sample programmes

1. COFFEE or AFTERNOON CONCERT (1 hour)1 – Invitation to a Salon Concert2 An exploration of the wonderful Salon Concert setting, for which the majority of 18th/early 19th century works were written, and also encompassing the hugely popular arrangements of works for a chosen combination, that was so prominent at this time, now all but forgotten.3 Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) III Rondeaux Allgretto Märchenerzählungen, Op. 132 Robert Schumann (1810-‐‑1856) I Lebhaft, nicht zu schnell II Lebhaft und sehr markiert III Ruhiges Tempo, mit zartem Ausdruck IV Lebhaft, sehr markiert Geistliches Wiegenlied, Op. 91 Johannes Brahms (1833 – 1897) First movement of Moonlight Sonata Ludwig van Beethoven (1770 – 1827) arranged for Trio (as Pub. 1800’s) Trio Pathetique in D minor Mikhail Glinka (1804 – 1857) I Allegro moderato II Scherzo: vivacissimo III Largo IV Allegro con spirit Encore, (if appropriate), today’s salon music – an arrangement/improvisation on a popular tune, for example if Christmas, Chestnuts Roasting on an Open Fire, or similar. 1
Fee £500.
The Phantasy Trio also have an educational workshop which they can offer with this
programme, total fee £600.
2
The Phantasy Trio can perform a programme of this nature on period instruments, if a
fortepiano can be provided.
3
2. COFFEE or LUNCHTIME CONCERT (45 minutes)4 – Classical Masters’ Popular Innovations5 A concert featuring works by perhaps the 2 most iconic classical masters, and exploring how these works were created through popular innovations of the day. “Gassenhauer Trio”, Ludwig van Beethoven (1770 – 1827) Piano Trio in B-‐‑flat major, Op. 11 I Allegro con brio II Adagio III Tema con variazioni “Pria ch’io l’impegno”: Allegretto Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto Fee £500. This programme can also be extended in length to a full hour or a concert of two
halves, as required, maintaining the theme.
4
This programme can be performed on period classical instruments, if a fortepiano can be
provided, or provision for hire of one made. 5
3. LUNCHTIME CONCERT (50 minutes) – ‘A more modern take’ – influenced by Schumann6 Following the legacy of Schumann’s Trio, Märchenerzählungen, from its inspiration in Mozart’s foundation of this trio form, through to characterful works directly written as a result of it, including the charming final work in this programme written for The Phantasy Trio. Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto Märchenerzählungen, Op. 132 Robert Schumann (1810-‐‑1856) I Lebhaft, nicht zu schnell II Lebhaft und sehr markiert III Ruhiges Tempo, mit zartem Ausdruck IV Lebhaft, sehr markiert Hommage å R. Schumann György Kurtág (b. 1926) I Vivo II Molto semplice piano e legato III Feroce agitation IV Calmo Scorrevole V Presto VI Adagio poco andante Hommage å G. Kurtag Gregory Drott (b. 1986) 6
Fee £500
4. EVENING CONCERT (2 x 45 minute halves) – An Indian Summer and Holiday Inspirations7 A programme of works written in other lands, including Russian composer, Glinka’s Trio written in Italy, British composer Holbrooke’s Debussy-‐‑ian and French inspired Nocturne, Francaix’s witty trio where one can imagine being at the fairground, Brahms’s lullaby, Carl Reinecke’s trio with its folk inspirations, a beautiful song Brahms wrote whilst away and a selection of Bruch’s eight pieces, written in his retirement retreat. Trio Pathetique in D minor Mikhail Glinka (1804 – 1857) I Allegro moderato II Scherzo: vivacissimo III Largo IV Allegro con spirit Nocturne ‘Fairyland’, Op. 57/I Joseph Holbrooke (1878 – 1958) Trio for clarinet, viola and piano Jean Françaix (1912-‐‑1997) I Preludio: Larho II Allegrissimo III Scherzando IV Largo V Presto INTERVAL Geistliches Wiegenlied, Op. 91, No. 2
Trio, Op. 264 I Moderato – Allegro II Intermezzo III Legende IV Finale: Allegro Moderato Acht Stücke, Op. 83 No. V Rumanische Melodie No. VI Nachtgesang 7
£700
Johannes Brahms (1833 – 1897)
