(tenor trombone part – with straight mute ) Music for Septet & Computer for flute, clarinet, trombone, piano, percussion, violin, & cello by Cort Lippe 2013 Commissioned by the E-Mex Ensemble für neue Musik, and made possible with funds from the Ministerium für Familie, Kinder, Jugend, Kultur und Sport des Landes Nordrhein-Westfalen © 2013 Cort Lippe All International Rights Reserved ! Instrumentation: Flute in C Clarinet in Bb Tenor Trombone (with straight mute) Piano Percussion (see details below) Violin Cello Full score is in C. Accidentals hold throughout a measure unless cancelled by a natural sign. cues in the full score for the computer part 1 All instruments should be amplified with cardioid or hyper-cardioid microphones. (Piano and percussion should have two microphones each, and the other instruments need one each.) Percussion Instruments X X X low,%medium, &%high%toms Perc. & X X snare low%&%high %bongos X vibraphone X X low%&%high% woodblocks 1%octave%crotales 15 & X X X X large%ride%& crash%cymbals X X Possible percussion setup (used by Michael Pattmann): mic 1 mic2 chinese cymbal crash music ride crotales (sticks) music low tom (sticks) tom snare tom vibes maraca tambourine suspended tambourine bongos (sticks) woodblocks Suggested stage setup: piano percussion trombone clarinet violin flute cello conductor X chinese%cymbal X maraca X tambourine A q ≈ 96 3 ?4 Tenor Trombone 7 q ≈ 112 ? Music for Septet and Computer -i- D q ≈ 132 D D rit. un poco... ? #X £ j X X X X. 19 F D accel. poco a poco... X X #X X . X X . ? j XX ƒ 2 ? D rit. poco a poco... 40 ? 46 ? 49 f E >X. a tempo a D rit. poco a poco... a X X bX ? E. q≈ 96 U E. X B p D q ≈ 152 D bE 6 X X XJ X £ X X. ¥ f D 2 D a tempo rit. un poco... ¥ 3 X X. b>X q ≈ 112 3 D 2 £ j X #X X X. 22 29 D gliss. X a ¥ X P D D accel. un poco... 6 nX E F ¥ 1 Cort Lippe 2013 accel. poco a poco... X 2 q ≈ 138 - 152 D 2 27 56 ? 91 ? D D >X b X a b X X X ? X bX £ X #X X X X . X E. ? ¥ 104 108 ? 111 ? 126 ? f >X X X X X X £X a a £X X #X #X £ a #X p ƒ simile... C q ≈ 138 D #X #X X a #X X #X #X X X #X X a ¥ D £ a X X. X @ f 2 ¥ D X X a D f £ X #E X X D E. X #X X X X D X X . X b X b X nX 96 ? X 3 U D 4 4 D rit. poco a poco... 99 q ≈ 152 accel. poco a poco... b X >X f D. a D D X X X X X ƒ X X #X X X 13 X flz. a. ¥ ' #X F 10 138 ? D D q ≈ 160 - 168 3 ?4 144 D ? ? 157 ? 165 ? 3 D 10 ? ? D a #X F 3 171 a X. X. >X a¥ ¥ Sz D D D P E. P E. a. X X P rit. poco a poco... a 3 4 E. Sz F Sz f Sz D >E . Sz F >E . >X a U D rapid gliss (approx. quarter step above/below) >E . 2 153 q ≈ 110 D D 3 148 184 2 rit. poco a poco... 3 a X. a X. P >X X Sz a. ¥ UE . U D D q ≈ 144 con sordino F rit. poco a poco... D E q ≈ 160 - 176 F q ≈ 152 - 160 4 4 X a ¥ (straight mute) p. D D D D a a #X X a ¥ D X. . . 4 ? D 194 ? D . a bX ¥ 198 ? D >X. b X @X. @ ¥ D @X. a D > F . . . . . X . @ ¥ X a X a X a b X a nX a a X ¥ 190 f a X. a X. . # X. b X >X X D ? £ f . . X a a X ¥ ¥ F 202 206 ? 209 ? a bX E X. ƒ ¥ 212 B X G £ a ?¥ D £ X . X aa ¥ a a b X X nX ¥ ¥ . . a Xa X D a #X ¥ #X a a X X a @ b X nX @@ b X X @@ X X @ £ £ F£ p X a f X. a . bX E ¥ a b X X nX X # X b X nX X # X J ? £ £ 210 P X. . a . b X. nX. X. X ¥ bX X. a X. a X. a b X. nX D X >. a ¥ a X. # X. X. D bX X D ƒ> > £ bX nX X # X B¥ £ bX nX #X X X £ 2 X a X X X X 216 ? D 218 ? 221 bX a ¥ f H q ≈ 84 - 92 ? X #X #X X X X a D D ? 