspects)... 75
Bulgarian musicology, Year 20, 1996, No 1
Mariana Buleva. Das bulgarische Kinder und Schullied seit 1878 bis zu den 40-er Jahre des 20. Jh. Aspekte der
tonhöhegebundenen Denkweise und der musikalisch- poetischen Synthese…45
Anelia Yaneva. Die Darstellerin und Choreographin Nina Kiradshieva... 75
Kr. Troelsgärd. Die Entwicklung des didaktischen Poems. Einige Notizen zum "Icrm\ 6Aiyo\\ ö&ia
von Johannes Glykys... 98
Gergana Panova. Anthropologie des Tanzes Gegenstand und Herangehen vom geschichtlichen Gesichtpunkt...
107
Bulgarian musicology, 1996, No 2
Christina Yapova. Die Entwicklung der bulgarischen Musikwissenschaft in dem Zeitraum von den 20-er bis zu
den 40-er Jahren des 20. Jh... 63.
Rosemarie Statelova. Inhaltliche und Wertaspekte der populären Musik in Bulgarien... 91
Anelia Yaneva. Lilly Beron — die erste bulgarische Giselle... 103
Ljuben Botusharov. “Vergleichend Systematischen Musikwissenschaft“... 104
Bulgarian musicology, 1996, No 3
Ljubomir Kavaldzhiev. Die moderne Musikterminologie als Informationssystem... 22
Milena Bozhikova. Heinrich Schenker und seine Diagnose für die musikalische Vollkommenheit... 52
Mariana Dimitrova. Zur Frage der Aufnahme der mündlichen Tradition des Kirchen gesangs in die byzantinischen
Handschriften des 14. Jh… 65
Svetlana Zaharieva. “Einführung in die Ethnomusik Wissenschaft”… 80
Bulgarian musicology, 1996, No 4
CIaire Levy. Afro-American Music A Generator of Donmant Pop Idioms...12
Goritza Naidenova. Musik und Ritualkatender im Dorf Kositschino (Region Burgas)... 39
Mariyana Buleva. Wertaspekte und Informationsinhalt der Gattung Kuider- und Schullied im Kontext der
Musikkultur... 52
Rossitza Draganova. Zur Frage des zyklischen Aufbaus der geschichtlichen und kulturellen Entwicklung Versuch
einer Klassifizierung der diesbezüglichenVorstellungen... 78
Ljuben Botuscharov. Der Schlüssel ist der Stil (zum 45 Jahrestag der Gründung des Nationalen Folkloreensembles
“Philipp Kutev“)… 80
Ivelina Nikolova. “Akklamattonsdichtungen in der orthodoxen Kirchenmusik des Balkans (nach Manuskripten
aus dem 16-Anfang des 20 Jh)“... 85
Assen Atanassov. 20 Jahre Zeitschrift Bulgarische Musikwssenshaft (1977-1996)... 87
Bulgarian musicology, Year 21, 1997, No 1-2
Svetlana Zaharieva. Die Idee vom Volkslied und seinen Transformationen… 23
Svetlana Kujumdzieva. Questions of MusicalSource-Knowledge (Based on Materials from the Post-Byzantine
Period)... 38
Christian Alexsandrov. Typologie dei Magnificatformen..... 69
Valentina Dicheva. Subjekte der Genrekausalität in der bulgarischen Berufsmusik... 71
Todor Todorov. Das berufliche Können der Bettlerrhapsoden in der musikalischen Kultur der slawisch-sprachigen
Völker des Balkans... 159
Vesa Tsinandova-Haralampieva.Das musikalische Chronotop in der Synthese von Musik und Literatur... 173
Elena Stoinova. Die antike Gitarre: ein Rekonstruktionsversuch. Spieltechniken, Funktionen der rechten und der
Linken Hand... 182
Rossitza Draganova. Spezifik der zyklischen Ansichten in der Musik... 197
Christina Yapova. “Der Summer der bulgarischen Kultur“... 199
Elisaveta Vâlchinova-Tchendova. “Inhaltfache und Wertaspekte der populären Musik in Bulgarien“... 202
Bulgarian musicology, 1997, No 3
Agapia Balareva. Petko Stainov and the Bulgarian Musical Culture... 7
Rozalia Bicks. Petko Stainov –The Public Figure... 12
Dimiter Christoff. Petko Slainov's Symphonic Visions... 18
Sloyan Angelov. Petko Stainov's Orchestra... 30
ElisavetaVâlchinova-Chendova. “Thraciun Dances”: An Artistic Model and Folklore Code... 37
Nikolai Gradev. The Role of Modality in Petko Stainov Musical Concepts... 43
Neva Krâsteva. “The Romantic fugue” in Petko Stainov's Ballad “Urvich”... 60
Luben Botousharov. From the Rachenitsa to the Landler and Back... 63
Svetlana Zaharieva.The Folk Song in Petko Stainov's Views... 69
Kristina Yapova. The Problem Composer – Folklore during the 1920ies and 1930ies as a Projection of the Cultural
Relations Between Man and Community... 82
Elena Kouteva. The East and the West in Bulgarian Traditional Music... 86
Yordanka Bibina. In Search of a New Cultural Ideniitiy (Between the Balkan and the European)... 90
Spartak Paskalevski. On Some Aspects of the Synchretic Phenomenon and its Projections in the Search of a New
Artistic Language... 99
Bulgarian musicology, 1997, No 4
Iskra Racheva. Traditional Folk Culture on the Cross-roads Between the New and the Old in the Period of
Bulgarian National Revival... 19
Lyubomir Kavaldzhiev. Contemporary Music and Computer Equipment...36
Rosemary Statelova. The Definition of Popular Music as a Process and Structure... 54
Gergana Panova. Versuch ein Schlangenzeichen in einigen rituellen Tänzen zu identifizieren... 60
Mariela Hristova. On the Wandering Gypsy Bear-Trainers... 71
Asen Atanasov. New Observations on the Sliven Fragment… 89
Margarita Asenova-Popova. Religiöse Lieder in alten Lehr- und Liederbüchern… 97
Elisaveta Vâlchinova-Chendova. “The Bulgarian Opera Theater to the Beginning of the 30-es”… 98
Elisaveta Vâlchinova-Chendova. “The Bulgarian Child and School Song. A Historical-theoretical Views”… 101
Bulgarian musicology, Year 22, 1998, No 1
Andrian Pervazov. Shamans and Coomputers: Electroacouslic Music and the Traditional Musical Culture... 24
Natasha Yapova. About the Musical Culture Meaning of the Dobri Christov’s Church Music… 33
Elena Stoyanova. On the Semantics of Means of Expression in Mozart's Instrumental Concerts… 74
Vessa Tsinandova-Haralampieva. To the Typology of Synthetic Chronotopic Relations… 91
Liuben Botousharov. On the 70th Anniversary of Todor Dzhidzhev... 92
Goritsa Naidenova. To the Question of the Cyclic Recurrence of the Music Culturally Development… 97
Bulgarian musicology, 1998, No 2
Angelina Petrova. Hermeneutic Ideas in the Understanding of Modernity in the Bulgarain 12-tone Music. Lazar
Nikolov's Poetics from the Hermeneutic Point of View... 49
Mariya Boyadzhieva-Louzova. Lazar Nikolov in the Mirror of Contemporary Music... 57
Biserka Gramatikova. The Beginning of the Road... 62
Lazar Nikolov and his Creativity. Phonographical Reports from the Creative Meeting and Scholary Session... 78
Roumyana Karakostova. The Cooperative Theater – the “Golden Age” of Bulgarian Operette Art... 79
Bulgarian musicology, 1998, No 3
Marin Golceminov. Thoughts about My Works… 9
Marin Goleminov: Musical Theather Works. An Interview… 21
Marin Goleminov: Works for the Musical Theather and Selected Bibliography... 28
Roumyana Karakostova. Sofia Operette Theaters and their Contribution to the Development of Genre
(1930-1945)… 79
Elena Stoinova. Pictures of Wind Instrunments on Ancient Vessels Found in the Territory of Bulgaria… 80
Bulgarian musicology, 1998, No 4
Thomas Beimel. “Dincolo de vise” – Jenseits der Träume Skizzen zu einem “Nichtwerk” von Ulpiu Vlad… 3
Rosemary Statelova. Dance Music: To the Problem of Define the Occurrence... 13
Claire Levy. Rap Interpretations in Bulgarian Context: Urban Dialogoues in the 1990s… 47
Svetlana Zaharieva. Modulheit und Tradition... 77
Goritza Naidenova. Instrument and Instrumental Music in the Calendar Ritual Cycle of Kozichino village-Bourgas
Area… 79
Bulgarian musicology, Year 23, 1999, No 1,
Rosemary Statelova. Folk: Towards the Nature of ihc Phenomenon and lis Definition… 44
Venlsislav Dimov. On Some Ideological Aspects of Bulgarian Ethnopop Music… 45
Lozanka Peicheva. The Tempted Music: The “Chalga"- After the Roma Musicians... 59
Claire Levy. A Viewpoint of Popfolk Demonstrations... 66
EIisaveta Valtschinova- Chendova. The Folk Dances of Diko lliev (to the Problem 'Topical-Abroad" in the
Balkans Musical Culture… 71
Veselka Toncheva. Folk Songs with Instrumental Acoompanlmemi of Bulgarian Mahometans from Teteven
Area…81
Rositsa Draganova. The Musical Performance as a Problem of the Musical Theory .....110
Bulgarian musicology, 1999, No 2
Franz Födemayr und Werner A. Deutsch Zur Forschungsslrategie der vergleichend-systematischen
Musikwissenschaft... 5
Angelina Petrova. Die Tradition als Metapher und die brechung der Tradition: die bulgarische 12-Ton Avantgarde
zwischen der Symphonie und des Serialismus... 23
Nikolai Kaufmann. Folklore und Religion... 28
Elena Stoinova. Die antike Gitarre: ein Rekonstruktionversuch: Spieltechniken... 35
Luibomir Kavaidshiev. Zur Terminologicanalyse: zum gegenwärtigen Gebrauch der Begriffe Sound und
elektronische Musik... 44
Yuliana Mircheva. Die Traditionen der Wiener Klassik in den Klaviersonaten, umgestalted von den bulgarischen
Komponisten... 54
Veska Haralampieva-Zinandova. Die kinetische Theorie Hansliks und die Entwicklung einiger ihrer Aspekte im
bulgarischen musikästhetischen Gedankengut... 60
Albena Naidenova. Das Verhältnus zur Zeit – ein grundlegendes Problem beim Komponieren, dargestellt in den
Werken jur Generation österreichischer Komponisten... 65
Neva Krâsteva. Die Heterophonie von Vladimir Panchev... 73
Milena Bozhikova. Die Reduktionsmethode von Heinrich Schenker an Beispielen aus der bulgarischen Musik...
79
Rosemary Statelova. Populäre Musik und Identität... 83
Stefan Hârkov. Vertreter der Familie Zefarovic im Wiener Musiklieben Ende des 18. und Anfang des 19. Jh... 86
Elena Tontscheva. Die Wechselbeziehung zwischen Osten und Westen in der europäischen Musikkultur:
Theologie und Musik (Die osteuropaische Ars Nova)... 91
Iskra Racheva. Die Musikfolklore in der Zeit der bulgarischen Nationalen Wiedergeburt an der Schwelle zwischen
“Altem“ und “Neuem“... 102
Christina Yapova. Der bulgarische Komponist und seine Gemeinschaft... 124
Dimitrina Kaufmann. Die mehrstimmige Struktur — ein räumliches Modell der Riten des Übergang... 129
Natascha Yapova. Die Serie wählen... 134
Gergana Panova. Der bulgarische Volkstanz: Ein altes Abgrenzungsinstrument dient heule der Integralion... 136
Mariela Hristova. Bulgarische Straßenmusikanten der Gegenwart (zum Ausgang des 20-sten Jahrhunderts)... 149
Liuben Botuscharov. Das semantische Dreieck und einige Auffassungen in der Wiener Musikwissenschaft... 157
Bulgarian musicology, 1999, No 3
Elena Tonceva. Fünfzig Jahre Musik Wissenschaft an der Bulgarischen Akademie der Wissenschaften... 9
Rozaiya Biks. Four of Decades on 2l KrakraStreet... 18
Angelina Petrova. Die Postmoderne und die Metapher des Zerfalls... 27
Nina Bintscharova. Erste Beobachtungen über die inhaltliche und kompositionclle Struktur der Heiligen
bulgarischen Liturgie, Miserere, Eine kleine Osternmusik über die Leiden, den Tod und die Auferstehung Christi
von Ivan Spassov... 35
Rossitsa Draganova. Estai de Modélisation des Pratiques Concertantes en Bulgarie Contemporaine... 53
Rumyana Karakostova. The Repertoire of the Stale Musical Theater: Criterion for a Genre Image and Identity...
63
AneliyaYaneva. Ballet-Performances by Bulgarian Autors... 71
Stefan Hârkov. Gesänge zu Ehren des heiligen Märtyrers Nicita des Gotischen in Musikhandschrirten des 13/14.
und des 18. Jh… 79
Claire Levy. Globahzalion, “Afroamerkanization“ and the New Sensitivity... 86
Todor Dzhidzhev. Die Typologie als eine der grundlegenden Forschungsmethoden in der Folkloreforschung... 91
Michail Bukureschtliev. Das Interesse für die Musikfolklore für Kinder... 95
Manuella Bontscheva. Der Baum als Sinnbild des traditionellen Musikinstruments… 106
Mariela Christova. Initiations — Liederzyklen in der musikalischen Folklore der Gagausen in Bulgarien... 114
Goritsa Naidenova. Sozialisierungsformen und Musik im Dort Kosicino, Region Burgas... 119
Elena R. Tomova. Versuch zur Beschreibung einer Trägerin der traditionellen Volkstümlichen Kultur... 125
Goritsa Naidenova. Die Geschichte als Gedächtnis und die Folklore als Geschichte... 126
Goritsa Naidenova A History of Bulgarian Musical Culture. Vol. 1. Folklore. By I. Racheva, A. Ilieva. S.
Zaharieva... 128
Svetlana Kujumdzhieva. Michel de Saint-Lambert. Les Principes du Clavesin. Nouveau Traite de P
accompagnement du Clavrsin, de I’Orgue et des Autres Instruments... 130
Bulgarian musicology, 1999, No 4
Dimiter Christtoff. Das kreative Phänomen bei Pantscho Vladigerov... 15
Ljubomir Dinolov. Pantscho Vladigerov als Interpret seiner eigenen Musik... 20
Emilia Kolarova. Gattungsimpulse im Werk von Pantscho Vladigerov – Gesetzmäßigkeit oder Zufall... 27
Stoyan Angelov. Pantscho Vladigerov und der Bulgarische Rundfunk... 32
Bisserka Gramatikova. Pantscho Vladigerov und Burgas in der ersten Hälfte des 20 Jh… 40
* * * Pantscho Vladigerov auf der Bühne des bulgarischen Musiktheaters... 41
In memoriam Todor Todorov... 43
Svetlana Zachirieva “Auch wir, Bulgaren ...“ (Überlegungen über zwei Aufsätze von Karel Mahan)... 72
Genčo Gajtandžiev. The New “Profiles“ by Venelin Krâstev: a Huge Creative Aim... 81
Yavor Konov. Die erste Cembalo — Abhandlung aus der Entfernung von drei Jahrhunderten... 91
Claire Levy. New Accents in Studying of Popular Music... 98
Margarita Nikiforova-Popova. “Mit dem Festkalender verbundene Bräuche und Musik im Dorf Kositschino,
Region Burgas“... 99
Bulgarian musicology, Year 24, 2000, No 1
Die Gesellschaft der bulgarischen Komponisten “Gegenwartsmusik“. Satzung… 6
Dimitar Nenov, [Über die bulgarische Nationale Wiedergeburt]… 12
Dimitar Nenov. Probleme unseres heutigen Musikschaffens… 20
Dimitar Nenov. Zum Instrumentieren... 32
Dimitar Nenov. [Zur Transformation des Volksliedes]… 40
Dimitar Nenov. Volkslieder für Stimme und kleines Orchester… 44
Schreiben des Ministeriums für Volksbildung an D. Nenov und Antrag von D. Nenov an den Minister für
Volksbildung... 68
Schreiben des Ministeriums für Volksbildung an D. Nenov und Maemorandum von D.Nenov an den Minister für
Volksbildung… 74
Erläuterung und Protokoll zum Original des Klavierkonzerts… 90
Dimitar Nenov. [Aus Arbeitsskizzen zur V / III Sinfonie]… 96
Nikolai Gradev. “... Und das Suchen nach dem Neuen, des bis dahin Ungesagten“ 1. Teil. Zur Erarbeitung einer
harmonischen und strukturellen Methode zur Erforschung des kreativen Denkens von Dimitar Nenov… 99
Goritza Naidenova, Dragomir Yosifov. “Dimitar Nenov hat ständig über Transzendenz gesprochen..." (Gespräch
mit Prof. Lazar Nikolov)… 127
Manya Ivanova. Dimitar Nenov. Ausführliche Bibliographie… 147
Bulgarian musicology, 2000, No 2
Elena Tontscheva. Neu gefundene slawische Übersetzungen von Werken Johannes Koukouzelles
Polyeleos-Gesänge aus dem 15. Jh... 14
Svet1ana Kujumdzieva. John Koukouzeles‘ Sttcherarion — New Data... 62
Klara Metschkova. Qearxi/% neu/mati im Kontext der Cesänge zum Kircnenfest der Entschlafung der
Gottesmuter — den 15. August... 70
Stefan Hârkov. Neue Angaben zem Musikfragment aus Sliven (18. Jh.)... 75
Asen Atanasov. Das Fragment von Sliven: Entziffern, Beobachtungen, Kommentare… 79
Radostina Krâsteva. Große Doxologie, 6, Echos von dem Mönchspriester Neophytos von Rila... 126
Yulian Kujumdzhiev. Die Kirchliche Musik von 1878 bis zu den 30er Jahren — zwishen „Altem“ und “Neuen“…
135
Bulgarian musicology, 2000, No 3
Svetlana Zaharieva. Überlegungen zur Geschichte der bulgarischen Musikfolkloristik... 24
Theodora Paviovic. Rolle und Bedeutung der kreativen Einbildungskraft und des Gedächlnisses in der
Dirigentenkunst... 41
Anelia Yaneva. Anregungen zur Schaffung eines neuen nationalen Ballettwerkes. Der “Margarita Arnaudova“ –
Preis und das Ballett “Arabesk“… 68
Claire Levy. Contemporary “Ethnic“ Music: Producing Meanings... 89
Ljubomir Kavaldjiev. Die bulgarische Musikkultur im Übergang zur Imtormation Society... 124
Vaieria Tzenova. Ein sanftes Licht in der Dämmerung am Ende des 20. Jahrhunderts... 132
Gorilza Naidenova. “Viele bulgarische Künstler warten auf ihre Milena Bozhikova”... 133
Clirislina Yapova. “Bulgarisches Musiktheater”... 136
Bulgarian musicology, 2000, No 4
Striche zum Portrait (85-jähriges Jubiläum von Elena Stoin)... 3
70-jähriges Jubiläum von Michail Bukureschtliev... 12
Gergana Panova. Metamorphosen der Deutung des bulgarischen traditionellen Tanzes... 49
Rosemary Statelova. Anthropologie der Ethnopopmusik (Umfrage regelmäßiger Teilnehmer an dieser Aktivität)...
85
Svetlana Zaharieva. Die Ungleichieiligkeit -eine nationale Festung der bulgarischen Musik-folkloristik (über
Texten von Dobri Christov)... 108
Vesselka Tontscheva Die Instrumentalmusikder islamisierten Bulgaren aus dem Gebiet Teteven (Versuch einer
typologischen Analyse)... 130
Stefka Botscheva. Die bulgarischen Metrorhythmen im Klavieralbum für Kinder und Jugendliche von Nikolai
Kaufmann... 140
Elisaveta Valtschinova-Tschendova. Kristina Yapova: Dobri Christov und die Idee von Persönlichkeit und der
Gemeinschaft... 143
Asen Atanasov. Mariana Dimitrova: Die Prokeimena in der byzantinisch-slawischen Gesangtradition des Balkans
im 14. und 15. Jh…. 145
Bulgarian musicology, Year 25, 2001, No 1
Miglena Tsenova. Choral and Music Stage Tradition in the Culture of Plovdiv. Relations and Influences (from the
mid-XIX c. to late-XX c.)... 28
Elena R. Tomova. Ein Festival wie sich selbst... 45
Anka Kuschleva. Das Volkslied und seine Vokalisienmg. Rolle der Rede in der Organisation des Sprechapparats...
71
Nely Bojova. The Iialian Repertoire of Peter Raichev in the Years Between) the World Wars... 88
Yavor Konov. W. A. Mozart — Praktische Elementen des Generalbaß... 100
Krassimir Deltschev. Eine österreichisches Emblem des Barocks... 104
Christina Toscheva. Anelia Yaneva: “Deutung bulgarischer Sujets“… 105
Asen Atanasov. “Unsere Fahne ist dreifarbig...“… 108
Bulgarian musicology, 2001, No 2
Claire Levy. Preface to the Present Publication… 5
Philip Tagg. High and Low, Cool and Uncool, aesthetic and historical falsifications about music in Europe… 9
Lubomir Kavaldjiev. The Third Wave and the Popular Mutic (four models observed in the musical culture
development). 19
Franz Krieger. One more, Grammy for Whitney Houston: annotanons to musical roots and musical identity in the
era of globalisation… 44
Clair Levy. Playing on Repetitive creativity in popular music culture… 55
Rosemary Statelova. Roma Participation In Producing local Popular Music in Bulgaria Today ethnomusicological
approach… 67
Feza Tansug. Cross-Border Flow of Popular Culture: redefining cultural boundaries and traditions in Bulgaria and
Turkey… 73
Yetkin Ozer. Modern Sounds and Traditional Images: new trends in Turkish folk music and a video analysis… 78
Ulrich Diter Einbrodt. The Internet Musician. From Trackers, Sequencers, Software-Synthesizers. Virtual
Sessions and MP3 Files Changes in Music Production and Distribution… 83
Barnard Turner. America s Band [again]: the mid-seventies beach Boys and pop music as re-positioning… 98
Rositza Draganova, MP3 or the Changing Patterns of Mustc Mating and Music perception (one non-specific
example)… 111
Elisaveta Valtschinova-Tshendova. The Difficulty of Sot Being Yourself (stage andnrpertory transformations of
the wedding orchestras and the Balkan traditional instrumental practice)…118
Lozanka Peicheva. Seeds from Bulgaria in the Field of World Music… 128
Ventsislav Dimov. On the Musical Collage at an Approach in World Music… 138
Yosef Goldenberg. Folk Songs Recordings in Israel… 148
David Lloyd. Mercury Models: distortion of language and identity in new heavy metal… 162
Kirsten Kearney. Playing Monopoly with the Academics… 167
Georgi Lozanov. The Impact of Popular Music on the Language of the Media… 174
John K. Novak. The Musical Depiction of Hope in Three Christian Pop Songs… 181
Gajtandžiev, Genčo. From Trivial to Original: the synthesis in the practice of Kou-Kou Band… 202
Bulgarian musicology, 2001, No 3
Elena Toncheva. Ison-Practice in the Eastern Ecclesiastical Chant of the Orthodox Balkan Region — Idea of
Polyphony… 13
Miglena Tzenova. Chor- und Bühnenveranstaltungen in der musikalischen Vergangenheit der Stadt Pleven... 34
Kapka Lalova. Einige Betrachtungen zum Spielerischen im musikalischen Theater des 20. Jh… 46
Biliana Tschokoeva. Polyphonische Merkmale in den Klaviertokkaten von P. Vladigerov, D. Ncnov, D. Christov
und V. Kazandzhiev... 58
Stoyan Angelov. Kammermusikgattungen im Werk von Boian Tkonomov (1900-1973)... 75
Petâr Petrov. Der charakteristische Tanz als Brücke zwischen dem klassischen und dem Volkstanz… 98
Svetlana Zaharieva. Your Soul Cries — Out Comes a Song... 99
Rositza Draganova. The Urban Instrumental Traditional Practice and the Orchestra Culture in Bulgaria (from the
middle of the 19th – to the end of the 20th c.) — One Book, its History and Necessity...112
Bulgarian musicology, 2001, No 4
Summary (Translation by Violeta Velichkova)… 141-148.
Bulgarian musicology, Year 26, 2002, No 1
Rosemary Statelova. Meaningful Horizons of Contemporary Sorbian Music Culture... 34
Tsvetana Toncheva. Stephen Sondhime – Daring, Surprise, Adventure!... 56
Sneyana Simeonova. More on the Relation Text – Interpretaiion in Bach's Keyboard Works... 63
Rumyana Karakostova. Children's Operetta in Bulgaria. Repertory Catalogue 1906-1954... 92
Svetlana Zaharieva. The Sonic Face of the Big Change (A Conversation by Conespondence with Mariela
Hristova)... 93
Konstantin Karapetrov. A Spark in our Cultural Dusk.(A Monograph by Venelin Krâstev “Emil Tabakov”… 108
Rosalia Biks. An Event in our Opera Literature...111
Elisaveta Vâlchinova-Tschendova. Going to the Opera in old Sofia... 113
Elena Toncheva. “Paths and Bridges East and West”… 116
In memoriam. Vidin Daskalov – the Legend... 118
Bulgarian musicology, 2002, No 2
Lubomir Kavaldjiev. Preface by editor... 3
Bozidar Karastoyanov. Structural Units of the Second Level in Monody and their Formulais Realizations... 15
Elisaveta Vâltschinova-Tchendova. Genre Models in Bulgarian Composers' Works During the Lasl Three
Decades [of the XX c.]... 62
Rossitsa Draganova. Mailing Lists or Melomanic -in the Conditions of Internet... 81
Lubomir Kavaldjiev. Electro-acoustic Musical Practice in Bulgaria. Specifics and Approaches… 91
Rossitsa Draganova. World Wide Web or About Open and Reduced Information Model… 105
Claire Levy. Music and Technology: New Research Accents... 106
Angelina Petrova. Genre Models in Bulgarian Composers' Works During the Lasl Three Decades [of the XX c.]...
113
Angelina Petrova. Structural Units of the Second Level in Monody and their Formulais Realizations... 116
Claire Levy. On “Otherness”: The Metaphors of Yildiz Ibrahimova in her “Balkantolia”… 135
Petya Zlatanova. On the Culturological Typology of Bulgarian Eleclronic Music. Four Profiles… 158
Bulgarian musicology, 2002, No 3
Rosemary Statelova. Preface by Editor... 4
Rosemary Statelova. Academism as a Norm... 13
Lozanka Peicheva. Teaching Knowledge of Traditional Music in Bulgarian Higher Educational Institutions... 30
Anka Kushleva. On the Problem of the Academic Education of the Traditional Singer... 40
Manuela Boncheva. Academism and Music Practices with the Participation of Traditional Instruments... 46
Ljuben Botuscharov. Orale Kultur und Akademismus oder über das mündliche Bilden der Begabung und den
Wissensgarten... 51
Ljuben Dosev. To Chicago and Back … After 103 Years ...59
Ventsislav Dimov. Bulgarian “Academic Musicians” in the Field of World Music… 71
Elena Toncheva. Eastern Orthodox Liturgical Music Practices and Academism... 83
Dimitâr Grigorov. Orthodox Music in Academic Practices... 90
Tsanka Andreeva and Snezhana Simeonova. Academism and Piano Practice... 100
Maria Boyadzieva-Luizova. Academizacion and the Academic Institution “History of Bulgarian Music”... 106
Svetlana Zaharieva. Shock fiom the Present...147
Svetlana Kujumdzhieva. The Study of Medieval Chant; Paths and Bridges, East and West... 148
Svetlana Zaharieva. An Eternal Presence [Todor Ivanov Zhivkov]... 163
Manya Ivanova. Bibliography of published Manuscripts by Todor Ivanov Zhivkov... 171
Bulgarian musicology, 2002, No 4
Angelina Petrova. The Poetics of Lazar Nikolov and the Traditions in Thinking of the Twelve-Tone Composition
in West Europe… 38
Mariyana Buleva. Harmonious Thinking in the Grotesque Suite “Bai Ganiu” as Music-Linguistic Manifestaton of
the Comic in Veselin Stoyanov’s Music…55
Boyanka Arnaudova. Veselin Stoyanov’s Operas in the Context of European Music Awareness from the First Half
of XX c… 76
Rumyana Karakostova. Veselin Stoyanov’s Operettas… 85
Miglena Tsenova. Notions about Carthage in “Salambo” - Opera by Veselin Stoyanov and Boris Borosanoff…96
Rumyana Karakostova. Veselin Stoyanov Musical-Scenic Works. Alphabetical Index… 98
Dimitâr Zenginov. Chamber and Solo Piano Pieces by Veselin Stoyanov… 106
Nadya Krâsteva. On Sonic Composition Techniques in Veselin Stoyanov’s Piano Concertos… 115
Rumyana Karakostova. Veselin Stoyanov in the Memories of his Students…129
Manya Ivanova. Veselin Stoyanov Bio-Bibliognphy, Notography… 130
Venelin Krâstev. Alexander Raichev in the Spiritual Orbit of Shostakovich… 161
Milena Bozhikova. Monography about Lazar Nikolov – planned manuscript by Angelina Petrova… 162
Rumyana Karakostova. “Chorus and Chorus-masters in the Bulgarian Opera Theater”… 166
Bulgarian musicology, Year 27, 2003, No 1
Nina Bincharova. About the Orthodox Spiritualily in the Works of Ivan Spassov in the90 s [of the XX c.]… 11
Kristina Yapova. The Notion of the “New” in the Bulgarian Composer's Church Music (End of the 19 th
-Beginning of the 20th c.)… 15
Maya Raikova Classification and Music-Catechism Essence of the Christmas Cycle in the Church-Song
Repertoire of the Banat Bulgarians… 25
Asen Atanasov. Stiherarion EHAI 817 – a Musical Manuscript from the Bachkovo Monastery… 33
Daniela Ivanova. Fire-Dancing Today: a Gift or Archetype Awakening?... 86
Gregory Myers. The Collision of the Pagan and Christian in the Rimsky-Korsakov Fantasy Opera, or How Nikolai
Andreevich Spent His Christmas Holidays…87
Stefan Staynov. Home “Petko Staynov” – Kazanlak... 102
Bulgarian musicology, 2003, No 2-3
Vassil Stefanov. Jubilee...7
Rosalia Biks. Opera at the foot of the Hills Plovdiv's Opera at the Age of Fifty... 13
Aneliya Yaneva. Ballet Education in Bulgaria between the Artistic Institution and the Established Pedagogical
System... 58.