Carl Reinecke (1824-‐‑1910) Max Bruch (1838-‐‑1920) 5. A Tale of Intrigue8 This programme presents the journey of the relationship between clarinet, viola and piano, and the interest these instruments have provided to composers through the ages, from Mozart’s evolution of the trio to today through a small selection of the repertoire, Schumann’s beautiful slow character study, Francaix’s witty trio, Uhl’s masterwork of the early twentieth-‐‑century and the Bruch double concerto. Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto Märchenerzählungen, Op. 132 Robert Schumann (1810-‐‑1856) III Ruhiges Tempo, mit zartem Ausdruck Trio for clarinet, viola and piano Jean Françaix (1912-‐‑1997) III Scherzando IV Largo V Presto *** INTERVAL *** Kleines Konzert Alfred Uhl (1909-‐‑1992) I Allegro con brio II Grave, molto tranquillo III Vivo Double Concerto in E minor, Op. 88 Max Bruch (1838 – 1920) I Andante con moto II Allegro moderato III Allegro molto 6. EARLY/LATE EVENING CONCERT (1 hour) – “Indebted with thanks”9 An exploration of the repertoire that evolved this trio combination – how it came about, the personal relationships and situations that led to this and its uses in the first century of its existence – introduced by the trio. Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto Märchenerzählungen, Op. 132 Robert Schumann (1810-‐‑1856) I Lebhaft, nicht zu schnell Geistliches Wiegenlied, Op. 91 Johannes Brahms (1833 – 1897) “Gassenhauer Trio”, Ludwig van Beethoven (1770 – 1827) Piano Trio in B-‐‑flat major, Op. 11 I Allegro con brio II Adagio III Tema con variazioni “Pria ch’io l’impegno”: Allegretto 8
£700
9
Fee £500
7. EVENING CONCERT (2 halves)10 – A Tale of Intrigue 2 This programme presents the journey of the relationship between clarinet, viola and piano, and the interest these instruments have provided to composers through the ages, from Mozart’s evolution of the trio to today through a small selection of the repertoire, the 2 canonic Brahms Sonatas, Francaix’s witty trio and the Bruch double concerto. Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto Sonata in E-‐‑flat major, No. 2, Op. 120 Johannes Brahms (1833-‐‑1897) I Allegro amabile II Allegro appassionato-‐‑Sostenuto-‐‑Tempo I III Andante con moto -‐‑ allegro *** INTERVAL *** Sonata in F minor, No. 1, Op. 120 Johannes Brahms (1833-‐‑1897) I Allegro appassionato II Andante un poco Adagio III Allegretto grazioso IV Vivace Trio for clarinet, viola and piano Jean Françaix (1912-‐‑1997) I Preludio: Largo III Scherzando V Presto Double Concerto in E minor, Op. 88 Max Bruch (1838 – 1920) III Allegro molto 10
Fee £700
8. Core masterpieces – Mozart and Schumann framed by Bruch’s sublime eight pieces11 No. III Andante con moto from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) No. VII Allegro vivace, ma non troppo from Acht Stücke, Op. 83Max Bruch (1838-‐‑1920) *** Märchenerzählungen, Op. 132 Robert Schumann (1810-‐‑1856) I Lebhaft, nicht zu schnell II Lebhaft und sehr markiert III Ruhiges Tempo, mit zartem Ausdruck IV Lebhaft, sehr markiert *** No. I Andante from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) No. II Allegro con moto from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) *** INTERVAL *** No. IV Allegro agitato from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) No. V Rumanische Melodie from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) *** Kegelstatt Trio, KV 498 Wolfgang Amadeus Mozart (1756-‐‑1791) I Andante II Menuetto III Rondeaux Allgretto *** No. VI Nachtgesang from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) No. VIII Moderato from Acht Stücke, Op. 83 Max Bruch (1838-‐‑1920) 11
Fee £700
These are simply sample programmes, and we are always very happy to tailor a programme to any individual situation or theme. Our repertoire list can be found here, but this is by no means exhaustive, and is constantly expanding: http://www.phantasytrio.co.uk/#/repertoire/4567444515

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