Rajarshi Shahu Mahavidyalaya, Latur
(Autonomous)
B.A. II
Music – Syllabus – In force From 2014
Objectives – Being pupil of performing Arts (Music) one should be through with the art
of practical – demonstration along with Alap, Tanas and Improvisation in Raga and
Dhrupad Dhamar.
Paper Title – Indian Classical Music (Practical)
Semester – V
Paper – V (Practical)
Total Credits – 02
Total Teaching Hours – 56
(A)
1.
One Bada Khyal / Masitkhani Gat with Aalap and Tana, in the same Raga
with one Chota Khyal / Razakhani Gat with Aalap and Tana.
Rag – Binag
2.
Chota Khyal / Razakhani Gat with Aalap and Tana, in the each one of the
following Ragas – Kedar. Vrindavani Sargang, Jayjaywanti
(B)
1.
One Dhrupad with Laykari (2,3,4) from any of the unit (A.2)
2.
One Sargam Geet from any Raga of the Unit (A.2)
3.
Recitation of Theka – bols of the following Talas with Laykari (2,3,4)
Teelwada, Zumara, Rapak
4.
One Bhajan / Bhakti Geet / Abhanga
Rajarshi Shahu Mahavidyalaya, Latur
(Autonomous)
B.A. II
Music – Syllabus – In force From 2014
Objectives – To provide the knowledge of biographies. Theoretical knowledge of Ragas,
Talas & other Musical Terms.
Paper Title – Indian Classical Music (Theory)
Semester – VI
Paper – VI (Theory)
Total Credits – 02
Total Teaching Hours – 56
(A)
1.
Complete information of Rags prescribed in the paper No. V
2.
Writing Taalas with theoretical details along with Laykari (2,3,4) in the
paper No. V.
3.
Writing notation of Rages in the paper No. V
4.
Definitions of following Musical Terms Kanswar, Vakraswar, Durbal
swar, Murki, Kampan etc
(B)
1.
Comparative study of swar and shruti
2.
Margi sangeet and Desi sangeet
3.
Biographical sketches of following musicians
i) Vidushi kishori Aamonkar
ii) Tansen
Rajarshi Shahu Mahavidyalaya, Latur
(Autonomous)
B.A. II
Music – Syllabus – In force From 2014
Objectives – Being pupil of performing Arts (Music) one should be through with the art
of practical demonstration along with Aalap, Taans and improvisation in Raga and
Dhrupad - Dhamar.
Paper Title – Indian Classical Music (Practical)
Semester – VII
Paper – VII (Practical)
Total Credits – 02
Total Teaching Hours – 56
(A)
1.
One Bada Khyal / Masitkhani Gat with Aalap and Tana, in the Same Raga
with one Chota Khyal / Razakhani Gat with Aalap and Tana.
Rag – Malkauns.
2.
Chota Khyal / Razakhani Gat with Aalap and Taanas in the each one of
the following Ragas – Shankara, Chayanat, Gaud – Sarang.
(B)
1.
One Dhamar in above mentioned Ragas with Laykari (2,4)
2.
One Chatranga in any of Raga mentioned in (A.02).
3.
Recitation of Theka – bols of the following Talas with Laykari (2,3,4)
Sultal, Matt-Tal, Dhamar.
4.
One Bhavageet / Gazal
Rajarshi Shahu Mahavidyalaya, Latur
(Autonomous)
B.A. II
Music – Syllabus – In force From 2014
Objectives – To Provide the knowledge of Biographic. Theoretical knowledge of Ragas,
Taalas & Musical terms etc.
Paper Title – Indian Classical Music (Theory)
Semester – VII
Paper – VII (Theory)
Total Credits – 02
Total Teaching Hours – 56
(A)
1.
Complete information of Ragas prescribed in the paper VII
2.
Writing Talas with theoretical details along with Dugan, Tigun, Chougun
In the paper VII
(B)
3.
Writing notation of Bandhish in the paper VII
4.
Types of Nada with Virtues & qualities
1.
Rag and Rag samay, Paramel praveshak raga
2.
Classification of Ragas – Rag – Rageeni, That-Raga, Shudha Rag –
Mishra Rag – Sankeerna Rag, Purvangavadi – Utterangavadi etc.
3.
Brief study of Musical Text Like Natyashastra Brihadeshiya, Sangeet
Ratnakar, Chaturdandi prakashika, Hindustani Sangeet Paddhati

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