HUSH —1 Art Basel Miami 2014 Recap and Insights Friends of HUSH 12.23.14 Art Basel Miami 2014 HUSH Hello Friends! We had the opportunity to attend the Art Basel Miami fair in December 2014 As in the past, we’ve put together a recap for your enjoyment, education, and inspiration. —2 Art Basel, held yearly in Miami, Basel & Hong Kong, showcases an impressive array of artwork, art installations, and experiences that reflect the current creative landscape. Within days, Miami transforms into an art mecca that runs the spectrum from the beautiful, to the thought-provoking, to the occasional head-scratcher. Concurrent with Art Basel, there are other satellite gallery fairs: Pulse, Scope, Nada, Untitled, etc. The Design Miami event occurs at the same time as these gallery fairs, representing an interesting mixture of high art, product and furniture design, and other associated creative convergence. What follows is not a comprehensive recap - it’s impossible to attend every show, installation, gallery party, and design event - but rather a look from the HUSH perspective. This includes things we noticed - trends, similarities and interests from an aesthetic, material, and brand point of view. Please enjoy our take on an inspiring few days. Art Basel Miami 2014 Index Art and Nature Colors & Patterns Process, Process, Process —3 Walls HUSH Art Basel Miami 2014 —4 Art and Nature The art world reflects many facets of our society, paralleling events and conversations happening around the world. If art responds to the cultural zeitgeist, then the current world focus seems to be on Mother Nature. The natural world, plants, animals and geological formations were very visible across fairs and gallery shows this year. HUSH Art Basel Miami 2014 HUSH Perrier Jouet | Mischer Traxler - “Ephemera” Viennese design duo Mischer'Traxler has unveiled a dynamic installation for Champagne brand Perrier-Jouët. —5 "It's an interactive kinetic installation," said Thomas Traxler. "If you are at a big enough distance from the table it starts blooming, and the same with the mirrors. They become very decorative pieces. But if you come too close the table becomes flat and the mirrors become functional mirrors.” "The species that are used on the table and on the mirror are all related to real species," he added. "Some are extinct and some are very common plants that can be found all over the planet, while others are newly discovered species. So it's also about the impact of humanity on nature, and the impact we have." Link - http://www.mischertraxler.com/ Video - http://vimeo.com/113463131 Art Basel Miami 2014 HUSH Brad Troemel - “LIVE/WORK” Troemel is well-known for his development of the Tumblr website The Jogging, which has received attention for its work in New Media and Microblogging. —6 While LIVE/WORK takes physical form, it nonetheless represents Troemel’s exploration of the web-based experience. Troemel explains his work as “a physical ecology of contextual complexity and focused attention often destabilized and decentralized on the web.” Adding even more interest to this piece, the installation actually exists as a charity walk . . . for ants. The ants are competing for various nonprofits, from Earth First! to Greenpeace, Wikipedia to PBS, which will receive 10 percent of proceeds from the gallery's sales. http://main.bradtroemel.com/ Art Basel Miami 2014 HUSH Coral Therapy —7 As far as we know, this was a first for Art Basel. Using the Oculus Rift, Morphological Studios created a 360-degree virtual reality film. When viewing ‘Coral Therapy’, the viewer is enveloped by fluorescent corals and sea anemones; much like being inside a virtual planetarium theater. The creators explain, “‘Coral Therapy’ is designed to convey a virtual out-of-body experience in which the viewer is transported to a tranquil tropical reef in outer-space. An original ambient score enhances the cosmic coral perspective while accentuating the peaceful and relaxing experience.” http://morphologicstudios.com/index.php?/projects/coral-therapy/ Art Basel Miami 2014 HUSH Swarovski | Jeanne Gang - “Thinning Ice” —8 ‘Thinning Ice’ is an immersive installation designed by American architect Jeanne Gang to raise awareness about climate change. Time lapse video of Iceland’s Jokulsarlon Glacier cover the walls of the installation’s oval-shaped room. The glacier’s continuous, gradual movement informed several components of the space’s design. The floor includes crystal-filled illuminated ‘glacier cracks’. A center table, inspired by the free form of ice, contains simulated subglacial meltwater channels. Each of these channels is filled with a variety of both raw and finished Swarovski crystals. http://studiogang.net/work/2014/thinning-ice Art Basel Miami 2014 HUSH Paloma Teppa Industrial designer and artist Paloma Teppa’s passion is to fuse art, design, architecture and nature. —9 Teppa writes, “I seek to design objects that value the beauty of nature such as the colors, textures and smells of a garden. Objects that breathe and naturally purify our homes. I find magical secrets hiding in every garden. My miniature gardens portray an ideal world where