Rumyana Karakostova. Asen Ruskov – Emblem of the Comic on our Operetta Stage (A Sketch to the Creative
Profile of the Actor)... 72
Miglena Tzenova. The Town Choral Culture until the Middle of the 1940s as a Prerequisite for the Rise of Musical
Theatres in Bulgaria. Trends… 91
Gergana Panova. „Wenn ich hätte sagen können hätte ich es nicht getanzt. Über die nonverbale Kommunikation,
die nationale Kultur und das Tanztheater von Vazkresia Valchanova... 111
Anelia Yaneva. Dance-theatre, Dancing Theater, and Dram-ballet (Observations and Comparisons between the
Dance-Attacks of “Arabesque” and the Dancing Theater of Neshka Robeva)... 129
Rumyana Karakostova. If there is an Achievment and the Price is too High (An Interview with Neshka
Robeva)…144
Tsvetana Toncheva. Baz Lurman – With Nostalgia for the Movie-Musical not Overcome Yet (With techniques
from Radio-Journalism)... 161
Zelka Tabakova. The Dance in the Musical Original Choreographic Decisions and their Versions on the Bulgarian
Stage (from the Staging Diary)... 194
Penka Taneva-Yaneva. Approaches to Professionalizing. The Ballet Art in Plovdiv. (A Documental Chronicle
from the National Revival to the End of the Second World War)… 215
Nelly Bozhova. Vocal Pedagogy in Varna... 226
Rumen Neykov. Wieviel Ökonomie verträgt das Musiktheater?... 234
Bulgarian musicology, 2003, No 4
Lyuben Botusharov. With Respect... 7
Claire Levy. Preface … 10
Lyuben Botusharov. So, What Does Cultural Identity Mean?… 21
Elena Toncheva “Acquiring a Blissful Rhythm in the Soul...” (The Psalmody in Slavic Balkan Church Chanting
during the Middle Ages)… 44
Svetlana Kujumdzieva. Looking for the Cultural Identity of the Medieval Bulgarian Church Music (To the
formulation of ihe problem)... 52
Donna A. Buchanan. Balkan Circuits, Ottoman Orbils, and Popular Music in the EU “Accession States”: A
Comparative Case Study... 53
Karen A. Peiers. Meter as a Marker of Ethnonational Identity? Metric Controversy, Folk Song Variants, and the
Representation of Balkan Cultural Identities...56
Claire Levy. Balkan Groove: Postethnic Reflections on Distant Music and the Desired Other... 82
Stefan Hârkov. Polyphonic Chanting and Cultural Identity during the Bulgarian National Revival... 91
Ivana Percovič. Choral Church Music in Serbia before 1914 and Its Sociocultural Context... 92
Natalia Rashkova. Musical Expression of Identity in Foreign Ethnic Environment… 109
Tony Mitchell. “Doin' Damage in my Native Language”: “Glocal” Hip-Hop… 110
Anelia Yaneva. Realizations oflhe Dance Drama “Nestinarka” as Various Projections of Identity in Our National
Music-Stage Culture... 146
Mariyana Buleva. The Harmony of Vesselin Stoyanov: An Outline of the Problem of Musical Thinking as a Sign
of Cultural Identity… 155
Emilia Kolarova. Is the “Balkan Syndrome” Balkan?… 160
Lozanka Peicheva. Romfest – Constructing Identity through Music… 171
Ventsislav Dimov. Zurnas and Nationalism…187
Ivanka Vlaeva. In Search for Our Musical Identity. On Some Eastern Musical-Theoretical Systems in the Studies
of Stoyan Djoudjev… 198
Maya Raykova Cultural-Religious Identity of the Banat Bulgarians, Reflected in Their Church-Song Liturgical
Repertory… 206
Kristina Yapova. Music and Its “Personalities” (On the Problem of “Music for Church”)... 214
Maria Boyadjieva-Luizova. Aspects ot Modem Bulgarian Cultural identity… 221
Darina Vassileva. Music, Emblem and Cultural Identity... 230
Bulgarian musicology, Year 28, 2004, No 1
Svetlana Zaharieva. The Concept of Folk Song – from Music-Folkloristic to Specified Scientific Thinking... 19
Lydia Litova-Nikolova. The Contribution of Stoyan Djudjev to the Development of Bulgarian Music Folklore
Science… 30
Lozanka Peycheva. The Teaching Project of Stoyan Djudjev… 40
Lyben Botusharov. Stoyan Djudjev und die terminologie der ungleichteiligen taktarten... 52
Goritza Navdenova. Hardship, Struggle, Transition and Achievement of Knowlege: the Musingly in the First Half
of the Individual Life Cycle in the Traditional Culture… 97
Lozanka Peicheva and Vencislav Dimov. Vasil Stoin through the eyes of Todor Todorov (Review)... 98Claire
Levy. The Blues as a Metaphor… 118
Yavor Konov. Zarlino and the Art of Counterpoint...135
Bulgarian musicology, 2004, No 2
Yanko Marinov. Frühe Quellen in mittelbyzantinischer Notation. Übergang der Coislin-Notation zum
diastematischen Stadium während dem XII. Jh. n. Chr. (nach Materialien aus dem Sticherarion)... 18
Stanislava Georgieva, Yanko Marinov. Historical tracing of echemata section (tw=n h)xhma/twn) in byzantine
musical treatises based on sources dated between XII-XVI century... 56
Svetla Tsvetkova. Triodion for Good Friday by Kosma from Majuma in Early and Round Notation Sources from
X-X1V century... 82
Denica Mihaylova. The Aspects of Performance of Byzantine Chant by Treatises from XV-XV century... 100
Deacon Ivan Stovanov Ivanov Byzantine Liturgical Chants from Southern Italy... 128
Deniza Popova. Zur Kombination methodologischer Ansätze am Beispiel “Byzantinische Kirchenmusik.
Untersuchungen zum Osterkreis im Backovo-Kloster (Bulgarien)“... 154
Bulgarian musicology, 2004, No 3
Maria Kouteva. Philip Koutev – Life in Dates… 3
Tsukamoto Chiharo. The Chiselled Out Sound and Its Influence... 13
Elena Toncheva. “I Want to Tell About Philip”… 16
Manya Ivanova. Philip Koutev. Bibliography, Notography and Discography… 18
Lozanka Peycheva. A Singer on the Way Folklore-Modern-Global… 60
Manuela Boncheva. Semantic Asprcts of Shape, Material and Sound in Some Traditional Instruments... 79
Vladimir Panchev. Karlheinz Stockhausen About his Music… 80
Rosemary Statelova. Discourses on Ethnopopmusic: Projections and Readings… 117
Rumyana Karakostova Foundamental Contribution… 118.
Bulgarian musicology, 2004, No 4
Mariyana Buleva. Lyubomir Pipkov's Harmony... 46
Theodora Pavlovitch. The Choral Works of Lyubomir Pipkov and the Present Day... 61
Miglena Tzenova. Choir in Lyubomir Pipkov's Operas… 86
Plamen Kartalov. Genealogy of the Libretto “Yana's Nine Brothers”... 97
Students About Their Professor [prof. Georgi Dimitrov]… 98
Agapia Balareva. Pre-hisiory of the State Music Academy… 122
Ivan Marazov. Significant Work for History/Metodology… 123
Rosalia Biks. Do You Remember? … 126
Lozanka Peicheva. Sin-ology of the Chalga as Culture-and-Antropologic Diagnostics… 128
Bulgarian musicology, Year 29, 2005, No 1
Ivanka Vlaeva. The Music Archives of the Institute ofArt Studies…3
Margarita Popova. The Forgotten Path. Folk Songs from the Regions of Razlog, Drama and Bitolya from the Fund
of Angel Bukureshtliev and Serafim Boyanov… 74
Ivanka Vlaeva. Records of Turkish Music in the Archives… 90
Gergana Panova. Collected and Comprehended. About Authenticity, the Old and the New in the Ligth of my Work
in the Dance Archives… 106
A Letter from Bela Bartok to Raina Katsarova, Budapest, 27 February 1935-facsimile, p. 108
Margarita Popova.Contents of the Verbal Music Folklore Archives and Degree of the ir Informational
Processing… 117
Maria Kumichin. Methods of Describing the Phonic Records in the Archives… 130
Elena R. Tomova. A Look al Ihc Manner of Collecting Folklore Materials Nowadays… 142
Vencislav Dimov. Studies of Recorded Music in Bulgaria During ihc First Half of 20 Ccniun Archives and
Collections… 172
Krasimir Petrov. Bulgarian Folk Dances and Customs in the Videoaichivw, Documented at the Fifth National Fair
of Folklore in Kopnvshtiisa in 1986… 186
Asen Atanasov. The Liturgical Chants in the Music Folklore Archives… 237
Bulgarian musicology, 2005, No 2
Elena Toncheva. Bulgarian Sources of the Ukrainian “Bolgarskii Napel” ("Rospev")? Further on the Problem of
the Correlation Between Oral and Written Tradition in Orthodox Singing on the Balkans... 29
Iskra Racheva. National Revival Songs and Cultural Identity. Introduction to the Problem. Early School Songs…
56
Krislina Yapova. Zur Methodologie der ästhetischen Sinngebung der liturgischen Musik…. 70
Dimiter Christoff. Monody and Composer's Intentions Today. Chanching Historical Appraisals…86
Claire Levy. On Definition of World Music… 100
Manya Ivanova, Asen Atanasov and Milka Miladinova. Venelin Krâstev. Bibliography… 101
Rumyana Karakostova. With Multidirectional Perspective… 136
Bulgarian musicology, 2005, No 3
Rosemary Statelova. Preface of the Editor... 3
Rosemary Statelova. Der Komponist Juro Mětšk. Über die Bedeutung seiner Musik... 7
Rosemary Statelova. Gespräch mit Juro Mětšk... 28
Gergana Panova-Tekath. Kommunikations-choreologische Forschunge im neuen Europa: Oberdie Identität im
Übergang… 37
Ivanka Vlaeva. The Concept of Classical Musk in the Context of Sonsc Asian Cultures… 84
Lozanka Peicheva. The Song has no Frontiers. Thc Choice of Foreigners: the Conquering Beauty of Bulgarian
Music Folklore… 117
Ventcislav Dimov. Oriental Images amd Orbits in Music Recorded in Bulgaria During the First Half of the 20th
Century… 136
Goritsa Naidenova. The Music Activities in the Second Half of the Individual LifeCjele ina Local Traditional
Culture: Handing Down the Knowledge… 157
Elena Vladova. George Sand – in Her Element of Improvisation… 169
Elisaveta Vâlchinova-Tschendova. Dimiter Christoff: “Fundamental Presuppositions in the Imagination of the
Composer. As Related to the Situation of the Early 21th Century”… 170
Bulgarian musicology, 2005, No 4
Margarita Popova, Ivanka Vlaeva. On the Inventory of Unpublished Materials of Vassil Stoin from East Upper
Thracia, Preserved in the Music Folklore Archives of the Bulgarian Academy of Sciences... 8
An Inventory of Unpublished Materials of Vassil Stoin from East Upper Thracia, Preserved in the Music Folklore
Archives of the Bulgarian Academy of Sciences… 11
An Illustrating Material Written in Notes… 84
Terrain Notes… 90
Alphabetical Index of the Districts and the Town and Villages in them and Index of the Song Numbers in the
Inventory… 92
Alphabetical Index of the Song Functions and Index of the ir Numbers in the Inventory… 94
Alphabetical Index of the Song Incipients… 101
Lyuben Botusharov, “All she did was in Good Faith”. An Interview with Elena Stoin… 117
Asen Atanasov. Elena Vassileva Stoin. Bibliography… 145
Bulgarian musicology, Year 30, 2006, No 1
Dimiter Christoff. Composers Reflections on the Modern Life… 29
Lubomir Kavaldjiev. On Up-to Date Change of Paradigms in Music Research Methodology... 51
Nedelcho Milev. Wagner’s Paradoxes… 66
Penka Marcheva. On ihe Issue of Musical Intelligence... 80
Angelina Petrova. The Second Half of the 20th century and Methods for Analytic Musical Aural Education. Aural
Reflection on Posttonal Music – Michael Friedman. (Analytic Attempt at Solfeggio on Modal, Twelve-lone and
Neo-tone Structures)... 97
Yavor Konov. Socio-cultural and Professional Problems of the Clergy-musician and Erudite in the “King-Sun”
Epoch... 124
Cristina Yapova. A Challenge to Dialogic Ability… 125
Stefan Hârkov. Svetlana Kujumdzicva: “Early National Revival Bulgarian Music – Sources and Chant Repertory.
Yoasaph of Rila”... 133
Dragomir Yossifov. Elisaveta Vâlchinova-Chendova: “New Bulgarian Music in the Last Decades: Models and
Interpretations“… 138
Bulgarian musicology, 2006, No 2
Antonia Karakostova. The Message of the Name... 41
Dragomir Yossifov. Temporal Indexes of Form. Some Manifestations of Polyvalent Composition Thinking in
Bulgarian Music... 55
Penka Taneva-Yaneva. Steps to Forming a Ballet Company in the City of Stara Zagora... 73
Valentina Ganeva. “Komposition aus zwei Formthemen“... 86
Yavor Konov. The Impact of the Dictionary of Sebastian De Brossard On Further Lexicographic Editions Prom
the Same Epoch. An Attempt at Comparison With the First of the m – Musical Lexicon of Walter (1732)… 101
Iskra Racheva. Claire Levy: “Dialogical Music: Blues, Pop Music, Mylhs and Modernity”… 102
Ivanka Vlaeva. Elisaveta Vâlchinova-Chendova: “New Bulgarian Music in the Last Decades: Models and
Interpretations”… 105
Elisaveta Vâlchinova-Chendova. Gergana Panova-Tekath: “Tanz nach der Wende? Volks' Choreographie als
körpersprachliches Mittel der lebensweltlichen Verständigung zwischen Ost- und Westeuropa”… 109
Kristina Tosheva. A Valuable Work of Documentary Art [Miglena Tzenova: “Bulgarian Musical Theatre
(1890-2001). Opera, Ballet, Operetta, Musical.Theatrcs, Troupes, Performances”]… 116
Kristina Yapova. In the Place of a Commentary [Miglena Tzenova: “Bulgarian Musical Theatre (1890-2001).
Opera, Ballet, Operetta, Musical.Theatrcs, Troupes, Performances”]… 117
Diana Danova. Collection “Bulgarian Historical Musicology: Approaches and Concrete Research”... 120
Anda Palieva. Exibition “Music, Orthodox, Manuscripts”... 122
Bulgarian musicology, 2006, No 3
Lydia Litova-Nikolova. Ivan Kachulev – Pioneer or Bulgarian ethnoorganology… 10
Ivanka Vlaeva. Internet Portrait of Ivan Kachulev... 26
Lozanka Peycheva. Modern Instruments, Traditional Music (Accordion, Gypsy players and the Transformation of
Folklore Music from Bulgaria)... 61
Stefan Hârkov. A Glance at the Beginning of Musical Work of Ivan Kachulev... 66
Manuela Boncheva. The Work of Ivan Kachulev- A Topic to be Continued... 76
Ventsislav Dimov. Early Recordings of Traditional Bulgarian Instruments (Scientific and commercial recordings
on LPs of traditional aerophone instruments from Bulgaria made in the first half of the 20. century)... 95
Mihail Bukureshtliev. Ivan Kachulev's Note Textbook for Duduk (Wooden Pipe)… 100
Stefan Dragostinov. Ivan Kachulev's Study Shouting of the Peddlers and its Projections in Composer’s
Work…109
Manya Ivanova. Ivan Kachulev. Bibliography… 110
Elisaveta Vâlchinova-Chendova Dragomir Yossifov: The Concept of Musical Form of the Second Half of the 20lh
Century. The Effects of Simultaneity, Synchrony and Asynchrony… 115
Natalia Rashkova. Converging Directions [Vesselka Toncheva: The Folklorist Nikolay Kaufman]… 125
Bulgarian musicology, 2006, No 4
Margarita Popova. The Materials of Ivan Kachulev in the Musical-Folklore Archives of the Institute of Art Studies
– BAS. – Bulgarian musicology, 2006, No 4, p. 82.
Goritsa Naidenova. The Structure and Features of Wedding Rituals from Erkech with Respect to “Muse”
Activities. – Bulgarian musicology, 2006, No 4, p. 101.
Ventsislav Dimov, Lozanka Peicheva. To Atlanta and... Forward. Bulgarian Participation in the 50th Annual
Conference of the Society for Ethnomusicology in Atlanta, Georgia, USA, November 16-20, 2005. – Bulgarian
musicology, 2006, No 4, p. 118.
Deniza Popova. After Koprivshtitsa 2005. – Bulgarian musicology, 2006, No 4, p. 125.
Bulgarian musicology, Year 31, 2007, No 1
Richard Middleton. In Search of the Popular Music Text... 19
Svetlana Zaharieva. Musical Folklorislics and Ethnomusicology… 33
Claire Levy. Exploring the Labyrinlh of Narratives in the Non-Fixed Music: Aspects of Ethnojazz (On Views of
Milcho Levyev)... 51
Krislina Yapova. Dobry Chrisiov on Church Music… 82
Milena Bozhikova. Musical Dictates of the 20th Century… 95
Dragomir Yossifov. On Some Trealmcnls of the Phenomenon of Temporality in New Music. Approaches to “The
New Narraiivity”… 116
Miglena Tzenova. Symbolism of the Stage Costume (XI Fit) in Peking Opera: Historical, Mythological and
Sociocultural Dimensions…131
Claire Levy. Kristina Yapova: “Churchness as a Mode ot Musical Thinkine (on Examples of Dobry Christov's
Work)”… 132
Bulgarian musicology, 2007, No 2
Iskra Racheva. Bulgarian National Revival Songs. Problems of Melos and Genre. Part 1…38
Rossitsa Draganova. On Paradigm Shifts, Music Making and Elementary Musical Pedagogy – Practice and
Modernity… 69
Rosemary Statelova The Lusatian Serbian Song Industry… 102
Diana Danova. The International Festival of Contemporary Music Musica Nova - Sofia and Its Message… 144
Yavor Genov. The Bpeviary from the St. St. Cyril and Methodius National Library – Sofia. Some Observations on
Repertoire… 167
Evelina Krâsteva. The Choir at the St Sedmochislenitsi (The Seven Saints) Church in Sofia… 178
Mariana Dimitrova. Svetlana Kujumdzieva: “John Koukouzeles' Sticherarion. The Formation of the Notated
Anastasimatarion”… 179
Elisaveta Vâlchinova-Chendova. Boyanka Arnaudova: “Bulgarian Opera – Myth and Modernity"… 182
Mariyana Buleva. Three Books by Tomi Kurklisiyski… 186
Ventcislav Dimov. Two CD… 191
Ivanka Vlaeva. The Fourth “Music and Minorities Meeting – Varna-2006… 195
Rumen Neykov. Symposium on EMA in Paris… 199
Miglena Tzenova. Traditional Vietnamese Opera (Vong Ko) Or On the Educational Empire of the First Reality
Televysion Show… 201
Teodora Pavlovich. Denitsa Mihaylova: “The Balckan Eastern Orthodox Monody (XIV-XV c.): Aspects of
Performance”… 204
Anelia Yaneva. Tsvetana Toncheva: “The Musical in Bulgarian National Radio Programming”… 207
Asen Atanasov. The 110th Anniversary of the Birth of Heraklit Nestorov…211
Elisaveta Vâlchinova-Chendova. In Memoriam. Božidar Abrashev… 215
Asen Atanasov, Elena Toncheva. In Memoriam. Dimitar Grigorov…216
Bulgarian musicology, 2007, No 3-4
Elena Toncheva, Deacon Ivan S. Ivanov. Ortodox Music. Introduction… 5
Deacon Ivan S. Ivanov The Missionary Deeds of the Holy Brothers Saints Cyril and Methodius and of their
Disciples According to Musical and Hymnographic Evidence…30
Mariana L. Dimitrova. Theta Notation in Byzantine and Slavonic Manuscripts (11th-13th Centuries)45
Svetlana Kujumdzicva. St. John Koukouzdes… 57
Elena Toncheva. Bulgarian Polyeleos Settings in Late Byzantinc Sources from the 14th-15th Centuries… 89
Stanislava Georgieva. The Intonation Formulae (Echemata) as an Element of the Eight-Mode System. Echemata
-Lists in Byzantine Papadike Treatises… 124
Deacon Ivan S. Ivanov. The Theological Aspect of Medieval Musical Treatises… 164
Elena Toncheva. “Bolgarskii Rospev” (“Napel”)… 190
Svetlana Kujumdzieva. Joasaph of Rila.... 202
Asen Atanasov. The Musical Manuscripts at the Rila Monastery... 209
Stefan Hârkov. Church Singing Schools – Centers of Bulgarian Church Singing During the Revival Period… 220
Peter Staikovski. Interpretation of Ornamental Signs in Theoretical Handbooks from the 19th and 20th Centuries...
230
Kristina Yapova, “Chants on the All-Nigih Vigil” by Dobri Hristov and the Idea of Appropriate Church Music...
249
Father Kiril Popov. Church Singing and Spirituality… 255
Yanko Marinov.The Scribes of the Byzantine Music Manuscripts – Some Scribe Schools and Scriptoria. Part I…
279
Concluding Discussion from the Seminar “Orthodox Music”… 280
Asen Atanasov. Bulgarian Musical Medievistic. Studies in the Field of Orthodox Music – the Middle Ages,
Renaissance and the New Age (1994-2004). Bibliography... 297
Bulgarian musicology, Year 32, 2008, No 1
Iskra Racheva. Bulgarian Revival Era Songs: Problems of Melody and Genre. Part II... 3
Nikolai Gradev. The Symmetrical-Modal Musical Thought of Dimitar Nenov in Piano Etude No 1... 39
Tsenka Yordanova New Music on the Horizon of Two Leading Thematic Projects of Modernity: Fragments... 62
Diana Danova. The International Festival of Contemporary Piano Music ppIANISSIMO (1998-2006)... 90
Anatol Anchev. An Analytical Psychological Reading of Two Bulgarian Folk Songs... 117
Rosemary Statelova. ICTM – 39th World Conference in Vienna 2007... 129
Ivanka Vlaeva. Yet Another View on the 39th ICTM Conference... 133
Ursula Hemetek. Research on Roma music as a paradigm of minority research... 136
Svetlana Kuyumdzieva. Deacon Ivsn Stoyanov Ivanov: Between Angels and Men... 141
Mariyana Buleva. Kristina Yapova: Liturgicality and Musical Thought: Examples from the Work of Dobri
Hristov... 147
Svetlana Zaharieva. Coritsa Naydenova: The Year-Life-History. The Life and Decline of a Traditional Culture as
Seen Through the Eyes of an Ethnomusicologist... 151
Rosalia Biks. Mariya Barbieri: Bulgarian Singers on the Croatia Opera Stage... 154
Bulgarian musicology, 2008, No 2
Nikolai Gradev. The Symmetrical-Modal Musical Thought of Dimitar Nenov in Piano Etude No l. Part II... 3
Angelina Petrova. Musical Time and Its Multilingual Essence: A Poetic Reading of Stefan Dragostinov's
Polytempia... 30
Snezhina Vrangova Bulgarian Piano Concerts and Tendencies within the Genre during the 1970s... 54
Diana Danova. On the Experimental Studio for Contemporary Music... 82
Vanya Mateeva. From the First Orchestras and Choirs to the Professional Choir for the Blind... 96
Svetlana Neicheva.Western Music according to Richard Taruskin... 115
Rumyana Karakostova. Anda Palieva: HomoMusicus Between the Balkans and Europe. Intentions and
Appearances of the Supra-National in the Bulgarian Compositional Consciousness... 151
Tom Kurklisiiski. Kristina Yapova: The Musk that lifts up the Hearts... 156
Georg Kraev. Claire Levy: Ethnojazz: Local Projections in the Global Village... 160
Ventsislav Dimov Roma Music in Research Recordings... 163
Rosemary Statelova. Fifth Meeting of the ICTM „Music and Minorities“
Study Group in Prague, 2008… 167
Bulgarian musicology, 2008 , No 3-4
Lubomir Kavaldjiev. MUSIC? (Anti-Deconstruction in Terminological Discourse)... 5
Mariana Buleva. The Term “Harmony” – Spheres and Modes of Its Appearance in Antiquity and the Middle Ages...
24
lvanka Vlaeva. On the Question of Modal-Melodic Terminology... 42
Klara Mechkova. On the Question of Terminology for Byzantine Oktoechos... 60
Yavor Konov. An Attempt to Thematically Systematize Lexicographical Units in the Dictionaire de musique (2,
1705) by Sebastien de Brossard (1655-1730) and to Quantify the Classes Formed... 88
Rosemary Statelova. On Ethnomusicology As a Definition/Practice and Other Related Questions... 100
Gergana Panova-Tekath. An Ethno-choreologist’s Perspective of Contemporary Interdisciplinarity in Human
Sciences in Germany... 108
Lozanka Peicheva. Is the “Tacit” Nonverbal Musical Knowledge Tacit ?... 116
Tsenka Yordanova. Dichotomies and Polarizations in Schoenberg’s Holistic Autonomous Conceptual and
Terminological System... 139
Dragomir Yossifov. More on the Question of Musical Narrativity (about the musical sujets)... 159
Maria Kostakeva. Problems of Terminology and Verbal Mediation in New Music... 172
Elisaveta Vâlchinova-Chendova. New Music in a Terminological Reading of New Bulgarian Music (fragments)...
176
Claire Levy. Defining Musical Parody: Postmodern Aspects... 195
Polina Kujumdzhieva. Problems with the Semantic Meanings of Musical Terminology Translated into Bulgarian...
210
Lubomir Kavaldjiev. Toward an Informational Model of Music... 220
Mihail Loukanov. The Concept of Progressive Rock... 241
Elisaveta Vâlchinova-Chendova. Rossitsa Draganova: Music-Making. Aspects... 249
Bulgarian musicology, Year 33, 2009, No 1
Goritza Naydenova. Language and Music in Stoyan Djudjev's Viewpoint. Rhythm and Speech… 3
Georgi Harizanov. For Some Terms in the Theory of Bulgarian Traditional Music Borrowed from Eastern (Persian,
Arabian and Turkish) Music Theory... 21
Ljubomir Ignatov. Newly Discovered Sources about the Life and the Church-music Work of Dimitar
Zlatanov-Gradoborski... 34
Nikola Vâlchanov. Musical Thematicism and Figurative Realms in Michail Perkov's Symphonies... 51
Goritza Naydenova. Two Volumes of the Series Bulgarian Musicology: Studies... 65
Rosemary Statelova. Group Portrait of a Lady. Marianne Brocker and German-speaking Ethnomusicology... 79
Elena Toncheva. Svetlana Kujumdzhieva: Bulgarian Music in Hilandar... 91
Rosemary Statelova. Lozanka Peycheva: Between the Village and the Universe: Old Folk Music from Bulgaria in
New Times... 36
Diana Danova, Maria Kumichin, Art Studies: Archives and Perspectives... 100
Bulgarian musicology, 2009, No 2
Svetlana Kujumdzieva. In Looking for the Early Oktoechoi... 3
Deacon Ivan Ivanov. Theory and Praxis – Liturgy and Music – Tradition and Contemporaneity... 42
Angelina Petrova. Bojidar Spasov: Reflections Upon The Bulgarian Irregular Rhythms in “Pieridi”... 65
Dragomir Yossifov. Mask, Allegory And Choice As Instruments Of The Plot Narrativity... 84
Penka Dragoeva. Six Exotic Preludes Op. 17 by Pantcho Vladigerov – Music-Technological Manifestations of the
Exotic... 92
Svetlana Kujumdzieva. Yavor Konov: Lexicographic, Historiographic & Bibliographic Legacy of Sebastiene de
Brossard (1655-1730) - Ecclesiastic, Musician & Erudite... 117
Neva Krâsteva. Tszvetelina Slavova: “Zdravko Manolov”... 122
Rumyana Karakostova. Ivanka Vlaeva: “The Creative Choices of Lyubomir Denev and the Improvisation”... 124
Georgi Arnaoudov. Elisaveta Vâlchinova-Chendova, Albena Naidenova: “The World of My Music”. The
composer Vladimir Pantchev... 127
Asen Atanasov. Songs, Written With Chrysantos Notation During 19th Century: New Data... 131
Bulgarian musicology, 2009, No 3-4
Svetlana Kujumdzieva. 60 Years Musicology in BAS. TheBegining... 4
Svetlana Kujumdzieva. The Field of Old Bulgarian Music – Changing Perspectives... 10
Elena Toncheva. The Term Psaltika – Ideas for Transcribing Balkan Orthodox Music (A Post-Byzantine Period)...
20
Georgi Despodov. The Theology Significance of Communion Chants... 37
Yavor Konov. Sebastien de Brossard (1655-1730) and Neophit Rilski (1793-1881): Ecclesiastics, Erudites,
Scholars, Teachers, Educators, Musicians, Lexicographers... 43
Lozanka Peicheva, Ventsislao Dimov. Ethnomusicology in Bulgaria – Traditions and Perspectives... 58
Rosemary Statelova. For Some New Directions in Ethnomusicological Research in Bulgarian Academic Music
Science... 80
Georgi Harizanov. The Development of the Bulgarian Ethnomusicology in Retrospection... 85
Ivanka Vlaeva. Todor Džidžev, the Fieldworker... 90
Natalia Rashkova. Internet as a Research Terrain for Ethnomusicology... 102
Gergana Panova-Tekat. Dance as an Expression of Identity and Interactive Game... 108
Dimiter Christoff. Music-Scientific Institutional Construction... 116
Elisaveta Vâlchinova-Chendova. The Concept Objective Material as a Tool of Music Innovation in the Creative
Work of Dimiter Christoff... 123
Tsenka Yordanova. The Concept Musical Idea (imisikalischer Gedanke) in Schoenberg: An Attempt for
Interpretative Reading... 132
Angelina Petrova. Reflections Behtwert Cultures in Three Bulgarian Composers: Božidar Spassov (Essen),
Simeon Pironkoff Jr. (Vienna), Dragomir Yossifov (Sofia)... 151
Milena Bozhikova. Silence and Repetitiveness by Samuel Beckett in the Music of Morton Feldman... 156
Daniela Ilic. A Bulgarian Dance as a Finale of the Orchestral Suite “Balkanophonia” by Josif Slavenski... 169
Rumyana Karakostova. The Concept Musical Theater in Bulgaria (Situating of the Problem)... 176
Rossitsa Draganova. Aspects of Modern terminology and the Current Music Program in the Bulgarian Schools of
General Educational (On Materials of the Practice in Elementary Schools)... 186
Bulgarian musicology, Year 34, 2010, No 1
Rozalia Biks. Venelin Krâstev and the Bulgarian Opera Theater... 5
Elisaveta Vâlchinova-Chendova. Choral Work in Bulgaria as a Culture of the New of Time – Through the Eyes of
Agapiya Balareva... 11
Miglena Tzenova-Nusheva. Agapiya Balareva and the Choir in Bulgarian Opera Theatre... 15
Evelina Krâsteva. Chamber Choirs in Bulgaria... 21
Svetlana Kujumdzhieva. To Professor Dimitar Tapkoff – Jubilee... 26
Adelina Kaludova. Dimitar Tapkoff – Creative Work Chronograph... 32
Angelina Petrova. Early Experiments in Vassil Kazandjiev's Chamber Music. Reflections on Public and Private in
Composer's Ideas... 36
Dragomir Yossifov. Sonate, que me veux-tu? For the Sonata Resistance in Later Vassil Kazandzhiev... 42
Ventsislav Dimov. The Zurna Music in Music Industry... 47
Rosemary Statelova. The Sorbian National Ensemble as a Cultural Institution in the Bilingual Region Lusatia... 59
Kiriakos Dimitriou. Fundamental Compositional Approaches to Polychoral Style Based upon Zarlino's System
(Le istitutioni harmoniche). Vertical Voice Relationships... 64
Galina Denkova. The Rite Lazaruvane [St Lazar’s Day] in Sofia Region Today... 85
Tsvetana Ivanova. The Piano Core in Lazar Nikolov's Way of Thinking... 107
Rozalia Biks. Anelia Yaneva: Choreography Approaches and Gave Transformations in Ballets from the Classical
Repertoire (One Meaningful and Effective Mega-Ambition in Bulgarian Baletology)... 126
Georgi Arnaoudov. About Mariyana Buleva's “The Idea of Harmony”... 129
Dragomir Yossifov. Diana Danova-Damianova: “Musica Nova in Bulgarian Musical Culture”... 132
Bulgarian musicology, 2010, No 2-3
On the Themalic Issue “Music and Media”... 5
I. THEORETICAL APPROACHES
Elka Tschernokoshewa. Im Zeitalter der Hybridisierungen: Musiken-Medien-Minderheiten... 7
Ventsislav Dimov. Media Music in the Object Area of Ethnomusicology... 23
Gergana Panova-Tekath. On Nonverbal Communicatton and “Folk Dances”: as Media... 41
II. MUSIC AND RADIO
Rosemary Statelova. The Radio as a Constructor of Reality. The Role of Music... 53
Evelina Krâsteva-Stoyanova. On the History of Radio in Bulgaria – Radio and Music Groups... 67
Lozanka Peicheva. An Example of Applied Ethnomusicology in the Media: Ethno Studio of Darik Radio... 74
III. MUSIC IN THE CYBERSPACE
Ljubomir Kutin. The Art Music in the Bulgarien Internet Space... 96
Ivanka Vlaeva. Images of Asia in Internet Music from Iran... 115
IV. THE CHANGING PERCEPTION
Vladimir Mihailov. Video Clip and Pop Music – a Hypothesis... 131
Violetta Yunusova. Easlem Classcal Music in Conditions of Mass Media Development... 138
Dimitrie Golemovich. Contemporary Gusla Works... 148
Genčo Gajtandžiev. A Substantial Sociocultural Problem in the Context of a Nearly Criminal Case (On the so
called “journalistic inquiries”, journalistic ethics, journalists’ responsibilities, and some typical techniques of the
media manipulation... 168
Georgi Harizanov. Music from Turkey in the Diaspora... 193
Goritza Naidenova. Voices of the Weak: Music and Minorities... 199
Lozanka Peicheva. Music along the Silk Road [Theoretical, Historical and Ethnomusicological Studies)... 204
Ventsisilav Dimov. Three Books about the Radio Formats and Radio Profiles around the World... 206
Ivanka Vlaeva. Musik Welt Karte. Der Edison-Phonograph und die musikalische Kartographie der Erde/World
Map of Music. The Edison Phonograph and the Musical Cartography of the Earth... 210
Ivanka Vlaeva. The Sound of the Original... 215
In Memory of Gajtandžiev, Genčo 1935-2010 (Ventsislav Dimov, Maria Popova, Rozalia Biks, Olga Shurbanova,
Eran Livni)... 217
Genčo Gajtandžiev-Bibliography... 222
Elka Tschernokoshewa. Im Zeitalter der Hybridisierungen: Musiken-Medien-Minderheiten... 240
Bulgarian musicology, 2010, No 4
Tsenka Iordanova. About Truth and Method in New Music of the 20th century. (Some General Considerations)... 3
Dragomir Yossifov. Spoken in Secret... 23
Cvetana Ivanova. Das Echo der Hymnen im Lazar Nikolovs Schaffen... 35
Goritza Naidenova. Stoyan Djoudjeff: Ethnocentrism or Its Overcoming?... 45
Yavor Konov. The Basso Continuo Treatises till the Death of Sebastien de Brossard (1655-1730)... 70
Atanas Karafezliev. New Performing Techniques, Technological Innovations in Trombone Playing and their Use
in Contemporary Bulgarian Chamber Music... 90
Dragomir Yossifov. Milena Bozhikova: 20th Century Music as “Late Style”... 104
Mariana Dimitrova. Klara Mechkova: The Eight-Mode System of Byzantine Music as Reflected in Primary
Theoretical Texts. Tetraphony... 106
Bulgarian musicology, Year 35, 2011, No 1
Claire Levy. The Visualized Sound in a Song Clip of Madonna... 3
Rumyana Karakostova. Two Classic Repertoire of the 50 Years of the 20th Century....13
Dragomir Yossifov. From Play to the Catastrophe. Preliminary Sketches of One's Image (About Konstantin Iliev)...
