Bio - Fluxia

MARLIE MUL
Born in 1980 in Utrecht, The Netherlands
Lives and works in Berlin and London
E du c at i o n
2008-2009
MFA Architectural Histories and Theories, Architectural Association, London, UK
2000-2003
BA Sculpture, ABKM Maastricht, The Netherlands
1998-2000
BA Textile Design/Fine Arts, Academy for Visual Arts St. Joost, Breda, The Netherlands
So l o exh i bi t i o n s
2013
Boneless Banquet For One, Croy Nielsen, Berlin, DE
Great Offers (with Morag Keil), CEO Gallery, Malmo, SE
2012
So We Came Anyway, In Barrels, Fluxia, Milan, IT
No Oduur (Your Smoke Draws Me In), Oslo10, Basel, CH
Stop Being So Attractive I Can’t Get Anything Done, Autocenter, Berlin, DE
No Oduur, Space, London, UK
2011
No Oduur, STUDIO, Berlin, DE
2010
Your Wet Sleeve in My Neck, Galerie Lucile Corty, Paris, FR
G r o u p exh i b i t i o n s
2014
Center For Style, Utopian Slumps, Sydney, AU, curated by Matthew Linde (upcoming)
Cold Intimacy, Anna Schwartz Gallery, Sydney, AU
Puddle, Pothole, Portal, Sculpture Center, New York, USA, curated by Ruba Katrib and Camille Henrot
The Great Acceleration, Taipei Biennial, Taipei, TW, curated by Nicolas Bourriaud
In Real Life, Christine König Galerie, Wien, AT, curated by Luca Lo Pinto
La musée d’une nuit (Script for Leaving Traces), Fondation Hippocrène, Paris, FR
Je Suis Feministe, Unit 21, Penarth Centre, London, UK
Journal, ICA, London, UK
Couplings, Taylor Macklin, Zurich, CH, curated by Piper Marshall
AIR BNB Pavillion, Venice, IT
Nature after nature, Fridericianum Museum, Kassel, DE, curated by Susanne Pfeffer
fluxia via giovanni ventura, 6 20134 milano italy [email protected]
AO, Galerie Martin van Zomeren, Amsterdam, NL
The Registry of Promise: the Promise of Melancholy and Ecology, Fondazione Giuliani, Rome, IT, curated
by Chris Sharp
Everything Falls Faster Than an Anvil, Pace Gallery, London, UK
Bloomington: Mall of America, North Side Food Court, Across From Burger King & The Bank of Payphones
That Don’t Take Incoming Calls, Bortolami Gallery, New York, USA, curated by Ben Schumacher
Superficial Hygiene, De Hallen Museum, Haarlem, NL
Graphic Design, Futura Centre for Contemporary Art, Prague, CZ
Art Post Internet, Ullens Center For Contemporary Art, Beijing, CN, curated by Karen Archey and Robin
Peckham
Thin Air, Slopes, Melbourne, AU
Basic Zone, Casa Madre, Naples, IT, curated by Alessandro Bava
Geographies of Contamination, David Roberts Art Foundation, London, UK, curated by Vincent Honoré,
Laura McLean-Ferris and Alexander Scrimgeour
2013
Under the BQE, ML Artspace, New York, USA, curated by Marie Karlberg and Lena Henke
A Glass of Water, Futura Centre for Contemporary Art, Prague, CZ
Curated By (Why Painting Now), Galerie Emanuel Layr, Vienna, AT, curated by Bart van der Heide
Haptic Translations, OHWOW, Los Angeles, CA
Forming the loss in darkness, Praz-Delvallade, Paris, FR
Day Before This Time, Tanya Leighton Gallery, Berlin, DE
One After One, Vilma Gold, London, UK
HI FROM CALIFORNIA, Freedman Fitzpatrick, Los Angeles, CA
2012
XYMEMORY, Arcadia Missa, London, UK
Humble Habits Domestic Monuments, Hinter Haus Des Meeres, Vienna, AT
Net Narrative, Carlos/Ishikawa, London, UK
8003, Cité Internationale des Arts, Paris, FR
A Hanging at Times, Times Bar, Berlin, DE
Balcuzzi, Cramer, Buenos Aires, AR
Deleuze and Co., Stadium, New York, USA
2011
Rhododendron II, Space, London, UK
Grouped Show, Tanya Leighton Gallery, Berlin, DE
Summer Fayre, Outpost Gallery, Norwich, UK
Benedictions, Punctuation Programme, Limoncello, London, UK
Keep Floors and Passages Clear, White Columns, New York, USA
Rhododendron, W139, Amsterdam, NL
2010
The Smart Frrridge (Chilly Forecast for Internet Fridge), Kunstverein Medienturm, Graz, AT
Translation as a Structuring Principle: If A Then B, Gentili Apri, Berlin, DE
Keep Floors and Passages Clear, Moot, Nottingham, UK
Ins Blickfeld Gerückt, Institut français, Berlin, DE
Kiss-You-Through-The-Phone, Paloma Presents, Zürich, CH
21st Century, Chisenhale Gallery, London, UK
fluxia via giovanni ventura, 6 20134 milano italy [email protected]
2009
+46735747973, Rotor 2, Våland, Gothenburg, SE
Pop Up Café, Meneer de Wit, Amsterdam, NL
Art Books in Light, W139, Amsterdam, NL
Re si d e n c i e s
2014
Kunstzeitraum Residency/Pinakothek der Moderne, Munich, DE
2013
Bar Project, Barcelona, ES
2008
Fondazione Ratti – Advanced Course in Visual Arts, Como, IT. Professor: Yona Friedman
C u r a to r i al
2013
Door Between Either And Or, group exhibition co-curated with Judith Hopf, Kunstverein München, DE
Other projects
Co-initiator of XYM–www.xym.no–online platform devoted to publishing publications by artists in PDF
format, available for a limited period of time. Initiated in 2009
B i b l i o gr aphy
2013
L. McLean-Ferris, Indifferent Objects (review of the show), Art Monthly, July/August
P. Larios, General Muck, Metropolis M, March
J. Beeson, Marlie Mul – Boneless Banquet for One (review of the show), Artforum, March
K. Archey, Kaleidoscope, March
XYMEMORY (review of the show at Arcadia Missa, London), Art Review, January
2012
M. D’Aurizio, Marlie Mul – So We Came Anyways, In Barrels (review of the show at Fluxia, Milan),
Kaleidoscope, December
T. de Ruyter, Frieze Focus: Marlie Mul, Smoking, Kissing and Storing Data, Frieze D/E, November
Net Narrative (review of the show at Carlos Ishikawa, London), Frieze, November
H. Burke, In Conversation with Marlie Mul, 06/12, CMDPlus, June, http://cmdplus.info/+/Marlie_Mul.html
P. Larios, Warenwahn/Pure Products Go Crazy, Frieze d/e, June
Upcoming artist of the year The Netherlands 2012, Grazia (The Netherlands edition), January
2011
F. Gavin, XYMEMORY, Dazed and Confused, November
F. Gavin, Instant Object (review of the show), Dazed and Confused, April
J. Too, Your Wet Sleeve in My Neck (review of the show), Artforum, February
2009
A. Schlaegel, You Say Goodbye, I Say Hello relational Aesthetics Spike Art Quarterly, December
D. Solbach, T. Madison, E. Rossetti, D. Baumann, New Jerseyy’s Top Ten, Artforum, November
fluxia via giovanni ventura, 6 20134 milano italy [email protected]

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