224 F ¥ D D bX . X X #X #X X X X X bX ? £ ? D D rit. poco a poco ? ¥ bX X X D . F 239 X X #X #X X a. F q ≈ 138 ¥ D D P 2 a a X XX X. a D £ £ bX p U a D ¥ senza sordino X a p X X X X X. #X X bX X @ D X D accel. un poco q ≈ 48 - 52 b X nX rit. poco a poco... F a X # X # X nX X X b X X 229 q ≈ 72 - 78 £ a rit. un poco a tempo 227 232 X X X #X . X D rit. un poco a tempo a poco X #rit.X poco X X a D ? X 5 U D X X a D p I q ≈ 120 - 132 D >X a #X f F gliss D con sordino £ X. X. D 6 D . b X a b X X X. a X. ¥ ¥ a X E X ¥ D a X X ¥ ¥ ? F 244 248 ? ¥ a bX E 252 ? D 3 ? D ? ? J q ≈ 100 271 274 ? ¥ E. . b X a ¥ F D rit. poco a poco D 268 ? X > ƒ 2 P 257 263 X ¥ F D senza sordino D X. @ P f ¥ D F a bX b X X nX ¥ X #X f E q ≈ 100 . # X X D P X a ¥ D ƒ Uw sempre rit. poco a poco X #X . -ii£ bX X bX X X X X bX poco)stacc. f accel. un poco... X X a X E X #X X ¥ a X X X X bX X X a . ¥ ¥ D a D F E. , p seque quasi subito E. ¥ a ¥ X E Pnormale q ≈ 108 f #E . 2 7 X X # X X #X X nX X # X # X a X a X > X > X @ @ @ #X X @ X n>X # X X ? @#X @#X X f > [ rit. poco a poco... q ≈ 88 X X w 281 > . >X @ # X X X a E ¥ #E D ? F P P £ ƒ 279 X a. @ X. > f a . #X X a #X ¥ ? normale > > q ≈ 88 L 299 q ≈ 100 ? X 302 ? f subito ? X > ƒ b>X ƒ . X a @#X X P p & p £ a. X X X X X X X X f poco)stacc. #w X-. a . D . bX X X f a. X XX £ a X X X X ¥ ¥ P D q ≈ 108 ? rit. poco a poco... U D f E sempre rit. poco a poco... D >X #E . X a p F P 3 accel. poco a poco... & #w 297 K rit. poco a poco... 287 291 q ≈ 100 subito @ >X . X. ? @ 285 X. X X X. X. X X P a. X. F D X X X. X. X D q ≈ 80 accel. poco a poco... D 8 306 ? X. X X P a. X . # X XX . #X . X X a. . X X XX . cresc. poco a poco... #X . X X a. . X X XX . sempre accel. poco a poco... 309 ? # X . XX nX . X X X X X . . a ? @ X X X XX X 312 X X X X X X X. X X a . XX X X . XX X F X . XXX . X . XX @ X X X X . XX X X . X sempre cresc. poco a poco... 315 ? f M 318 ? 320 ? X X. X X. X subito X bX X a . a bX X X a q ≈ 100 > F ¥ bX D ? F 326 X X bX X X sempre cresc. poco a poco... a bX @ ¥ ¥ @ X a ? 323 X bX X flz. X P q ≈ 108 X a ƒ bX X X a X a . X bX X X £ f bX X X a ¥ a. X¥ @ a ¥ ¥ a f a . bX a . X a X @ ¥ bX a . ¥ X nX X a .. P X X XX # X n>X X @¥ ¥ @ X @ >X @ @ X @ X X @ @ X X @ f [ subito q ≈ 108 329 ? X a X >X X #X @ @ >X a X > @ #X @D # X nX X ƒ X XXa subito q ≈ 96 9 N D subito D 332 ? 5 ? X a X X Xa a ? 343 q ≈ 100 a ? ¥ subito P q ≈ 100 353 bX ? ƒ> ¥ X X > ¥ a D ? X X F X X 349 a XJ ¥ ? £ f F 351 X #j X ¥ £ @ #X ¥ J ¥ £ bX ¥ J £ X bX > ¥ ¥ X bX a a D >X X a X bX > con sordino D X >X X ® @X 341 346 O q ≈ 108 @ X J £ bX ¥ J £ bX X ¥ #X ¥ X X X # X # >X > f X #X X a ¥ rit. un poco a. #X X X ¥ X a D £ #j X¥ ¥ £ bX >X X n a ¥ J ¥ j X f £ X ¥ J £ X E. @ X @@ X X a bX > f @ 10 ? ¥ 355 a bX > @ D a. D bX X #X X #X > [ ? X X # X # X X X X X X X X X X X nX nX X X b X X X X X X . @ X X X X X [ 357 359 ? E > [ XXXX XX 361 ? X X F X [ [ X >XXXX X XX XX XX X X [ [ X @ > X X X X bX X X X X. X . . b X X X X # X X #X X a #X a ¥ ¥ ® ? [ f 365 b X a a . # X X # X X # X nX X-. a # X X # X X Xa n X # X ¥ ¥ ? [ [F [ P£ Q 367 b X X b X X X X nX X #X X ¥ . a ¥ ? @ £ [ X X X X X X 369 a ? £ ï 363 bX . a . 370 ? DÁ senza sordino 11 X X bX bX E w w X X bX 372 ? 378 ? w 390 ? w w w w w w w w w w w w w w w 396 ? w 403 q ≈ 140 ? 406 ? w w 384 ? w w w E U D R D D D D 3 , q ≈ 100 3 accel. poco a poco... D rit. poco a poco... D U D
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