30
Kapka Lalova. Opera as a Spiritual Game. Tan Dun “Marco Polo” (fragments)... 41
Radka Bratanova. The Ancient Singing Style in Vocal Practis of Bessarabia Bulgarians… 50
Galina Denkova. The Rite Lazaruvane from the Shop Region at the stage context... 58
Asen Atanasov. An Attempt to Entering in the Procedure of Musical Translation (based on the sources from 19th
century)... 76
Claire Levy. MiglenaTzenova-Nusheva: “Peking Opera Jing jù”... 85
Svetlana Kujumdzieva. A Life Devoted to Science [In Memoriam. Prof. Elena Toncheva, D. Sc. (26. VI. 1933-3. II.
2011)]... 88
Bulgarian musicology, 2011, No 2
Rossitsa Draganova. The Ideas of Music-Making, Composer's Work and Perfonnance Practices in the Context of
the Contemporary Research in Musicology... 3
Angelina Petrova. Simeon Pironkoff, Jr. and the Concept of Music Frottage... 10
Romeo Smilkov. Nikolay Stoykov's Concerto for Piano and Orchestra op. 60 through the Eyes of the Interpreter...
28
Kamen Petev. Das Orgelpleno... 50
Nikola Tsenkulovcki. Pena Grozeva and Raina Katsarova - Relationship Between Informant and Researcher (110th
Birthday Anniversary of Raina Katsarova 1901-1984)... 71
Mariyana Buleva. “The St. Peterburg Offering to Mozart” (Musical and Theoretical Travel Notes)... 83
Svetlana Kujumdzieva. Stefka Venkova: Music of the Catholic Church of Eastern Ritual in Bulgaria... 87
Rumyana Karakostova. Two books devoted to Petko Staynov “Petko Staynov in the Memory of Time” and
“Choral Songs by Petko Staynov”... 92
Bulgarian musicology, 2011, No 3-4
Elisaveta Vâlchinova-Chendova. “The Composer and the Archive. 110th Anniversary of the Birth of Dimitar
Nenov”... 3
Milena Bozhikova. Dimitar Nenov and the Archive... 5
Latchezar Karanlâkov. Dimitar Nenov: the Documents are Speaking... 8
Polina Antonova. Unknown Correspondence... 36
Lyubomir Romansky - Dimitar Nenov. Correspondence... 45
Milena Bozhikova. Dimitar Nenov and the Existentialism... 93
Dimitar Nenov to Ivan Stavkov. Letters... 104
Romeo Smilkov. The first Author's Concert of Dimitar Nenov in Bulgaria... 103
Asen Atanasov. Liturgical Works of Dimitar Nenov... 116
Vasil Kazandjiev. Living in the Memory... 121
Milena Mollova. “Love at first sight” (Interview with Polina Antonova)... 123
Ivan Bakalov. “Worship to Sound and Porm” (Interview with Polina Antonova)... 126
Полина Вайдман, Ада Айибиндер. Архив композитора как исторический источник и предмет
музыкальной науки на примере архива П. И. Чайковского... 132
Therese Muxeneder. The Arnold Schönberg Estate... 152
Beate Angelika Kraus. Das Beethoven-Archiv: Möglichkeiten und Autgaben für die Forschung im
Beethoven-Haus Bonn... 166
László Vikárius. A Pleading Father?... 177
Kristina Yapova The Archives as a Work of Art... 195
Bulgarian musicology, Year 36, 2012, No 1
Snezhina Vrangova. “...that its task is to give pleasure and through its beauty and elegance to raise admiration...”.
The Form as Esthetic Idea and Music Essence in the Work of Vesselin Stoyanov... 3
Binka Karaivanova. Vesselin Stoyanov's Musical Thinking as Reflected in his Piano Works for Children... 12
Mariyana Buleva. Let's Open Parashkev Hadjiev's Harmony Students Book... 22
Boyanka Arnaoudova. On Dramaturgical Characteristics and Achievements of Semi-opera in the Stage Music
Heritage of Parashkev Hadzhiev... 30
Rumyana Karakostova. Repertoire Landmarks in the Musical Stage Works of Parashkev Hadzhiev... 40
Gheorghi Arnaoudov. Multiple Aesthetics in the Music of Postmodernity. Minimalism Music and Processes... 52
Mihail Lukanov. Rock Music as an Innovative Phenomenon....71
Stefka Venkova. Chants Connected with Contemporary East Catholic Saints and Holy Places in Bulgaria... 88
Goritza Naydenova. “A Foreign Culture up Close”... 96
Angelina Petrova. Im Laufe der Zeit... 98
Stefka Venkova. Kristina Yapova: Sound and Ethos, Variations on a Theme by Boethius.....102
Ventsislav Dimov. Antoaneta Radoslavova-Doicheva: Music in Bulgarian Radio (1930-1944)...105
Bulgarian musicology, 2012, No 2
Dragomir Yossifov. Lazar Nikolov and Konstantin Iliev: Parrhesia and Symphony... 3
Cvetana Ivanova. Klaviergrundlage und Die Sprachart in Lazar Nikolovs Musik... 12
Angelina Petrova. Evidences in Lazar Nikolov's Self-appreciation and their Meaning Today... 31
Rumyana Karakostova. „The Nightingale of Orchid“ by Alexander Raichev and the National Pattern of
Contemporary Revue-Operetta... 49
Yavor Genov. The antiphonal genre in the Latin office of St. Nicolas... 57
Vera Tzenova. Polyphonic Devices and Dodecaphonic Compositional Techniqes in the Opera „Ulisse“ by Luigi
Dallapiccola... 73
Svoboda Bozduganova. Contrabass in Jazz Music Making... 101
Ivanka Vlaeva. Workshop Choral Societies and Nationalist Mobilizatio in Nineteenth-Century Europe... 110
Maryana Buleva. New Way to Roods of National Identity... 114
Anelia Yaneva. Denica Ancheva: „The Ballet of Ruse and Asen Manolov (First steps, formation, development)“...
116
Bulgarian musicology, 2012, No 3-4
Christian Troelsgård, Svetlana Knjumdzieva. Preliminary Words... 5
Svetlana Kujumdzhieva. The Tropologion: Sources and Identifications of a Hymnographic Book... 9
Yuliya Artamonova. On the Archaic Form of Znamennaya Notation (Neumes in the so-called “Iliya's Book”)... 23
Gregory Myers. The Ritual and Music for the Dedication of a Church among the Medieval Slavs: Byzantine
Cathedral Practice Transplanted... 35
Olga Grinchenko. Slavonic Kontakaria and Their Byzantine Counterparts: Discrepancies and Similarities... 57
Stefan Hârkov. Musical Manuscripts from Sozopolis... 71
Asen Atanasov. Musical Manuscripts in Ohrid and Tirana... 81
Maria Alexandrou. New Approaches and Pivotal Thematics in Byzantine Musical Studies, 2001-2011... 89
Christian Troelsgård. The Construction and Dissemination of the Middle Byzantine Musical Notation... 153
Nina Zakharina. On the Reforms (“Ispravlenie”) of Russian Liturgical Chant Books from the 11th to the 19th
Century... 161
Галина Алексеева, Денис Гордеев. Механизмы адаптации византийской культуры в России: пение,
церковная служба... 170
Elena Toncheva. About the Modal Characteristics during the Post-Byzantine Period: Based on Sources in Slavonic
Church Music (Abstract)... 180
Anna Arevshatyan. Gregoire de Nysse et la pensee musicale esthetique de l'Armenie medievale... 181
Silvia Tessari. The Canons of Photios and the Text-Music Relationship... 187
Stefka Venkova. The Development of the Creative Idea in the Variants of Milost Mira - Tebe Poem by Apostol
Nikolaev-Strumski... 198
Christiana Demetriou. A New Approach to the Musical Work and Life of Hieronymus Tragodistes (Abstract)...
216
Bulgarian musicology, Year 37, 2013, No 1
Ian MacMilen. Local Color and the Search for the Musical Origin of the Nation, from the German to the Croatian
Lands… 3
Yavor Getov. The Great Responsories for the Office of St. Nicholas in the Gregorian Antiphoner. To the Matter of
Compilation and Transmission... 16
Radostina Niagolova. Specific Culturological Problems between the Images “National Musical School” and
“European Culture”... 32
Yuliyana Zhabeva-Papazova. The Influence of the Yugoslav Alternative Rock Music on the Cultural Life in
Macedonia, Serbia and Croatia Since 1991... 48
Georgita Boyadzhieva-Nikolova. Vasil Kazandjiev “Kaleidoscope” for Clarinet, Cello and Piano. Performer’s
Reading and Interpretation of Ideas... 65
Claire Levy. Rumyana Karakostova: “The State Musical Theater Idea and Its Projection onto the National
Repertoire up to the End of the 20th Century”... 78
Angelina Petrova. Claire Levy: “Musical Parody at the Late 20th and early 21th century”... 81
Ivanka Vlaeva. Recordings on Wax Cylinders in Southeast Europe... 85
Ivanka Vlaeva. On “Popular Culture in Turkie Asia and Afghanistan: Performance and Belief”... 91
Constantin Floros. The deciphering of the Old Slavonic kondakarian notation... 95
Bulgarian musicology, 2013, No 2
Elisaveta Vâlchinova-Chendova. Dimitar Nenoff – Petko Staynov: Unknown Correspondence... 5
Elisaveta Vâlchinova-Chendova. About the History of the Institute of Music in the Bulgarian Academy of Science.
Papers of Petko Staynov... 37
Lozanka Peicheva. The Song of Surva Bells... 47
Stefka Venkova. Apostol Nikolaev-Stroumsky (1886 -1971): Biographical Data and Musical Heritage... 65
Mariya Vâlchanova-Lyubenova. Church Music Archives in the Town of Shumen in 19,h and 20lh Century... 84
Stefan Hârkov. “Slavonic Musical Manuscripts in Rila Monastery”. Valuable Contrubution to the Study of
Orthodox Music... 98
Stefka Venkova. Elena Toncheva: “Acquiring a Blissful Rhythm in the Soul... ”. Orthodox Church Music”... 104
Tzenka Yordanova. Goritza Naydenova: “From Philosophy to Folkloristics. The Unknown Stoyan Djoudjeff”...
108
Goritza Naydenova. Rosemarv Statelova: “Musikalische Begegnungen bei den Sorben”... 112
Ivanka Vlaeva. Books of the Year 2013 or on the High Academic Achievements of the Bulgarian Musicology...
114
In memoriam. Prof. D. Sc. Svetlana Zaharieva... 117
Bulgarian musicology, 2013, No 3-4
Idea – Concept -– Terminology II... 3
Yaror Genov. To thc Terminology of the Repertoire for Divine Office in the Gregorian Antiphoner... 5
Klara Mechkova. Triphonia... 25
Asen Atanasov. Onto the Musical Terminology in the Byzantine-Slavic Community. Preliminary Observations...
41
Jaakko Olkimiora. Words and Images: “Piclorial” Byzantine Hymnography... 50
Yulian Kuyumdzhiev. Old Bulgarian Church Singing Vs. Eastern Church Singing. Semantic Differences in the
Usage of Concepts During the Discussion from the Late 19th and Early 20th Century... 65
Petya Stefanova. Classification of Baroque Musical Figures... 75
Vesko Stambolov. Forlspinnungstypus Ritornello Form. Basic Conceptsand Terms. The Ideal Concerto Ritornello
Form in the Work of Johann Sebastian Bach... 99
Anna Petrova-Forster. Virtuosos or Charlatans. First Travelling Pianists-Virtuosos... 116
Rositsa Draganova. Lullaby as Ihe Subject of Musical Terminology... 134
Tsvetelina Slavova. A Suggestion for a Dictionary of Conductor Terminology... 140
Ivanka Vlaeva. On Terminology in Global Music World in the Beginning of the 21th Century – Transmission in
New Context... 151
Angelina Petrova. Die postmoderne Audioerfahrung: musikalische Syntax in der Komposition des letzten
Jahrzehntes des XXten und am Anfang des XXI Jahrhunderts... 161
Georgi Arnaoudov, Notes on the Definition of Style in Muskat the Late 20lh and Early 21" Century... 182
Elisaveta Vâlchinova-Chendova. The Music of Dimiter Christoff as a Suggestive “Imaginary Multi-Iinearity”: A
Space of Structured and Deployed Sound Archetypes... 201
Lozanka Peicheva. Folk Singing in Cultural Context... 227
Tsenka Yordanova. Local Taxonomies and Genres in a Traditional Musical Culture... 241
Bulgarian musicology, Year 38, 2014, No 1
Mihail Lukanov. Notes on the Songs of Milyo Basan... 57
Maria Kumichin. Ideological Framework of the Issue “Modernity - Folklore” During the 1950s - 1970s (Reading
Todor Todorov)... 68
Yulian Kuyumdjiev. A Monograph about the Austrian Composer Emanuel Aloys Förster, written by a Bulgarian...
82
Angelina Petrova. Maria Kostakeva: Metamorphose und Eruption. Annäherung an die Klangwelten Adriana
Hölzskys... 94
Ivanka Vlaeva. Rossitsa Draganova: Contemporary Terminology and Musical Pedagogical Practice. Dictionary of
Music for Pupils... 99
Rostislav Yovchev. Binka Karaivanova: Works by Bulgarian Classical Composers in Compulsory Piano Lessons...
102
Ivanka Vlaeva. Ventsislav Dimov: Dobrudja: Memory and Songs... 105
Rositsa Nikolova. Academy of Orthodox Music International Festival, St. Petersburg... 108
In memoriam. Prof. D. Sc. Rosalia Biks (1933-2013)... 112
Bulgarian musicology, 2014, No 2
Goritza Naidenova. Stoian Djudjev, Lubomir Pipkov: the missing link?... 3
Mariyana Buleva. Lubomir Pipkov's Invention... 22
Rumyana Karakostova. Music criticism on Lubomir Pipkov's operas and their Stagings... 31
Polina Antonova. An Unknown Letter by Dimiter Nenov to Marguerite Long... 57
Ventsislav Dimov. On some current uses of music in media (The media Wagner: deconstructive decays or new
syntheses?)... 67
Maria Bikova. Paul Hindemith's Harmonic System: An Attempt to Reconsider the Rules in Musical Art... 91
Kristina Yapova. Andrej Diamandiev: “Theoretical Aspects of Functional Harmony”... 105
Maria Kostakeva. An Icon and a Monster... 111
Bulgarian musicology, 2014, No 3
Konstantin Iliev's 90th Anniversary
Dragomir Yossifov. Konstantin Iliev // Fragments... 3
Musical Performance
Georgita Boiadjieva-Nikolova. Stylistic and interpretational specifics of Vassil Kazandjiev's chamber works for
winds, strings and piano, composed up to 1997... 17
Intercultural Dialogues
Mariya Ruseva. Multiculturalism in the twentieth- and the twenty-first-century memorial music (on the example
of Alexander Kastalsky's Requiem for Fallen Brothers)... 37
Studies
Vyacheslav Medushevsky. Musical form as a revelation... 55
Yavor Genov. Chant repertory for SS. Cosmas and Damian in Worcester Antiphoner, GB-WO R160... 65
Debuts
Iliya Gramatikoff. St Luke Passion by Krzysztof Penderecki as Weltanschauungsmusik (Part I: Social and cultural
context)... 94
Reviews
Ivanka Vlaeva. Todor Djidjev: Folk Songs of Thrace... 116
Abstracts... 119
Bulgarian musicology, 2014, No 4
Ivan Spassov's 80ih Anniversary
Dragomir Yossifov & Peter Kerkelov. Do you remember the living Ivan Spassov... 3
Ivan Moody. Spirituality and Technique in the Music of Ivan Spassov... 19
Interview
Albena Naydenova & Vladimir Panchev. Pierre Boulez at 90... 25
Intercultural Dialogues
Katharim Bleier. Klavier/Spiel/Arten (Piano/Play/Approaches)... 29
Musical Performance
Rostislav Yovchev. Influence of late Romantic traditions on an early Bulgarian cycle,Lyrical Pieces for Piano
Op. 6 by Andrey Stoyanov... 38
Studies
Lilia Kracheva. Creativity-performance. Communicative models... 55
Debuts
Iliya Gramatikoff. St Luke Passion by Krzysztof Penderecki as Welianschauungsmusik (Part II: Theological and
hermeneutical foundations in the composition of the libretto)... 72
Reviews
Boyka Mirceva. Svetlana Kuyumdzhieva: The early ocioechoi: Sources, liturgy and chant repertory. After
manuscripts until the thirteenth century...100
Asen Atanasov. Bulgarian medieval music studies (2004 - 2014): Bibliography (chronologically)... 105
Abstracts... 118
INDEX OF AUTHORS
Abrashev, Božidar
Einstein's Special Theory of Relativity and the Time and Space Continuum in Music. – Bulgarian musicology,
1986, № 4, p. 13.
Marin Goleminov’s Work "A Problems of Orchestration And What Is New In It. – Bulgarian musicology, 1993,
No 2, p. 99.
Specific Manifestations of the Categories Time and Space in Music... 34.
Alexandrou, Maria
New Approaches and Pivotal Thematics in Byzantine Musical Studies, 2001-2011. – Bulgarian musicology, 2012,
No 3-4, p. 89.
Alexandrova, Boryana
A Collection of Popular Folklore and Ethnography. Book LVIII. Populai Prose from the District of Blagoevgrad
(New Recordings). – Bulgarian musicology, 1986, № 1, p. 114.
Scientific Conferrence to the Theme “Uniformity of the Bulgarian Folklore Culture”. – Bulg. musicology, 1982,
No 1, p. 89.
Alexieva, Yuliana
Historical Outlines of Totalitarian Art. – Bulgarian musicology, 1991, No 2, p. 116.
Alexsandrov, Christian
Typologie dei Magnificatformen. – Bulgarian musicology, 1997, No 1-2, p. 69.
Anchev, Anatol
An Analytical Psychological Reading of Two Bulgarian Folk Songs. – Bulgarian musicology, 2008, No 1, p. 117.
Andonova, Ljudmila
Essence and Significance of Typological and Comparative Method in Dialectological Studies of Vocal Folklore. –
Bulgarian musicology, 1987, № 1, p. 75.
The Application of Melodic Models in the Intonational Characteristics of the Song Cycles. – Bulgarian
musicology, 1988, № 1, p. 26.
Andreev, Andrei
The Worldly Musical Education In the Plovdiv School “St. St. Cyril and Methodius” During the 50ies and 70ies of
the 19th Century. – Bulgarian musicology, 1990, No 3, p. 58.
Andreeva, Tsanka and Snezhana Simeonova
Academism and Piano Practice. – Bulgarian musicology, 2002, No 3, p. 100.
Angelov, Stoyan
Kammermusikgattungen im Werk von Boian Ikonomov (1900-1973). – Bulgarian musicology, 2001, No 3, p. 75.
Pantscho Vladigerov und der Bulgarische Rundfunk. – Bulgarian musicology, 1999, No 4, p. 32.
Petko Stainov's Orchestra. – Bulgarian musicology, 1997, No 3, p. 30.
Antonova, Polina
An Unknown Letter by Dimiter Nenov to Marguerite Long. – Bulgarian musicology, 2014, No 2, p. 57.
Unknown Correspondence. – Bulgarian musicology, 2011, No 3-4, p. 36.
Apostolova, Roumyana
Marin Goleminov’s Public Activity. – Bulgarian musicology, 1993, No 2, p. 106.
Arevshatyan, Anna
Gregoire de Nysse et la pensee musicale esthetique de l'Armenie medievale. – Bulgarian musicology, 2012, No 3-4,
p. 181.
Arnaoudov, Georgi
About Mariyana Buleva's “The Idea of Harmony”. – Bulgarian musicology, 2010, No 1, p. 129.
Elisaveta Valchinova-Chendova, Albena Naidenova: “The World of My Music”. The composer Vladimir
Pantchev. – Bulgarian musicology, 2009, No 2, p. 127.
Multiple Aesthetics in the Music of Postmodernity. Minimalism Music and Processes. – Bulgarian musicology,
2012, No 1, p. 52.
Notes on the Definition of Style in Muskat the Late 20lh and Early 21" Century. – Bulgarian musicology, 2013, No
3-4, p. 182.
Arnaoudova, Boyanka
On Dramaturgical Characteristics and Achievements of Semi-opera in the Stage Music Heritage of Parashkev
Hadzhiev. – Bulgarian musicology, 2012, No 1, p. 30.
Veselin Stoyanov’s Operas in the Context of European Music Awareness from the First Half of XX c. – Bulgarian
musicology, 2002, No 4, p. 76.
Arnaudova, Nataliya
Certain Movements in the Evolution of the Term “Style” in the West European Aesthetical Thought.– Bulgarian
musicology, 1983, No 3, p. 47.
Style and Culture. – Bulgarian musicology, 1982, No 1, p. 55.
Artistic Style and his Functions in Culture. – Bulgarian musicology, 1988, № 3, p. 35.
Style as an Artistic Value. – Bulgarian musicology, 1989, No 2, p. 59.
The Stylistic Adjustment as a Necessary Component in the Perception of a Musical Work. – Bulgarian musicology,
1988, № 4, p. 54.
Artamonova, Yuliya
On the Archaic Form of Znamennaya Notation (Neumes in the so-called “Iliya's Book”). – Bulgarian musicology,
2012, No 3-4, p. 23.
Asenova-Popova, Margarita
Georgi Atanasov, But He Is Not “The Maestro”. – Bulgarian musicology, 1994, № 4, p. 110.
Religiöse Lieder in alten Lehr- und Liederbüchern. – Bulgarian musicology, 1997, No 4, p. 97.
Atanasov, Asen
About the Author’s Singings of Neofit Rilski (based on source data from the Church-Slavonic song musical
manuscripts from the 19-th century at the National Museum Library “Rilski Manastir”). – Bulgarian musicology,
1988, № 1, p. 86.
A Handwrite Manuscript Fragment with late-Byzantine Notation from the History Museum in Sliven. – Bulgarian
musicology, 1992, No 1, p. 69.
An Attempt to Entering in the Procedure of Musical Translation (based on the sources from 19th century). –
Bulgarian musicology, 2011, No 1, p. 76.
Bulgarian Musical Medieval Studies (1984-1994) Compiled by. – Bulgarian musicology, 1995, No 2, p. 96.
Bulgarian Musical Medieval Studies (2004 - 2014): Bibliography (chronologically). – Bulgarian musicology,
2014, No 4, 105-117.
Bulgarian Musical Medievistic. Studies in the Field of Orthodox Music – the Middle Ages, Renaissance and the
New Age (1994-2004). Bibliography. – Bulgarian musicology, 2007, No 3-4, p. 297.
Das Fragment von Sliven: Entziffern, Beobachtungen, Kommentare. – Bulgarian musicology, 2000, No 2, p. 79.
100th Anniversary of Petâr Dinev’s Birth. Scientific Studies and Musical Works (1922- 1979). Compiled by ... –
Bulgarian musicology, 1990, No 2, p. 97.
Liturgical Works of Dimitar Nenov. – Bulgarian musicology, 2011, No 3-4, p. 116.
Mariana Dimitrova: Die Prokeimena in der byzantinisch-slawischen Gesangtradition des Balkans im 14. und 15.
Jh. – Bulgarian musicology, 2000, No 4, p. 145.
Musica Antiqua Europae Orientalis. Bibliography of Bulgarian participation. Compiled by…. – Bulgarian
musicology, 1988, № 4, p. 84.
Musical Manuscripts in Ohrid and Tirana. – Bulgarian musicology, 2012, No 3-4, p. 81.
Neofit Rilski's Translated Chants (from source data of Church-Slavonic collections of singing manuscripts from
the 19 th century at the Rila Monastery National Museum). – Bulgarian musicology, 1988, № 2, p. 111.
New Observations on the Sliven Fragment. – Bulgarian musicology, 1997, No 4, p. 89.
Onto the Musical Terminology in the Byzantine-Slavic Community. Preliminary Observations. – Bulgarian
musicology, 2013, No 3-4, p. 41.
Songs, Written With Chrysantos Notation During 19th Century: New Data. – Bulgarian musicology, 2009, No 2,
p. 131.
Stiherarion EHAI 817 – a Musical Manuscript from the Bachkovo Monastery. – Bulgarian musicology, 2003,
No 1, p. 33.
Elena Vassileva Stoin. Bibliography. – Bulgarian musicology, 2005, No 4, p. 145.
The 110th Anniversary of the Birth of Heraklit Nestorov. – Bulgarian musicology, 2007, No 2, p. 211.
The Authors Singings of the Rila Musical Figures (Based on Sourse Data from the Church-Slavonic Song Musical
Manuscripts from the 19-th Century in the Library of the “Rila Monastery” National Museum). – Bulgarian
musicology, 1990, No 3, p. 91.
The Liturgical Chants in the Music Folklore Archives. – Bulgarian musicology, 2005, No 1, p. 237.
The Musical Manuscripts at the Rila Monastery. – Bulgarian musicology, 2007, No 3-4, p. 209.
The Singer Service (H ãUyosij tou= Timi/ou Staurou= — 14. IX In The Apostle of Enina. – Bulgarian
musicology, 1995, No 3, p. 51.
Translated Chants of Rila Musical Creators (Based on Sourse Data from the Churh-Slavonic Song Musical
Manuscripts from the 19-th Century at the “Rila Monastery” National Museum). – Bulgarian musicology, 1990,
No 4, p. 104.
“Unsere Fahne ist dreifarbig...“. – Bulgarian musicology, 2001, No 1, S. 108.
20 Jahre Zeitschrift Bulgarische Musikwssenshaft (1977-1996). – Bulgarian musicology, 1996, No 4, р. 87.
… , Elena Toncheva. In Memoriam. Dimitar Grigorov. – Bulgarian musicology, 2007, No 2, p. 216.
Avramov, Evgenii
Petko Stajnov's Harmonious Style. – Bulgarian musicology, 1987, № 2, p. 59.
The Harmonic Style of Lyubomir Pipkov. – Bulgarian musicology, 1989, No 3, p. 47.
Bakalov, Ivan
“Worship to Sound and Porm” (Interview with Polina Antonova). – Bulgarian musicology, 2011, No 3-4, p. 126.
Bakalova, Elka
Singers in Late Byzantine and Slavonic painting. – Bulgarian musicology, 1987, № 3, p. 94.
Balareva, Agapiya
Ähnliche Erscheinungen und Prozesse in der Chorkultur von Serben, Kroaten und Bulgaren (von den 30-en Jahren
des 19. Jh bis zum Ende der Ersten Weltkriegs). – Bulgarian musicology, 1991, No 4, p. 29.
Stoyan Brashovanov and Bulgarian Music Culture. – Bulgarian musicology, 1992, No 4, p. 12.
Choral Activities During the Bulgarian National Revival. – Bulg. musicology, 1983, No 2, p. 70.
Choral activities during the Bulgarian national revival. – Bulg. Musicology, 1983, No 1, p. 32.
Choral Performing In Bulgaria (1926-1944). – Bulgarian musicology, 1985, № 3, p. 60.
Der Anfang vor 100 Jahren. – Bulgarian musicology, 1991, No 4, p. 94.
Marin Goleminov and Bulgarian Choral Culture. – Bulgarian musicology, 1993, No 2, p. 97.
On Genre Peculiarities of the Bulgarian Cantata- and Oratorios and Some Intonations Phenomena and Proceses in
Them. – Bulgarian musicology, 1984, № 4, p. 31.
On Some Problems of Choral Music and Performance. – Bulgarian musicology, 1986, № 2, p. 26.
Pre-hisiory of the State Music Academy. – Bulgarian musicology, 2004, No 4, p. 122.
Secular Vocal Music during the Lale Period of the Bulgarian Renaissance (On the problem of its inclusion in the
context of the national spritual culture. – Bulgarian musicology, 1988, № 2, p. 25.
Petko Staynov and the Bulgarian Musical Culture. – Bulgarian musicology, 1997, No 3, p. 7.
The Bulgarian Academy of Sciences And Her Members About Music. – Bulgarian musicology, 1994, № 4, p. 12.
The Bulgarian Academy of Sciences And Her Members About Music. – Bulgarian musicology, 1994, No 4, p. 3.
