Fig. 1. Master of the Stötteritz Altarpiece, Mother of Sorrows, c. 1470, oil on panel, image 8 ¾ x 6 ½ in. (22.2 x 16.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz AG 1984.1.1. Fig. 2. Rineke Dijkstra, I See a Woman Crying (Weeping Woman), 2009, three-channel HD video with sound, 12 min., looped, edition of 6, Courtesy of the artist and Marian Goodman Gallery, New York/Paris. Fig. 3. Pablo Picasso, Weeping Woman, 1937, oil on canvas, 23 ½ x 19 ¼ in. (59.7 x 48.9 cm), Tate Gallery, London, T05010. Fig. 4. Pablo Picasso, Weeping Woman with Handkerchief, 1937, oil on canvas, 36 ¼ x 28 ¾ in. (92 x 73 cm), Museo Nacional Centro de Arte Reina Sofia, Madrid, DE00106. Fig. 5. Prerestoration photograph (before 1983), Master of the Stötteritz Altarpiece, Mother of Sorrows, c. 1470, oil on panel, image 8 ¾ x 6 ½ in. (22.2 x 16.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz AG 1984.1.1 Fig. 6. X-Radiograph, Master of the Stötteritz Altarpiece, Mother of Sorrows, c. 1470, oil on panel, image 8 ¾ x 6 ½ in. (22.2 x 16.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz AG 1984.1.1. Fig. 7. Master of the Stötteritz Altarpiece, Crucifixion Triptych, c. 1470, oil on panel, center 49 5/8 x 43 11/16 in. (126 x 111 cm) and wings 49 5/8 x 17 15/16 in. (126 x 45.5 cm), Marienkirche, Leipzig-Stötteritz. Fig. 8. Center panel, Master of the Stötteritz Altarpiece, Crucifixion Triptych, c. 1470, oil on panel, 49 5/8 x 43 11/16 in. (126 x 111 cm), Marienkirche, Leipzig-Stötteritz. Fig. 9. Infrared-Reflectograph, Master of the Stötteritz Altarpiece, Mother of Sorrows, c. 1470, oil on panel, image 8 ¾ x 6 ½ in. (22.2 x 16.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz AG 1984.1.1. Fig. 10. Detail of Fig. 8. OR Detail, center panel, Master of the Stötteritz Altarpiece, Crucifixion Triptych, c. 1470, oil on panel, Marienkirche, Leipzig-Stötteritz. Fig. 11. Master of the Stötteritz Altarpiece, Mother of Sorrows, c. 1470, oil on panel, image 8 ¾ x 6 ½ in. (22.2 x 16.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz AG 1984.1.1. Fig. 12. Master of the Stötteritz Altarpiece, Study for a Crucifixion Triptych, c. 1470, pen and brown ink on paper, 8 ¼ x 12 3/8 in. (21 x 31.5 cm), Kupferstichkabinett, Staatliche Museen zu Berlin, Berlin, KdZ 1031. Fig. 13. Master of the Stötteritz Altarpiece, Crucifixion, c. 1470, ink on paper, 6 5/16 x 4 in. (16 x 10.1 cm), Szépmüvészeti Múzeum, Budapest, Inv. 2. Fig. 14. Master of the Stötteritz Altarpiece, Christ on the Cross between Mary and John the Evangelist, c. 1465-1470, pen in brown ink on paper, 12 3/8 x 8 1/4 in. (31.4 x 21 cm), Graphische Sammlung, Universitätsbibliothek, Erlangen, B59. Fig. 15. Master of the Starck Triptych, The Raising of the Cross, c. 1480-1495, oil on panel, center 26 x 19 in. (66 x 48.3 cm) and each wing 26 x 9 1/4 in. (66 x 23.5 cm), National Gallery of Art, Washington, 1997.100.1.a. Fig. 16. Detail (left wing) of Fig. 15. OR Left wing, Master of the Starck Triptych, The Raising of the Cross, c. 1480-1495, oil on panel, 26 x 9 1/4 in. (66 x 23.5 cm), National Gallery of Art, Washington, 