PIPEDREAMS March Programs, Winter Quarter 2016:
The following listings detail complete contents for March 2016 Winter Quarter of broadcasts. The first
section includes complete program contents, with repertoire, artist, and recording information. Following
that is program information in "short form".
For more information, contact your American Public Media station relations representative at 651-2901225/877-276-8400 or the PIPEDREAMS Office (651-290-1539), Michael Barone <[email protected]>).
For last-minute program changes, watch DACS feeds from APM and check listing details on our
PIPEDREAMS website: http://www.pipedreams.org
AN IMPORTANT NOTE: It would be prudent to keep a copy of this material on hand, so that you, at the
local station level, can field listener queries concerning details of individual program contents. That also
keeps YOU in contact with your listeners, and minimizes the traffic at my end. However, whenever in
doubt, forward calls to me (Barone).
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PIPEDREAMS Program No. 1610
(distribution on 3/7/2016)
More March Marches and Corteges . . . we get the month off to a right and proper start by putting our
left foot forward!
[Hour 1]
GIUSEPPE VERDI (trans. Lemare): Grand March, fr Aida –Andrew Wilson (2004 Nicholson/Great
Priory, Malvern, England) Regent 325
PHILIP PLAISTED: Grand March –Thomas Heywood (1929 Hill-2001 Schantz/Town Hall, Melbourne,
Australia) Pro Organo 7257
ANDREW BOEX: Marche Champetre –Robert Scoggin (1967-1983 Sipe/Christ United Methodist
Church, Rochester, MN) Pipedreams Archive (r. 5/5/92)
CAMILLE SAINT-SAENS: French War March, fr Suite Algerienne –Wayne Marshall (1894 Hill-1982
Harrison/Peterborough Cathedral, England) Virgil Classics 61703
WILLIAM LLOYD WEBBER: Dedication March (1953) –Christopher Herrick (1961 Magnussons/
Västerås Cathedral, Sweden) Hyperion 67734
G. F. HANDEL: Dead March, fr Saul –Simon Preston (1937 Harrison/Westminster Abbey, London,
England) London 430 145
GASTON LITAIZE: Cortege --Denver Brass/Lowell Graham, conductor; Joseph Galema (2002
Schuke/Hamilton Hall, Denver, CO) Klavier 11165
MARCEL DUPRÉ: Cortege et Litanie, Op. 19 –Philadelphia Orchestra/Rossen Milanov, conductor; Peter
Richard Conte (Wanamaker Organ/Macy’s Department Store, Philadelphia, PA) Gothic 49270
[Hour 2]
HENRY PURCELL: Trumpet Tune in D –Jean Guillou (1978 Kleuker/Notre-Dame-des-Neiges, Alpe
d’Huez, France) Dorian 90112
ALEX LITHGOW: Invercargill March –Kemp English (1930 Hill, Norman and Beard/Town Hall,
Dunedin, New Zealand) Manu Plus 5009
JULES GRISON: Marche Festivale –Simon Nieminski (2007 Copley/Metropolitan Cathedral of St. Mary,
Edinburgh, Scotland) Pro Organo 7222
ARTHUR FOOTE: Festival March, Opus 29, no. 1 –Daniel Kerr (1961 Aeolian-Skinner/Pasadena
Presbyterian Church, CA) Arkay 6158
LOUIS VIERNE: Cortege, fr 24 Pieces in Free Style, Op. 31, no. 2 –Günter Kanuzinger (1990
Jann/Waldsassen Basilica, Germany) Koch/Schwann 315 009
JOHANN STRAUSS: Radetzky March –Martin Setchell (2013 Rodgers Infinity Digital/Transitional
Cathedral, Christchurch, New Zealand) Setchell 2014
CLAUDE DEBUSSY: Cortége, fr Petite Suite –Keith Chapman (Wanamaker Organ/Macy’s Department
Store, Philadelphia, PA) Vantage 69-694-001
DAVID BRIGGS: Marche Episcopale –David Briggs (1999 Nicholson/Gloucester Cathedral, England)
Chestnut Music 001
DAVID FULLER: March –David Fuller (1990 Fisk/Slee Hall, SUNY Buffalo, NY) Pipedreams Archive
Fuller 101
NOEL RAWSTHORNE: March, On Ilkley Moor –Gabriel Dessauer (1985 Mayer/St. Bonifatius Church,
Wiesbaden, Germany) Dessauer 6
PIPEDREAMS Program No. 1611
(distribution on 3/14/2016)
Johann and Max . . . a contrapuntal convergence honoring the births of Johann Sebastian Bach
(3/21/1685) and Max Reger (3/19/1873).
