Edson Hiromitsu Tobinaga
Arrangeur, Compositeur, Interprete, Professeur
Brésil, SoPaulo
A propos de l'artiste
Compositeur brésilien d'ascendance japonaise, né et créé à São Paulo, passionné par l'écriture
symphonique du XXe. siécle.
Aujourd'hui, il se dédie également à la composition de musique de chambre et electronique et aussi au
enseignement de disciplines théoriques.
Page artiste :
www.free-scores.com/partitions_gratuites_edson-tobinaga.htm
A propos de la pièce
Titre :
Compositeur :
Licence :
Style :
Commentaire :
Le ore insonni (Les heures insomnieuses)
[Après une lecture de Montale]
Tobinaga, Edson Hiromitsu
Copyright © Edson Hiromitsu Tobinaga
Classique moderne
À la memoire de Fernando Palmari (1929-2012),
poète, peintre, dessinateur, dramaturge et
compositeur.
Edson Hiromitsu Tobinaga sur free-scores.com
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Ajoutée le : 2015-01-25
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Dernière mise à jour le : 2015-01-25 21:40:32
Le Ore Insonni
para marimba solo
Edson H. Tobinaga
"Sentivo le ore insonni
pesare su me, come rocce oscure.
Nell'angusta stanza v'erano presenze strane:
fattucchiere, gnomi o fate
mi guardavano con con occhi accesi.
Il silenzio ingigantiva luci ed ombre;
sbatté un vetro e i fantasmi ritrovarono
la via dell'aria, con guizzi estrosi:
erano lampi che solcavano le tenebre.
Solo, senza timore di chi
s'insinuò nel sonno a mia insaputa,
ritrovai le vie del sogno."
Eugenio Montale, in "Diario Postumo"
2
Le Ore Insonni
a Fernando Palmari
in memoriam
Edson H. Tobinaga
1 - Prologo
h = 42
      
mf
 
 

4
  
 
 
  
 
10





5:6
    
3

    
     

3
    
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3

6
3
3
 

  
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   

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
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     3
3
3

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
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         
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

 


pp

  


3
14



mf
 

18


  
   
   


23




  
p

 


 
     

 


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






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   
 
 
  





 
 

 




5:4




3
3
3
   
3
3
        


  
29
 

 


3

 


 

   
  3
  
 
 
32
3


 


 


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 
f
 


5:4






sentivo le ore insonni pesare su me...
4
2 - Canzone
e = 120

  
 
   
      


p
        



       
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








 


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3
40
3
  
 

  
  
     
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 
3
    
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    
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   
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
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  
    


        
           

44
48

 
        
   
    


   
     
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
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
51
  
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 
    
 
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
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


 


5

      
56
                       
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 
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   
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
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61

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
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     
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
        
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

67
     
 
 
 
 
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  
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  
   
 
 
  

    

    
64
 

 






 
  



   



    





Nell'angusta stanza v'erano presenze strane...
6
3 - Intermezzo
e = 248



           
 
     
mf

                       




 

74

       

 
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 
76

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

      
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
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       
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
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
  
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
  
78


 
   
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
   
 
  
80


 

 

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     
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
 
  
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

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  

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p
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
 
  



7
82
  

  
mf


 
  

 
 

 

p
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  

 
   

 

pp

  





  






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



   
  
           
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

 

 
84
f
     



          
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    

   

        



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


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  
 
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

86


  
88

  

90
 

 
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        
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
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
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     
   




  
   
  
    

ppp
  
    







  
  
mf



  


  
  
p



 


 



fattucchiere, gnomi o fate
mi guardavano con occhi accesi...
4 - Aria
8
q = 54




p
  
 


98
     
3


  
 

 


109








    





  
p

3




    

p dolce
sfz

  
3


3



  



  

3




       
3


pp





     


         

113




104


 
3


 


 



3
     

 
 
 



3





Il silenzio ingigantiva luci ed ombre...
5 - Finale
9
Allegretto q = 90
      

 



 

 



           
    



   

   



122
                                     
 

   



   



127
 
  
 
  
 

132
     

  

         
  



            















 
 
 





 
 

136
139
 
  





     


 

 





 
 
 
 





10
142
                                 


    


   


   
147
       

 
152
   


   

    
 
                   


 

156
    
                       

 



                        





160
                                      
 





   

164
       
 



 

   



168
11
            
    



   

   



173
                             
    




   

   
   



183

 




















 


   
   



  
 


 

 
178





 
   


 

  





 
 

 
   
186


 

 

 







     


   



 

 
 
 

189






           
  
 


      



192


























  
      
 
 

 







196
12
























 
  

 




 
 




   
 



201







   


205

  


                     
       


                                



         



209
                  











213










solo...
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