1997.100.1.a. Fig. 17. Rogier van der Weyden, Crucifixion Triptych, c. 1445, oil on panel, center 37 13/16 x 27 3/16 in. (96 x 69 cm) and wings 37 13/16 x 10 5/8 in. (96 x 27 cm), Kunsthistorisches Museum, Vienna, GG 901. Fig. 18. Workshop of Michael Wolgemut and Wilhelm Pleydenwurff, Crucifixion, woodcut, image 10 x 6 7/8 in. (25.4 x 17.4 cm), Stephan Fridolin, Schatzbehalter der wahren Reichtümer des Heils (Nuremberg: Anton Koberger, 1491), fol. 298r, The Walters Art Museum, Baltimore, Maryland, 91.1086. Fig. 19. Master of the Aachen Madonna, Crucifixion, c. 1460, single-sheet metalcut, image 15 5/8 x 10 ½ in. (39.7 x 26.7 cm), Museum of Fine Arts, Boston, 51.699. Fig. 20. Martin Schongauer, Crucifixion, c. 1480-1490, single-sheet engraving, image 6 7/16 x 4 1/2 in. (16.3 x 11.5 cm), Staatliche Graphische Sammlung, Munich, 140906 D. Fig. 21. Michel of Ulm, Lamentation with John, Mary Magdalene, and a Witness, 1465-1475, single-sheet woodcut, image 14 11/16 x 10 ¾ in. (37.3 x 27.3 cm), Museum of Fine Arts, Boston, William Francis Warden Fund 53.359. Fig. 22. Peter Breuer, Pietà, c. 1490, limewood, 35 x 19 ¼ x 12 in. (88.9 x 48.9 x 30.5 cm), Cummer Museum of Art & Gardens, Jacksonville, Florida, AP.1982.1.1. Fig. 23. Unidentified artist (Picardy), Pietà, c. 1460-1470, oil on panel, 27 ½ x 12 ¼ in. (70 x 31 cm). Sarah Campbell Blaffer Foundation, Houston, Texas, 1991.2. Fig. 24. Master of Antoine Rolin, Pietà, c. 1480-1490, tempera and gold on vellum, each page 4 ½ x 3 ½ in. (11.4 x 8.9 cm), The Walters Art Museum, Baltimore, Maryland, MS W.431, fols. 77v and 78r. Fig. 25. Unidentified artist (Germany), Mary as Mother of Sorrows, c. 1440-1450, single-sheet woodcut, image 10 5/8 x 7 ½ in (27.0 x 19.1 cm), Staatliche Graphische Sammlung, Munich, 10666 D. Fig. 26. Workshop of Dirk Bouts, Mater Dolorosa and Christ Crowned with Thorns, c. 14701475, oil on panel, 14 ½ x 11 in. (36.8 x 27.9 cm) and 14 ½ x 10 15/16 in. (36.8 x 27.8 cm), The National Gallery, London, NG 711 and NG 712. Fig. 27. Master of the Dinkelsbühl Crucifixion, Diptych with Christ as Man of Sorrows and Virgin Mary, c. 1460-1470, tempera on wood, each panel 8 1/8 x 5 3/8 in (20.6 x 13.6 cm), Stiftsmuseum, Aschaffenburg, 12576. Fig. 28. Workshop of Simon Marmion (?), Mater Dolorosa and Christ as Man of Sorrows, c. 1480, oil on panel, each 17 5/16 x 12 in. (44 x 30.5 cm), Stedelijke Musea, Groeningemuseum, Bruges, 0.201-202. Fig. 29. Diptych of the Sorrowful Virgin and the Man of Sorrows, late 14th century, tempera on panel, 10 5/8 x 8 ¼ in. (27 x 21 cm) and 8 11/16 x 7 ½ in. (22 x 19 cm), Monastery of the Transfiguration, Meteora, Greece. Fig. 30. Master E. S., Man of Sorrows with Four Angels, c. 1450-1467, single-sheet engraving, image and sheet 5 15/16 x 4 ½ in (15.1 x 11.5 cm), Museum of Fine Arts, Boston, 34.602. Fig. 31. Martin Schongauer, Christ as Man of Sorrows with Mary and John, c. 1470-1475, single-sheet engraving, image and sheet 7 5/8 x 5 ½ in. (19.4 x 14 cm), Davison Art Center, Wesleyan University, Middletown, Connecticut, 1952.D1.8. Fig. 32. Unidentified artist (Bohemia), Ara