[Hour 1]
J. S. BACH: Prelude & Fugue in G, BWV 550 –Simon Preston (1993 Klais/St. John;s Smith Square,
London) DG 449 212
MAX REGER: Prelude & Fugue in G, Op. 85, no. 2 –Bernard Haas (1906 Link/Evangelical church,
Giengen an der Brenz) Naxos 8.553926
BACH: 3 Chorale-preludes (Allein zu Dir, Herr Jesu Christ, BWV 1100; Vater unser im Himmelreich,
BWV 737; Jesu, meine Freude, BWV 1105) –Gerhard Weinberger (1767 Volckland/St. Boniface
Church, Tröchtelborn) cpo 999 755
REGER: Aus tiefer Not, Op. 67, no. 3 –Christopher Anderson (1951 Aeolian-Skinner, expanded/Perkins
Chapel, Southern Methodist University, Dallas, TX) SMU 2009
BACH: Aus tiefer Not, BWV 686 –Olivier Vernet (1737 Treutmann/Grauhof Cloister, Goslar) Ligia
Digital 0104077-99
REGER: 2 Chorale-preludes (O Haupt voll Blut und Wunden; Christ ist erstanden) –Josef Still (1974
Klais/Trier Cathedral) Naxos 8.570454
REGER: Passion, Op. 145, no. 4 –Edgar Krapp (1981 Eisenbarth/Passau Cathedral) Naxos 8.557891
BACH: Fugue in E-flat, BWV 552b –David Rothe (1990 Yokota/California State University, Chico, CA)
CSU 001
[Hour 2]
REGER: Prelude & Fugue in d/D, Op. 65, nos. 7/8 –Stefan Frank (1996 Rieger/Fulda Cathedral) Naxos
8.557186
BACH: O Lamm Gottes, unschuldig, BWV 656 –Robert Clark (2004 Brombaugh/1st Presbyterian Church,
Springfield, IL) Arsis 405
REGER: 3 Sacred Songs (Christ, deines Geistes Süssigkeit; Klage vor Gottes Leiden; Jesu Christ, wir
warten dein), Op. 137, nos. 6, 11/12 –Klaus Martens, baritone; Martin Haselböck (1910
Sauer/Stadthalle Görlitz) NCA 60101-215
BACH (arr. Meyer-Fiebig): Fantasy in C, BWV 573 –Aya Yoshida (1964 Jemlich/Kreuzkirche, Dresden)
Zoho Classix 201207
REGER: Cantata, O wie selig seid ihr doch, ihr Frommen –Stuttgart Chamber Choir/Frieder Bernius,
director; Ingeborg Müller-Ney, soprano; Wolfgang Dallmann (DaCamera Studio, Heidelberg)
Amati 9301/1
From the WQXR Online Comments Page: Sam Eisenstein, a listener from California wrote: “I know it's
absurd, but I can't help but muse on what Bach might think of the ubiquity of his music, his influence, his
omnipresence on our musical horizon, our scene. Nearly half a millennium after his death he is vibrantly
alive as important or more so than he was in his own time. What kind of a brain could he have possessed to
envision and produce the sounds that he did? Without electricity, running water, sanitation of any sort, even
the writing instrument he employed would not work more than for a line or two. Hooray for the human
spirit that can give us such a hero!!”
PIPEDREAMS Program No. 1612
(distribution on 3/21/2016)
Music for Easter . . . a collection of choral works and organ solos in celebration of the Feast of the
Resurrection.
[Hour 1]
CHARLES CALLAHAN: Easter Victory –Charles Callahan (1992 Heritage/All Saint’s Church, Buffalo,
NY) Pro Organo 2231
MARTIN DÜBEN: Praeludium Pedaliter; Erstanden ist der heilig Christ (4 verses) –Hans-Ola Ericsson
(1997 Grönlunds/Morrfjärdens Church, Sweden) Bis 1103
JEAN-FRANÇOIS DANDRIEU: Easter Offertory (O Filii et Filiae) –Michel Colin (1986 Cabourdin/
Notre Dame des Victoires, St. Raphaël, France) France Musique 001
CHARLES-MARIE WIDOR: Surrexit a mortuis, Op. 23, no. 1 –Les Petits Chanteurs du Mont-Royal; Les
Chantres Musiciens/Gilbert Patenaude, director; Jonathan Oldengarm & Vincent Boucher (1961
Beckerath/St. Joseph Oratory, Montreal, Quebec, Canada) ATMA 2.2718
PAUL de MALEINGREAU: Tumult in the Praetorium, fr Symphonie de la Passion, Op. 20 –Harry
Wilkinson (1931 Skinner/Girard College Chapel, Philadelphia, PA) Pro Organo 7144
WILLIAM BYRD: In resurrection tua. CHARLES VILLIERS STANFORD: Ye choirs of new Jerusalem
–Hereford Cathedral Choir/Geraint Bowen, director; Peter Dyke (1892 Willis/Hereford Cathedral,
England) Regent 478
WILLIAM MATHIAS: Chorale (Easter 1996) –Richard Lea (1967 Walker/Metropolitan Cathedral,
Liverpool, England) Priory 870
PAUL WINTER: Overture to a New Day (Night into dawn; Dance of all beings) –Paul Winter Consort;
White Eagle Singers; Paul Halley (1951 Aeolian-Skinner/Cathedral of St. John the Divine, New
York, NY) Living Music 028
[Hour 2]
GARY DAVISON: Easter –Wells Cathedral Choir/Matthew Owens, director; Matthew Souter, viola;
Jonathan Vaughn (1974 Harrison/Wells Cathedral, England) Regent 452
DANDRIEU: Sanctus & Ite missa est, fr Easter Mass –Gregorian Choir of Paris/Jaan-Erik Tulve, director;
Jean-Patrice Brosse (1982 Lacroix/St. Bertrand, Comminges, France) Pierre Verany 794034
HEINRICH SCHEIDEMANN: Surrexit pastor bonus (after Lassus) –Pieter van Dijk (1725 Schnitger/St.
