Institut für Musikwissenschaft Saarland University Institut für Musikwissenschaft Campus C5 2 66123 Saarbrücken Tel.: 0681/ 302-2318 Fax: 0681/ 302-2851 www.uni-saarland.de/musikwissenschaft Email: [email protected] Problems of Transmission and Possibilities of Analysis in the Oeuvre of Tomás Luis de Victoria (ca. 1548–1611) 17–18 Background: Chroma-based harmonic analysis of Beethoven’s Sonata op. 57 (first movement, exposition). From: Konz/Müller/Kleinertz, A Cross-Version Chord Labelling Approach for Exploring Harmonic Structures, in: Journal of New Music Research 42/1 (2013) Musicology and Informatics in Dialogue: September 2015 International Workshop 15.00 Welcome Session 2. Informatics and Musicology in Dialogue (Campus, C5 1, Musiksaal) Annegret Kramp-Karrenbauer Institut für Musikwissenschaft (Campus, C5 2, 0.01) Institut für Musikwissenschaft (Campus, C5 2, 0.01) 9.00 Presentations Agustín Martorell (Barcelona) Digital encodings of Early Music: Usability factors for computational analysis 15.00 Presentations Juan Ruiz Jiménez (Granada) Musical sources at the service of a digital edition à la carte David Rizo (Alicante) Interactive pattern matching in Musicology Noel O’Regan (Edinburgh) Italian sources for the music of Tomás Luis de Victoria Christof Weiß (Erlangen) Automatic analysis of local tonality in audio recordings Sergi Zauner (Saarbrücken) Victoria’s music in Germany: The case of the organ tablatures (Ministerpräsidentin des Saarlandes) Volker Linneweber (Präsident der Universität des Saarlandes) Thorsten Herfet (Vizepräsident für Forschung und Technologietransfer) Keynote address Rainer Kleinertz/ Meinard Müller (Saarbrücken/Erlangen) Refreshments (Foyer Musiksaal) Session 3. Sources and Editorial Criteria Session 1. Edition and Digital Humanities Institut für Musikwissenschaft (Campus, C5 2, 0.01) 11.00 Coffee 17.00 Coffee 16.30 Presentations Peter Ackermann (Frankfurt am Main) Experiences in the Palestrina Edition: Catalogue of works, edition, analysis 11.30 Presentations Stephanie Klauk (Saarbrücken) Intertextuality in the works of Tomás Luis de Victoria Adriano Giardina (Lausanne) Towards a typology of polyphonic cadences in Victoria’s time 12.15 Discussion 13.00 Lunch September 2015 19.00 Reception (Campus, C5 1, Foyer Musiksaal) 18 17.30 Discussion September 2015 Nikolaos Beer (Detmold/Paderborn) Introduction to the Edirom tools for digital music editions 17 Friday, 15.30 Discussion Thursday, 10.00 Discussion 17.30 Presentations Emilio Ros-Fábregas (Barcelona) Editorial decisions concerning music incipits in the context of an online catalogue of Hispanic books of polyphony 18.00 Discussion
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