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"# $ >/#>/ 7:<#"# >+ .; #* 0+ * # D$+ -!:* F < ;=E/* * :,J :; = >D 24 _$= / 6 A 114 nR: "# <#>\*W ##> _>O 7:>O * R#>W 0 7:<I "/ : <#>\*W _>O 7*\ O <Z*/ 7>Q ,C# « /* C *!# 7» 0 $# ,=>J J % c ;%l^ >O Y . U Y*M U R#) #* 7:>O #IRW R# < `*D 7* !# 7* R># ;$: >$# !$: (... <> R\ I* 0+ # <;@# U 0@ !% H <J ; <## .; R= <# 7>O 7: <0+ # %* 7* V+ \ 7:RW < = #$ jC *O% *G d*= 7:>O < 7C# -S*D =*!# $S ; R=>J BD # /R*H " ,C# */ R# A@d I* 0+ #* 7># *O% o# * <K # M<# **# *+ < .RJ < :>% * J# %> 7o# M) .R#=W* ; = >!'MJ ]Q (.;D * >/ ... < "J>% RW * 7:>!'MJ ]Q 7CT> -I* h _RU # $# -< < # `*D ,$# 7* R># ,=>J >/ o# J >*W #/ m% >T< *0 _ &D >T< D$+ /R# h 7IRW @G / U :;*Q * * <J ; «U» 7>!'MJ 7$# < .; %> %* c RW ) * < ,>% _RDd 7:$D c ;\D U*c ;K= 7 }# R# #>/#>/ F & (<0+ * *! ]>D <C Z ; R= */ * K=$W *T <#>\*W lB%* - ,>% 7 #># nR F 7*/>#» < ->= < , c *T ;"/ D <J #> .R# <0+ * /R# >% \# o+ 7Z <J RJ AR «&J# #Z)C 1. Kate Green 2. Fredric Jameson 115 ... >!'MJ * ]Q 24 _$= /6 A 3. Gerard Genette 4. Carol Pearson & Hugh K. Marr 5. D'Aulnoy 6. Jacques Lacan 7. Julia Kristeva 8. Helene Cixous 9. metatextualité 10. transtextualité 11. intertextualité 12. paratextualité 13. architectualité 14. hypertextualité 15. Hades 16. Zeus 17. Poseidon 18. Demeter 19. Da 20. Ge 21. Persephone 22. Josephe Campbell 23. Nancy K. Miller 7*/ < F ; Y> o# K /* < : * <J <#>/$: .24 YH *Od * , #= <» : #>/ABM ;D* GH V+ 7:RW <\/ <J 7*% .RtW * V# 7:<'>' [G .*J ,W 7o .R"J J w*Z R"J !:W #$ > < < 7 .*J ,: < RRH >% : < > _>O ;*u "# !$: %> &>= <#% 7*/ (7 :1390 #$) «[...] R= .; I* 0+ < R># 7C# !# U* 7* : 25. apocalyptic >% <J R >c & ; = */ R* ># *X# * .26 *T *#H >= *+ H <>%# R= <=R# "C# : :H H >+< *D; 7* pI>$0 # Z ; = .U#>% (pathetic plot) o!#Uc* .(80 :1371 >%) ; >/ ... «!*MZ>» «!*» «!0\O'» «!>» R># #* _\ .27 .; I* 7L 7C' 7* 7R$D ,=>J d .oJ* *"# :*M .2 .>N#o &W $+* .Z .(1385) &:*/ 'H i 24 _$= / 6 A 116 .* *"# :M\ .& / & .(1371) R$c >% i .*Od *"# :*M . 3#$%& / .(1390) UC'> >W]D$ i .2 .:=*% * BM= $+* .e U& T# .(1387) ]^ ;$ i .*0 V:* :*M .«/*$' 7>O ; ]Q» .(1388) *! R0 'R! o i .38 -9 .25 . 3#A#BC (J .oJ* *"# :*M .2 .>N#o &W $+* .& I IX .(1386) ]K W i .*T :*M .%* B+ $+* . U& Z!) .(1380) + ; W i .6 .7*# J $+* . `/ F/ .(1391) J >: . AJ >*W i ./R# V:* :*M :*M .B Q $+* .VW &)$Wf (= .(1385) >+ o i .$D >/>W R* $+* .«*W 7:<d 7:!%» .(1387) ?+ j~ i L* $+* ,o/ .w>J *X# RC# 7:*K :NF 3#! .#>+># J>J 7*K *W >#J :*M .;#: *W RC .[#*% .259 -222 .3 .*@ @D $+* .VW (= 3%# .(1384) >R *W R i .># *T :*M .<$"Z *"# :*M .3 . ! "# $ .(1390) jC #$ i &>D !":[W :*M .L $ &).G& .(1391) U* >W# i .!:* 0'O ## . #BC (c .«{U:> ;0d n<## =># » .(1388) Rd 7*:T i .107 -87 .4 < <#RW ># ,*/ ]I» .(1391) 7@d 0c DR Ud i .61 -33 .21 .#BC> (c .«*T 7c XH `NF «H R0 */%W :h 7R$» .(1388) j#: *J i .443 -430 .*%7> :*M .7R$Q $+* .Z .oJ* *"# :*M .5 .*@ @D $+* ..G& X, .(1388) l>+ ]@$J i *dR$Q N/ #* $+* . & 0 / .(1391) . >J i .,# R#H :*M .>W]D$ 117 ... >!'MJ * ]Q 24 _$= /6 A :*M .$+* */ . $= (& .(1383) M@' ]+ ;J */ i .!# $+* .Z XH `NF «$ =; 7><» .(1388) > *' i .312 -307 .*%7> :*M .7R$Q $+* . 3#$= «{R R= G :RW » .(1386) + j i .238 -201 .*># :*M .RW c .7>@# R$Q *+M *M $+* .VW 3#$= (D .(1385) #* ?K i .</H :*M .2 *"# :*M .7R+MZ _ .2 . 8& \& V .(1386) c RD* i .<$"Z . :*M .# #$= :Z 3 .(1390) $M PO># i e- (D#BC .«: *! ? q 0'O ;*» .(1386) iiiiiiiiiiiiiiii i .98 -83 .56 .8 - Allen, G. (2005). Intertextuallity. P. Yazdanjou (Trans.) Tehran: Publication Markaz. [In Persian] - Bozorg Bigdeli, S. (2009). 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