Sale Catalogue (Pictures)

FIRST DAY’S SALE
TUESDAY 8th JULY 2014
OIL Paintings, WATERCOLOURS,
DRAWINGS AND MINIATURES Commencing not before 2.30pm
Pictures will be on view on:
Friday 4th July 9.00am to 4.00pm
Saturday 5th July 9.00am to 1.00pm
Sunday 6th July 2.00pm to 4.00pm
Monday 7th July 9.00am to 5.15pm
Limited viewing on sale day
Enquiries: Martin Scadgell
Tel: 01392 413100
Email: [email protected]
Enquiries: Daniel Goddard
Tel: 01392 413100
Email: [email protected]
221
• Yves Ganne [b.1931]
Le Cafetiere Grise 1960
signed and dated top right
further signed, inscribed and
dated on the reverse
oil on canvas
53 x 64cm.
£200 - 300
Provenance. With Arthur Tooth
& Sons
221
222
• Paul Jenkins [1923-2012]
The Leap 1955
signed Jenkins bottom left
further signed Paul Jenkins on
the reverse
titles and dated on the gallery
label attached to the stretcher
oil on canvas
53 x 80cm.
£300 - 500
Provenance. Arthur Tooth &
Sons
222
223
• Andre Civet [b.1911]
Sculputre et Flute 1955
signed
oil on canvas
49 x 72cm.
£200 - 300
Provenance. Arthur Tooth &
Sons
224
223
34
No Lot
225
• Claude Venard [1913-1999]
Compotier et Bouteillle
signed
oil on canvas
25.5 x 20.5cm.
£400 - 600
Provenance. Arthur Tooth &
Sons
225
226
• Michael Seward Snow
[1930-2012]
Grey to Mauve Space
signed, inscribed and dated
1965 on the reverse
oil on board
20.5 x 15cm, mounted on a
painted backboard.
£300 - 500
Provenance.
Peterloo Gallery, Manchester
1968.
Rowan Gallery, Lowndes
Street, London.
226
35
227
• Margaret Thomas [b.1916]
Snow River, 2002
signed with initials
oil on board 29 x 24cm.
£250 - 350
Exhibited. Messum’s, Thomas/
Chapman 2003.
227
228
• Daphne Fedarb [1912-1992]
Summer landscape
signed
oil on canvas
54.5 x 64.5cm.
£300 - 500
Provenance. With The Mall
Galleries.
228
229
• Maurice Eliot
[1862-1945, French]
‘Fille au Pannier’, a young girl
walking alongside a cornfield
signed and dated ‘99 bottom left
pastel
29.5 x 39cm.
£300 - 500
229
36
Note. There is a catalogue
available to view of an exhibition
Songed’un Apres Midi D’Ete, held
by Musee de Brunoy in 1988.
Cat entry no.10, ‘Paysanne aux
champs’ is a very similar drawing
to the present lot. The catalogue
is to be retained by the vendor.
230
• William John Bertram
Newcombe [1907-1969]
Out of The Blue
signed bottom right
further signed, inscribed and
dated Lon Sept ‘68 on the
reverse
oil on canvas
92 x 123cm.
£300 - 500
230
231
• William John Bertram
Newcombe [1907-1969]
Way up There
signed bottom right
further signed, inscribed and
dated Lon ‘69 on the reverse
oil on canvas
70 x 100.5cm.
£300 - 500
231
232
• Nicholas De Stael
[1914-1955]
Mediterranee
stencil print in colours with
hand retouching, after
a gouache by De Stael
1952/1953
signed with the signature
stamp
Numbered 182 of 200
on stiff slightly textured woven
paper
image size 34.5 x 45cm.
£600 – 900
232
37
233
Colin Uwin Gill [1892-1940]
Four figure studies
pencil drawings squared for transfer
53 x 35cm & 50 x 37cm. [4]
£1200 - 1600
Note. These drawings were made for the Captain
Karl von Brandis and the Louis Trichardt murals at
the Magistrates Courts in Johannesburg.
234.
38
No Lot.
235
• Roger Hilton [1911-1975]
Woman with Dark Hair, 1949
lithograph
signed in pencil bottom right
sight size 60.5 x 43cm.
£400-600
235
236
Raoul Dufy [1877-1953]
La Violiniste et La Pianiste, circa 1946
initialled RD bottom left
pencil on paper
12.5 x 8.75cm
£900 - 1200
Provenance. J.P.L. Fine Arts London Exhibition
Mainly Music 1994, Exhibition No.32, where
purchased by the vendor W. Lapthorne Esq.
Catalogue Raisonne des Dessins De Raoul Dufy,
Fanny Guillion-Laffaille D94-817.
