Gezamelijk congres van de Nederlands-Vlaamse

Gezamelijk congres van de Nederlands-Vlaamse Vereniging voor Muziektheorie, de Koninklijke
Vereniging voor Nederlandse Muziekgeschiedenis en de Koninklijke Vereniging voor
Muziekgeschiedenis (België)
Koninklijke Conservatorium Den Haag
28 februari - 1 maart 2014
Voorlopig programma
vrijdag 28 februari
9.00 - 9.30: Inloop en inschrijving
9.30 - 10.00: Welkom en inleiding (voorzitters van de VvM, KvNM, en KVMG)
10.00 - 11.00: Keynote address
“Rethinking Disciplinary Boundaries in Musical Scholarship: Pluralism, Relativism and the Question of Truth”
Kevin Korsyn (University of Michigan)
11.00 - 11.30: Koffie/theepauze
11.30 - 13.00: Plenaire sessie 1
Contextualing Musical Thought
11.30 - 12.00
Jen-yen Chen (National Taiwan University), “The Legacy of Johann Joseph Fux’s Gradus ad
Parnassum (1725) and the Historicized Practice of Theory”
12.00 - 12.30
Jed Wentz (Conservatorium van Amsterdam), “Lallemant, Rameau and the Harmony of the
Passions”
12.30 - 13.00
August Sheehy (University of Chicago; Universität der Künste, Berlin), “Judging Weber”
13.00 - 15.00: Lunch
15.00 - 16.00: Parallelle sessie 1
Canonizing the 20th and 21st centuries
15.00 - 15.30
Petros Vouvaris (University of Macedonia),
“Canonizing Skalkottas: Analytical and
biographical discourse revisited”
Cadence and Partimento in the
19th century
David Lodewyckx (University of Leuven;
Schola Cantorum Basiliensis), “Playing with a
Galant Cliché: The 'Marpurg cadence' in
Schubert's D. 537, iii”
Canonizing the 20th and 21st centuries
Klaas Coulembier (University of Leuven),
“Creating music history. The self-analyses of
Claus-Steffen Mahnkopf”
15.30 - 16.00
Cadence and Partimento in the
19th century
Birger Petersen (Johannes Gutenberg
University Mainz), “Long Shadows:
Traditions of Partimento in 19th-century
German Music Theory”
16.00 - 16.30: Koffie/theepauze
16.30 - 17.30: Parallelle sessie 2
Russian Traditions
Jazz and Blues
16.30 - 17.00
Zsolt Gárdonyi (Hochschule für Musik
Würzburg), “Alexander Skrjabins Harmonik im
Spannungsfeld zwischen Musikwissenschaft und
Musiktheorie”
Benjamin Bierman (John Jay College, CUNY),
“John Benson Brooks’s Alabama Concerto and
Harold Courlander’s Negro Songs From
Alabama”
17.00 - 17.30
Nikola Komatovic (University of Music and
Patrick Schenkius (Koninklijk Conservatorium
Performing Arts in Vienna), “The survival of Igor Den Haag; Conservatorium van Amsterdam),
Sposobin – when a theory outlives its time and “Variations and experiments with the standard
purpose”
blues form in instrumental jazz music”
18.30 - 21.00: Gezamenlijk diner (La Viña, Theresiastraat 39, 2593 AA Den Haag)
zaterdag 1 maart
9.30 - 10.00: Inloop
10.00 - 11.00: Parallelle sessie 3
Renegotiating 19th-century Form
Authenticating Sources
10.00 - 10.30
Aleksandra Gryćko (Conservatorium van
Amsterdam), “Reconsidering Chopin and
Sonata Form”
John Latartara (University of Mississippi),
“Classical Recordings, Music Analysis, and the
Manufacturing of Performance”
10.30 - 11.00
Adriana Ponce (Illinois Wesleyan
University), “A History of (Dis)encounters:
Musicology and Early Nineteenth-Century
Form”
Mike Lee (Cornell University), “Analyzing
Transient Moments: Autograph as Context for Two
Chopin Preludes”
11.00 - 11.30: Koffie/theepauze
11.30 - 12.30: Parallelle sessie 4
20th-century idioms
Teaching History and Theory
11.30 - 12.00
Christophe Levaux (Université de Liège),
“Minimalism / Punk: when musicological
discourse shapes genre”
Philomeen Lelieveldt (Utrecht University), “‘Minder
musicologie!’, Muziekwetenschap ten dienste van
publieksbemiddeling”
12.00 - 12.30
Brent Wetters (Tufts University; Providence Alon Schab (University of Haifa), “Problems in
College), “Excavating Luigi Nono’s Il
Appropriating Seventeenth Century Repertoire into
canto sospeso”
Present- Day Theory Class (Henry Purcell as a Case
Study)”
12.30 - 14.30: Lunch
14.30 - 16.00: Plenaire sessie 2
Identity and Disciplinarity
14.30 - 15.00
Ryan Weber (Misericordia University), “In Search of Identity: Hybrid Spaces and Symbiotic
Recurrence in Edvard Grieg’s Last Choral Works”
15.00 - 15.30
Emmanuel Ndubuisi Nnamani (University of Cambridge), “‘Missing the Link’ - Beyond the
theory of African Pianism”
15.30 - 16.00
Kristof Boucquet (University of Leuven), “Postmodernism Defended Against Its Devotees –
Musical Analysis and Postmodernist Music Historiography”
16.00 - 16.30: Koffie//theepauze
16.30 - 17.30: Afsluitende paneldiscussie, geleid door Kevin Korsyn
17.30 - 18.30: Gezamenlijke borrel

Download Report