The Choral Ballads of Petko Staynov. – Bulgarian musicology, 1987, № 2, p. 9.
“The Contemporary Bulgarian Popular Youth Song with Social-Political Motifs”. – Bulg. musicology, 1982, No 1,
p. 93.
The Musical Publicism In Bulgaria From The Liberation To The End Of 19th Century. – Bulgarian musicology,
1993, No 3, p. 8.
Union of the Bulgarian Folk Choirs (Bulgarian Singers Union). – Bulgarian musicology, 1985, № 2, p. 32.
Urban Musical Culture During The Bulgarian National Revival. – Bulgarian musicology, 1995, No 1, p. 18.
Balinova, Svetlana
M. V. Lisenko and the Bulgarian Music Culture. – Bulgarian musicology, 1992, No 3, p. 80.
Beimel, Thomas
“Dincolo de vise” – Jenseits der Träume Skizzen zu einem “Nichtwerk” von Ulpiu Vlad. – Bulgarian musicology,
1998, No 4, p. 3.
Bibina, Yordanka
In Search of a New Cultural Ideniitiy (Between the Balkan and the European). – Bulgarian musicology, 1997,
No 3, p. 90.
Bikova, Maria
Paul Hindemith's Harmonic System: An Attempt to Reconsider the Rules in Musical Art. – Bulgarian musicology,
2014, No 2, p. 91.
Biks, Rozaliya
… And in the Bulgarian Opera Theatre. – Bulgarian musicology, 1986, № 2, p. 70.
An Event in our Opera Literature. – Bulgarian musicology, 2002, No 1, p. 111.
Mariya Barbieri: Bulgarian Singers on the Croatia Opera Stage. – Bulgarian musicology, 2008, No 1, p. 154.
Do You Remember? – Bulgarian musicology, 2004, No 4, p. 126.
Four of Decades on 2l Krakra Street. – Bulgarian musicology, 1999, No 3, p. 18.
Nikolai Ghiaourov in the World Opera Theatre. – Bulgarian musicology, 1984, № 2, p. 53.
Marin Goleminov and Bulgarian Operatic Theater. – Bulgarian musicology, 1993, No 2, p. 102.
In Memory of Genčo Gajtandžiev 1935-2010. – Bulgarian musicology, 2010, No 2-3, p. 217.
Venelin Krâstev and the Bulgarian Opera Theater. – Bulgarian musicology, 2010, No 1, p. 5.
Music in Bulgarian Drama Theatre (until 1944). – Bulgarian musicology, 1985, № 2, p. 45.
Opera at the foot of the Hills Plovdiv's Opera at the Age of Fifty. – Bulgarian musicology, 2003, No 2-3, p. 13.
Petko Staynov – The Public Figure. – Bulgarian musicology, 1997, No 3, p. 12.
Petko Staynov’s Publicism. – Bulgarian musicology, 1987, № 2, p. 33.
The “Maestro” and the Bulgarian Opera Theatre.– Bulg. musicology, 1982, No 3, p. 65.
The Bulgarian Opera Theatre Outside the Capital. – Bulgarian musicology, 1988, № 1, p. 72.
The Formation of an Opera Theatre in Bulgaria and Roumania. Parallels. – Bulgarian musicology, 1990, No 1,
p. 18.
The Interaction between the Russian and the Soviet Producer's and Staging Thought and thc Bulgarian Opera
Theatre. – Bulgarian musicology, 1985, № 3, p. 71.
The Opera Staging out of the Capital. – Bulgarian musicology, 1984, № 4, p. 52.
The Soviet Opera in Bulgaria. – Bulgarian musicology, 1986, № 4, p. 48.
Anelia Yaneva: Choreography Approaches and Gave Transformations in Ballets from the Classical Repertoire
(One Meaningful and Effective Mega-Ambition in Bulgarian Baletology). – Bulgarian musicology, 2010, No 1, p.
126.
Bincharova, Nina
About the Orthodox Spiritualily in the Works of Ivan Spassov in the 90s [of the XX c.]. – Bulgarian musicology,
2003, No 1, p. 11.
Erste Beobachtungen über die inhaltliche und kompositionclle Struktur der Heiligen bulgarischen Liturgie,
Miserere, Eine kleine Osternmusik über die Leiden, den Tod und die Auferstehung Christi von Ivan Spassov. –
Bulgarian musicology, 1999, No 3, p. 35.
Bleier, Katharim
Klavier/Spiel/Arten (Piano/Play/Approaches). – Bulgarian musicology, 2014, No 4, 29-37.
Bocheva, Stefka
Die bulgarischen Metrorhythmen im Klavieralbum für Kinder und Jugendliche von Nikolai Kaufmann. –
Bulgarian musicology, 2000, No 4, p. 140.
Bogdanova, Yanina
New Elements in Petko Staynov's Symphonic Music after September 9, 1944. – Bulgarian musicology, 1987, № 2,
p. 97.
To the Question or the Typology of Bulgarian Symphony in the First Decade after September 9, 1944. – Bulgarian
musicology, 1989, No 1, p. 24.
Božova, Nely
The Iialian Repertoire of Peter Raichev in the Years Between) the World Wars. – Bulgarian musicology, 2001, No
1, p. 88.
Boncheva, Manuela
Academism and Music Practices with the Participation of Traditional Instruments. – Bulgarian musicology, 2002,
No 3, p. 46.
Der Baum als Sinnbild des traditionellen Musikinstruments. – Bulgarian musicology, 1999, No 3, p. 106.
Semantic Asprcts of Shape, Material and Sound in Some Traditional Instruments. – Bulgarian musicology, 2004,
No 3, p. 79.
The Work of Ivan Kachulev – A Topic to be Continued. – Bulgarian musicology, 2006, No 3, p. 76.
Botousharov, Ljuben
“All she did was in Good Faith”. An Interview with Elena Stoin. – Bulgarian musicology, 2005, No 4, p. 117.
Das semantische Dreieck und einige Auffassungen in der Wiener Musikwissenschaft. – Bulgarian musicology,
1999, No 2, p. 157.
Der Schlüssel ist der Stil (zum 45 Jahrestag der Gründung des Nationalen Folkloreensembles “Philipp Kutev“). –
Bulgarian musicology, 1996, No 4, р. 80.
Stoyan Djudjev und die terminologie der ungleichteiligen taktarten. – Bulgarian musicology, 2004, No 1, p. 52.
From the Rachenitsa to the Landler and Back. – Bulgarian musicology, 1997, No 3, p. 63.
Music as a Revolution of the Spirit. – Bulgarian musicology, 1990, No 2, p. 115.
On the 70th Anniversary of Todor Dzhidzhev. – Bulgarian musicology, 1998, No 1, p. 92.
Orale Kultur und Akademismus oder über das mündliche Bilden der Begabung und den Wissensgarten. –
Bulgarian musicology, 2002, No 3, p. 51.
So, What Does Cultural Identity Mean? – Bulgarian musicology, 2003, No 4, p. 21.
The Problem of Variants and Vasil Stoin's Heritage. – Bulgarian musicology, 1991, No 2, p. 77.
“Vergleichend Systematischen Musikwissenschaft“. – Bulgarian musicology, 1996, No 2, p. 104.
With Respect. – Bulgarian musicology, 2003, No 4, p. 7.
Boyadzhieva-Louizova, Maria
Academizacion and the Academic Institution “History of Bulgarian Music” . – Bulgarian musicology, 2002, No 3,
p. 106.
Aspects ot Modem Bulgarian Cultural identity. – Bulgarian musicology, 2003, No 4, p. 221.
Lazar Nikolov in the Mirror of Contemporary Music. – Bulgarian musicology, 1998, No 2, p. 57.
Boyadzhieva-Nikolova, Georgita
Vasil Kazandjiev “Kaleidoscope” for Clarinet, Cello and Piano. Performer’s Reading and Interpretation of Ideas. –
Bulgarian musicology, 2013, No 1, p. 65.
Stylistic and interpretational specifics of Vassil Kazandjiev's chamber works for winds, strings and piano,
composed up to 1997. – Bulgarian musicology, 2014, No 3, 17-36.
Bozduganova, Svoboda
Contrabass in Jazz Music Making. – Bulgarian musicology, 2012, No 2, p. 101.
Bozhikova, Milena
Die Formen in der Musik Vassil Kazandshievs der 60-er Jahre (Statik und Dynamik der offenen Form). –
Bulgarian musicology, 1991, No 4, p. 51.
Die Reduktionsmethode von Heinrich Schenker an Beispielen aus der bulgarischen Musik. – Bulgarian
musicology, 1999, No 2, p. 79.
Monography about Lazar Nikolov – planned manuscript by Angelina Petrova. – Bulgarian musicology, 2002, No 4,
p. 162.
Musical Dictates of the 20th Century. – Bulgarian musicology, 2007, No 1, p. 95.
Dimitâr Nenov and the Archive. – Bulgarian musicology, 2011, No 3-4, p. 5.
Dimitâr Nenov and the Existentialism. – Bulgarian musicology, 2011, No 3-4, p. 93.
Heinrich Schenker und seine Diagnose für die musikalische Vollkommenheit. – Bulgarian musicology, 1996, No 3,
p. 52
Silence and Repetitiveness by Samuel Beckett in the Music of Morton Feldman. – Bulgarian musicology, 2009,
No 3-4, p. 156.
Bozhova, Nelly
Vocal Pedagogy in Varna. – Bulgarian musicology, 2003, No 2-3, p. 226.
Brashovanova, Lada
The Bulgarian Musical Creativity and Performance Reflected in the German Musical Journals Between 1920-1960.
– Bulgarian musicology, 1992, No 1, p. 82.
Bratanova, Radka
Dynamics of the Development of the Byphony in the Town of Nedelino. – Bulg. musicology, 1983, No 4, p. 87.
Ancient Singing Style in Vocal Practis of Bessarabia Bulgarians. – Bulgarian musicology, 2011, No 1, p. 50.
Buchanan, Donna
Balkan Circuits, Ottoman Orbils, and Popular Music in the EU “Accession States”: A Comparative Case Study. –
Bulgarian musicology, 2003, No 4, p. 53.
Bibliography of Bulgarian Traditional Music in English Language Sources. – Bulgarian musicology, 1993, No 3,
p. 78.
Bukureštliev, Mihail
About Certain Problems of the Contemporary Children's Song Folklore. – Bulg. musicology, 1982, No 4, p. 58.
Das Interesse für die Musikfolklore für Kinder. – Bulgarian musicology, 1999, No 3, p. 95.
Folk Songs of the Bulgarians from the Ukrainian and the Moldavian SSR.– Bulg. Musicology, 1983, No 3, p. 92.
Ivan Kachulev's Note Textbook for Duduk (Wooden Pipe). – Bulgarian musicology, 2006, No 3, p. 100.
Raina Katsarova's Contribution In Finding, Publishing and Studying Children's Folklore. – Bulgarian musicology,
1984, № 3, p. 74.
Raina Katsarova's Contribution In Finding, Publishing and Studying Children's Folklore. – Bulgarian musicology,
1984, № 3, p. 74.
The Chaplets: A Interesting Part of Contemporary Children) Musical Folklore. – Bulgarian musicology, 1992, No
2, p. 92.
Vasil Stoin’s Contribution to Folk Music for Children. – Bulgarian musicology, 1991, No 2, p. 84.
Buleva, Mariyana
Das bulgarische Kinder und Schullied seit 1878 bis zu den 40-er Jahre des 20. Jh. Aspekte der tonhöhegebundenen
Denkweise und der musikalisch- poetischen Synthese. – Bulgarian musicology, 1996, No 1, p. 45.
Harmonious Thinking in the Grotesque Suite “Bai Ganiu” as Music-Linguistic Manifestaton of the Comic in
Veselin Stoyanov’s Music. – Bulgarian musicology, 2002, No 4, p. 55.
Let's Open Parashkev Hadjiev's Harmony Students Book. – Bulgarian musicology, 2012, No 1, p. 22.
Lubomir Pipkov's Invention. – Bulgarian musicology, 2014, No 2, p. 22.
Lyubomir Pipkov's Harmony. – Bulgarian musicology, 2004, No 4, p. 46.
New Way to Roods of National Identity. – Bulgarian musicology, 2012, No 2, p. 114.
The Harmony of Vesselin Stoyanov: An Outline of the Problem of Musical Thinking as a Sign of Cultural Identity.
– Bulgarian musicology, 2003, No 4, p. 155.
“The St. Peterburg Offering to Mozart” (Musical and Theoretical Travel Notes). – Bulgarian musicology, 2011,
No 2, p. 83.
The Term “Harmony” – Spheres and Modes of Its Appearance in Antiquity and the Middle Ages. – Bulgarian
musicology, 2008 , No 3-4, p. 24.
Three Books by Tomi Kurklisiyski. – Bulgarian musicology, 2007, No 2, p. 186.
Kristina Yapova: Liturgicality and Musical Thought: Examples from the Work of Dobri Hristov. – Bulgarian
musicology, 2008, No 1, p. 147.
Wertaspekte und Informationsinhalt der Gattung Kuider- und Schullied im Kontext der Musikkultur. – Bulgarian
musicology, 1996, No 4, р. 52.
Chiharo, Tsukamoto
The Chiselled Out Sound and Its Influence. – Bulgarian musicology, 2004, No 3, p. 13.
Chobanova, Joanna
Concepts for the development of mental and musical abilities of students through education. – Bulgarian
musicology, 1987, № 3, p. 93.
Christoff, Dimiter see also Hristov, Dimitâr
Composers Reflections on the Modern Life. – Bulgarian musicology, 2006, No 1, p. 29.
Das kreative Phänomen bei Pantscho Vladigerov. – Bulgarian musicology, 1999, No 4, p. 15.
Marin Goleminov's Music As A Mental Essense. – Bulgarian musicology, 1993, No 2, p. 89.
Monody and Composer's Intentions Today. Chanching Historical Appraisals. – Bulgarian musicology, 2005, No 2,
p. 86.
Musicology in the System of Science. – Bulgarian musicology, 1992, No 2, p. 32.
Music-Scientific Institutional Construction. – Bulgarian musicology, 2009, No 3-4, p. 116.
Petko Staynov's Symphonic Visions. – Bulgarian musicology, 1997, No 3, p. 18.
Technique of the Musicologist's Manuscript. An Attempt At Entering Into Fundamentals of the Musicologist's
Creative Process (In the Form of Polite Advices to the Young Musicologist). – Bulgarian musicology, 1993, No 1,
p. 66.
“The Heavy Gasp Of Our Folk Songs” (P. P. Slavejkov) - A Probables Stocks And Reasones. Semantic
Transgresion Demonstrated On The Example Of Bulgarian Folk Song “Grozdanka i Bogdan vojvoda”. –
Bulgarian musicology, 1993, No 4, p. 34.
30th International Conference of the International Council for Traditional Music. – Bulgarian musicology, 1990,
No 1, p. 100.
Christozov, Hristo
Computer Modelling of Musical Problems. – Bulgarian musicology, 1986, № 4, p. 67.
Contemporary Studies of the Educational Process in Music. – Bulgarian musicology, 1990, No 1, p. 93.
Contemporary Study of Musical Perception. – Bulgarian musicology, 1988, № 3, p. 98.
Danova, Diana
Collection “Bulgarian Historical Musicology: Approaches and Concrete Research”. – Bulgarian musicology, 2006,
No 2, p. 120.
On the Experimental Studio for Contemporary Music. – Bulgarian musicology, 2008, No 2, p. 82.
The International Festival of Contemporary Music Musica Nova - Sofia and Its Message. – Bulgarian musicology,
2007, No 2, p. 144.
The International Festival of Contemporary Piano Music ppIANISSIMO (1998-2006). – Bulgarian musicology,
2008, No 1, p. 90.
… and Maria Kumichin, Art Studies: Archives and Perspectives. – Bulgarian musicology, 2009, No 1, p. 100.
Deltschev, Krassimir
Eine österreichisches Emblem des Barocks. – Bulgarian musicology, 2001, No 1, p. 104.
Demetriou, Christiana
A New Approach to the Musical Work and Life of Hieronymus Tragodistes (Abstract). – Bulgarian musicology,
2012, No 3-4, p. 216.
Denkova, Galina
The Rite Lazaruvane [St Lazar’s Day] in Sofia Region Today. – Bulgarian musicology, 2010, No 1, p. 85.
The Rite Lazaruvane [St Lazar’s Day] from the Shopluk Region at the stage context. – Bulgarian musicology,
2011, No 1, p. 58.
Despodov, priest Georgi
The Theology Significance of Communion Chants. – Bulgarian musicology, 2009, No 3-4, p. 37.
Deutsch, Werner A. und Födemayr, Franz
Zur Forschungsslrategie der vergleichend-systematischen Musikwissenschaft. – Bulgarian musicology, 1999,
No 2, p. 5.
Dicheva, Valentina
An Attcmps to Obtain Musical and Psychological Knowledge from the Theory of the Middle Ages (IX-XVI
Century). – Bulgarian musicology, 1986, № 4, p. 130.
Die Gesellschaft der bulgarischen Komponisten “Gegenwartsmusik“. Satzung. – Bulgarian musicology, 2000,
No 1, p. 6.
Die Imitatiorutheörie und ihr Einfluss auf die Programmromantik. Genrebildung unter dem Einfluss
ausaermuaikalischer Erscheinungen. – Bulgarian musicology, 1991, No 4, p. 92.
On The Musucal Denomination As A Sign Objekt Of Study (The Problem Of Titles In Bulgarian Music). –
Bulgarian musicology, 1994, No 2, p. 71.
Some Notes on the Socio-Cultural Movement on the Term “Program Music”. – Bulgarian musicology, 1989, No 3,
p. 66.
Space in the Musical Work. – Bulgarian musicology, 1986, № 4, p. 129.
Subjekte der Genrekausalität in der bulgarischen Berufsmusik. – Bulgarian musicology, 1997, No 1-2, p. 71.
Dieva, Yordanka
International Folklore festival Burgas '82. – Bulg. Musicology, 1983, No 1, p. 102.
On the Track of a Forgotten Ritual in the Rhodopes. – Bulgarian musicology, 1985, № 1, p. 85.
Dimitriou, Kiriakos
Fundamental Compositional Approaches to Polychoral Style Based upon Zarlino's System (Le istitutioni
harmoniche). Vertical Voice Relationships. – Bulgarian musicology, 2010, No 1, p. 64.
Dimitrova, Maria
Boris L. Pasternak’s World of Music. – Bulgarian musicology, 1990, No 3, p. 87.
Dimitrova, Mariana
“Bolgarskij Rospev“ in the Context of a Manuscript from the End of the 17th Century. – Bulg. musicology, 1982,
No 1, 120.
Divine Services about Bulgarian Saints in the Old-Russian Musical Tradition. – Bulg. musicology, 1983, No 4,
p. 49.
Svetlana Kujumdzieva: “John Koukouzeles' Sticherarion. The Formation of the Notated Anastasimatarion”. –
Bulgarian musicology, 2007, No 2, p. 179.
Klara Mechkova: The Eight-Mode System of Byzantine Music as Reflected in Primary Theoretical Texts.
Tetraphony. – Bulgarian musicology, 2010, No 4, p. 106.
The “Bolgarskij Rospev” Repertoire in Joseph Kreinitski’s Collection from 1677. – Bulgarian musicology, 1989,
No 2, p. 75.
The Proceimena in the Byzantine Music Manuscripts from the 14th and 15th Century. – Bulgarian musicology,
1995, No 1, p. 53.
Theta Notation in Byzantine and Slavonic Manuscripts (11th-13th Centuries). – Bulgarian musicology, 2007,
No 3-4, p. 45.
Zur Frage der Aufnahme der mündlichen Tradition des Kirchen gesangs in die byzantinischen Handschriften des
14. Jh. – Bulgarian musicology, 1996, No 3, p. 65.
Zur Frage der Typologie der Groß-Skit Kloster-Musik man uskripte. – Bulgarian musicology, 1991, No 3, p. 8.
Dimov, Ventsislav
Bulgarian “Academic Musicians” in the Field of World Music. – Bulgarian musicology, 2002, No 3, p. 71.
Early Recordings of Traditional Bulgarian Instruments (Scientific and commercial recordings on LPs of traditional
aerophone instruments from Bulgaria made in the first half of the 20. century). – Bulgarian musicology, 2006, No
3, p. 95.
In Memory of Gencho Gaytandjiev 1935-2010. – Bulgarian musicology, 2010, No 2-3, p. 217.
Media Music in the Object Area of Ethnomusicology. – Bulgarian musicology, 2010, No 2-3, p. 23.
On Some Current Uses of Music in Media (The Media Wagner: Deconstructive Decays or New Syntheses?) . –
Bulgarian musicology, 2014, No 2, p. 67.
On Some Ideological Aspects of Bulgarian Ethnopop Music. – Bulgarian musicology, 1999, No 1, p. 45.
On the Musical Collage at an Approach in World Music. – Bulgarian musicology, 2001, No 2, p. 138.
Oriental Images amd Orbits in Music Recorded in Bulgaria During the First Half of the 20th Century. – Bulgarian
musicology, 2005, No 3, p. 136.
Roma Music in Research Recordings. – Bulgarian musicology, 2008, No 2, p. 163.
Antoaneta Radoslavova-Doicheva: Music in Bulgarian Radio (1930-1944). – Bulgarian musicology, 2012, No 1,
p. 105.
Society for Ethnomusicology in Atlanta, Georgia, USA, November 16-20, 2005. – Bulgarian musicology, 2006,
No 4, p. 118.
Studies of Recorded Music in Bulgaria During ihc First Half of 20 Ccniun Archives and Collections. – Bulgarian
musicology, 2005, No 1, p. 172.
The Zurna Music in Music Industry. – Bulgarian musicology, 2010, No 1, p. 47.
Three Books about the Radio Formats and Radio Profiles around the World. – Bulgarian musicology, 2010, No 2-3,
p. 206.
Two CD. – Bulgarian musicology, 2007, No 2, p. 191.
Zurnas and Nationalism. – Bulgarian musicology, 2003, No 4, p. 187.
… and Lozanka Peicheva. To Atlanta and... Forward. Bulgarian Participation in the 50th Annual Conference of the
Dinolov, Ljubomir
Pantscho Vladigerov als Interpret seiner eigenen Musik. – Bulgarian musicology, 1999, No 4, p. 20.
Dončev, Dončo
Emanuil Manolov in the Memories of His Contemporaries. – Bulg. musicology, 1984, № 1, p. 76.
Dosev, Ljuben
To Chicago and Back … After 103 Years. – Bulgarian musicology, 2002, No 3, p. 59.
Dotsinski, Asen
A Memoir for Vasil Stoin. – Bulgarian musicology, 1991, No 2, p. 99.
Draganova, Rositsa
Aspects of Modern terminology and the Current Music Program in the Bulgarian Schools of General Educational
(On Materials of the Practice in Elementary Schools). – Bulgarian musicology, 2009, No 3-4, p. 186.
Estai de Modélisation des Pratiques Concertantes en Bulgarie Contemporaine. – Bulgarian musicology, 1999,
No 3, p. 53.
Lullaby as Ihe Subject of Musical Terminology. – Bulgarian musicology, 2013, No 3-4, p. 134.
Mailing Lists or Melomanic in the Conditions of Internet. –Bulgarian musicology, 2002, No 2, p. 81.
MP3 or the Changing Patterns of Mustc Mating and Music perception (one non-specific example). – Bulgarian
musicology, 2001, No 2, p. 111.
On Paradigm Shifts, Music Making and Elementary Musical Pedagogy – Practice and Modernity. – Bulgarian
musicology, 2007, No 2, p. 69.
Polyphonic Phenomena and Imagery in Pancho Vladigerov's Piano Plays. – Bulgarian musicology, 1989, No 3,
p. 34.
Spezifik der zyklischen Ansichten in der Musik. – Bulgarian musicology, 1997, No 1-2, p. 197.
The Ideas of Music-Making, Composer's Work and Perfonnance Practices in the Context of the Contemporary
Research in Musicology. – Bulgarian musicology, 2011, No 2, p. 3.
The Musical Performance as a Problem of the Musical Theory. – Bulgarian musicology, 1999, No 1, p. 110.
The Urban Instrumental Traditional Practice and the Orchestra Culture in Bulgaria (from the middle of the 19th –
to the end of the 20th c.) — One Book, its History and Necessity. – Bulgarian musicology, 2001, No 3, p. 112.
To the Problem of Cyclic Development of Art Historical Protest: An Attempt to Define the Cyclic Idea. –
Bulgarian musicology, 1992, No 1, p. 25.
World Wide Web or About Open and Reduced Information Model. –Bulgarian musicology, 2002, No 2, p. 105.
Zur Frage der zyklischen Entwicklung des musikalischen Kulturprozesses: ein Versuch der Typologisierung der
zyklischen Vorstellungen. – Bulgarian musicology, 1991, No 3, p. 74.
Zur Frage des zyklischen Aufbaus der geschichtlichen und kulturellen Entwicklung
Versuch einer
Klassifizierung der diesbezüglichenVorstellungen. – Bulgarian musicology, 1996, No 4, р. 78.
Dragoeva, Penka
Six Exotic Preludes Op. 17 by Pantcho Vladigerov – Music-Technological Manifestations of the Exotic. –
Bulgarian musicology, 2009, No 2, p. 92.
Dragostinov, Stefan
Ivan Kachulev's Study “Shouting of the Peddlers” and its Projections in Composer’s Work. – Bulgarian
musicology, 2006, No 3, p. 109.
Dyakovski, Georgi
Characteristic Features on the Perception of Music by Students from the 1st to the 3rd Grade at School. –Bulgarian
musicology, 1989, No 2, p. 83.
Džidžev, Todor
A Lifetime Dedicated to Music. – Bulgarian musicology, 1985, № 3, p. 91.
Die Typologie als eine der grundlegenden Forschungsmethoden in der Folkloreforschung. – Bulgarian musicology,
1999, No 3, p. 91.
Factors of the Musical-Folklore Dialects in Bulgaria. – Bulg. musicology, 1982, No 1, p. 6
Raina Katsarova and Vasil Stoin. – Bulgarian musicology, 1984, № 3, p. 54.
Filip Kutev and the State Ensamble lor Folk Songs and Dances.– Bulg. Musicology, 1983, No 3, p. 86.
The Folk Choirs and Ensembles. – Bulgarian musicology, 1984, № 4, p. 61.
Einbrodt, Ulrich Diter
The Internet Musician. From Trackers, Sequencers, Software-Synthesizers. Virtual Sessions and MP3 Files
Changes in Music Production and Distribution. – Bulgarian musicology, 2001, No 2, p. 83.
Floros, Constantin
The deciphering of the Old Slavonic kondakarian notation. – Bulgarian musicology, 2013, No 1, p. 95.
Födemayr, Franz und Werner A. Deutsch
Zur Forschungsslrategie der vergleichend-systematischen Musikwissenschaft. – Bulgarian musicology, 1999, No
2, p. 5.
Forsyth, Martha
Traditional Singing During Harvest and Haying in the Samokov Region in 1988. – Bulgarian musicology, 1991,
No 1, p. 84.
Gajtandžiev, Genčo
A Substantial Sociocultural Problem in the Context of a Nearly Criminal Case (On the so called „journalistic
inquiries“, journalistic ethics, journalists’ responsibilities, and some typical techniques of the media manipulation.
– Bulgarian musicology, 2010, No 2-3, p. 168.
A Valuable Musical Pedagogical Document. – Bulgarian musicology, 1988, № 2, p. 116.
From Trivial to Original: the synthesis in the practice of Kou-Kou Band. – Bulgarian musicology, 2001, No 2,
p. 202.
Gencho Gajtandžiev-Bibliography. – Bulgarian musicology, 2010, No 2-3, p. 222.
On Some Trendsin Contemporary Bulgarian Musicology. – Bulgarian musicology, 1984, № 4, p. 42.
Petko Staynov and the Problems of School Musical Education. – Bulgarian musicology, 1987, № 2, p. 38.
The Musical Work of the children – an instrument and not a goal. – Bulg. musicology, 1982, No 1, p. 49.
The New “Profiles“ by Venelin Krastev: a Huge Creative Aim. – Bulgarian musicology, 1999, No 4, p. 81.
Ganev, Yordan
Problems Connected With the Old Modes. – Bulgarian musicology, 1990, No 2, p. 77.
Ganeva, Božanca
“Bulgarian Musical Folkloristics – Formation and Traditions” . –Bulgarian musicology, 1989, No 2, p. 98.
Bulgarian Children's Song Folklore. – Bulg. musicology, 1983, No 2, p. 102.
International Symposium to the Theme “The Historical Fate of the People and the Folk Art”. – Bulg. musicology,
1982, No 1, p. 80.
Intonations Similiarities of Some Spring Rituals. – Bulg. musicology, 1984, № 2, p. 80.
Intonations Similiarities of Some Spring Rituals. – Bulgarian musicology, 1984, № 2, p. 80.
Raina Katsarova at the Age of 80. – Bulg. musicology, 1982, No 3, p. 79.
…, Božidar Karastoyanov, Elisaveta Vâlchinova, Svetlana Nejčeva. 2nd International Congress of Bulgarian
Studies – Subsection Music. – Bulgarian musicology, 1986, № 4, p. 67.
Ganeva, Valentina
“Komposition aus zwei Formthemen“. – Bulgarian musicology, 2006, No 2, p. 86.
Genov, Yavor
Chant repertory for SS. Cosmas and Damian in Worcester Antiphoner, GB-WO R160. – Bulgarian musicology,
2014, No 3, 65-93.
The antiphonal genre in the Latin office of St. Nicolas. – Bulgarian musicology, 2012, No 2, p. 57.
The Bpeviary from the St. St. Cyril and Methodius National Library – Sofia. Some Observations on Repertoire. –
Bulgarian musicology, 2007, No 2, p. 167.
The Great Responsories for the Office of St. Nicholas in the Gregorian Antiphoner. To the Matter of Compilation
and Transmission. – Bulgarian musicology, 2013, No 1, p. 16.
To the Terminology of the Repertoire for Divine Office in the Gregorian Antiphoner. – Bulgarian musicology,
2013, No 3-4, p. 5.
Georgieva, Stanislava
The Intonation Formulae (Echemata) as an Element of the Eight-Mode System. Echemata -Lists in Byzantine
Papadike Treatises. – Bulgarian musicology, 2007, No 3-4, p. 124.
…, Yanko Marinov. Historical tracing of echemata section (tw=n h)xhma/twn) in byzantine musical treatises based
on sources dated between XII-XVI century. – Bulgarian musicology, 2004, No 2, p. 56.
Georgieva-Kujumdžhieva, Svetlana, see also Kujumdžhieva, Svetlana. The Weekly Herubic Songs in the
Repertory from the 19th Century. – Bulg. musicology, 1982, No 1, p. 71.
Gjuleva, Lilija
Performer's Problems in Petko Stajnov's Choral Works. – Bulgarian musicology, 1987, № 2, p. 43.
Goldenberg, Yosef
Folk Songs Recordings in Israel. – Bulgarian musicology, 2001, No 2, p. 148.
Goleminov, Marin
Musical Theather Works. An Interview. – Bulgarian musicology, 1998, No 3, p. 21.
Thoughts about My Works. – Bulgarian musicology, 1998, No 3, p. 9.
Works for the Musical Theather and Selected Bibliography. – Bulgarian musicology, 1998, No 3, p. 28.
Golemovich, Dimitrie
Contemporary Gusla Works. – Bulgarian musicology, 2010, No 2-3, p. 148.
Goshovskii, Vladimir
The Sociological Aspect of the Musical Ethnography. – Bulgarian musicology, 1985, № 4, p. 20.