Note. To be sold with original receipt and
catalogue.
236
237
• Andrew Lanyon [born 1947]
The Tug, circa 1981
biro inscription on reverse
oil on panel
28 x 19.75cm.
£250 - 350
Biography. Andrew Lanyon was born in St Ives in
1947 the son of Peter Lanyon the artist. He studied
at the London School of Film Technique and worked
in film for several years before starting to publish his
own books in 1987. He has exhibited at Beaux Arts,
Newlyn Orion and Majorie Parr Galleries to name
a few. His work is in public and private collections
including the M.O.M.A. New York
237
39
238
Frederick John Widgery
[1861-1942]
Low tide Newquay, Cornwall
signed and inscribed
gouache
48.5 x 75.5cm
£600 - 800
238
239
Henry Tebbitt
[1852-1926, Australian]
Waves lapping a rocky shore,
sand dunes in the foreground
signed H. Tebbitt bottom right
watercolour
43 x 76.5cm.
£500 - 600
239
240
Percy Dixon [1862-1924]
Summer Stillness, Argyleshire
signed and dated 1906
watercolour
64 x 100.5cm.
£300 - 500
240
241
Robert Thorne Waite
[1842-1935]
Blackberry Gatherers,
harvesters in the distance
signed bottom right
watercolour
25 x 35.5cm.
£300 - 500
Provenance. With Frost & Reed
1900
241
40
242
Claude Strachan [1865-1929]
An Encounter at the Garden
Gate
signed
watercolour
27.5 x 45.5cm.
£600 - 900
242
243
Alfred William Parsons
[1847-1920]
A Summer Garden, Broadway;
hollyhocks in the foreground
signed
watercolour
36 x 52.5cm.
£600 - 900
243
244
Charles Collins [1851-1921]
Falmouth from St. Anthony
signed Charles Collins RBA
bottom right
further signed and inscribed
on a label attached to the
stretcher
oil on canvas
59.5 x 90cm.
£1000 - 1500
244
41
245
• William Russell Flint [1880-1969]
An illustration for Mallory’s Morte d’Arthur
signed and dated W. Russell Flint MCMX bottom right
watercolour
26 x 22cm.
£3000 - 5000
To be sold with two accompanying letters from WRF to Miss
Chorley dated 1968 and 1969 from his Camden Hill address.
Extract ‘I remember painting your Morte d’Arthur original very
clearly; I think the nearer young woman was thoroughly enjoying
the fight going on below….’
Footnote. WRF illustrated Le Morte d’Arthur (4 volumes) between
1910/1911.
Provenance. Miss. Chorley 1968
Thence by family descent.
42
246
• Samuel John Lamorna Birch [1869 - 1955]
My Studio Garden
signed bottom left, further signed and inscribed on the reverse of the
canvas and further signed and inscribed ‘The Making of a Garden,
Lamorna’ on a label attached to the reverse of the frame
oil on canvas
49.5 x 59.5cm. £2000 - 3000
247
Mildred Anne Butler
[1858-1941]
When Daisies and Buttercups
gladdened My Sight like
Treasures of Silver’; cattle
recumbent in a meadow
signed Mildred A Butler
bottom right
watercolour heightened with
white
35.5 x 25.5cm.
£1200 - 1800
Note. Exhibited at The
Royal Institute of Painters in
Watercolours.
Artist’s label attached to the
backboard
43
248
• Adrian Ryan [1920-1998]
Coast Road Cornwall
artist’s label to reverse of
picture
oil on canvas
71.5 x 56cm.
£200 -300
248
249
Godwin Bennett
[b.1888. fl.1920-1950]
St. Ives Harbour, moonlight
signed bottom right
inscribed with title on label to
the reverse
oil on canvas
33 x 49cm.
£300 - 500
249
250
Henry Hadfield Cubley
[1858-1934]
Aylesford, Kent
signed, further signed and
inscribed on the reverse
oil on board
49.5 x 75cm.
£300 - 500
250
251
F F English
[late 19th century]
A Harvest Scene
signed bottom left
watercolour heightened with
white
39.5 x 79cm.
£300 - 500
251
44
252
Edwin Henry Fletcher
[1857-1945]
The Thames off Blackwell;
In The Pool
a pair, both signed
oils on canvas
each 50 x 75cm. [2]
£800 - 1200
252
252
253
Harry Bright [1846-1895]
Blue tit on a hazelnut branch
signed and dated 1875
watercolour
37 x 29.5cm
£200 - 300
253
45
254
Alfred Dawson [fl.1860-1893]
Boston, Lincolnshire
signed and dated A.Dawson
Oct. 1880 bottom left
oil on panel
14.5 x 19.5cm
£200 - 300
254
255
John Mallard Bromley
[fl.1876-1904]
St. Ives harbour, low tide
signed bottom right
watercolour
24 x 34cm
£200 - 300
255
256
Alfred John Keene
[1864-1930]
A View near Barnstaple
signed and inscribed on a label
attached to the backboard
watercolour
42 x 66cm.
