Description of the photos:
1. Viola da gamba, treble, by William Turner, 1656
2. “Douce memoire”, conjunto con violas da gamba y partitura
3. “Pintura en vivo”: violas da gamba de William Turner
4. Viola d’amore (head) by Jean Baptiste Deshayes Salomon, Paris, ca. 1740
5. Head of a pardessus de viole, French, ca. 1750
6. Viola da gamba by Joachim Tielke, Hamburg, 1683 (head)
7. Violin by Matthias Albanus, Bolzano, ca. 1680
8. Viola da gamba, treble, in festoon form, early 18th C.
9. Violin by Carlo Giuseppe Testore, Milano, ca. 1700
10. Rosette from viola da gamba, treble, William Turner, ca. 1650
11. Scroll of viola da gamba, treble, by J. B. D. Salomon, Paris, ca. 1740
12. Viola da gamba by Joachim Tielke, Hamburg, 1683 (in concert)
13. Viola da gamba by Joachim Tielke, Hamburg, 1683: decoration on back
14. Viola da gamba, bass, by Giovanni Paolo Maggini, Brescia, ca. 1600
15. Violoncello, School of Montagnana, Venice, ca. 1700
16. Head of an Italian viola da gamba, Cremona, ca. 1680
17. Viola da gamba by Henry Lewis, London, 1687 (head)
18. Rosette from viola da gamba by Michael Albanus, Graz, 1706
19. Viola da gamba, tenor, by Gasparo da Salò, Brescia, ca. 1570
20. Child selecting his first viola da gamba
21. School class during the exhibition in Vienna, 2007
22. School class during the exhibition in Ibiza, 2004
23. School class during the exhibition in Ibiza, 2004
24. Students from a violin-making school at an exhibition in Froville, 2006
25. Television appearances with the instruments
26. Visitors at the exhibition in Noirlac, 2008
27. Petr Vavrous, Jan Stejskal, two of the restorers, with a viola da gamba
28. Alain Granieri, making plans for copying a viola da gamba
29. Dr. Micha Beuting, doing dendrochronology on an instrument
30. Roland Houël, with the copy of the violoncello after Andrea Amati. The
original is in the display case next to him.

Elenco provvisorio degli atleti iscritti

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