Gradev, Nikolai
Non Classical Conditions Of Tonality In The Petko Staynov's Creation (Theoretical-Methodological Study On
The Composer's Choral Music). – Bulgarian musicology, 1995, No 4, p. 46.
The Role of Modality in Petko Stainov Musical Concepts. – Bulgarian musicology, 1997, No 3, p. 43.
The Symmetrical-Modal Musical Thought of Dimitar Nenov in Piano Etude No 1. – Bulgarian musicology, 2008,
No 1, p. 39.
The Symmetrical-Modal Musical Thought of Dimitar Nenov in Piano Etude No l. Part II. – Bulgarian musicology,
2008, No 2, p. 3.
“... Und das Suchen nach dem Neuen, des bis dahin Ungesagten“ 1. Teil. Zur Erarbeitung einer harmonischen und
strukturellen Methode zur Erforschung des kreativen Denkens von Dimitar Nenov. – Bulgarian musicology, 2000,
No 1, p. 99.
Gramatikoff, Iliya
St Luke Passion by Krzysztof Penderecki as Weltanschauungsmusik (Part I: Social and cultural context). –
Bulgarian musicology, 2014, No 3, 94-115; Part II: Theological and hermeneutical foundations in the composition
of the libretto. – Bulgarian musicology, 2014, No 4, 72-99.
Gramatikova, Biserka
Some Moments in the Development of the National School of Music with the Musical Society “Native Sounds” in
the Town of Burgas. – Bulgarian musicology, 1991, No 1, p. 103.
The Arrangements Of Georgy Shagounov (Based On Documents From The Regional State Archive – Bourgas). –
Bulgarian musicology, 1994, No 1, p. 49.
The Beginning of the Road. – Bulgarian musicology, 1998, No 2, p. 62.
Pantscho Vladigerov und Burgas in der ersten Hälfte des 20 Jh. – Bulgarian musicology, 1999, No 4, p. 40.
Grigorov, Dimitâr
Orthodox Music in Academic Practices. – Bulgarian musicology, 2002, No 3, p. 90.
Grinchenko, Olga
Slavonic Kontakaria and Their Byzantine Counterparts: Discrepancies and Similarities. – Bulgarian musicology,
2012, No 3-4, p. 57.
Hannick, Christian
A Musical and Liturgical Meaning of Kratema and Prologos in the Byzantine Manuscripts till the 15th c. –
Bulgarian musicology, 1992, No 2, p. 93.
Lada Braschowanowa: Die mittelalterliche bulgarische Musik und Joan Kukuzel. – Bulgarian musicology, 1986,
№ 3, p. 78.
On the Problem of Modality In “Bolgarskij Rospev“. – Bulg. musicology, 1982, No 1, p. 10.
Harizanov, Georgi
For Some Terms in the Theory of Bulgarian Traditional Music Borrowed from Eastern (Persian, Arabian and
Turkish) Music Theory. – Bulgarian musicology, 2009, No 1, p. 21.
Music from Turkey in the Diaspora. – Bulgarian musicology, 2010, No 2-3, p. 193.
The Development of the Bulgarian Ethnomusicology in Retrospection. – Bulgarian musicology, 2009, No 3-4,
p. 85.
Hârkov, Stefan
A Glance at the Beginning of Musical Work of Ivan Kachulev. – Bulgarian musicology, 2006, No 3, p. 66.
Church Singing Schools – Centers of Bulgarian Church Singing During the Revival Period. – Bulgarian
musicology, 2007, No 3-4, p. 220.
Petâr Dinev About the Rclhgious Schools of Singing in Bulgaria During the Revival. – Bulgarian musicology,
1990, No 2, p. 89.
Svetlana Kujumdzhieva: “Early National Revival Bulgarian Music – Sources and Chant Repertory. Yoasaph of
Rila”. – Bulgarian musicology, 2006, No 1, p. 133.
Dragan Manchov’s Churchsong Printed Collection. – Bulgarian musicology, 1991, No 2, p. 55.
Gesänge zu Ehren des heiligen Märtyrers Nikita des Gotischen in Musikhandschrirten des 13/14. und des 18. Jh. –
Bulgarian musicology, 1999, No 3, p. 79.
Musical Manuscripts from Sozopolis. – Bulgarian musicology, 2012, No 3-4, p. 71.
Neue Angaben zem Musikfragment aus Sliven (18. Jh.). – Bulgarian musicology, 2000, No 2, p. 75.
Newly Found Music Manuscript Fragment in the History Museum in Sliven. – Bulgarian musicology, 1992, No 1,
p. 65.
Polyphonic Chanting and Cultural Identity During the Bulgarian National Revival. – Bulgarian musicology, 2003,
No 4, p. 91.
“Slavonic Musical Manuscripts in Rila Monastery”. Valuable Contrubution to the Study of Orthodox Music. –
Bulgarian musicology, 2013, No 2, p. 98.
Vertreter der Familie Zefarovic im Wiener Musiklieben Ende des 18. und Anfang des 19. Jh. – Bulgarian
musicology, 1999, No 2, p. 86.
Hemetek, Ursula
Research on Roma music as a paradigm of minority research. – Bulgarian musicology, 2008, No 1, p. 136.
Hristov, Dimitâr
A New Encyclopedial Work in German. – Bulgarian musicology, 1989, No 4, p. 103.
Some Questions of Contemporary Bulgarian Creative. Work and the Fight for an Artistic Reflection of our
Socialist Contemporaneity. – Bulgarian musicology, 1984, № 4, p. 25.
… and Mihail Bukurestliev. ISME: Two musical scientific events.. – Bulg. Musicology, 1983, No 1, p. 93.
Hristova, Mariela
About Some Resemblances and Differences in the Instrumental Folklore of Grebens and the Settlers in the
Dobrudza-Region. – Bulgarian musicology, 1992, No 1, p. 38.
Bulgarische Straßenmusikanten der Gegenwart (zum Ausgang des 20-sten Jahrhunderts). – Bulgarian musicology,
1999, No 2, p. 149.
Initiations — Liederzyklen in der musikalischen Folklore der Gagausen in Bulgarien. – Bulgarian musicology,
1999, No 3, p. 114.
On the Wandering Gypsy Bear-Trainers. – Bulgarian musicology, 1997, No 4, p. 71.
One Interesting Festival. – Bulgarian musicology, 1994, No 2, p. 104.
The National Rebec School at the Village of Popina, Silistra District. Traditions and Continuity in the Work of the
Children’s Rebec Orchestra. – Bulgarian musicology, 1991, No 1, p. 91.
Hurcidze, Liya
On Some Peculiarities in the Sympho-Style of Pancho Vladigerov. – Bulg. musicology, 1984, № 1, p. 60.
Ignatov, Ljubomir
Newly Discovered Sources about the Life and the Church-music Work of Dimitar Zlatanov-Gradoborski. –
Bulgarian musicology, 2009, No 1, p. 34.
Ilič, Daniela
A Bulgarian Dance as a Finale of the Orchestral Suite “Balkanophonia” by Josif Slavenski. – Bulgarian
musicology, 2009, No 3-4, p. 169.
Ilieva, Anna
Founder of the Science of Bulgarian Dance folklore. – Bulgarian musicology, 1984, № 3, p. 70.
Ilieva, Bagryana
Artistic-Creative Work" and Romantic Trend in the Art"). – Bulg. musicology, 1982, No 1, p. 41.
In memoriam. Prof. D. Sc. Rosalia Biks (1933-2013) . – Bulgarian musicology, 2013, No 3-4, p. 112.
In memoriam. Prof. D. Sc. Svetlana Zaharieva. – Bulgarian musicology, 2013, No 2, p. 117.
“Romantic Romanticism, Romance and Creative Work of Romantic Type in the Music about the Concepts
“Romantic Artistic-Creative Work" and Romantic Trend in the Art"). – Bulg. musicology, 1982, No 3, p. 14.
Petko Staynov’s Work as a “Romantic Type of Work”. – Bulgarian musicology, 1987, № 2, p. 93.
Ivanov, Atanas
About the First Brass Band in Bulgaria. – Bulg. musicology, 1983, No 4, p. 97.
Ivanov, deacon Ivan Stoyanov
Byzantine Liturgical Chants from Southern Italy. – Bulgarian musicology, 2004, No 2, p. 128.
The Missionary Deeds of the Holy Brothers Saints Cyril and Methodius and of their Disciples According to
Musical and Hymnographic Evidence. – Bulgarian musicology, 2007, No 3-4, p. 30.
The Theological Aspect of Medieval Musical Treatises. – Bulgarian musicology, 2007, No 3-4, p. 164.
Theory and Praxis – Liturgy and Music – Tradition and Contemporaneity. – Bulgarian musicology, 2009, No 2,
p. 42.
Ivanova, Daniela
Fire-Dancing Today: a Gift or Archetype Awakening? – Bulgarian musicology, 2003, No 1, p. 86.
Ivanova, Manya
Bibliography of published Manuscripts by Todor Ivanov Zhivkov. – Bulgarian musicology, 2002, No 3, p. 171.
40th Anniversary of the Institute of Musicology. Selected Bibliography. Compiled by... – Bulgarian musicology,
1988, № 4, p. 7.
Journal “Bulgarian musicology” (1977-1991). Bibliography. Compiled by ... – Bulgarian musicology, 1992, No 4,
p. 79.
Ivan Kachulev. Bibliography. – Bulgarian musicology, 2006, No 3, p. 110.
Philip Koutev. Bibliography, Notography and Discography. – Bulgarian musicology, 2004, No 3, p. 18.
Dimitâr Nenov. Ausführliche Bibliographie. – Bulgarian musicology, 2000, No 1, p. 147.
Publications About Vasil Stoin. Compiled by ... – Bulgarian musicology, 1991, No 2, p. 103.
Ten Years of Bulgarian Musicology (1977-1986). Compiled by ... – Bulgarian musicology, 1986, № 4, p. 78.
The Music Sources in Bulgarian Press Periodicals During the 40ies of the 19th Century. – Bulgarian musicology,
1992, No 1, p. 98.
The Music Sources in Bulgarian Press Periodicals During the 50-ies of the 19th c. – Bulgarian musicology, 1992,
No 3, p. 81.
Veselin Stoyanov Bio-Bibliognphy, Notography. – Bulgarian musicology, 2002, No 4, p. 130.
…, Asen Atanasov and Milka Miladinova. Venelin Krastev. Bibliography. – Bulgarian musicology, 2005, No 2,
p. 101.
Ivanova, Tsvetana
Das Echo der Hymnen im Lazar Nikolovs Schaffen. – Bulgarian musicology, 2010, No 4, p. 35.
Klaviergrundlage und Die Sprachart in Lazar Nikolovs Musik. – Bulgarian musicology, 2012, No 2, p. 12.
The Piano Core in Lazar Nikolov's Way of Thinking. – Bulgarian musicology, 2010, No 1, p. 107.
Kachulev, Ivan
Signal giving whistlings. – Bulg. Musicology, 1983, No 1, p. 82.
Kaleva, Stefka
Communicational Abilities of the Musical Genres on the TV Screen. – Bulgarian musicology, 1989, No 3, p. 85.
Kaludova, Adelina
Dimitâr Tâpkoff – Creative Work Chronograph. – Bulgarian musicology, 2010, No 1, p. 32.
Karafezliev, Atanas
New Performing Techniques, Technological Innovations in Trombone Playing and their Use in Contemporary
Bulgarian Chamber Music. – Bulgarian musicology, 2010, No 4, p. 90.
Karaivanova, Binka
Vesselin Stoyanov's Musical Thinking as Reflected in his Piano Works for Children. – Bulgarian musicology,
2012, No 1, p. 12.
Karakostova, Antonia
The Message of the Name. – Bulgarian musicology, 2006, No 2, p. 41.
Karakostova, Rumyana
Children's Operetta in Bulgaria. Repertory Catalogue 1906-1954. – Bulgarian musicology, 2002, No 1, p. 92.
“Chorus and Chorus-masters in the Bulgarian Opera Theater”. – Bulgarian musicology, 2002, No 4, p. 166.
Foundamental Contribution. – Bulgarian musicology, 2004, No 3, p. 118.
If there is an Achievment and the Price is too High (An Interview with Neshka Robeva). – Bulgarian musicology,
2003, No 2-3, p. 144.
Music criticism on Lubomir Pipkov's operas and their Stagings. – Bulgarian musicology, 2014, No 2, p. 31.
Anda Palieva: HomoMusicus Between the Balkans and Europe. Intentions and Appearances of the Supra-National
in the Bulgarian Compositional Consciousness. – Bulgarian musicology, 2008, No 2, p. 151.
Repertoire Landmarks in the Musical Stage Works of Parashkev Hadzhiev. – Bulgarian musicology, 2012, No 1,
p. 40.
Asen Ruskov – Emblem of the Comic on our Operetta Stage (A Sketch to the Creative Profile of the Actor). –
Bulgarian musicology, 2003, No 2-3, p. 72.
Sofia Operette Theaters and their Contribution to the Development of Genre (1930-1945). – Bulgarian musicology,
1998, No 3, p. 79.
Veselin Stoyanov in the Memories of his Students. – Bulgarian musicology, 2002, No 4, p. 129.
Veselin Stoyanov Musical-Scenic Works. Alphabetical Index. – Bulgarian musicology, 2002, No 4, p. 98.
Veselin Stoyanov’s Operettas. – Bulgarian musicology, 2002, No 4, p. 85.
The Beginning Of Bulgarian Opera Theatre. – Bulgarian musicology, 1995, No 4, p. 74.
The Bulgarian Operetta Creations during the Period Between the Two World Wars. – Bulgarian musicology, 1990,
No 4, p. 47.
The Concept Musical Theater in Bulgaria (Situating of the Problem). – Bulgarian musicology, 2009, No 3-4,
p. 176.
The Cooperative Theater – the “Golden Age” of Bulgarian Operette Art. – Bulgarian musicology, 1998, No 2,
p. 79.
“The Nightingale of Orchid” by Alexander Raichev and the National Pattern of Contemporary Revue-Operetta. –
Bulgarian musicology, 2012, No 2, p. 49.
The Repertoire of the Stale Musical Theater: Criterion for a Genre Image and Identity. – Bulgarian musicology,
1999, No 3, p. 63.
Two books devoted to Petko Staynov “Petko Staynov in the Memory of Time” and “Choral Songs by Petko
Staynov”. – Bulgarian musicology, 2011, No 2, p. 92.
Two Classic Repertoire of the 50 Years of the 20th Century. – Bulgarian musicology, 2011, No 1, p. 13.
Ivanka Vlaeva: “The Creative Choices of Lyubomir Denev and the Improvisation”. – Bulgarian musicology, 2009,
No 2, p. 124.
With Multidirectional Perspective. – Bulgarian musicology, 2005, No 2, p. 136.
Lazarova- Karakostova, Rumyana, see also Karakostova, Rumyana
First Bulgarian Operetes — Professional Attempt And Historical Heritage. – Bulgarian musicology, 1995, No 3,
p. 90.
Karanlâkov, Latchezar
Dimitar Nenov: the Documents are Speaking.. – Bulgarian musicology, 2011, No 3-4, p. 8.
Karapetrov, Konstantin
A Spark in our Cultural Dusk.(A Monograph by Venelin Krastev “Emil Tabakov”. – Bulgarian musicology, 2002,
No 1, p. 108.
Karastoyanov, Božidar
Ornamentation in “Bolgarskij Rospev“. – Bulg. musicology, 1982, No 1, p. 114.
Stihera for Boris and Gleb “Plotskuju bogatiasha”– Remarcable Model of the Old Russian Art of Singing. –
Bulgarian musicology, 1987, № 3, p. 66.
Structural Units of the Second Level in Monody and their Formulais Realizations. –Bulgarian musicology, 2002,
No 2, p. 15.
The “Popevka” and “Phyta” in Znamennoj Rospev Centon-compositions and Their Basic Formulae. – Bulgarian
musicology, 1991, No 1, p. 70.
The Syllable – the Tiniest Vocal Meaningful Unit in Znamennoj Rospev. – Bulgarian musicology, 1986, № 4,
p. 34.
The Tunes of the Russian Znamennoj Raspev. – Bulgarian musicology, 1986, № 1, p. 50.
Two Newly Founded Music Sources in Slavonic for the Singing Practice during the 16th Century. – Bulgarian
musicology, 1985, № 2, p. 13.
Kârklisiiski, Tomi
A Condition Of Theoretical Image For The Musical Analitic Meaning (The Scopes, Commentaries, Aspects). –
Bulgarian musicology, 1995, No 4, p. 75.
Johannes Brahms – To The Problem Of The Identification in the Art. – Bulgarian musicology, 1993, No 4, p. 75.
On Art Logic (Structure - Time - Perception) in Johannes Brahma's Ballades op.10. – Bulgarian musicology, 1992,
No 4, p. 78.
On The Symphonic Creativity Of J. Brahms -An Approach To The Reprise As A Problem Of The Continuum. –
Bulgarian musicology, 1994, No 3, p. 79.
Kristina Yapova: The Musk that lifts up the Hearts. – Bulgarian musicology, 2008, No 2, p. 156.
Kartalov, Plamen
Genealogy of the Libretto “Yana's Nine Brothers”. – Bulgarian musicology, 2004, No 4, p. 97.
Kaufman Dimitrina
Achievements and Trends of Development of Professional Folk Song and Dance Companies. – Bulgarian
musicology, 1986, № 1, p. 102.
Die mehrstimmige Struktur — ein räumliches Modell der Riten des Übergang. – Bulgarian musicology, 1999,
No 2, p. 129.
Fifth National Conference of Bulgarian Ethnographers. – Bulgarian musicology, 1984, № 2, p. 92.
Reflection on Koprivstica'86. – Bulgarian musicology, 1987, № 1, p. 77.
The Instrumental Folk Music in Raina Kacarova's Investigations. – Bulgarian musicology, 1984, № 3, p. 77.
The Instrumental Folk Music in Raina Kacarova's Investigations. – Bulgarian musicology, 1984, № 3, p. 77.
The Music of Diko Iliev under the Eyes of the Folklorist. – Bulg. musicology, 1984, № 1, p. 46.
The Work for Folklore Choirs and Ensembles. – Bulgarian musicology, 1986, № 2, p. 33.
Traditional Instrumental Music from Southwest Bulgaria – the Pirln Region. – Bulg. musicology, 1983, No 2,
p. 100.
…., Božanka Ganeva, Ruža Nejkova. 7th International Symposium on Folklore. – Bulgarian musicology, 1985,
No 4, p. 75.
Kaufman Nikolai
A Glimpse at Bulgarian Satirical and Protest Songs. – Bulgarian musicology, 1986, № 3, p. 61.
Bulgarian Folk Choirs and Ensembles. – Bulgarian musicology, 1986, № 2, p. 77.
Creative works on musical folklore. – Bulg. Musicology, 1983, No 1, p. 83.
Folklore und Religion. – Bulgarian musicology, 1999, No 2, p. 28.
Ivan Katchulev (1905-1989). – Bulgarian musicology, 1989, No 4, p. 94.
Raina Katsarova and the Institute of Musicology. – Bulgarian musicology, 1984, № 3, p. 51.
Musical Folklore and History.– Bulg. Musicology, 1983, No 3, p. 65.
“Muzika” Publishing House — 1983 Folklore Collections. – Bulg. musicology, 1984, № 2, p. 81.
New Data on Working-Class Songs. – Bulgarian musicology, 1986, № 1, p. 86.
Petko Staynov's Work and Folklore. – Bulgarian musicology, 1987, № 2, p. 19.
The Partisan Composer Marin Penkov. – Bulgarian musicology, 1985, № 4, p. 66.
The Russian and Soviet Song in the Anti-Fascist Strugle of the Bulgarians. – Bulgarian musicology, 1986, № 4,
p. 32.
The Songs of the Singers of Satiric Songs Milenkov and Dzib. – Bulgarian musicology, 1985, № 2, p. 60.
… and Dimitâr Stojnov. The Songs of Vassil Levski. – Bulgarian musicology, 1986, № 4, p. 87; 1988, № 2, p. 85.
Kavaldzhiev, Ljubomir
Contemporary Music and Computer Equipment. – Bulgarian musicology, 1997, No 4, p. 36.
Die bulgarische Musikkultur im Übergang zur Imtormation Society. – Bulgarian musicology, 2000, No 3, p. 124.
Die moderne Musikterminologie als Informationssystem. – Bulgarian musicology, 1996, No 3, p. 22.
Electro-acoustic Musical Practice in Bulgaria. Specifics and Approaches. –Bulgarian musicology, 2002, No 2,
p. 91.
General Theory of Music Culture Through The Age Of Scientific Technical Revolution (In Bulgaria During 80ies
And 90ies [of XX c.]). – Bulgarian musicology, 1993, No 3, p. 31.
Knight at Sundown (An Essay with Questions and Answers about Theodor Adorno) . –Bulgarian musicology,
1989, No 2, p. 49.
MUSIC? (Anti-Deconstruction in Terminological Discourse). – Bulgarian musicology, 2008 , No 3-4, p. 5.
Non-Classical Approach and Topicality in the Attitude towards the Ancient Symbols of Musical Culture. –
Bulgarian musicology, 1986, № 1, p. 39.
On Up-to Date Change of Paradigms in Music Research Methodology. – Bulgarian musicology, 2006, No 1, p. 51.
Preface by editor. –Bulgarian musicology, 2002, No 2, p. 3.
The Place Of Music In The Contemporary Information Model Of The Culture. – Bulgarian musicology, 1995,
No 3, p. 75.
“The Player in Folk culture”. – Bulgarian musicology, 1989, No 3, p. 86.
The Third Wave and the Popular Mutic (four models observed in the musical culture development). – Bulgarian
musicology, 2001, No 2, p. 19.
Theory of the Musical Culture – Structure and Functions.– Bulg. Musicology, 1983, No 3, p. 19.
To The General Theory Of The Sound (Part One). – Bulgarian musicology, 1994, No 2, p. 25.
To The General Theory Of The Sound (Part Two). – Bulgarian musicology, 1994, No 3, p. 78.
Totalitarismus und Kultur (Über den östichen Zerfall der Ideen der Aufklarung). – Bulgarian musicology, 1991,
No 4, p. 61.
Toward an Informational Model of Music. – Bulgarian musicology, 2008 , No 3-4, p. 220.
Zur Terminologicanalyse: zum gegenwärtigen Gebrauch der Begriffe Sound und elektronische Musik. – Bulgarian
musicology, 1999, No 2, p. 44.
Kazandzhiev, Vasil
Living in the Memory. – Bulgarian musicology, 2011, No 3-4, p. 121.
Kazandzhieva-Velinova, Zvezdelina
Preliminary Attempts to Summarize the Basic Problems of Social Psychology of Music. – Musicology, 5, 1980, p.
13.
Kearney, Kirsten
Playing Monopoly with the Academics. – Bulgarian musicology, 2001, No 2, p. 167.
Kolarov, Rumyan
The Lazar Original Bridegroom in North Eastern Bulgaria. – Bulgarian musicology, 1988, № 3, p. 74.
The “Lazarian” Songs from the Region of Ruse.– Bulg. Musicology, 1983, No 3, p. 85.
“Metrorythmic and Functional and Intonational Typology in Bulgarian Folk Songs” . –Bulgarian musicology,
1989, No 2, p. 101.
Kolarova, Emilia
Gattungsimpulse im Werk von Pantscho Vladigerov — Gesetzmäßigkeit oder Zufall. – Bulgarian musicology,
1999, No 4, p. 27.
Is the “Balkan Syndrome” Balkan?. – Bulgarian musicology, 2003, No 4, p. 160.
Konotop, Anatolii
Peculiarities of the Attributions of the Bulgarian and Other Local Chants in the Practice of the Ukrainian Art of
Singing in the 16-17th Centuries. – Bulg. musicology, 1982, No 1, 102.
Unknown Partiture of Bolgarskij Raspev in Russian Neumatic Manuscript from the 17th Century. (On The
Problem Of Transcription). – Bulgarian musicology, 1993, No 3, p. 49.
Konov, Yavor
An Attempt at Comparison With the First of Them - Musical Lexicon of Walter (1732). – Bulgarian musicology,
2006, No 2, p. 101.
An Attempt to Thematically Systematize Lexicographical Units in the Dictionaire de musique (2, 1705) by
Sebastien de Brossard (1655-1730) and to Quantify the Classes Formed. – Bulgarian musicology, 2008 , No 3-4,
p. 88.
Sebastien de Brossard (1655-1730) and Neophit Rilski (1793-1881): Ecclesiastics, Erudites, Scholars, Teachers,
Educators, Musicians, Lexicographers. – Bulgarian musicology, 2009, No 3-4, p. 43.
Die erste Cembalo — Abhandlung aus der Entfernung von drei Jahrhunderten. – Bulgarian musicology, 1999,
No 4, p. 91.
W. A. Mozart – Praktische Elementen des Generalbaß. – Bulgarian musicology, 2001, No 1, p. 100.
Socio-cultural and Professional Problems of the Clergy-musician and Erudite in the “King-Sun” Epoch. –
Bulgarian musicology, 2006, No 1, p. 124.
The Basso Continuo Treatises till the Death of Sebastien de Brossard (1655-1730). – Bulgarian musicology, 2010,
No 4, p. 70.
The Bulgarian Text Books On Counterpoint and the Development of the School Discipline Polyphony. –
Bulgarian musicology, 1989, No 3, p. 76.
The Impact of the Dictionary of Sebastian De Brossard On Further Lexicographic Editions Prom the Same Epoch.
Zarlino and the Art of Counterpoint. – Bulgarian musicology, 2004, No 1, p. 135.
Konstantinova, Nina
Stylistic Peculiarities of the Partsinging Choral Arrangements of “Bolgarskij Rospev“. – Bulg. musicology, 1982,
No 1, p. 22.
Konsulova, Violeta
Maria Dimova's Creative Work During the 1920ies and '30ies. – Bulg. musicology, 1984, № 2, p. 67.
Bogdan Kovachev. – Bulgarian musicology, 1995, No 1, p. 98.
Soviet Balet-masters in Bulgaria. – Bulgarian musicology, 1985, № 1, p. 54.
The Soviet Ballet in Bulgaria. – Bulgarian musicology, 1986, № 4, p. 55.
Kornii, Lidiya
“Bolgarskij Rospev“ In the Ukraine at the End of the 16th – 17th Centuries. – Bulg. musicology, 1982, No 1, p. 142.
Kostakeva, Maria
An Icon and a Monster. – Bulgarian musicology, 2014, No 2, p. 111.
Problems of Terminology and Verbal Mediation in New Music. – Bulgarian musicology, 2008 , No 3-4, p. 172.
Shostakovich's Operas in the Context of Russian-Soviet National Traditions. – Bulgarian musicology, 1986, № 4,
p. 65.
To the Methods of Analysing the Dramatic Structure of the Musical Theatre. – Bulgarian musicology, 1985, № 4,
p. 30.
Kotseva, Elena
The Preface in two Heirmologlons from the 17th Century. – Bulg. musicology, 1982, No 1, 106.
Koukoushev, Konstantin
The Music Education in Varna s Bulgarian School During The Second Half of The XIX c. – Bulgarian musicology,
1994, No 3, p. 30.
Koumichin, Ivan
The Instrumental Folk Music Recorded by Vasil Stoin. – Bulgarian musicology, 1991, No 2, p. 81.
Koumichin, Maria
Ideological Framework of the Issue “Modernity - Folklore” During the 1950s-1970s (Reading Todor Todorov) . –
Bulgarian musicology, 2013, No 3-4, p. 68.
Methods of Describing the Phonic Records in the Archives. – Bulgarian musicology, 2005, No 1, p. 130.
Kouteva, Elena
Modality in 20th Century. From Monody to New Modality. – Bulgarian musicology, 1993, No 1, p. 32.
Some Principles of the Folklore Morphology in Contemporary Bulgarian Composer's Work... 88
The East and the West in Bulgarian Traditional Music. – Bulgarian musicology, 1997, No 3, p. 86.
The Terminological Apparatus in the Melodic Concepts of Bulgarian. – Bulgarian musicology, 1988, № 1, p. 44.
Kouteva, Maria
Philip Koutev – Life in Dates. – Bulgarian musicology, 2004, No 3, p. 3.
Kožuharov, Iliya
A Musical Psychophysical Experiment. – Bulgarian musicology, 1990, No 1, p. 67.
A Possible Idea for a Unified Functional Theory. – Bulgarian musicology, 1989, No 1, p. 90.
The Multi-Dimensional Space in the Musical Process. – Bulgarian musicology, 1988, № 3, p. 50.
Kracheva, Lilia
Creativity-performance. Communicative models. – Bulgarian musicology, 2014, No 4, 55-99.
Kraev, Georg
Claire Levy: Ethnojazz: Local Projections in the Global Village. – Bulgarian musicology, 2008, No 2, p. 160.
Krâstev, Venelin
A Historic Stage in the Re-creation of the Bulgarian Music and Dance Folklore. – Bulg. musicology, 1984, № 1,
p. 26.
Bulgarian Music for the Last Three Decades. – Bulgarian musicology, 1986, № 2, p. 17.
Four Decades Socialist Musical Culture. – Bulgarian musicology, 1984, № 4, p. 17.
Fourtieth Anniversary of the Institute of Musicology. – Bulgarian musicology, 1988, № 4, p. 3.
“History of the Russian Music, vols. I and 2”. – Bulgarian musicology, 1985, № 3, p. 95.
In memoriam [Stoyan Stoyanov].– Bulg. musicology, 1983, No 3, p. 48.
In the Days of the Successive Review of “New Bulgarian Music”. – Bulgarian musicology, 1989, No 3, p. 15.
Stefan Makedonski. – Bulgarian musicology, 1985, № 4, p. 50.
New Bulgarian Music ’87. – Bulgarian musicology, 1987, № 3, p. 13.
New Bulgarian Music '86. – Bulgarian musicology, 1986, № 3, p. 33.
New Bulgarian Music’85. – Bulgarian musicology, 1985, № 3, p. 4l.
On the Historical Development of Bulgarian Music. – Bulgarian musicology, 1988, № 4, p. 40.
Alexander Raichev in the Spiritual Orbit of Shostakovich. – Bulgarian musicology, 2002, No 4, p. 161.
Reflections on “New Bulgarian Music ‘84”. – Bulgarian musicology, 1984, № 4, p. 79.
Tsvetana Tabakova. – Bulgarian musicology, 1990, No 2, p. 39.
Taking a Look at the Bulgarian-Soviet Musical Cooperation. – Bulgarian musicology, 1986, № 4, p. 16.
The Annual Survey (“New Bulgarian Music ‘88”). – Bulgarian musicology, 1988, № 2, p. 14.
The Individual Model of Bulgarian Music after Bulgaria’s Liberation from Ottoman Yoke. – Bulgarian
musicology, 1989, No 1, p. 17.
Krâsteva, Evelina
Chamber Choirs in Bulgaria. – Bulgarian musicology, 2010, No 1, p. 21.
The Choir at the St Sedmochislenitsi (The Seven Saints) Church in Sofia. – Bulgarian musicology, 2007, No 2,
p. 178.
Krâsteva, Nadya
On Sonic Composition Techniques in Veselin Stojanov’s Piano Concertos. – Bulgarian musicology, 2002, No 4,
p. 115.
Krâsteva, Neva
Contrapunctus et Compositio: Aspects of the Polyphonic Creation. – Bulgarian musicology, 1994, № 4, p. 71.
Die Heterophonie von Vladimir Panchev. – Bulgarian musicology, 1999, No 2, p. 73.
Liubomir Pipkov's Choral Polyphony. – Bulg. musicology, 1984, № 2, p. 36.
Polyphonic Techniques in the Creative Work of the First Bulgarian Composers. – Bulg. musicology, 1982, No 3,
p. 43.