£250 - 350
256
257
Du Verge
[19th Century French School]
A French colonial shore,
man-o’-war at anchor in a bay
signed bottom right
watercolour with gouache
14.5 x 21.5cm
£100 - 150
257
46
258
Henry H. Parker [1858-1930]
A harvest landscape; a young boy watering horses by a pond in
the foreground, wagon horses and harvesters beyond
signed Henry H. Parker bottom right
further signed on the reverse of the canvas
oil on canvas
60 x 90cm.
£2000 - 3000
259
Attributed to Edward H. Niemann [fl. 1860s]
Oast houses on a country lane;
with a companion Overshot mill, sunset
a pair, each signed Niemann
oils on panel
each 19.5 x 27cm. [2]
£250 – 350
47
260
• Arnold Henry Mason RA
[1885-1963]
Portrait of Lionel Ellis in his studio,
a painting of an erotic group on
the wall beyond
signed and dated ‘27 bottom left
oil on canvas
62 x 75cm,
together with the painting by Ellis
referred to above. [2]
£400 - 600
260
262
261
261
Continental School [circa 1840]
An elegant young gentleman, thought to be
Christian IX of Denmark (1818-1906), wearing
side whiskers and velvet trimmed black jacket,
seated in an interioroil on panel
21.5 x 16. 5cm
£250 - 350
48
262
Laure de Cazotte [1807-1887]
Portrait of Jacques Scevole Cazotte [1764-1853]
Chief Librarian at Versailles
signed bottom centre
oil on canvas
74 x 58cm, in a carved wood frame
£300 – 500
263
No Lot.
264(three)
264
Manner of Richard Cosway [19th Century]
Study of a seated lady wearing a turban
pencil drawing with colour to her hair
21.5 x 13cm, together with a similar drawing
of a midshipman and another of a figure in an
interior, each 21.5 x 13cm. [3]
£250 - 350
265
Attributed to Giovanni Francesco Barbieri
called Il Guercino [1591-1666]
Study of a young woman, standing three
quarter-length
chalk drawing [with losses]
27 x 20.5cm
£500 - 800
266
English School early 19th Century
A Classical study
indistinctly signed with initials and dated 1815
[?]
‘E.S.K.’ Examined South Kensington stamp to
reverse
oil on canvas
75 x 63cm.
£150 - 250
265
266
49
267
Circle of William Gale
[1823-1909]
Study of a young country girl
standing, wearing a red cloak,
landscape beyond
oil on panel
19 x 14cm
£200 - 300
267
268
Robert Thorburn Ross
[1816-1876]
Innocence
signed with a monogram and
dated ‘65 bottom left
further signed, inscribed and
dated on the reverse
oil on board
oval, 18.5 x 13.5cm.
£300 - 500
268
269
Mark W. Langlois
[fl.1862-1973]
The Reading Lesson
signed bottom left
oil on canvas
58.5 x 48cm.
270
269
50
No Lot
£250 – 350
271
Henry Bone [1755-1834]
A miniature enamelled portrait of George IV [1762-1830] when
Prince Regent, in Field Marshal’s red tunic with gold embroidered
collar and orders, oval, 2.7cm, in a gold and diamond mounted
pendant surmounted by a diamond GR IV cypher, engraved King
George IV by Bone on the reverse and enclosing a lock of brown
hair, on a gold link chain.
£2000 - 3000
51
272
Attributed to Herman van der Myn [1684-1741]
Portrait of Judge Dormer [1649-1726],
seated three-quarter length, in judicial robes of scarlet and ermine, wearing full length wigoil on canvas
125 x 100cm, contained within a carved wood and gilded frame.
£1500 - 2500
Provenance. By Dormer family descent.
Robert Dormer was a descendant of the Buckinghamshire family of that name, a branch of which
was ennobled by James I with the title of Lord Dormer of Wenge. Robert Dormer was brought up
to his father’s profession at Lincoln’s Inn, which he entered in May 1669, and was called to the
bar in January 1675. He married Mary Blake, the daughter of Sir Richard Blake and they had four
daughters. He entered parliament in 1698 as a member for Aylesbury. He was called to the bench
in 1706, as a judge of the Common Pleas, where he sat in judgement for just over twenty years.