Coeli Madonna, c. 1355, tempera on paper on punched and gilded panel, 11 3/8 x 8 5/8 in. (29 x 22 cm), Metropolitní Kapitula u Sv. Víta, Prague, HS 3422a,b (K98). Fig. 33. Unidentified artist (Byzantine), Icon of the Virgin (Lukasbild), mid-13th to 14th century, tempera on panel with gilt revetment, image 7 11/16 x 5 ¼ in. (19.5 x 13.4 cm). Treasury of Freising Cathedral, Freising, F1. Fig. 34. Detail of Fig. 1. OR Detail, Master of the Stötteritz Altar, Mother of Sorrows, oil on panel, Germany, c. 1470-1480. Jacksonville, FL, The Cummer Museum of Art, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz, AG 1984.1.1. Fig. 35. Unidentified artist (Germany), The Holy Relics from Maastricht, Aachen, and Kornelimünster, 1468 or 1475, single-sheet woodcut, 10 13/16 x 14 3/4 in. (27.5 x 37.5 cm), Staatliche Graphische Sammlung, Munich, 118308 D. Fig. 36. Martin Schongauer, The Archangel Gabriel, c. 1485-1490, single-sheet engraving, image 6 5/8 x 4 5/8 in. (16.8 x 11.8 cm), Staatliche Graphische Sammlung, Munich, 10988 D. Fig. 37. Martin Schongauer, The Virgin of the Annunciation, c. 1485-1490, single-sheet engraving, image 6 3/4 x 4 11/16 in. (17.1 x 11.9 cm), Staatliche Graphische Sammlung, Munich, 11005 D. Fig. 38. Martin Schongauer, The Little Nativity, c. 1480-1490, single-sheet engraving, image 6 4/16 x 6 2/16 in. (15.8 x 15.6 cm), Staatliche Graphische Sammlung, Munich, 67333 D. Fig. 39. Detail of Fig. 1. OR Detail, Master of the Stötteritz Altar, Mother of Sorrows, oil on panel, Germany, c. 1470-1480. Jacksonville, FL, The Cummer Museum of Art, Gift of Mrs. Clifford G. Schultz in memory of Mr. Clifford G. Schultz, AG 1984.1.1. Fig. 40. Unidentified artist (Southern Germany), Reliquary of the Virgin and Saints, late 13th century or early 14th century with 19th century additions, gilded copper (set with amethysts, rock crystal, and semiprecious stones), 5 3/8 x 5 ½ x 3 1/16 in. (13.6 x 14 x 7.8 cm), The Walters Art Museum, Baltimore, Maryland, 53.27. Fig. 41. Inscribed panel on reverse, Reliquary of the Virgin and Saints, late 13th century or early 14th century with 19th century additions, gilded copper, The Walters Art Museum, Baltimore, Maryland, 53.27. Fig. 42. Unidentified artist (Germany), The Hand as the Mirror of Salvation, 1466, single-sheet woodcut, image 15 3/8 x 10 7/16 in. (39 x 26.5 cm), Staatliche Graphische Sammlung, Munich, 178913 D. Fig. 43. Workshop of Michael Wolgemut and Wilhelm Pleydenwurff, The Left Hand and The Right Hand, woodcuts, each image 9 15/16 x 6 7/8 in. (25.3 x 17.5 cm), Stephan Fridolin, Schatzbehalter der wahren Reichtümer des Heils (Nuremberg: Anton Koberger, 1491), fols. e6v and 7r, The Walters Art Museum, Baltimore, Maryland, 91.1086. Fig. 44. Workshop of Michael Wolgemut and Wilhelm Pleydenwurff, The Left Hand and The Right Hand, woodcuts, each image 9 7/8 x 6 7/8 in. (25.1 x 17.5 cm), Stephan Fridolin, Schatzbehalter der wahren Reichtümer des Heils (Nuremberg: Anton Koberger, 1491), fols. v3v and v4r, The Walters Art Museum, Baltimore, Maryland, 91.1086.
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