Polyphonic Vehicles in the Choral Music of Petko Stajnov.– Bulg. Musicology, 1983, No 3, p. 31.
Tszvetelina Slavova: “Zdravko Manolov”. – Bulgarian musicology, 2009, No 2, p. 122.
The Polyphony in Svetoslav Obretenov's Choral Work. – Bulgarian musicology, 1985, № 1, p. 29.
“The Romantic fugue” in Petko Staynov's Ballad “Urvich”. – Bulgarian musicology, 1997, No 3, p. 60.
Krâsteva, Radostina
Große Doxologie, 6, Echos von dem Mönchspriester Neophytos von Rila. – Bulgarian musicology, 2000, No 2,
p. 126.
Krâsteva-Stoyanova, Evelina
On the History of Radio in Bulgaria – Radio and Music Groups. – Bulgarian musicology, 2010, No 2-3, p. 67.
Kraus, Beate Angelika
Das Beethoven-Archiv: Möglichkeiten und Autgaben für die Forschung im Beethoven-Haus Bonn. – Bulgarian
musicology, 2011, No 3-4, p. 166.
Krieger, Franz
One more, Grammy for Whitney Houston: annotanons to musical roots and musical identity in the era of
globalisation. – Bulgarian musicology, 2001, No 2, p. 44.
Krumov, Petâr
Formation and Development of the Folk lnsiruments Orchestra. – Bulgarian musicology, 1984, № 4, p. 67.
Kujumdzhiev, Julian
A Monograph about the Austrian Composer Emanuel Aloys Förster, written by a Bulgarian. – Bulgarian
musicology, 2013, No 3-4, p. 82.
Die Kirchliche Musik von 1878 bis zu den 30er Jahren — zwishen „Altem“ und “Neuen“. – Bulgarian musicology,
2000, No 2, p. 135.
Old Bulgarian Church Singing Vs. Eastern Church Singing. Semantic Differences in the Usage of Concepts
During the Discussion from the Late 19th and Early 20th Century. – Bulgarian musicology, 2013, No 3-4, p. 65.
Kujumdzhieva, Polina
Problems with the Semantic Meanings of Musical Terminology Translated into Bulgarian. – Bulgarian
musicology, 2008 , No 3-4, p. 210.
Kujumdzhieva, Svetlana
A Life Devoted to Science [In Memoriam. Prof. Elena Toncheva, D. Sc. (26. VI. 1933-3. II. 2011)]. – Bulgarian
musicology, 2011, No 1, p. 88.
“Bolgarskij Rospev“. as Viewed by the First Bulgarian Musical and Public Figures after the Liberation and the
Choral work in Bulgaria since the middle of the XIX century to 9 IX in 1944. – Bulgarian musicology, 1987, № 3,
p. 100.
Deacon Ivan Stoyanov Ivanov: Between Angels and Men. – Bulgarian musicology, 2008, No 1, p. 141.
Dispute about It. – Bulg. musicology, 1982, No 1, p. 128.
In Looking for the Early Oktoechoi. – Bulgarian musicology, 2009, No 2, p. 3.
Joasaph of Rila. – Bulgarian musicology, 2007, No 3-4, p. 202.
Yavor Konov: Lexicographic, Historiographic & Bibliographic Legacy of Sebastiene de Brossard (1655-1730) Ecclesiastic, Musician & Erudite. – Bulgarian musicology, 2009, No 2, p. 117.
John Koukouzeles‘ Sticherarion – New Data. – Bulgarian musicology, 2000, No 2, p. 62.
Looking for the Cultural Identity of the Medieval Bulgarian Church Music (To the formulation of ihe problem). –
Bulgarian musicology, 2003, No 4, p. 52.
“Military Brass Bands in Bulgaria and Their Repertory — 1879-1944”. – Bulgarian musicology, 1985, № 3,
p. 101.
Questions of Musical Source-Knowledge (Based on Materials from the Post-Byzantine Period). – Bulgarian
musicology, 1997, No 1-2, p. 38.
Michel de Saint-Lambert. Les Principes du Clavesin. Nouveau Traite de l’accompagnement du Clavesin, de
I’Orgue et des Autres Instruments. – Bulgarian musicology, 1999, No 3, p. 130.
St. John Koukouzeles. – Bulgarian musicology, 2007, No 3-4, p. 57.
60 Years Musicology in BAS. TheBegining. – Bulgarian musicology, 2009, No 3-4, p. 4.
The Field of Old Bulgarian Music – Changing Perspectives. – Bulgarian musicology, 2009, No 3-4, p. 10.
The Historical-liturgical Reports About The Kekragarion Verses. – Bulgarian musicology, 1994, № 4, p. 34.
The Historical-liturgical Reports About The Kekragarion Verses. – Bulgarian musicology, 1994, No 4, p. 13.
The Kekragaria Verses In The Musical Collections (Based On Manuscripts From The 14th To The Beginning Of
l9th c.). – Bulgarian musicology, 1995, No 2, p. 58.
The Study of Medieval Chant; Paths and Bridges, East and West. – Bulgarian musicology, 2002, No 3, p. 148.
The Tropologion: Sources and Identifications of a Hymnographic Book. – Bulgarian musicology, 2012, No 3-4,
p. 9.
To Professor Dimitar Tâpkoff – Jubilee. – Bulgarian musicology, 2010, No 1, p. 26.
Stefka Venkova: Music of the Catholic Church of Eastern Ritual in Bulgaria. – Bulgarian musicology, 2011, No 2,
p. 87.
…, Bozhidar Karastoyanov. International Congress on Ancient Music of the European East. – Bulgarian
musicology, 1986, № 1, p. 109.
Kukudov, Geo
My Mother. – Bulgarian musicology, 1984, № 3, p. 85.
Kuschleva, Anka
Das Volkslied und seine Vokalisienmg. Rolle der Rede in der Organisation des Sprechapparats. – Bulgarian
musicology, 2001, No 1, p. 71.
On the Problem of the Academic Education of the Traditional Singer. – Bulgarian musicology, 2002, No 3, p. 40.
Kutin, Lubomir. The Art Music in the Bulgarien Internet Space. – Bulgarian musicology, 2010, No 2-3, p. 96.
Lalova, Kapka
Einige Betrachtungen zum Spielerischen im musikalischen Theater des 20. Jh. 46.
Opera as a Spiritual Game. Tan Dun “Marco Polo” (fragments). – Bulgarian musicology, 2011, No 1, p. 41.
Lazarov, Stefan
The Bogomils and an Old Musical Tradition in Western Europe. – Bulgarian musicology, 1990, No 1, p. 32.
Levy, Klara
A Viewpoint of Popfolk Demonstrations. – Bulgarian musicology, 1999, No 1, p. 66.
Afro-American Music A Generator of Donmant Pop Idioms. – Bulgarian musicology, 1996, No 4, р. 12.
An Introduction to the Problem of Interactions in Rock Music. – Bulgarian musicology, 1990, No 2, p. 28.
Balkan Groove: Postethnic Reflections on Distant Music and the Desired Other. – Bulgarian musicology, 2003,
No 4, p. 82.
Contemporary “Ethnic“ Music: Producing Meanings. – Bulgarian musicology, 2000, No 3, p. 89.
Defining Musical Parody: Postmodern Aspects. – Bulgarian musicology, 2008 , No 3-4, p. 195.
Discussion ol the Bulgarian Musicology and Criticism. – Bulg. musicology, 1982, No 4, p. 69.
Exploring the Labyrinlh of Narratives in the Non-Fixed Music: Aspects of Ethnojazz (On Views of Milcho
Leviev). – Bulgarian musicology, 2007, No 1, p. 51.
Globahzalion, “Afroamerkanization“ and the New Sensitivity. – Bulgarian musicology, 1999, No 3, p. 86.
Rumyana Karakostova: “The State Musical Theater Idea and Its Projection onto the National Repertoire up to the
End of the 20th Century” . – Bulgarian musicology, 2013, No 1, p. 78.
Music and Technology: New Research Accents. –Bulgarian musicology, 2002, No 2, p. 106.
New Accents in Studying of Popular Music. – Bulgarian musicology, 1999, No 4, p. 98.
On “Otherness”: The Metaphors of Yildiz Ibrahimova in her “Balkantolia”,,, 135.
On Definition of World Music. – Bulgarian musicology, 2005, No 2, p. 100.
Playing on Repetitive creativity in popular music culture. – Bulgarian musicology, 2001, No 2, p. 55.
Preface to the Present Publication. – Bulgarian musicology, 2001, No 2, p. 5.
Preface. – Bulgarian musicology, 2003, No 4, p. 10.
Rap Interpretations in Bulgarian Context: Urban Dialogoues in the 1990s. – Bulgarian musicology, 1998, No 4,
p. 47.
The Blues as a Metaphor. – Bulgarian musicology, 2004, No 1, p. 118.
The Impact Of Some Social-Cultural Processes On Bulgarian Music Culture. – Bulgarian musicology, 1994, No 3,
p. 50.
The Rock Music In Bulgaria. The Beginning. – Bulgarian musicology, 1993, No 3, p. 16.
The Turn-Down Pyramide. – Bulgarian musicology, 1994, No 4, p. 111.
The Turn-Down Pyramide. – Bulgarian musicology, 1994, № 4, p. 111.
The Visualized Sound in a Song Clip of Madonna. – Bulgarian musicology, 2011, No 1, p. 3.
Miglena Tzenova-Nusheva: “Peking Opera Jing jù”. – Bulgarian musicology, 2011, No 1, p. 85.
Von der Rockmusik und ihrer Expansion (Ein Versuch zum Aufwerfen des Problems von der ationalen Identität
der Rockmusik unter den Verhalnissen der heute vorherrschenden Popkultur). – Bulgarian musicology, 1991, No 3,
p. 54.
Kristina Yapova: “Churchness as a Mode ot Musical Thinkine (on Examples of Dobry Christov's Work)”. –
Bulgarian musicology, 2007, No 1, p. 132.
Litova-Nikolova, Lidiya
A Valuable Contribution in the Investigation of Bulgarian Musical Folklore. – Bulgarian musicology, 1989, No 4,
p. 96.
Ivan Kachulev – Pioneer or Bulgarian ethnoorganology. – Bulgarian musicology, 2006, No 3, p. 10.
Professional Folk Song and Dance Companies. – Bulgarian musicology, 1985, № 4, p. 64.
The Contribution of Stoyan Djudjev to the Development of Bulgarian Music Folklore Science. – Bulgarian
musicology, 2004, No 1, p. 30.
The Role of the Refrains for the Differcntalion of the Basic Types of Christmas Song. – Bulg. musicology, 1982,
No 4, p. 68.
Livni, Eran
In Memory of Gencho Gaytandjiev 1935-2010. – Bulgarian musicology, 2010, No 2-3, p. 217.
Ljondev, Petâr
Inlonalional Process in the Mode Phrase in the Thracian Folk Instrumental Dance Melody. – Bulg. musicology,
1983, No 4, p. 62.
Lloyd, David
Mercury Models: distortion of language and identity in new heavy metal. – Bulgarian musicology, 2001, No 2,
p. 162.
Loukanov, Mihail
Notes on the Songs of Milyo Basan. – Bulgarian musicology, 2013, No 3-4, p. 57.
Rock Music as an Innovative Phenomenon. – Bulgarian musicology, 2012, No 1, p. 71.
The Concept of Progressive Rock. – Bulgarian musicology, 2008 , No 3-4, p. 241.
Lozanov, Georgi
The Impact of Popular Music on the Language of the Media. – Bulgarian musicology, 2001, No 2, p. 174.
MacMilen, Ian
Local Color and the Search for the Musical Origin of the Nation, from the German to the Croatian Lands. –
Bulgarian musicology, 2013, No 1, p. 3.
Maksimov, Krum
The Style Of Alexander Tanev in the Choral Acappella Music. – Bulgarian musicology, 1994, № 4, p. 107.
Mangova-Petkova, Boryana
The “Lladder”in the Theoretic Expose of Boris Trichkov. – Bulgarian musicology, 1990, No 2, p. 50.
Marazov, Ivan
Significant Work for History/Metodology. – Bulgarian musicology, 2004, No 4, p. 123.
Marcheva, Penka
On ihe Issue of Musical Intelligence. – Bulgarian musicology, 2006, No 1, p. 80.
Marinov, Yanko
Frühe Quellen in mittelbyzantinischer Notation. Übergang der Coislin-Notation zum diastematischen Stadium
während dem XII. Jh. n. Chr. (nach Materialien aus dem Sticherarion). – Bulgarian musicology, 2004, No 2, p. 18.
The Scribes of the Byzantine Music Manuscripts – Some Scribe Schools and Scriptoria. Part I. – Bulgarian
musicology, 2007, No 3-4, p. 279.
Mateeva, Vanya
From the First Orchestras and Choirs to the Professional Choir for the Blind. – Bulgarian musicology, 2008, No 2,
p. 96.
Maultsby, Portia K.
Ethnicity And African American Popular Music. – Bulgarian musicology, 1994, No 1, p. 58.
Mechkova, Klara
On the Question of Terminology for Byzantine Oktoechos. – Bulgarian musicology, 2008 , No 3-4, p. 60.
Qearxi/% neu/mati im Kontext der Cesänge zum Kirchenfest der Entschlafung der Gottesmuter — den 15.
August. – Bulgarian musicology, 2000, No 2, p. 70.
The Turnovo Teacher of Music David Hadjipenkov Tuleshkov. – Bulgarian musicology, 1990, No 3, p. 105.
Triphonia. – Bulgarian musicology, 2013, No 3-4, p. 25.
Medushevsky, Vyacheslav
Musical form as a revelation. – Bulgarian musicology, 2014, No 3, 55-64.
Middleton, Richard
In Search of the Popular Music Text. – Bulgarian musicology, 2007, No 1, p. 19.
Mihailov, Vladimir
Video Clip and Pop Music – a Hypothesis. – Bulgarian musicology, 2010, No 2-3, p. 131.
Mihailova, Denica
The Aspects of Performance of Byzantine Chant by Treatises from XV-XV century... 100
Mikov, Ljubomir
Easter Chain Dances. – Bulg. musicology, 1983, No 4, p. 77.
Miladinova, Milka
Bulgarian Musicology for the Creator and Public Figure Petko Staynov. – Bulgarian musicology, 1987, № 2,
p. 104.
The Indexes in Vasil Stoin’s Collections. – Bulgarian musicology, 1991, No 2, p. 100.
Asen Zlatarov and the Bulgarian Musical Culture. – Bulgarian musicology, 1985, № 4, p. 71.
Milev, Nedelcho
Wagner’s Paradoxes. – Bulgarian musicology, 2006, No 1, p. 66.
Mineva, Krasimira
Bulgarian Folk Music at Radio Sofia (Ideas and observations). – Bulgarian musicology, 1988, № 3, p. 96.
Bulgarian Music Folklore in Phonograms, Notograms, Text and Film Materials in the Institute of Musicology
Archives. – Bulgarian musicology, 1985, № 1, p. 117.
The Feed-Back in the Radio Propaganda of Bulgarian Musical Folklore. – Bulgarian musicology, 1988, № 4, p. 80.
Mirceva, Boyka
Svetlana Kuyumdzhieva: The early octoechoi: Sources, liturgy and chant repertory. After manuscripts until the
thirteenth century. – Bulgarian musicology, 2014, No 4, 100-104.
Mircheva, Juliana
Die Traditionen der Wiener Klassik in den Klaviersonaten, umgestalted von den bulgarischen Komponisten. –
Bulgarian musicology, 1999, No 2, p. 54.
Mitchell, Tony
“Doin' Damage in my Native Language”: “Glocal” Hip-Hop. – Bulgarian musicology, 2003, No 4, p. 110.
Mollova, Milena
“Love at first sight” (Interview with Polina Antonova). – Bulgarian musicology, 2011, No 3-4, p. 123.
Moody, Ivan
Spirituality and Technique in the Music of Ivan Spassov. – Bulgarian musicology, 2014, No 4, 19-24.
Moran, Neil
The Plagal Second Mode in the Greek, Slavonic and Latin Chant. – Bulgarian musicology, 1985, № 1, p. 14.
Moskona, Leon
A Great Achievement of the Theoretical Musicology. – Bulg. musicology, 1983, No 4, p. 98.
About the pulse-genetic approach in the musicology. – Bulg. Musicology, 1983, No 1, p. 16.
The Methodological Importance ol Marx's Outlook on Art. – Bulg. musicology, 1984, № 2, p. 12.
Motte-Haber, Helga de la
Music As a Language. – Bulgarian musicology, 1990, No 4, p. 68.
Muxeneder, Therese
The Arnold Schönberg Estate. – Bulgarian musicology, 2011, No 3-4, p. 152.
Myers, Gregory
The Asmatic Troparia, Hypakoai, and Katavasiai Cycles in Their Paleoslavonic Recensions. – Bulgarian
musicology, 1993, No 2, p. 37.
The Collision of the Pagan and Christian in the Rimsky-Korsakov Fantasy Opera, or How Nikolai Andreevich
Spent His Christmas Holidays. – Bulgarian musicology, 2003, No 1, p. 87.
The Ritual and Music for the Dedication of a Church among the Medieval Slavs: Byzantine Cathedral Practice
Transplanted. – Bulgarian musicology, 2012, No 3-4, p. 35.
Naidenova, Albena
Aspects of Modal Organization in Contemporary Bulgarian Music. – Bulgarian musicology, 1988, № 1, p. 56.
Das Verhältnus zur Zeit – ein grundlegendes Problem beim Komponieren, dargestellt in den Werken jur
Generation österreichischer Komponisten. – Bulgarian musicology, 1999, No 2, p. 65.
On the theoretic Problems in the Sound Order and Mode in the East Orthodox Eight Echos. – Bulgarian
musicology, 1990, No 2, p. 96.
To the Question of the Cyclic Recurrence of the Music Culturally Development. – Bulgarian musicology, 1998,
No 1, p. 97.
… & Vladimir Panchev. Pierre Boulez at 90. – Bulgarian musicology, 2014, No 4, 25-28.
Naidenova, Goritsa
“A Foreign Culture up Close”. – Bulgarian musicology, 2012, No 1, p. 96.
A History of Bulgarian Musical Culture. Vol. 1. Folklore. By I. Racheva, A. Ilieva. S. Zaharieva. – Bulgarian
musicology, 1999, No 3, p. 128.
Die Geschichte als Gedächtnis und die Folklore als Geschichte. – Bulgarian musicology, 1999, No 3, p. 126.
Stoyan Djoudjeff, Lubomir Pipkov: the missing link? – Bulgarian musicology, 2014, No 2, p. 3.
Stoyan Djoudjeff: Ethnocentrism or Its Overcoming? – Bulgarian musicology, 2010, No 4, p. 45.
Hardship, Struggle, Transition and Achievement of Knowlege: the Musingly in the First Half of the Individual Life
Cycle in the Traditional Culture. – Bulgarian musicology, 2004, No 1, p. 97.
Instrument and Instrumental Music in the Calendar Ritual Cycle of Kozichino village-Bourgas Area. – Bulgarian
musicology, 1998, No 4, p. 79.
Language and Music in Stoyan Djudjev's Viewpoint. Rhythm and Speech. – Bulgarian musicology, 2009, No 1, p.
3.
Musik und Ritualkatender im Dorf Kositschino (Region Burgas). – Bulgarian musicology, 1996, No 4, р. 39.
Sozialisierungsformen und Musik im Dort Kosicino, Region Burgas. – Bulgarian musicology, 1999, No 3, p. 119.
Rosemarv Statelova: “Musikalische Begegnungen bei den Sorben”. – Bulgarian musicology, 2013, No 2, p. 112.
The Music Activities in the Second Half of the Individual LifeCjele ina Local Traditional Culture: Handing Down
the Knowledge. – Bulgarian musicology, 2005, No 3, p. 157.
The Structure and Features of Wedding Rituals from Erkech with Respect to “Muse” Activities. – Bulgarian
musicology, 2006, No 4, p. 101.
Two Volumes of the Series Bulgarian Musicology: Studies. – Bulgarian musicology, 2009, No 1, p. 65.
“Viele bulgarische Künstler warten auf ihre Milena Bozhikova”. – Bulgarian musicology, 2000, No 3, p. 133.
Voices of the Weak: Music and Minorities. – Bulgarian musicology, 2010, No 2-3, p. 199.
... , Dragomir Yosifov. “Dimitar Nenov hat ständig über Transzendenz gesprochen...” (Gespräch mit Prof. Lazar
Nikolov). – Bulgarian musicology, 2000, No 1, p. 127.
Naletova, Violeta
Of Music Teaching at Ruse Schools (1878 — 1944). – Bulgarian musicology, 1986, № 1, p. 104.
Negus, Keith
Traditional Policies And Local Predicaments - The Recording Industry And The (Re) construction Of European
Musical Identities. – Bulgarian musicology, 1993, No 3, p. 21.
Neikova, Ruža
A New Musical-Folkloristic Collection. – Bulgarian musicology, 1989, No 4, p. 99.
About St. Lazar's Ritual Song in South-Western Bulgaria. – Bulgarian musicology, 1987, № 1, p. 69.
Božeime (A Lord’s Name). Other names: Enjova bulja, Kalinica, Cumen Enjo, Dragajka. – Bulgarian musicology,
1992, No 3, p. 64.
Sons-Refrains of “Big Lazaritsa” in the Pirin Region. – Bulgarian musicology, 1988, № 4.
St. Lazar's Sundays in South-Western Bulgaria. – Bulgarian musicology, 1986, № 4, p. 50.
Vasilia – Bulgarian Folk Custom. – Bulgarian musicology, 1994, No 1, p. 45.
Neicheva, Svelana
Lazar Nikolov’s Third and Fourth Symphonies. – Bulgarian musicology, 1988, № 3, p. 16.
On Methodological, Evolutional and Historical Prerequisites in the Analysis of 20th Century Musical Form. –
Bulgarian musicology, 1991, No 1, p. 26.
Petko Staynov's Symphony Work till September 9, 1944. – Bulgarian musicology, 1987, № 2, p. 71.
The Historical Preconditions for the Decentralized Classical Form of Music in the First Decades of the 20th
Century. –Bulgarian musicology, 1989, No 2, p. 26.
“The Player in Folk Culture”. – Bulgarian musicology, 1985, № 4, p. 81.
The Soviet Theory of Musical the Present Stage (periodical “Problems of Musical Studies”). – Bulgarian
musicology, 1986, № 4, p. 40.
The “Young Bulgarian Music” in the town of Haskovo. – Bulg. musicology, 1983, No 2, p. 95.
To the Question of Individuality in New Music. – Bulgarian musicology, 1989, No 1, p. 57.
Variation op. 30 by A. Vebern. Line and Classical Form. – Bulgarian musicology, 1989, No 4, p. 57.
Western Music according to Richard Taruskin. – Bulgarian musicology, 2008, No 2, p. 115.
Nenov, Dimitâr
[Aus Arbeitsskizzen zur V / III Sinfonie-facsimile]. – Bulgarian musicology, 2000, No 1, p. 96.
Dimitâr Nenov to Ivan Stavkov. Letters. – Bulgarian musicology, 2011, No 3-4, p. 104.
Probleme unseres heutigen Musikschaffens. – Bulgarian musicology, 2000, No 1, p. 20.
Volkslieder für Stimme und kleines Orchester. – Bulgarian musicology, 2000, No 1, p. 44.
Zum Instrumentieren. – Bulgarian musicology, 2000, No 1, p. 32.
[Zur Transformation des Volksliedes]. – Bulgarian musicology, 2000, No 1, p. 40.
[Über die bulgarische Nationale Wiedergeburt]. – Bulgarian musicology, 2000, No 1, p. 12.
Neykov, Rumen
Symposium on EMA in Paris. – Bulgarian musicology, 2007, No 2, p. 199.
Wieviel Ökonomie verträgt das Musiktheater? – Bulgarian musicology, 2003, No 2-3, S. 234.
Niagolova, Radostina
Specific Culturological Problems between the Images “National Musical School” and “European Culture” . –
Bulgarian musicology, 2013, No 1, p. 32.
Nikolov, Kosta
Problems of Solfeggio Teaching. – Bulgarian musicology, 1987, № 3, p. 86.
Nikolova, Ivelina
“Akklamattonsdichtungen in der orthodoxen Kirchenmusik des Balkans (nach Manuskripten aus dem 16-Anfang
des 20 Jh)“. – Bulgarian musicology, 1996, No 4, р. 85.
Horizontal Course of the Intervals and Musical-Auditive Perception of Euphony and Dissonance in Medieval
Theory (9-15 c.). – Bulgarian musicology, 1987, № 1, p. 20.
Musical Perception with Guido and Grocheo – a Stage of the Musical-Psychological Process of Notion Creation. –
Bulgarian musicology, 1986, № 4, p. 24.
The Leadership Problem in the Union of Bulgarian Composers in the 1960-ies and the 1970-ies from the
Viewpoint of Publicity and Public Space. – Bulgarian musicology, 1992, No 2, p. 41.
The Two Images Of The Bulgarian Composer - His Creative “Ego” And Specialization. – Bulgarian musicology,
1994, No 2, p. 34.
“We” and “They” in the Knowledge of Bulgarian Composers During the 60ies and 70ies [of XX c.]. A
Ideological-Role Contrasts in the Composers Society, As Reflected in the Journal “Bulgarian Music”. – Bulgarian
musicology, 1993, No 2, p. 66.
Nikolova, Radka
“The Lazar Play in North-Eastern Bulgaria”. – Bulgarian musicology, 1988, № 3, p. 108.
Nikolova, Rositsa
Academy of Orthodox Music International Festival, St. Petersburg. – Bulgarian musicology, 2013, No 3-4, p. 108.
Novak, John K.
The Musical Depiction of Hope in Three Christian Pop Songs. – Bulgarian musicology, 2001, No 2, p. 181.
Olkimiora, Jaakko
Words and Images: “Piclorial” Byzantine Hymnography. – Bulgarian musicology, 2013, No 3-4, p. 50.
On the Themalic Issue „Music and Media“. – Bulgarian musicology, 2010, No 2-3, p. 5.
Ozer, Yetkin
Modern Sounds and Traditional Images: new trends in Turkish folk music and a video analysis. – Bulgarian
musicology, 2001, No 2, p. 78.
Palieva, Anda
Exibition “Music, Orthodox, Manuscripts”. – Bulgarian musicology, 2006, No 2, p. 122.
Panchev, Vladimir
Karlheinz Stockhausen About his Music. – Bulgarian musicology, 2004, No 3, p. 80.
Panova, Gergana, see also Panova-Tekat, Gergana
Anthropologie des Tanzes Gegenstand und Herangehen vom geschichtlichen Gesichtpunkt. – Bulgarian
musicology, 1996, No 1, p. 107.
Collected and Comprehended. About Authenticity, the Old and the New in the Ligth of my Work in the Dance
Archives. – Bulgarian musicology, 2005, No 1, p. 106.
Dance Sources In The Archive Of The Institut Of Art Studies From The National Folk Festival Koprivstitsa-1986.
– Bulgarian musicology, 1995, No 3, p. 91.
Der bulgarische Volkstanz: Ein altes Abgrenzungsinstrument dient heule der Integralion. – Bulgarian musicology,
1999, No 2, p. 136.
Folk Festivals – Pazardjik ‘93. – Bulgarian musicology, 1994, No 1, p. 64.
Metamorphosen der Deutung des bulgarischen traditionellen Tanzes. – Bulgarian musicology, 2000, No 4, p. 49.
Versuch ein Schlangenzeichen in einigen rituellen Tänzen zu identifizieren. – Bulgarian musicology, 1997, No 4,
p. 60.
„Wenn ich hätte sagen können hätte ich es nicht getanzt. Über die nonverbale Kommunikation, die nationale
Kultur und das Tanztheater von Vazkresia Valchanova. – Bulgarian musicology, 2003, No 2-3, S. 111.
Panova-Tekat, Gergana
An Ethno-choreologist’s Perspective of Contemporary Interdisciplinarity in Human Sciences in Germany. –
Bulgarian musicology, 2008 , No 3-4, p. 108.
Dance as an Expression of Identity and Interactive Game. – Bulgarian musicology, 2009, No 3-4, p. 108.
Kommunikations-choreologische Forschunge im neuen Europa: Oberdie Identität im Übergang. – Bulgarian
musicology, 2005, No 3, p. 37.
On Nonverbal Communicatton and “Folk Dances”: as Media. – Bulgarian musicology, 2010, No 2-3, p. 41.
Paskalevski, Spartak
On Some Aspects of the Synchretic Phenomenon and its Projections in the Search of a New Artistic Language. –
Bulgarian musicology, 1997, No 3, p. 99.
Pasunkova, Hrizanlema
Solo Violin Sonata and Suite in the Works of Bulgarian Composers. – Bulgarian musicology, 1986, № 1, p. 59.
Pavlovich, Theodora
Denitsa Mihailova: “The Balckan Eastern Orthodox Monody (XIV-XV c.): Aspects of Performance”. – Bulgarian
musicology, 2007, No 2, p. 204.
Rolle und Bedeutung der kreativen Einbildungskraft und des Gedächlnisses in der Dirigentenkunst. – Bulgarian
musicology, 2000, No 3, p. 41.
The Choral Works of Lyubomir Pipkov and the Present Day. – Bulgarian musicology, 2004, No 4, p. 61.
Peicheva, Lozanka
A Singer on the Way Folklore-Modern-Global. – Bulgarian musicology, 2004, No 3, p. 60.
An Example of Applied Ethnomusicology in the Media: Ethno Studio of Darik Radio. – Bulgarian musicology,
2010, No 2-3, p. 74.
Folk Singing in Cultural Context. – Bulgarian musicology, 2013, No 3-4, p. 227.
Gegenwärtige Formen zur Aktualisierung des Reigentanzgesangerbes in den Regionen der Städte Kjustendil und
Stanke Dimitrov. – Bulgarian musicology, 1991, No 3, p. 63.
Is the “Tacit” Nonverbal Musical Knowledge Tacit ? – Bulgarian musicology, 2008 , No 3-4, p. 116.
Modern Instruments, Traditional Music (Accordion, Gypsy players and the Transformation of Folklore Music
from Bulgaria). – Bulgarian musicology, 2006, No 3, p. 61.
Music along the Silk Road [Theoretical, Historical and Ethnomusicological Studies). – Bulgarian musicology,
2010, No 2-3, p. 204.
Romfest – Constructing Identity through Music. – Bulgarian musicology, 2003, No 4, p. 171.
Seeds from Bulgaria in the Field of World Music. – Bulgarian musicology, 2001, No 2, p. 128.
Sin-ology of the Chalga as Culture-and-Antropologic Diagnostics. – Bulgarian musicology, 2004, No 4, p. 128.
Teaching Knowledge of Traditional Music in Bulgarian Higher Educational Institutions. – Bulgarian musicology,
2002, No 3, p. 30.
The Song has no Frontiers. Thc Choice of Foreigners: the Conquering Beauty of Bulgarian Music Folklore. –
Bulgarian musicology, 2005, No 3, p. 117.
The Song of Surva Bells. – Bulgarian musicology, 2013, No 2, p. 47.
The Teaching Project of Stoyan Djudjev. – Bulgarian musicology, 2004, No 1, p. 40.
The Tempted Music: The “Chalga"- After the Roma Musicians. – Bulgarian musicology, 1999, No 1, p. 59.
… and Ventsislav Dimov. Ethnomusicology in Bulgaria – Traditions and Perspectives. – Bulgarian musicology,
2009, No 3-4, p. 58.
… and Ventsislav Dimov. Vasil Stoin through the eyes of Todor Todorov (Review). – Bulgarian musicology, 2004,
No 1, p. 98
Peiers, Karen A
Meter as a Marker of Ethnonational Identity? Metric Controversy, Folk Song Variants, and the Representation of
Balkan Cultural Identities. – Bulgarian musicology, 2003, No 4, p. 56.
