Institut für Musikwissenschaft
Saarland University
Institut für Musikwissenschaft
Campus C5 2
66123 Saarbrücken
Tel.: 0681/ 302-2318
Fax: 0681/ 302-2851
www.uni-saarland.de/musikwissenschaft
Email: [email protected]
Problems of
Transmission and
Possibilities
of Analysis
in the Oeuvre of
Tomás
Luis de Victoria
(ca. 1548–1611)
17–18
Background: Chroma-based harmonic analysis of Beethoven’s Sonata op. 57
(first movement, exposition). From: Konz/Müller/Kleinertz, A Cross-Version Chord Labelling
Approach for Exploring Harmonic Structures, in: Journal of New Music Research 42/1 (2013)
Musicology
and Informatics
in Dialogue:
September 2015
International Workshop
15.00 Welcome
Session 2.
Informatics and Musicology
in Dialogue
(Campus, C5 1, Musiksaal)
Annegret Kramp-Karrenbauer
Institut für Musikwissenschaft
(Campus, C5 2, 0.01)
Institut für Musikwissenschaft
(Campus, C5 2, 0.01)
9.00 Presentations
Agustín Martorell (Barcelona)
Digital encodings of Early
Music: Usability factors
for computational analysis
15.00 Presentations
Juan Ruiz Jiménez (Granada)
Musical sources
at the service of a
digital edition à la carte
David Rizo (Alicante)
Interactive pattern
matching in Musicology
Noel O’Regan (Edinburgh)
Italian sources for the music
of Tomás Luis de Victoria
Christof Weiß (Erlangen)
Automatic analysis of
local tonality in
audio recordings
Sergi Zauner (Saarbrücken)
Victoria’s music
in Germany: The case of
the organ tablatures
(Ministerpräsidentin des Saarlandes)
Volker Linneweber
(Präsident der Universität des Saarlandes)
Thorsten Herfet
(Vizepräsident für Forschung
und Technologietransfer)
Keynote address
Rainer Kleinertz/
Meinard Müller
(Saarbrücken/Erlangen)
Refreshments
(Foyer Musiksaal)
Session 3.
Sources and Editorial
Criteria
Session 1.
Edition and Digital Humanities
Institut für Musikwissenschaft
(Campus, C5 2, 0.01)
11.00 Coffee
17.00 Coffee
16.30 Presentations
Peter Ackermann (Frankfurt am Main)
Experiences in the Palestrina
Edition: Catalogue of works,
edition, analysis
11.30 Presentations
Stephanie Klauk (Saarbrücken)
Intertextuality in the
works of Tomás
Luis de Victoria
Adriano Giardina (Lausanne)
Towards a typology
of polyphonic cadences
in Victoria’s time
12.15 Discussion
13.00 Lunch
September 2015
19.00 Reception
(Campus, C5 1, Foyer Musiksaal)
18
17.30 Discussion
September 2015
Nikolaos Beer (Detmold/Paderborn)
Introduction to the
Edirom tools for
digital music editions
17
Friday,
15.30 Discussion
Thursday,
10.00 Discussion
17.30 Presentations
Emilio Ros-Fábregas (Barcelona)
Editorial decisions
concerning music
incipits in the context
of an online catalogue
of Hispanic books
of polyphony
18.00 Discussion

Fee Fay le crapaud - tablatures

Pedro est au Brésil - tablatures