JSTOR: 19th-Century Music, Vol. 38, No. 1, Summer 2014

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19th-Century Music
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Vol. 38, No. 1, Summer 2014
Published by: University of California Press
Issue Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.issue-1
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Table of Contents (p. i) DOI: 10.1525/ncm.2014.38.1.toc
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.toc
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Front Matter (p. ii) DOI: 10.1525/ncm.2014.38.1.fm
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.fm
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Adina par excellence: Eugenia Tadolini and the Performing Tradition of Donizetti's
L'elisir d'amore in Vienna (pp. 3-29) Claudio Vellutini
DOI: 10.1525/ncm.2014.38.1.003
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.003
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Congruence between Poetry and Music in Schumann's Dichterliebe (pp. 30-52) Don Michael Randel
DOI: 10.1525/ncm.2014.38.1.030
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.030
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Adorno, Schubert, and Mimesis (pp. 53-78) Dragana Jeremić Molnar and Aleksandar Molnar
DOI: 10.1525/ncm.2014.38.1.053
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.053
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Britten the Anthologist (pp. 79-112) Kevin Salfen
DOI: 10.1525/ncm.2014.38.1.079
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.079
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Contributors (p. 113) DOI: 10.1525/ncm.2014.38.1.113
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.113
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Directions to Contributors (p. 114) DOI: 10.1525/ncm.2014.38.1.114
Stable URL: http://www.jstor.org/stable/10.1525/ncm.2014.38.1.114
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