Percovič, Ivana
Choral Church Music in Serbia before 1914 and Its Sociocultural Context. – Bulgarian musicology, 2003, No 4,
p. 92.
Pervazov, Andrian
Shamans and Computers: Electroacouslic Music and the Traditional Musical Culture. – Bulgarian musicology,
1998, No 1, p. 24.
The Fugue Theory in the First Half of the 18th Century. – Bulgarian musicology, 1990, No 1, p. 85.
Pesheva, Mira
An Attempt at a Typological Characterization of the West Rhodope Dances. – Bulgarian musicology, 1989, No 1,
p. 99.
Raina Katsarova about the Amateur Folklore Activities, the Fairs — Singing, Competitions and the First Steps of
“Filip Kutev” State Folk Song and Dance Ensemble. – Bulgarian musicology, 1984, № 3, p. 83.
“Popular Choreographic Art of the Northeastern Siberia Native Population”. – Bulgarian musicology, 1985, № 2,
p. 88.
The Rhodope Folk Dances — in the Social and Cultural Layers of Time. –Bulgarian musicology, 1989, No 2,
p. 95.
Petev, Kamen
Das Orgelpleno. – Bulgarian musicology, 2011, No 2, p. 50.
Petkova, Elisaveta
Timbre-Texture Organisation of the Form in the Symphonies of Tsvetan Tsvetanov. – Bulgarian musicology, 1991,
No 2, p. 71.
Petrov, Krasimir
Bulgarian Folk Dances and Customs in the Videoaichivw, Documented at the Fifth National Fair of Folklore in
Kopnvshtiisa in 1986. – Bulgarian musicology, 2005, No 1, p. 186.
Petrov, Petâr
Der charakteristische Tanz als Brücke zwischen dem klassischen und dem Volkstanz. – Bulgarian musicology,
2001, No 3, p. 98.
Petrov, Stoyan
New Evidence about the Dissimination of “Bolgarskij Rospev“. – Bulg. musicology, 1982, No 1, 37.
Petrova, Angelina
Die postmoderne Audioerfahrung: musikalische Syntax in der Komposition des letzten Jahrzehntes des XXten und
am Anfang des XXI Jahrhunderts. – Bulgarian musicology, 2013, No 3-4, p. 161.
Die Postmoderne und die Metapher des Zerfalls. – Bulgarian musicology, 1999, No 3, p. 27.
Die Tradition als Metapher und die brechung der Tradition: die bulgarische 12-Ton Avantgarde zwischen der
Symphonie und des Serialismus. – Bulgarian musicology, 1999, No 2, p. 23.
Early Experiments in Vassil Kazandjiev's Chamber Music. Reflections on Public and Private in Composer's Ideas.
– Bulgarian musicology, 2010, No 1, p. 36.
Evidences in Lazar Nikolov's Self-appreciation and their Meaning Today. – Bulgarian musicology, 2012, No 2,
p. 31.
Genre Models in Bulgarian Composers' Works During the Lasl Three Decades [of the XX c.] . –Bulgarian
musicology, 2002, No 2, p. 113.
Hermeneutic Ideas in the Understanding of Modernity in the Bulgarain 12-tone Music. Lazar Nikolov's Poetics
from the Hermeneutic Point of View. – Bulgarian musicology, 1998, No 2, p. 49.
Im Laufe der Zeit. – Bulgarian musicology, 2012, No 1, p. 98.
Maria Kostakeva: Metamorphose und Eruption. Annäherung an die Klangwelten Adriana Hölzskys. – Bulgarian
musicology, 2013, No 3-4, p. 94.
Claire Levy: “Musical Parody at the Late 20th and early 21th century” . – Bulgarian musicology, 2013, No 1, p. 81.
Musical Time and Its Multilingual Essence: A Poetic Reading of Stefan Dragostinov's Polytempia. – Bulgarian
musicology, 2008, No 2, p. 30.
Post-Modern Tendencies in the Creative Activity of Bozidar Spassoff and Stefan Dragostinov at the End of
7070ies [of XX c.]. – Bulgarian musicology, 1993, No 2, p. 80.
Reflections Behtwert Cultures in Three Bulgarian Composers: Bozhidar Spassov (Essen), Simeon Pironkoff Jr.
(Vienna), Dragomir Yossifov (Sofia). – Bulgarian musicology, 2009, No 3-4, p. 151.
Simeon Pironkoff, Jr. and the Concept of Music Frottage. – Bulgarian musicology, 2011, No 2, p. 10.
Bojidar Spasov: Reflections Upon The Bulgarian Irregular Rhythms in “Pieridi”. – Bulgarian musicology, 2009,
No 2, p. 65.
Structural Units of the Second Level in Monody and their Formulais Realizations. –Bulgarian musicology, 2002,
No 2, p. 116.
The Poetics of Lazar Nikolov and the Traditions in Thinking of the Twelve-Tone Composition in West Europe. –
Bulgarian musicology, 2002, No 4, p. 38.
The Polyphony In The Aleatorical-Sonorislic Methods Of Vasil Kazandziev, Ivan Spasov And Georgi Minchev
(From Their Creativity Of 70-ies). – Bulgarian musicology, 1995, No 1, p. 72.
The Second Half of the 20th century and Methods for Analytic Musical Aural Education. Aural Reflection on
Posttonal Music – Michael Friedman. (Analytic Attempt at Solfeggio on Modal, Twelve-lone and Neo-tone
Structures). – Bulgarian musicology, 2006, No 1, p. 97.
Petrova-Forster, Anna
Virtuosos or Charlatans. First Travelling Pianists-Virtuosos. – Bulgarian musicology, 2013, No 3-4, p. 116.
Petrovič, Danica
An Attempt To Publish Music in Neumatic Notation in Sremski Karlovci At The Begining of XIX c. – Bulgarian
musicology, 1992, No 3, p. 72.
Pitev, Hristo
Quant Octaves and Quant Numbers. – Bulg. musicology, 1983, No 2, p. 81.
Poniatowska, Irena
Historismus und Tradition in den Musikforschungen (zum Jubiläum der MAEO-Kongress). – Bulgarian
musicology, 1995, No 2, p. 88.
Popov, Father Kiril
Church Singing and Spirituality. – Bulgarian musicology, 2007, No 3-4, p. 255.
Popova, Denitsa
After Koprivshtitsa 2005. – Bulgarian musicology, 2006, No 4, p. 125.
Popova, Deniza
Zur Kombination methodologischer Ansätze am Beispiel “Byzantinische Kirchenmusik. Untersuchungen zum
Osterkreis im Backovo-Kloster (Bulgarien)“. – Bulgarian musicology, 2004, No 2, p. 154.
Popova, Margarita
Contents of the Verbal Music Folklore Archives and Degree of Their Informational Processing. – Bulgarian
musicology, 2005, No 1, p. 117.
“Mit dem Festkalender verbundene Bräuche und Musik im Dorf Kositschino, Region Burgas“. – Bulgarian
musicology, 1999, No 4, p. 99.
The Forgotten Path. Folk Songs from the Regions of Razlog, Drama and Bitolya from the Fund of Angel
Bukureshtliev and Serafim Boyanov. – Bulgarian musicology, 2005, No 1, p. 74.
The Materials of Ivan Kachulev in the Musical-Folklore Archives of the Institute of Art Studies – BAS. –
Bulgarian musicology, 2006, No 4, p. 82.
…, Ivanka Vlaeva. On the Inventory of Unpublished Materials ofVassil Stoin from East Upper Thracia, Preserved
in the Music Folklore Archives of the Bulgarian Academy of Sciences. – Bulgarian musicology, 2005, No 4, p. 8.
Popova, Maria
In Memory of Gencho Gaytandjiev 1935-2010. – Bulgarian musicology, 2010, No 2-3, p. 217.
Protopopov, Vladimir
Polyphonic Versions of Melodies from “Bolgarskij Rospev“ in the Russian Manuscripts from the 17lh Century. –
Bulg. musicology, 1982, No 1, 93.
Pugev, Petâr
A Wedding in the Village of Dren. – Bulg. musicology, 1983, No 2, p. 83.
Raasted, Jörgen
“Bogonachalnim manoveniem” in the Byzantine and in the Bulgarian Chant Practice. – Bulg. musicology, 1982,
No 1, 85.
Contents and Authors of the so-called Hagiopolites treatise. – Bulgarian musicology, 1986, № 3, p. 62.
Racheva, Iskra
Bulgarian National Revival Songs. Problems of Melos and Genre. Part 1. – Bulgarian musicology, 2007, No 2,
p. 38.
Bulgarian Revival Era Songs: Problems of Melody and Genre. Part II. – Bulgarian musicology, 2008, No 1, p. 3.
Claire Levy: “Dialogical Music: Blues, Pop Music, Mylhs and Modernity”. – Bulgarian musicology, 2006, No 2,
p. 102.
Die Musikfolklore in der Zeit der bulgarischen Nationalen Wiedergeburt an der Schwelle zwischen “Altem“ und
“Neuem“. – Bulgarian musicology, 1999, No 2, p. 102.
Music Folklore and History. – Bulgarian musicology, 1985, № 1, p. 111.
National Revival Songs and Cultural Identity. Introduction to the Problem. Early School Songs. – Bulgarian
musicology, 2005, No 2, p. 56.
To the History of the Musical Beginning in Bulgarian Folklore Culture. Introduction in the Typology of the
Archaic Layers. – Bulgarian musicology, 1989, No 1, p. 47.
Traditional Folk Culture on the Cross-roads Between the New and the Old in the Period of Bulgarian National
Revival. – Bulgarian musicology, 1997, No 4, p. 19.
Rashkova, Nataliya
Converging Directions [Vesselka Toncheva: The Folklorist Nikolay Kaufman]. – Bulgarian musicology, 2006, No
3, p. 125.
Internet as a Research Terrain for Ethnomusicology. – Bulgarian musicology, 2009, No 3-4, p. 102.
Musical Expression of Identity in Foreign Ethnic Environment. – Bulgarian musicology, 2003, No 4, p. 109.
Poetry and Rhytmical Types and Teritorial Occurance of St. Lazar’s Day in Eastern Bulgaria. – Bulgarian
musicology, 1987, № 3, p. 80.
Raykova, Maya
Classification and Music-Catechism Essence of the Christmas Cycle in the Church-Song Repertoire of the Banat
Bulgarians. – Bulgarian musicology, 2003, No 1, p. 25
Cultural-Religious Identity of the Banat Bulgarians, Reflected in Their Church-Song Liturgical Repertory. –
Bulgarian musicology, 2003, No 4, p. 206.
Rice, Timothy
Multiple Perceptions or Bulgarian Instrumental Folk Music. – Bulgarian musicology, 1990, No 1, p. 38.
Romansky, Lyubomir – Dimitar Nenov. Correspondence. – Bulgarian musicology, 2011, No 3-4, p. 45.
Ruseva Mariya
Multiculturalism in the twentieth- and the twenty-first-century memorial music (on the example of Alexander
Kastalsky's Requiem for Fallen Brothers). – Bulgarian musicology, 2014, No 3, 37-54.
Schiöd, Nana
The 741 Final Cadences from the Hymn of the twelve month in the Byzantine Sticherarion Cois1in 42. – Bulgarian
musicology, 1991, No 2, p. 21.
Shurbanova, Olga
In Memory of Gencho Gaytandjiev 1935-2010. – Bulgarian musicology, 2010, No 2-3, p. 217.
Simeonova, Snezhana
More on the Relation Text – Interpretaiion in Bach's Keyboard Works. – Bulgarian musicology, 2002, No 1, p. 63.
Slavova, Tsvetelina
A Suggestion for a Dictionary of Conductor Terminology. – Bulgarian musicology, 2013, No 3-4, p. 140.
Smilkov, Romeo
Nikolay Stoykov's Concerto for Piano and Orchestra op. 60 through the Eyes of the Interpreter. – Bulgarian
musicology, 2011, No 2, p. 28.
The first Author's Concert of Dimitâr Nenov in Bulgaria. – Bulgarian musicology, 2011, No 3-4, p. 103.
Spasov, Božidar
An Attempt for a Comparative Characterization of Some Polyvalent Compositional Principles in Bulgarian and
European Music in the First Half of the XX Century. – Bulgarian musicology, 1988, № 2, p. 39.
Of Some Evident and Hidden Freatures of Orchestration in Petko Stajnov’s Work. – Bulgarian musicology, 1987,
№ 2, p. 79.
Some Aspects of Contemporary polyvalency in B. A. Zimmerman's Works. – Bulgarian musicology, 1990, No 3, p.
38.
Spohr-Rassidakis, Agn
Fünf Totenklagemelodien aus Kreta (Griechenland). Eine vergleichende Untersuchung. – Bulgarian musicology,
1990, No 2, p. 65.
Staikovsky, Petâr
Interpretation of Ornamental Signs in Theoretical Handbooks from the 19th and 20th Centuries. – Bulgarian
musicology, 2007, No 3-4, p. 230.
Stambolov, Vesko
Forlspinnungstypus Ritornello Form. Basic Conceptsand Terms. The Ideal Concerto Ritornello Form in the Work
of Johann Sebastian Bach. – Bulgarian musicology, 2013, No 3-4, p. 99.
Statelova, Rosemary
About the Problem of the Essence of the Phenomenon “Musical-Intonational Environment”. – Bulg. musicology,
1982, No 3, p. 60.
Academism as a Norm. – Bulgarian musicology, 2002, No 3, p. 13.
An Attempt for Surmounting the Negative Paradigma in the Knowledge for Amusement. – Bulgarian musicology,
1992, No 1, p. 3.
Anthropologie der Ethnopopmusik (Umfrage regelmäßiger Teilnehmer an dieser Aktivität). – Bulgarian
musicology, 2000, No 4, p. 85.
Contemporary Parameters of the Intonational Media (New Methodological Approaches to the Problem). – Bulg.
musicology, 1983, No 4, p. 17.
Dance Music: To the Problem of Define the Occurrence. – Bulgarian musicology, 1998, No 4, p. 13.
Der Komponist Juro Mětšk. Über die Bedeutung seiner Musik. – Bulgarian musicology, 2005, No 3, p. 7.
Dinamic In The Development Of Pop Music-Genres In Bulgaria During The First Half Of 90ies [of XX c.]. –
Bulgarian musicology, 1995, No 2, p. 87.
Discourses on Ethnopopmusic: Projections and Readings. – Bulgarian musicology, 2004, No 3, p. 117.
Fifth Meeting of the ICTM „Music and Minorities“ Study Group in Prague, 2008. – Bulgarian musicology, 2008,
No 2, p. 167.
Folk: Towards the Nature of ihc Phenomenon and lis Definition. – Bulgarian musicology, 1999, No 1, p. 44.
For Some New Directions in Ethnomusicological Research in Bulgarian Academic Music Science. – Bulgarian
musicology, 2009, No 3-4, p. 80.
From the History of Pop Music. – Bulgarian musicology, 1989, No 4, p. 73.
Gespräch mit Juro Mětšk. – Bulgarian musicology, 2005, No 3, p. 28.
Group Portrait of a Lady. Marianne Brocker and German-speaking Ethnomusicology. – Bulgarian musicology,
2009, No 1, p. 79.
ICTM – 39th World Conference in Vienna 2007. – Bulgarian musicology, 2008, No 1, p. 129.
Inhaltliche und Wertaspekte der populären Musik in Bulgarien. – Bulgarian musicology, 1996, No 2, p. 91.
Meaningful Horizons of Contemporary Sorbian Music Culture. – Bulgarian musicology, 2002, No 1, p. 34.
Meditations upon a Topical Book. – Bulg. musicology, 1984, № 1, p. 94
On Ethnomusicology As a Definition/Practice and Other Related Questions. – Bulgarian musicology, 2008 , No
3-4, p. 100.
On the Sociological Approach towards Mass Musical Entertainment Genres. – Bulgarian musicology, 1990, No 4,
p. 93.
Lozanka Peicheva: Between the Village and the Universe: Old Folk Music from Bulgaria in New Times. –
Bulgarian musicology, 2009, No 1, p. 96.
Populäre Musik und Identität. – Bulgarian musicology, 1999, No 2, p. 83.
Preface by Editor. – Bulgarian musicology, 2002, No 3, p. 4.
Preface of the Editor. – Bulgarian musicology, 2005, No 3, p. 3.
Roma Participation In Producing local Popular Music in Bulgaria Today ethnomusicological approach. –
Bulgarian musicology, 2001, No 2, p. 67.
Social and Phsycological Motives for the Pacticipation in Musical Amateur Activities. – Bulgarian musicology,
1988, № 2, p. 106.
The Amateur (An Outline of the Portrait of the Participant in the Musical Amateur Activities). – Bulgarian
musicology, 1988, № 3, p. 88.
The Definition of Popular Music as a Process and Structure. – Bulgarian musicology, 1997, No 4, p. 54.
The Lusatian Serbian Song Industry. – Bulgarian musicology, 2007, No 2, p. 102.
The Main Points in the Development of Bulgarian Variety and Jazz (1944-1984)…. 77.
The Radio as a Constructor of Reality. The Role of Music. – Bulgarian musicology, 2010, No 2-3, p. 53.
The Sorbian National Ensemble as a Cultural Institution in the Bilingual Region Lusatia. – Bulgarian musicology,
2010, No 1, p. 59.
To the Problem of the Nature of the Phenomenon of the “Musical-Intonational Environment”. – Bulg. musicology,
1982, No 4, p. 49.
Staynov, Stefan
Home “Petko Staynov” – Kazanlâk. – Bulgarian musicology, 2003, No 1, p. 102.
Stefanov, Vassil
Jubilee. – Bulgarian musicology, 2003, No 2-3, p. 7.
Stefanova, Petya
Classification of Baroque Musical Figures. – Bulgarian musicology, 2013, No 3-4, p. 75.
Sterev, Nikolay. Eine Erinnerung an Rajna Katzarova. – Bulgarian musicology, 1991, No 4, p. 96.
Stoimenov, Stoyan
Interaction of Image and Music. – Bulgarian musicology, 1987, № 3, p. 30.
Stoin, Elena
Our Work Together with Raina Kacarova. – Bulgarian musicology, 1984, № 3, p. 65.
Second Symposium Bulgarian Musical Culture during the National Revival Period. – Bulgarian musicology, 1990,
No 4, p. 94.
Stoinova, Elena
Die antike Gitarre: ein Rekonstruktionsversuch. Spieltechniken, Funktionen der rechten und der Linken Hand. –
Bulgarian musicology, 1997, No 1-2, p. 182; 1999, No 2, p. 35.
Monuments Of Ancient Music In Bulgarian Lands. – Bulgarian musicology, 1993, No 4, p. 76
Pictures of Wind Instrunments on Ancient Vessels Found in the Territory of Bulgaria. – Bulgarian musicology,
1998, No 3, p. 80.
Stoyanov, Stoyan
Bulgarian Symphonic Music.– Bulg. Musicology, 1983, No 3, p. 56.
Work About the Soviet Mass Song. – Bulg. musicology, 1982, No 1, p. 79.
Stoyanova, Elena
On the Semantics of Means of Expression in Mozart's Instrumental Concerts. – Bulgarian musicology, 1998, No 1,
p. 74.
Variational Proceses in A. Rajchev’s Symphony No 4. – Bulgarian musicology, 1988, № 4, p. 46.
Stoyanova, Svetla
Problems of the Big Form in Symphony No 3 “Onsets” by Al. Rajchev. – Bulgarian musicology, 1989, No 1, p. 73.
Some Observations on Bulgarian Film Musk During the Period 1944 Up To the End of the 60ies. – Bulgarian
musicology, 1990, No 2, p. 15.
The Musical Medium in Bulgaria (1878-1944). – Bulgarian musicology, 1990, No 3, p. 81.
Stoynova, Antonina
The Religious and Empire Sanction on Music in the Light of Early Byzantine Culture. – Bulgarian musicology,
1989, No 1, p. 33
Suliteanu, Ghizela
Intra- and Interdisciplinar Researches in Ethnomusicology. – Bulg. musicology, 1983, No 4, p. 31.
Tabakova, Zelka
The Dance in the Musical Original Choreographic Decisions and their Versions on the Bulgarian Stage (from the
Staging Diary). – Bulgarian musicology, 2003, No 2-3, p. 194.
Tagg, Philip
High and Low, Cool and Uncool, aesthetic and historical falsifications about music in Europe. – Bulgarian
musicology, 2001, No 2, p. 9.
Taneva-Yaneva, Penka
Approaches to Professionalizing. The Ballet Art in Plovdiv. (A Documental Chronicle from the National Revival
to the End of the Second World War). – Bulgarian musicology, 2003, No 2-3, p. 215.
Steps to Forming a Ballet Company in the City of Stara Zagora. – Bulgarian musicology, 2006, No 2, p. 73.
Tansug, Feza
Cross-Border Flow of Popular Culture: redefining cultural boundaries and traditions in Bulgaria and Turkey. –
Bulgarian musicology, 2001, No 2, p. 73.
Tessari, Silvia
The Canons of Photios and the Text-Music Relationship. – Bulgarian musicology, 2012, No 3-4, p. 187.
Todorov, Todor
Das berufliche Können der Bettlerrhapsoden in der musikalischen Kultur der slawisch-sprachigen Völker des
Balkans. – Bulgarian musicology, 1997, No 1-2, p. 159.
50 Years without Vassil Stoin. – Bulgarian musicology, 1989, No 4, p. 92.
Raina Katsarova’s Scientific Contribution. – Bulgarian musicology, 1984, № 3, p. 60.
Franijo Kuhac and Bulgarian Song from the Renaisanse. – Bulgarian musicology, 1992, No 4, p. 33.
Elena Stoin. – Bulgarian musicology, 1985, № 3, p. 89.
Vasil Stoin’s Idea of Founding a Slav Research Institute of Music in Prague. – Bulgarian musicology, 1991, No 2,
p. 72.
The firedince (Nestinarstvo) in Bulgaria. – Bulgarian musicology, 1992, No 3, p.
The Folk Musical Heritage of K.Vitka. – Bulg. musicology, 1984, № 2, p. 89.
The Interest in the Study of Folk Musical Creativity in Bulgaria (from the 20ies till the end of World War II). –
Bulgarian musicology, 1990, No 4, p. 17.
The Introduction of the Subject “Folk Music” in the Syllabus of the State Musical Academy. – Bulgarian
musicology, 1988, № 1, p. 20.
Wandering Blind Singers in Bulgarian Popular Professional Musical Tradition. – Bulgarian musicology, 1986, №
3, p. 76.
Tomalevska, Roumyana
On the Problem of Vasil Stoin's Manuscript Heritage. – Bulgarian musicology, 1991, No 2, p. 87.
Tomova, Elena R.
A Look al Ihc Manner of Collecting Folklore Materials Nowadays. – Bulgarian musicology, 2005, No 1, p. 142.
Contemporary Folk Situation And Her’s Models of Communication. – Bulgarian musicology, 1993, No 3, p. 71.
Ein Festival wie sich selbst. – Bulgarian musicology, 2001, No 1, p. 45.
Toncheva, Elena
A Neuly Founded Monument ol Medieval Music at the Bačkovo Monastery. – Bulgarian musicology, 1984, № 3,
p. 44.
A New Bulgarian Publication about Joan Kukuzel in the German language. – Bulgarian musicology, 1986, № 3,
p. 81.
A Valuable International Scientific Meething. – Bulgarian musicology, 1988, № 1, p. 90.
About the Modal Characteristics during the Post-Byzantine Period: Based on Sources in Slavonic Church Music
(Abstract). – Bulgarian musicology, 2012, No 3-4, p. 180.
“Acquiring a Blissful Rhythm in the Soul...” (The Psalmody in Slavic Balkan Church Chanting during the Middle
Ages). – Bulgarian musicology, 2003, No 4, p. 44.
“Bolgarskij Rospev“ from the Monastery of “Skit Mare”. – Bulg. musicology, 1982, No 1, 59.
“Bolgarskij Rospev” (“Napel”). – Bulgarian musicology, 2007, No 3-4, p. 190.
Bulgarian Historical Musicology: Problems and Trends (An Attempt at a Historical and Theoretical Construction).
– Bulgarian musicology, 1986, № 2, p. 40.
Bulgarian Musical Culture During the National Revival Period. – Bulgarian musicology, 1988, № 3, p. 103.
Bulgarian Polyeleos Settings in Late Byzantinc Sources from the 14th-15th Centuries. – Bulgarian musicology,
2007, No 3-4, p. 89.
Bulgarian Sources of the Ukrainian “Bolgarskij Napel” ("Rospev")? Further on the Problem of the Correlation
Between Oral and Written Tradition in Orthodox Singing on the Balkans. – Bulgarian musicology, 2005, No 2,
p. 29.
Complex Scientific Session about the Rila Monastery. – Bulg. musicology, 1982, No 1, p. 87.
Contribution international musicological meeting. – Bulgarian musicology, 1987, № 3, p. 98.
Deacon Ivan S. Ivanov. Ortodox Music. Introduction. – Bulgarian musicology, 2007, No 3-4, p. 5.
Die Wechselbeziehung zwischen Osten und Westen in der europäischen Musikkultur: Theologie und Musik (Die
osteuropaische Ars Nova). – Bulgarian musicology, 1999, No 2, p. 91.
Eastern Orthodox Liturgical Music Practices and Academism. – Bulgarian musicology, 2002, No 3, p. 83.
Fünfzig Jahre Musik Wissenschaft an der Bulgarischen Akademie der Wissenschaften. – Bulgarian musicology,
1999, No 3, p. 9.
Gabriel Hieromonk and His Treatise on Church Music. A New Valuable Musical Byzantology Series. – Bulgarian
musicology, 1986, № 4, p. 55.
Marin Goleminov and Bulgarian Medieval Music. – Bulgarian musicology, 1993, No 2, p. 94.
Half century Musica Antiqua Europae Orientalis – Bydgoszcz (Poland). – Bulgarian musicology, 1988, № 4, p. 81.
“I Want to Tell About Philip”. – Bulgarian musicology, 2004, No 3, p. 16.
International Symposium to Commemorate Egon Wellesz. – Bulgarian musicology, 1986, № 4, p. 61.
Ison-Practice in the Eastern Ecclesiastical Chant of the Orthodox Balkan Region — Idea of Polyphony. –
Bulgarian musicology, 2001, No 3, p. 13.
Kalophonic Verses by Master John Koukouzeles (from the Athene manuscript No 2458 from 1336). – Bulgarian
musicology, 1986, № 4, p. 107.
Svetlana Kujumdzhieva: Bulgarian Music in Hilandar. – Bulgarian musicology, 2009, No 1, p. 91.
Musica Anliqua Europe Orientalis '82 in Bidgosczc. – Bulg. Musicology, 1983, No 1, p. 90.
Musical Symposium Within the 12th Byzantologic Congress. – Bulg. musicology, 1982, No 1, p. 82.
Neu gefundene slawische Übersetzungen von Werken Johannes Koukouzelles Polyeleos-Gesänge aus dem 15. Jh.
– Bulgarian musicology, 2000, No 2, p. 14.
New Facts and Aspects of Research in the Musical Oldbulgaristics. – Bulg. musicology, 1982, No 4, p. 30.
Of Early Balkan’s Polyeleos Practice (On Sources from XII -XIII cc.). – Bulgarian musicology, 1985, № 3, p. 28.
“Paths and Bridges East and West”. – Bulgarian musicology, 2002, No 1, p. 116.
The Definition “Bulgarian” in the Musical Manuscripts of Byzantine-Slavonic Area. – Bulgarian musicology,
1990, No 2, p. 71.
The Historically Unique in the Musical Figure Petâr Dinev. – Bulgarian musicology, 1990, No 2, p. 83.
The Musical Interpretation (exegsis) of the Balkan Melodies. The Scythian “Bulgarian Chant” (following the
problem for the post-Byzantine musical exegesis in the Balkans during the XVII to the XVIII century). – Bulgarian
musicology, 1988, № 2, p. 59.
The Polyeleos Psalmos 135 Based On Sources from XII-XIII c.. – Bulgarian musicology, 1993, No 1, p. 3.
The Polyeleos Refrains for St. John of Rila from the 15th c….53 Cenka Yordanova. Semiotics of the aesthetic. –
Bulgarian musicology, 1992, No 2, p. 79.
The Problematics of Balkan Studies in Our Historical Study of Music. – Bulgarian musicology, 1990, No 2, p. 113.
The Professionalism in Middle-Age Singer's Practice. – Bulgarian musicology, 1988, № 1, p. 95.
The Term Psaltika – Ideas for Transcribing Balkan Orthodox Music (A Post-Byzantine Period). – Bulgarian
musicology, 2009, No 3-4, p. 20.
Versuch zur Beschreibung einer Trägerin der traditionellen Volkstümlichen Kultur. – Bulgarian musicology, 1999,
No 3, p. 125.
… and Elena Kotseva. Musical Ascriptions from l5th Century in the Rila Monastery. – Bulg. musicology, 1983,
No 2, p. 36.
Toncheva, Tsvetana
Baz Lurman – With Nostalgia for the Movie-Musical not Overcome Yet (With techniques from Radio-Journalism).
– Bulgarian musicology, 2003, No 2-3, p. 161.
Stephen Sondhime – Daring, Surprise, Adventure!. – Bulgarian musicology, 2002, No 1, p. 56.
Toncheva, Veselka
Die Instrumentalmusikder islamisierten Bulgaren aus dem Gebiet Teteven (Versuch einer typologischen Analyse).
– Bulgarian musicology, 2000, No 4, p. 130.
Folk Songs with Instrumental Acoompanlmemi of Bulgarian Mahometans from Teteven Area. – Bulgarian
musicology, 1999, No 1, p. 81.
Toscheva, Kristina
A Valuable Work of Documentary Art [Miglena Tzenova: “Bulgarian Musical Theatre (1890-2001). Opera, Ballet,
Operetta, Musical.Theatrcs, Troupes, Performances”]. – Bulgarian musicology, 2006, No 2, p. 116.
Anelia Yaneva: “Deutung bulgarischer Sujets“. – Bulgarian musicology, 2001, No 1, p. 105.
Troelsgård, Christian
Die Entwicklung des didaktischen Poems. Einige Notizen zum iàson, o)ligon, o)cei=a von Johannes Glykys. –
Bulgarian musicology, 1996, No 1, p. 98.
The Construction and Dissemination of the Middle Byzantine Musical Notation. – Bulgarian musicology, 2012,
No 3-4, p. 153.
…, Svetlana Kujumdzieva. Preliminary Words. – Bulgarian musicology, 2012, No 3-4, p. 5.
Tsalova, Pavlina
Georgy Dimitrov and the Proletarian Musical Culture. – Bulg. musicology, 1982, No 3, p. 72.
Early Evidence about “Bolgarskij Rospev”. – Bulg. musicology, 1982, No 1, 67.
Piano Music from the Middle of the 19th Century, Based Upon Bulgarian Foik Tunes. – Bulg. musicology, 1982,
No 1, p. 75.
Tschernokoshewa, Elka
Im Zeitalter der Hybridisierungen: Musiken-Medien-Minderheiten. – Bulgarian musicology, 2010, No 2-3, 7-22;
S. 240.
Tschokoeva, Bilyana
Polyphonische Merkmale in den Klaviertokkaten von P. Vladigerov, D. Nenov, D. Christov und V. Kazandzhiev.
– Bulgarian musicology, 2001, No 3, p. 58.
Tsenkulovcki, Nikola
Pena Grozeva and Raina Katsarova - Relationship Between Informant and Researcher (110th Birthday Anniversary
of Raina Katsarova 1901-1984). – Bulgarian musicology, 2011, No 2, p. 71.