Laurenskerk, Alkmaar, Netherlands) Naxos 8.554202
PETER MØLLER: 3 Meditations (We shall be changed; It is sown; Christ is risen) –Sven-Ingvart
Mikkelksen (1979 Frobenius/St. Peter’s Church, Kolding, Denmark) Point 5104
SERGEI RACHMANINOFF: Easter (iv.), fr Suite No. 1, Opus 5 –Kalevi Kiviniemi (1998 Berner/St.
Matthew’s Church, Stuttgart. Germany) Fuga 9207
CALVIN HAMPTON: There’s a wideness in God’s mercy –Choir of All Saint’s Church/Thomas Foster;
Craig Phillips (1951 Casavant-1978 Rosales/All Saint’s Episcopal Church, Beverly Hills, CA)
Gothic 49074
KENNETH LEIGHTON: Et Ressurexit, Op. 49 –Dennis Townhill (1931 Harrison/St. Mary’s Cathedral,
Edinburgh, Scotland) Priory 326
PIPEDREAMS Program No. 1613
(distribution on 3/28/2016)
The Phillips Factor . . . a visit with British well-rounded organist Margaret Phillips, including selections
from her impressive Bach cycle and other examples from her extensive discography.
[Hour 1]
J. S. BACH: Prelude in B-flat, BWV 545b (1997 Draps-2008 Flentrop/St. Nicholas Church, Sint-Niklaas,
Belgium) Regent 454
BACH: Prelude in a, BWV 569 (1727 Müller/Grote Kerk, Leeuwarden, Netherlands) Regent 328
BACH: Dies sind die heil’gen zehn Gebot, BWV 678 (1730 Trost/Stadtkirche, Waltershausen) Regent 276
BACH: Allegro (iii.), fr Trio Sonata No. 2 in c, BWV 526 (1743 Hinsz/St. Nikolaas, Kampen, the
Netherlands) Regent 301
BACH: Valet will ich dir geben, BWV 736 (1738 Müller/St. Bavo, Haarlem, Netherlands) Regent 307
JOHN STANLEY: Voluntary in C, Op. 7, no. 2 (1743 Griffin-1995 Goetze & Gwynn/St. Helen,
Bishopsgate, London) Regent 190
HENRY SMART: Andante in A (1989 Mander/St. Andrew’s, Holborn, London) Gamut 522
CAMILLE SAINT-SAËNS: Rhapsody on a Breton Theme, Op. 7, no. 1 (1965 Harrison/Exeter Cathedral)
York 110
BRIAN CHAPPLE: Vivace (v.), fr 6 Bagatelles (2006 Beckerath/Marlborough College, Wiltshire) Regent
419
BACH: Prelude & Fugue in a, BWV 543 (1738 Müller/St. Bavo Church, Haarlem) Regent 307
[Hour 2]
BRIAN CHAPPLE: Con brio (ii.) & Lento (iii.), fr 6 Bagatelles (2006 Beckerath/Marlborough College,
Wiltshire) Regent 419
FREDERIK SIXTEN: Fugue In Memoriam Maurice Duruflé (Marlborough College) Regent 419
JOHANN PACHELBEL: Partita, Alle menschen müssen sterben (2004 Aubertin/St. Louis-en-l’Ile, Paris)
Regent 300
BACH: In dich hab’ ich gehoffet, Herr, BWV 712 (2004 Aubertin/St. Louis-en-l’Ile, Paris) Regent 307
BACH: Herr Christ, der einig Gottes Sohn, BWV 698, Nun komm, der Heiden Heiland, BWV 698;
Gelobet seist du, Jesu Christ, BWV 697 (1976 Metzler/Trinity College, Cambridge) Regent 258
BACH: Fugue in c, BWV 575 (1728 Hildebrandt/St. Jacobikirche, Sangerhausen) Regent 308
SAMUEL WESLEY: Nos. 1-2-3, fr 12 Short Pieces (1793 Davis/Wymondham Abbey, Norfolk) York 111
LIONEL ROGG: Hommage a Franz Liszt (2006 Beckerath/Marlborough College) Regent 419
*****
Short Form Listings:
1610 - More March Marches and Corteges . . . we get the month off to a right and proper start by putting
our left foot forward!
1611 - Johann and Max . . . a contrapuntal convergence honoring the births of Johann Sebastian Bach
(3/21/1685) and Max Reger (3/19/1873).
1612 - Music for Easter . . . a collection of choral works and organ solos in celebration of the Feast of the
Resurrection.
1613 - The Phillips Factor . . . a visit with British well-rounded organist Margaret Phillips, including
selections from her impressive Bach cycle and other examples from her extensive discography.

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