plants and animals live in harmony and cared by humans. It is an exercise to raise our consciousness every day.” http://shop.plantthefuture.com/ Art Basel Miami 2014 — 10 Colors & Patterns Basic forms, bold colors, patterning and repetition are keystones of the art world despite changes in production techniques, materials and process. This year at Art Basel Miami was no different. Both diverse color palettes and huge color gradients wove their way into a remarkable amount of work. HUSH Art Basel Miami 2014 HUSH Jonathan Muecke — 11 For the tenth anniversary of Design Miami, Jonathan Muecke created a pavilion highlighting his ongoing investigation of “notions of positive and negative space, positional relationships to structures and the innate desire to read notions of functionality into objects that relate to human scale.” From the artist: “Centered around a double-layered circular structure with apertures at both poles, this piece is designed on a human scale, rejecting monumentality in favor of lightness and variability. Filtered through a translucent canopy that shelters the whole structure, light will bounce off the curved and colored surfaces of the pavilion – complementary tones of red and green within, primary blue and yellow without – creating a shifting topography of reflected color.” http://jonathanmuecke.com/ http://instagram.com/p/wCkp79PWlR/ Art Basel Miami 2014 HUSH Guillermo Mora Mora’s piece for the Untitled Art Fair, Hacia blanco (“towards white”), exhibits the entire chromatic spectrum on a 300-meter wooden circle, assembled by metal hinges. These 300 meters would ideally surround the museum for which the piece has been created. — 12 http://www.guillermomora.com/ESP/Guillermo_Mora.html Art Basel Miami 2014 HUSH RO/LU - “Uncertain Surfaces” Design studio RO/LU believes their work emerges from and remains continuously in motion. — 13 Within their installation, models and gallery attendants sport clothing with the same pattern as the booth. RO/LU’s project is an exploration of philosopher Bruno Latour's concept, the “life of things”—the belief that “objects, images, and ideas have their own agency and won’t simply sit still under someone’s watch, on someone else’s terms.” In the design team's words: "Objects, images, and ideas have lives to live.... Suddenly we are interested in getting closer to these objects, establishing a poetic proximity that will allow these things to teach us in ways no person could." http://www.ro-lu.com/ http://miami2014.designmiami.com/curio/view/patrick-parrishgallery Art Basel Miami 2014 HUSH Mika Tajima Mika Tajima is fascinated by ergonomics and the way we can condition our bodies, both externally and internally, through industrial design. — 14 At NADA, the artist explored this theme by placing a full-sized candy-colored Jacuzzi shell on the wall. It turns out that the Jacuzzi did not originate as a leisure device, but rather a tool developed by California’s Candido Jacuzzi in 1948 to treat his son’s rheumatoid arthritis. Flanking the piece are additional color explorations using similar plastic materials. Collectively, they fill the exhibition space with a range of colors and patterns. http://mikatajima.com/ http://www.artspace.com/magazine/interviews_features/ interview_mika_tajima Art Basel Miami 2014 HUSH Matt Donovan Matt Donovan is an artist, industrial designer, and conservator of kinetic artworks to translate abstract ideas into accessible and meaningful content. He has built a career in which design and art are inseparable. For his most recent series, he explores bold color patterns and textures using one of the most ubiquitous of colored objects, the Lego. — 15 http://www.olgakorpergallery.com/collection/2704 Art Basel Miami 2014 HUSH Abel Ventoso Argentinian artist Abel Hector Ventoso’s formal approach to plastic art developed through his architectural studies. Each piece consists of a large piece of rubber, cut into individual rectangles and contorted to form a complex structure. — 16 Ventoso states, ”The use of unconventional materials and techniques allow me to project the valuable nature of the volumetric and its expressive force.” http://www.ventoso.com.ar/index0.html Art Basel Miami 2014 — 17 Process, Process, Process Regardless of industry, many of us find as much pleasure in the journey as in the final output. New techniques of production, new materials, incredibly arduous and lengthy processes, and complicated mathematical algorithms are defining process in a lot of contemporary art. HUSH Art Basel Miami 2014 HUSH Tony Orrico Passionate about creative process, Tony Orrico’s work focuses on organized consciousness and applications of the body to a surface, object, or course. We featured him last year for his amazing Pennwald Drawings, and this year he did not disappoint. — 18 This work was created by a simple process, done over and over again, ad infinitum. He bit the paper . . .from top to bottom, left to right. Orrico explains, “I commit my attention, rationally, to the sensitivity of the body at the receptive level— ready points and lines in space. I attain a sense of embodiment that is geometric and mechanical, with