Tsinandova-Haralampieva, Veska
Das musikalische Chronotop in der Synthese von Musik und Literatur. – Bulgarian musicology, 1997, No 1-2,
p. 173.
Die kinetische Theorie Hansliks und die Entwicklung einiger ihrer Aspekte im bulgarischen musikästhetischen
Gedankengut. – Bulgarian musicology, 1999, No 2, p. 60.
To the Typology of Synthetic Chronotopic Relations. – Bulgarian musicology, 1998, No 1, p. 91.
Tsitsishvili, Nino
Parallels Between South Slavonic and Georgian Music and Ethnography. – Bulgarian musicology, 1991, No 2,
p. 20.
Tsvetkova, Svetla
Triodion for Good Friday by Kosma from Majuma in Early and Round Notation Sources from X-X1V century. –
Bulgarian musicology, 2004, No 2, p. 82.
Turner, Barnard. America s Band [again]: the mid-seventies beach Boys and pop music as re-positioning. –
Bulgarian musicology, 2001, No 2, p. 98.
Tzenova, Miglena see also Tzenova-Nusheva, Miglena
Choir in Lyubomir Pipkov's Operas. – Bulgarian musicology, 2004, No 4, p. 86.
Chor- und Bühnenveranstaltungen in der musikalischen Vergangenheit der Stadt Pleven. – Bulgarian musicology,
2001, No 3, p. 34.
Choral and Music Stage Tradition in the Culture of Plovdiv. Relations and Influences (from the mid-XIX c. to
late-XX c.). – Bulgarian musicology, 2001, No 1, p. 28.
Notions about Carthage in “Salambo” - Opera by Veselin Stojanov and Boris Borosanoff. – Bulgarian musicology,
2002, No 4, p. 96.
Symbolism of the Stage Costume (XI Fit) in Peking Opera: Historical, Mythological and Sociocultural
Dimensions. – Bulgarian musicology, 2007, No 1, p. 131.
The Town Choral Culture until the Middle of the 1940s as a Prerequisite for the Rise of Musical Theatres in
Bulgaria. Trends. – Bulgarian musicology, 2003, No 2-3, p. 91.
Traditional Vietnamese Opera (Vong Ko) Or On the Educational Empire of the First Reality Television Show. –
Bulgarian musicology, 2007, No 2, p. 201
Tzenova-Nusheva, Miglena. Agapiya Balareva and the Choir in Bulgarian Opera Theatre. – Bulgarian
musicology, 2010, No 1, p. 15.
Tzenova, Valeria
Ein sanftes Licht in der Dämmerung am Ende des 20. Jahrhunderts. – Bulgarian musicology, 2000, No 3, p. 132.
Tzenova, Vera
Polyphonic Devices and Dodecaphonic Compositional Techniqes in the Opera „Ulisse“ by Luigi Dallapiccola. –
Bulgarian musicology, 2012, No 2, p. 73.
Vâlchanov, Nikola
Musical Thematicism and Figurative Realms in Michail Perkov's Symphonies. – Bulgarian musicology, 2009, No
1, p. 51.
Vâlchanova-Lyubenova, Mariya
Church Music Archives in the Town of Shumen in 19,h and 20lh Century. – Bulgarian musicology, 2013, No 2, p.
84.
Vâlchinova, Elisaveta, see also Vâlchinova -Chendova, Elisaveta
About the Repertory of the Military Brass Band in Bulgaria from 1879 until 1944 and the Place of the Bulgarian
Musical Creation in it. – Bulg. musicology, 1982, No 3, p. 70.
“Bulgarian Opera Theatre Outside the Capital”. – Bulgarian musicology, 1989, No 3, p. 91.
“Chamber and Instrumental Ensembles in the Works of Bulgarian Composers from the 20ies to 1944”. – Bulgarian
musicology, 1988, № 3, p. 105.
“The Czech Bandmasters in Bulgaria”. – Bulgarian musicology, 1984, № 3, p. 89.
City Orchestra Culture in Bulgaria before the Liberation. – Bulgarian musicology, 1989, No 4, p. 38.
On Musical Space and Its Rationalization in Bulgarian Music in the First Half of the 80-ies. – Bulgarian
musicology, 1987, № 4, p. 132.
Petko Staynov in Doncho Petkov's Memoirs of the Musical Past of Kazanlâk. – Bulgarian musicology, 1987, № 2,
p. 98.
Vâlchinova -Chendova, Elisaveta
About the History of the Institute of Music in the Bulgarian Academy of Science. Papers of Petko Staynov. –
Bulgarian musicology, 2013, No 2, p. 37.
Boyanka Arnaudova: “Bulgarian Opera – Myth and Modernity”. – Bulgarian musicology, 2007, No 2, p. 182.
Choral Work in Bulgaria as a Culture of the New of Time Through the Eyes of Agapiya Balareva. – Bulgarian
musicology, 2010, No 1, p. 11.
Die städtische Laien-Orchesterkultur von den 20-er bis zu den 40-er Jahren des 20. Jh. – Bulgarian musicology,
1991, No 3, p. 42.
Rossitsa Draganova: Music-Making. Aspects. – Bulgarian musicology, 2008 , No 3-4, p. 249.
Dimiter Christoff: “Fundamental Presuppositions in the Imagination of the Composer. As Related to the Situation
of the Early 21th Century“. – Bulgarian musicology, 2005, No 3, p. 170.
Genre Models in Bulgarian Composers' Works During the Lasl Three Decades [of the XX c.]. – Bulgarian
musicology, 2002, No 2, p. 62.
Going to the Opera in old Sofia. – Bulgarian musicology, 2002, No 1, p. 113.
In Memoriam. Božidar Abrashev. – Bulgarian musicology, 2007, No 2, p. 215.
“Inhaltfache und Wertaspekte der populären Musik in Bulgarien“. – Bulgarian musicology, 1997, No 1-2, p. 202.
Musical Creativity From the Middle of the XIX c. or the Instrumental Practice of a European Type in Bulgarian
Music Culture From the Renaissance. – Bulgarian musicology, 1993, No 2, p. 43.
Dimitâr Nenoff – Petko Staynov: Unknown Correspondence. – Bulgarian musicology, 2013, No 2, p. 5.
New Music in a Terminological Reading of New Bulgarian Music (fragments). – Bulgarian musicology, 2008 , No
3-4, p. 176.
Gergana Panova-Tekath: “Tanz nach der Wende? Volks' Choreographie als körpersprachliches Mittel der
lebensweltlichen Verständigung zwischen Ost- und Westeuropa”. – Bulgarian musicology, 2006, No 2, S. 109.
“The Bulgarian Child and School Song. A Historical-theoretical Views”. – Bulgarian musicology, 1997, No 4, p.
101.
“The Bulgarian Opera Theater to the Beginning of the 30-es”. – Bulgarian musicology, 1997, No 4, p. 98.
The City Orchestra Culture From the Liberation to the 20 ies of thе 20 th Century. – Bulgarian musicology, 1990,
No 3, p. 23.
“The Composer and the Archive. 110th Anniversary of the Birth of Dimitar Nenov”. – Bulgarian musicology,
2011, No 3-4, p. 3.
The Concept Objective Material as a Tool of Music Innovation in the Creative Work of Dimiter Christoff. –
Bulgarian musicology, 2009, No 3-4, p. 123.
The Difficulty of Sot Being Yourself (stage andnrpertory transformations of the wedding orchestras and the
Balkan traditional instrumental practice). – Bulgarian musicology, 2001, No 2, p. 118.
The Folk Dances of Diko lliev (to the Problem “Topical-Abroad” in the Balkans Musical Culture. – Bulgarian
musicology, 1999, No 1, p. 71.
The Music of Dimiter Christoff as a Suggestive “Imaginary Multi-Iinearity”: A Space of Structured and Deployed
Sound Archetypes. – Bulgarian musicology, 2013, No 3-4, p. 201.
“Thracian Dances”: An Artistic Model and Folklore Code. – Bulgarian musicology, 1997, No 3, p. 37.
Kristina Yapova: Dobri Christov und die Idee von Persönlichkeit und der Gemeinschaft. – Bulgarian musicology,
2000, No 4, p. 143.
… Dragomir Yossifov: The Concept of Musical Form of the Second Half of the 20lh Century. The Effects of
Simultaneity, Synchrony and Asynchrony. – Bulgarian musicology, 2006, No 3, p. 115.
Vassileva, Darina
Music, Emblem and Cultural Identity. – Bulgarian musicology, 2003, No 4, p. 230.
Velimirovič, Miloš
An Italian Musician in Bulgaria in the 18th Century? – Bulgarian musicology, 1989, No 2, p. 97.
The Melodies of the Ninth Century Kanon for St Demetrius. – Bulgarian musicology, 1987, № 1, p. 62.
Venkova, Stefka
Apostol Nikolaev-Stroumsky (1886 -1971): Biographical Data and Musical Heritage. – Bulgarian musicology,
2013, No 2, p. 65.
Chants Connected with Contemporary East Catholic Saints and Holy Places in Bulgaria. – Bulgarian musicology,
2012, No 1, p. 88.
The Development of the Creative Idea in the Variants of Milost Mira-Tebe Poem by Apostol Nikolaev-Strumski. –
Bulgarian musicology, 2012, No 3-4, p. 198.
Elena Toncheva: “Acquiring a Blissful Rhythm in the Soul... ”. Orthodox Church Music” . – Bulgarian musicology,
2013, No 2, p. 104.
Kristina Yapova: Sound and Ethos, Variations on a Theme by Boethius. – Bulgarian musicology, 2012, No 1, p.
102.
Vikárius, László
A Pleading Father? – Bulgarian musicology, 2011, No 3-4, p. 177.
Vitanova-Staleva, Lilyana
Experimental study on the coordination between the musically-aural concepts end the motive activities by music
making at early school age (Motives of the specific cognitive and nonspecific-reflective activities). – Bulg.
Musicology, 1983, No 1, p. 72.
Music Acts and Activities. – Bulgarian musicology, 1985, № 1, p. 41.
Vladishevskaya, Tatyana
“Bolgarskij Rospev“ by the “Oldritualists”. – Bulg. musicology, 1982, No 1, 26.
Vladova, Elena
George Sand – in Her Element of Improvisation. – Bulgarian musicology, 2005, No 3, p. 169.
Vlaeva, Ivanka
Books of the Year 2013 or on the High Academic Achievements of the Bulgarian Musicology. – Bulgarian
musicology, 2013, No 2, p. 114.
Todor Džidžev, the Fieldworker. – Bulgarian musicology, 2009, No 3-4, p. 90.
Todor Djidjev: Folk Songs of Thrace. – Bulgarian musicology, 2014, No 3, 116-118.
Ventsislav Dimov: Dobrudja: Memory and Songs. – Bulgarian musicology, 2013, No 3-4, p. 105.
Images of Asia in Internet Music from Iran. – Bulgarian musicology, 2010, No 2-3, p. 115.
In Search for Our Musical Identity. On Some Eastern Musical-Theoretical Systems in the Studies of Stoyan
Djoudjev. – Bulgarian musicology, 2003, No 4, p. 198.
Internet Portrait of Ivan Kachulev. – Bulgarian musicology, 2006, No 3, p. 26.
Musik Welt Karte. Der Edison-Phonograph und die musikalische Kartographie der Erde/World Map of Music.
The Edison Phonograph and the Musical Cartography of the Earth. – Bulgarian musicology, 2010, No 2-3, p. 210.
On “Popular Culture in Turkie Asia and Afghanistan: Performance and Belief” . – Bulgarian musicology, 2013,
No 1, p. 91.
On Terminology in Global Music World in the Beginning of the 21th Century – Transmission in New Context. –
Bulgarian musicology, 2013, No 3-4, p. 151.
On the Question of Modal-Melodic Terminology. – Bulgarian musicology, 2008 , No 3-4, p. 42.
Recordings on Wax Cylinders in Southeast Europe. – Bulgarian musicology, 2013, No 1, p. 85.
Records of Turkish Music in the Archives. – Bulgarian musicology, 2005, No 1, p. 90.
Rossitsa Draganova: Contemporary Terminology and Musical Pedagogical Practice. Dictionary of Music for
Pupils. – Bulgarian musicology, 2013, No 3-4, p. 99.
The Concept of Classical Musk in the Context of Sonsc Asian Cultures. – Bulgarian musicology, 2005, No 3, p. 84.
The Fourth “Music and Minorities” Meeting – Varna-2006. – Bulgarian musicology, 2007, No 2, p. 195.
The Music Archives of the Institute of Art Studies. – Bulgarian musicology, 2005, No 1, p. 3.
The Sound of the Original. – Bulgarian musicology, 2010, No 2-3, p. 215.
Elisaveta Vâlchinova-Chendova: “New Bulgarian Music in the Last Decades: Models and Interpretations”. –
Bulgarian musicology, 2006, No 2, p. 105.
Workshop Choral Societies and Nationalist Mobilizatio in Nineteenth-Century Europe. – Bulgarian musicology,
2012, No 2, p. 110.
Yet Another View on the 39th ICTM Conference. – Bulgarian musicology, 2008, No 1, p. 133.
Vrangova, Snezhina
Bulgarian Piano Concerts and Tendencies within the Genre during the 1970s. – Bulgarian musicology, 2008, No 2,
p. 54.
“...that its task is to give pleasure and through its beauty and elegance to raise admiration...”. The Form as Esthetic
Idea and Music Essence in the Work of Vesselin Stoyanov. – Bulgarian musicology, 2012, No 1, p. 3.
Wickes, Lewis
Untersuchungen zu Franz Schrekers Oper “Die Gezeichneten” (Fünf Thesen zu verschiedenen Aspekten des
Werkes). – Bulgarian musicology, 1991, No 3, p. 82.
Wolfram, Gerda
Der Byzantinische Chor wie er sich in den Typika des l0. - 12. Jh. darstellt. – Bulgarian musicology, 1994, No 3, p.
51
Yanev, Nikola
Worker's Choirs and Orchestras. – Bulgarian musicology, 1985, № 2, p. 76.
Yaneva, Anеliya
Denica Ancheva: „The Ballet of Ruse and Asen Manolov (First steps, formation, development)“. – Bulgarian
musicology, 2012, No 2, p. 116.
Anregungen zur Schaffung eines neuen nationalen Ballettwerkes. Der “Margarita Arnaudova“-Preis und das
Ballett “Arabesk“. – Bulgarian musicology, 2000, No 3, p. 68.
Ballet Education in Bulgaria between the Artistic Institution and the Established Pedagogical System. – Bulgarian
musicology, 2003, No 2-3, p. 58.
Ballet-Performances by Bulgarian Autors. – Bulgarian musicology, 1999, No 3, p. 71.
Lilly Beron — die erste bulgarische Giselle. – Bulgarian musicology, 1996, No 2, p. 103.
Dance-theatre, Dancing Theater, and Dram-ballet (Observations and Comparisons between the Dance-Attacks of
“Arabesque” and the Dancing Theater of Neshka Robeva). – Bulgarian musicology, 2003, No 2-3, p. 129.
Die Darstellerin und Choreographin Nina Kiradshieva. – Bulgarian musicology, 1996, No 1, p. 75.
Formation of the Dance-Symphony as a New Ballet Genre. – Bulgarian musicology, 1992, No 4, p. 44.
Violeta Konsulova has gone. – Bulgarian musicology, 1993, No 3, p. 78.
Realizations oflhe Dance Drama “Nestinarka” as Various Projections of Identity in Our National Music-Stage
Culture. – Bulgarian musicology, 2003, No 4, p. 146.
The Seasons Of “Arabesque”. – Bulgarian musicology, 1994, No 2, p. 96.
Tsvetana Toncheva: “The Musical in Bulgarian National Radio Programming”. – Bulgarian musicology, 2007, No
2, p. 207.
Nadya Vinarova – The Frist Bulgarian Primebalerine. – Bulgarian musicology, 1994, No 1, p. 63.
Yapova, Kristina
“Bulgarisches Musiktheater”. – Bulgarian musicology, 2000, No 3, p. 136.
“Chants on the All-Nigih Vigil” by Dobri Hristov and the Idea of Appropriate Church Music. – Bulgarian
musicology, 2007, No 3-4, p. 249.
“Der Summer der bulgarischen Kultur“. – Bulgarian musicology, 1997, No 1-2, p. 199.
Andrei Diamandiev: “Theoretical Aspects of Functional Harmony” . – Bulgarian musicology, 2014, No 2, p. 105.
“General Principles of Mode Formation in Bulgarian Folk Songs and the Works of Contemporary Compositors”. –
Bulgarian musicology, 1989, No 3, p. 96.
A Challenge to Dialogic Ability. – Bulgarian musicology, 2006, No 1, p. 125.
Bulgarian Musicology from 20ies till the Middle of the 40ies [of XX c.]. An Attempt for Historical and
Theoretical Construction. – Bulgarian musicology, 1992, No 4, p. 20.
Bulgarian Chamber Music from the 20ies to 1944. – Bulgarian musicology, 1987, № 3, p. 25.
Chamber-Instrumental Ensembles in Pancho Vladigerov's Work by 1944 (On the Issue of Interpreting the Genre).
– Bulgarian musicology, 1987, № 1, p. 44.
Der bulgarische Komponist und seine Gemeinschaft. – Bulgarian musicology, 1999, No 2, p. 124.
Die Entwicklung der bulgarischen Musikwissenschaft in dem Zeitraum von den 20-er bis zu den 40-er Jahren des
20. Jh. – Bulgarian musicology, 1996, No 2, p. 63.
Dobry Christov on Church Music. – Bulgarian musicology, 2007, No 1, p. 82.
In the Place of a Commentary [Miglena Tzenova: “Bulgarian Musical Theatre (1890-2001). Opera, Ballet,
Operetta, Musical.Theatrcs, Troupes, Performances”]. – Bulgarian musicology, 2006, No 2, p. 117.
Music and Its “Personalities” (On the Problem of “Music for Church”). – Bulgarian musicology, 2003, No 4, p.
214.
Problems of the Thematism in the Symphonic and Instrumental-Chamber Creative Work of the Bulgarian
Composers from the Period of the Twenties and the Forties. – Bulg. musicology, 1983, No 2, p. 104.
Andrey Stoyanov And The Musical Aesthetic Ideas In Bulgaria (20ies – 40ies [of XX century]). – Bulgarian
musicology, 1994, No 1, p. 31.
The Archives as a Work of Art. – Bulgarian musicology, 2011, No 3-4, p. 195.
The Chamber Music of Marin Goleminov. – Bulgarian musicology, 1993, No 2, p. 105.
The Formation of Bulgarian Musical Science – End of 19th- 20ies of the 20th Century. – Bulgarian musicology,
1989, No 4, p. 16.
The Musical Criticism and Pubblicism in Bulgaria in the Period 1900-1920. – Bulgarian musicology, 1990, No 4,
p. 76.
The Notion of the “New” in the Bulgarian Composer's Church Music (End of the 19th -Beginning of the 20th c.). –
Bulgarian musicology, 2003, No 1, p. 15.
The Polyeleos Melodies. Marked As Bulgarians In The Balkan Singer Practice (Psalm 135 Based On Sources
From The 12th-13th - 14th-15th Century). – Bulgarian musicology, 1993, No 3, p. 75.
The Problem Composer – Folklore during the 1920ies and 1930ies as a Projection of the Cultural Relations
Between Man and Community. – Bulgarian musicology, 1997, No 3, p. 82.
Zur Methodologie der ästhetischen Sinngebung der liturgischen Musik. – Bulgarian musicology, 2005, No 2, p.
70.
Yapova, Natascha
A Origin of Music-Historical Consciousness. – Bulgarian musicology, 1993, No 4, p. 41.
About the Musical Culture Meaning of the Dobri Christov’s Church Music. – Bulgarian musicology, 1998, No 1, p.
33.
Die Serie wählen. – Bulgarian musicology, 1999, No 2, p. 134.
Yordanova, Tsenka
“Musical Work and Asociativeness”. – Bulgarian musicology, 1985, № 3, p. 99.
About Truth and Method in New Music of the 20th century. (Some General Considerations). – Bulgarian
musicology, 2010, No 4, p. 3.
An Attempt of a Typological Analysis of the Sound Medium in the Rituals. – Bulgarian musicology, 1985, № 2, p.
75.
An Unparallele Book On Bulgarian Folk Music. – Bulgarian musicology, 1995, No 1, p. 99.
Dichotomies and Polarizations in Schoenberg’s Holistic Autonomous Conceptual and Terminological System. –
Bulgarian musicology, 2008 , No 3-4, p. 139.
Local Taxonomies and Genres in a Traditional Musical Culture. – Bulgarian musicology, 2013, No 3-4, p. 241.
National Conference on Folklore. – Bulg. musicology, 1984, № 2, p. 94.
National Conference on Folklore. – Bulgarian musicology, 1984, № 2, p. 94.
New Music on the Horizon of Two Leading Thematic Projects of Modernity: Fragments. – Bulgarian musicology,
2008, No 1, p. 62.
Goritza Naydenova: “From Philosophy to Folkloristics. The Unknown Stoyan Djoudjeff” . – Bulgarian
musicology, 2013, No 2, p. 108.
On Signification in Music. – Bulgarian musicology, 1991, No 1, p. 80.
The Affective Vocalization of the Rituals. – Bulgarian musicology, 1988, № 2, p. 98.
The Concept Musical Idea (imisikalischer Gedanke) in Schoenberg: An Attempt for Interpretative Reading. –
Bulgarian musicology, 2009, No 3-4, p. 132.
The Faramusical Sphere As A Subject Field Of Semiotics. – Bulgarian musicology, 1995, No 3, p. 43.
The Professionalism in Folk Music Practice. – Bulgarian musicology, 1988, № 1, p. 93.
Yordanova, Zheni, see also Yordanova, Tsenka
“Cultural and Historic Problems or the Bulgarian Ritual System – the Lazar Dances in South-West Bulgaria”. –
Bulgarian musicology, 1989, No 3, p. 94.
Time As a Cultural System. – Bulgarian musicology, 1989, No 1, p. 66.
Yossifov, Dragomir
Milena Bozhikova: 20th Century Music as “Late Style”. – Bulgarian musicology, 2010, No 4, p. 104.
Diana Danova-Damyanova: “Musica Nova in Bulgarian Musical Culture”. – Bulgarian musicology, 2010, No 1, p.
132.
From Play to the Catastrophe. Preliminary Sketches of One's Image (About Konstantin Iliev). – Bulgarian
musicology, 2011, No 1, p. 30.
Konstantin Iliev // Fragments. – Bulgarian musicology, 2014, No 3, 3-16.
Mask, Allegory And Choice As Instruments Of The Plot Narrativity. – Bulgarian musicology, 2009, No 2, p. 84.
More on the Question of Musical Narrativity (about the musical sujets). – Bulgarian musicology, 2008 , No 3-4, p.
159.
Lazar Nikolov and Konstantin Iliev: Parrhesia and Symphony. – Bulgarian musicology, 2012, No 2, p. 3.
On Some Trealmcnls of the Phenomenon of Temporality in New Music. Approaches to “The New Narraiivity”. –
Bulgarian musicology, 2007, No 1, p. 116.
Sonate, que me veux-tu? For the Sonata Resistance in Later Vassil Kazandzhiev. – Bulgarian musicology, 2010,
No 1, p. 42.
Spoken in Secret. – Bulgarian musicology, 2010, No 4, p. 23.
Temporal Indexes of Form. Some Manifestations of Polyvalent Composition Thinking in Bulgarian Music. –
Bulgarian musicology, 2006, No 2, p. 55.
Elisaveta Vâlchinova-Chendova: “New Bulgarian Music in the Last Decades: Models and Interpretations“. –
Bulgarian musicology, 2006, No 1, p. 138.
… & Peter Kerkelov. Do you remember the living Ivan Spassov. – Bulgarian musicology, 2014, No 4, 3-18.
Yovchev, Rostislav
Influence of late Romantic traditions on an early Bulgarian cycle “Lyrical Pieces for Piano” Op. 6 by Andrey
Stoyanov. – Bulgarian musicology, 2014, No 4, 38-54.
Binka Karaivanova: Works by Bulgarian Classical Composers in Compulsory Piano Lessons. – Bulgarian
musicology, 2013, No 3-4, p. 102.
Yunusova, Violetta
Easlem Classcal Music in Conditions of Mass Media Development. – Bulgarian musicology, 2010, No 2-3, p. 138.
Zaharieva, Svetlana
“...Armed With Guitars...”. – Bulgarian musicology, 1994, No 3, p. 9.
“Auch wir, Bulgaren ...” (Überlegungen über zwei Aufsätze von Karel Mahan). – Bulgarian musicology, 1999, No
4, p. 72.
“Bulgarian Folk Music”. – Bulgarian musicology, 1989, No 4, p. 10
“Einführung in die Ethnomusik Wissenschaft”. – Bulgarian musicology, 1996, No 3, p. 80,
A Book about Music and the Man Creating it. – Bulgarian musicology, 1986, № 4, p. 51.
A Look at the Present. – Bulg. musicology, 1984, № 2, p. 86.
A Systematic View at White-Russian Song Folklor. – Bulgarian musicology, 1988, № 1, p. 87.
About the Vocal-Instrumental “Dialogue” in the Traditional Bulgarian Folklore Wedding. – Bulg. musicology,
1982, No 1, p. 24.
An Eternal Presence [Todor Ivanov Zhivkov]. – Bulgarian musicology, 2002, No 3, p. 163.
At the Forefront of Science. – Bulg. musicology, 1982, No 3, p.76.
Die Idee vom Volkslied und seinen Transformationen. – Bulgarian musicology, 1997, No 1-2, p. 23.
Die Ungleichieiligkeit -eine nationale Festung der bulgarischen Musik-folkloristik (über Texten von Dobri
Christov). – Bulgarian musicology, 2000, No 4, p. 108.
Discoveries and Authorihip. – Bulgarian musicology, 1987, № 1, p. 9.
Ethnomusicology – History, Definitions And Scope. – Bulgarian musicology, 1994, № 4, p. 99.
Folklore – Contemporaneity – History. – Bulgarian musicology, 1986, № 2, p. 50.
Folklore and Contemporary Ecological Consience science. – Bulgarian musicology, 1988, № 1, p. 12.
Folklore Art and Functioning. – Bulgarian musicology, 1986, № 1, p. 15.
Folklore Music and the Creative Work of Composers (Parallels and Perspectives). – Bulg. Musicology, 1983, No 1,
p. 96.
Hommage A. – Bulgarian musicology, 1993, No 1, p. 93.
Important Theoretical Study. – Bulgarian musicology, 1987, № 1, p. 84.
In Search of a Proper Object of Study. – Bulgarian musicology, 1989, No 2, p. 16.
Institute ol Folklore Celebrates It's Tenth Anniversary. – Bulg. musicology, 1983, No 4, p. 102.
Let Us Listen, Think and Work like [Boris] Asafiev. – Bulgarian musicology, 1985, № 1, p. 102.
Modulheit und Tradition.. – Bulgarian musicology, 1998, No 4, p. 77.
Musical Folklorislics and Ethnomusicology. – Bulgarian musicology, 2007, No 1, p. 33.
Musical Folkloristics Study And Nationalism. A Scope To The Past With Mind For The Present. – Bulgarian
musicology, 1995, No 1, p. 38.
Goritsa Naydenova: The Year-Life-History. The Life and Decline of a Traditional Culture as Seen Through the
Eyes of an Ethnomusicologist. – Bulgarian musicology, 2008, No 1, p. 151.
New Trends in the Development of Bulgarian Musical Theoretical Thought. – Bulgarian musicology, 1986, № 2, p.
60.
Shock from the Present. – Bulgarian musicology, 2002, No 3, p. 147.
Studies in Musical Folklore: Problems of History and Methodology. – Bulgarian musicology, 1991, No 2, p. 107.
Teaching and Style. – Bulgarian musicology, 1989, No 3, p. 54.
The Bagpipe In Macedonia. – Bulgarian musicology, 1994, No 2, p. 103.
The Bulgarian Folk-Instrumental Tradition As A Phenomenon Of Culture. – Bulgarian musicology, 1994, No 1, p.
21.
The Concept of Folk Song – from Music-Folkloristic to Specified Scientific Thinking. – Bulgarian musicology,
2004, No 1, p. 19.
The Folk Song in Petko Staynov's Views. – Bulgarian musicology, 1997, No 3, p. 69.
The Musical-Theoretical Publications In The Bulgaian Musicology. An View In Retro. – Bulgarian musicology,
1995, No 2, p. 33.
The Sonic Face of the Big Change (A Conversation by Conespondence with Mariela Hristova). – Bulgarian
musicology, 2002, No 1, p. 93.
Third International Symposium on the Questions of the Folklore Dance. – Bulgarian musicology, 1989, No 3, p.
89.
To the Question about the Origin of the Polyphony. – Bulg. musicology, 1984, № 1, p. 75.
Überlegungen zur Geschichte der bulgarischen Musikfolkloristik. – Bulgarian musicology, 2000, No 3, p. 24.
With a Humanitarian Approach to Folklore. – Bulgarian musicology, 1987, № 2, p. 27.
Your Soul Cries — Out Comes a Song. – Bulgarian musicology, 2001, No 3, p. 99.
Zakharina, Nina
On the Reforms (“Ispravlenie”) of Russian Liturgical Chant Books from the 11th to the 19th Century. – Bulgarian
musicology, 2012, No 3-4, p. 161.
Zemcovskii, Izalij
B. V. Asafiev's Ethnomusicological Conception. – Bulgarian musicology, 1985, № 1, p. 95.
Intonation as a Way of Homo Musician’s Thinking. – Bulgarian musicology, 1988, № 3, p. 61.
Reconstruction of the Concepts of the Folklore Genre Integrity (Method an Examples). – Bulgarian musicology,
1986, № 1, p. 23.
Zenginov, Dimitâr
Chamber and Solo Piano Pieces by Veselin Stojanov. – Bulgarian musicology, 2002, No 4, p. 106.
On Atanass Bojadjiev’s Songs. – Bulgarian musicology, 1988, № 3, p. 26.
The string quartet in the Bulgarian music until 1944 (Materials to a research work on the genre). – Bulg.
musicology, 1983, No 1, p. 53.
Zhabeva-Papazova, Juliyana
The Influence of the Yugoslav Alternative Rock Music on the Cultural Life in Macedonia, Serbia and Croatia
Since 1991. – Bulgarian musicology, 2013, No 1, p. 48.
Zhordania, Yosif
The Caucasus, the Balkans, the Alps. Northern Europe: Musical and Ethnographic Parallels. – Bulgarian
musicology, 1991, No 2, p. 9.
Zlatanova, Petya
On the Culturological Typology of Bulgarian Eleclronic Music. Four Profiles. – Bulgarian musicology, 2002, No 2,
p. 158.
* * * Concluding Discussion from the Seminar “Orthodox Music”. – Bulgarian musicology, 2007, No 3-4, p. 280.
* * * Idea – Concept – Terminology II. – Bulgarian musicology, 2013, No 3-4, p. 3.
* * * Programme of the Symposium“Bulgarian-Russian Musical Relations XIV—XVIII c. – “Bolgarskij Rospev“.
– Bulg. musicology, 1982, No 1, p. 155.
* * * Schreiben des Ministeriums für Volksbildung an D. Nenov und Antrag von D. Nenov an den Minister für
Volksbildung. – Bulgarian musicology, 2000, No 1, p. 68.
* * * Schreiben des Ministeriums für Volksbildung an D. Nenov und Mamorandum von D.Nenov an den Minister
für Volksbildung. – Bulgarian musicology, 2000, No 1, p. 74.
* * * Terrain Notes [from Unpublished Materials of Vassil Stoin from East Upper Thracia]. – Bulgarian
musicology, 2005, No 4, p. 90.

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