no dominating sense of axis or outside force, and find the ability to motor from invented traction. The course is non-objective; it is a continuation of pathway and response to stimuli.” http://tonyorrico.com/ Art Basel Miami 2014 HUSH Shinya Aota At first glance, the work of Shinya Aota looks like a variety of common glass bottle shapes, manipulated to look like sea glass. Far from it. By scraping off the surface of all sorts of ubiquitous commodities, Aota transforms them into works of art. By removing the vessel’s top layers, we are reminded of the essential quality and existence of the thing itself. — 19 https://artsy.net/artist/shinya-aota Art Basel Miami 2014 HUSH Marck Marck exclusively uses screens that began life as a cathode ray monitor or a LCD to display his works. He then either dismantles, newly creates, or rebuilds the screen cladding in order for the specific video content to complement the display’s condition. — 20 In his "Woman Case”, for example, Marck explains, “the monitors have been reconstructed into a box in which a woman is locked. Marck`s video sculptures demonstrate how a man sees and reflects on the female world and the patterns of the relationships between men and women. The man locks women up in a chest or lies them in baths in which the women make themselves at home in the hope that the casing or the sphere of life around them will at some point dissolve without their own actions.” http://www.marck.tv/ https://vimeo.com/10445325 Art Basel Miami 2014 HUSH Marina Abramovic - “Slow Motion Walk” — 21 The Young Arts Foundation recently took over the former Bacardi US headquarters, and now calls it home. For Art Basel, YA partnered with the Marina Abramovic Institute, and shared one of her seminal works, the “Slow Motion Walk,” within the iconic building. And it didn’t disappoint. HUSH team members performed the “slow walk” led by an Abramovic understudy which took 45 minutes to travel a mere 100 feet around the room (pictured). Concentration is the key to the celebrated performance artist’s projects, most of which involve "durational" work, such as sitting in the same spot in a museum all day. Abramovic’s brand of intense baring down is applicable in other creative endeavors and also business, where “monotasking" is starting to come back into fashion. It’s something the artist hopes to teach others. http://www.youngarts.org/artbasel http://www.mai-hudson.org/ https://vimeo.com/71658871 Art Basel Miami 2014 HUSH Theo Jensen - “Strandbeest” Theo Jansen's famed kinetic sculptures, Strandbeests ("beach animals") blur the lines between art, science, sculpture and performance. This was our week’s highlight. — 22 The exhibition celebrates the thrill of the Strandbeests' unique locomotion as well as the processes that have driven their evolutionary development on the Dutch seacoast. Jansen constructs his self-propelling beach animals, like “Animaris Percipiere” (pictured top-left) using only PVC pipe. Each of his creatures gain locomotion from wind power. Jansen’s intricate arrangement of the pipes enables the creatures to move in complex ways, even change direction. They are truly a sight to be seen. http://www.strandbeest.com/ Upcoming Exhibit: Peabody Essex Museum - September 2015 http://www.pem.org/exhibitions/176strandbeest_the_dream_machines_of_theo_jansen Art Basel Miami 2014 Walls — 23 The launch of Art Basel Miami in 2002 inspired a huge cultural and architectural revitalization of the city. Taking a cue from other metropolitan areas, Miami has striven to rebuild itself one structure at a time. There are too many examples to highlight but the “Wynwood Walls” phenomenon is worth a focus. The effort demonstrates a confluence of urban investment, artistic opportunity, and readily available real estate, transforming structures in vacant lots, commercial buildings (or any other large, flat surface) into XXL canvases. HUSH Art Basel Miami 2014 HUSH Wynwood Walls Tony Goldman conceived The Wynwood Walls in 2009 as a way to transform the district full of windowless warehouse buildings in a big way. He wanted to bring city dwellers and visitors “the greatest street art ever seen in one place." — 24 Through public exploration of these oversized art pieces, Goldman hoped to develop the area’s pedestrian potential. The Walls has brought the world's greatest artists working in the graffiti and street art genre to Miami. Since its inception, the Walls program has hosted over 50 artists representing 16 countries and have covered over 80,000 square feet of walls. Here are a few. . . — 25 Art Basel Miami 2014 Ron English - https://www.popaganda.com/ HUSH — 26 Art Basel Miami 2014 Maya Hayuk - http://www.mayahayuk.com/ HUSH — 27 Art Basel Miami 2014 Logan Hicks - http://workhorsevisuals.com/new/ HUSH — 28 Art Basel Miami 2014 Faile -http://www.faile.net/ HUSH Art Basel Miami 2014 Thank You! David Schwarz | Partner [email protected] — 29 Rob Cohen | Director of Business Development [email protected] © 2014 Hush Studios, Inc. All work is private and confidential and the sole property of Hush Studios, Inc. HUSH
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