52
273
Attributed to Mary Beale [1632-1697]
Portrait of Charles Dormer [1632-1709], 3rd Lord Dormer, second Earl of Carnarvon, standing
three-quarter length wearing arm and body armour, full length wig and lace neck tie, standing on
a pillared veranda
inscribed Dormer Earl of Carnarvon died 29 Nov 1709, top right of picture at a later date
oil on canvas
120 x 94cm, contained within a good decorated plaster and gold leafed frame.
£2000 - 3000
Provenance. By Dormer family descent.
Charles Dormer, son of Robert Dormer 1st Earl of Carnarvon and Lady Anna Sophia Herbert,
daughter of the 4th Earl of Pembroke, graduated from Oxford University in 1648 and succeeded
to his father’s titles on his death in 1643 at the 1st Battle of Newbury. He had three daughters and
a son. Two daughters survived him, Elizabeth and Isabella. His intervention in the House of Lords
debate on the impeachment of the Earl of Danby in 1678 became a historic event. With his death
in 1709 his Earldom and Viscountcy became extinct.
53
274
Flemish School 17th Century
An allegory of the Garden of
Eden
oil on panel
49 x 61cm.
£3000 -5000
54
55
274A
Circle of Jan Wyck
[circa 1680-1710]
A hunting party in an upland landscape,
fortification in the distance
oil on canvas
75 x 148cm
£2000 - 3000
275
Charles Hunt [1803-1877]
An accusation in the classroom
signed and dated 1866 bottom right
oil on canvas
28 x 44.5cm.
£800 - 1200
276
56
276
Manner of Francis Wheatley [19th century]
A Dilemma; an interior scene with seated
gentleman and standing figures mother, child
and baby
oil on canvas
74 x 61.5cm
£200 - 300
277
William Callow [1812-1908]
A square on the continent
signed bottom right
oil on canvas
24.5 x 34.5cm.
£600 - 800
277
278
Circle of James Holland,
English School early 19th
century
The Old Ship Inn, a view
thought to be on the Medway
oil on panel
36 x 59cm.
£600 - 900
278
279
William Havell [1782-1857]
An avenue of trees
oil on board
24 x 37.5cm.
£250 - 350
279
57
280
Conrad Freyburg
[1842-1915]
An equestrian double portrait
of Kleine Spinne and Vionville
signed and dated 1874
bottom right
inscribed in German on the
reverse
oil on canvas
39 x 76cm overall.
£1200 - 1600
280
The German translation reads ‘Little Spider.
English black horse ridden by the children of
his Imperial majesty, the Crown Prince of the
German State of Prussia - subsequently His
Majesty Kaiser Frederick.
Vionvill, on this horse, on 16 August 1870,
Colonel Von Zieten of the Zeiten Hussars was
mortally wounded whereupon His Majesty,
Prince Frederick Carl, took the horse and rode it
during the campaign of 1870/71’.
281
281
Edwin Loder [1827-1885]
Hunter in a stable interior
signed and dated E.Loder 1887 bottom right
oil on canvas
45.5 x 61cm.
£500 -700
283
282
282
Frederick Albert Clark [c1821-1910]
A chestnut horse in a stable yard
signed and dated 1908
oil on canvas
49 x 59.5cm.
£300 - 500
58
283
Attributed to Edwin Loder [1827-1885]
‘Asteroid’, a racehorse in a stable interior
oil on canvas
63 x 82cm.
£500 - 700
Footnote. There was a famous American
racehorse ‘Asteroid’, foaled in 1861, a bay
standing at 15.2 hands. The racehorse was
undefeated and died in 1886.
284
British School late 19th century
Portrait of Luna, a Saint Bernard in a kennel
signed with a monogram and dated JB ‘81
oil on canvas
48 x 42cm, in a parcel gilt oak ‘kennel’ frame.
Note. Luna [1873-1881] by Thor out of Jura.
£200 - 300
284
285
Robert Morley [1857-1941]
‘Companions’; terriers in an
interior
signed bottom right
oil on canvas
74 x 61cm.
£1200 - 1800
285
59
286
Louis Bosworth Hurt [1856-1929]
Highland cattle on the edge of a loch
signed
oil on canvas
33 x 43cm.
£1000 - 1500
287
Ernest Walbourne [19/20th century]
Shepherd on a country lane
signed
oil on canvas
39 x 60cm.
£250 - 350
288 No Lot
60
289
Frederick Richard Lee [1798-1879]
Perch; Carp; Tench; Chub
a set of four
oils on board [& oil on canvas Chub]
each 44 x 32cm. [4]
£2000 - 3000
Provenance. Leggatt Brothers
61
290
Thomas Sidney Cooper R.A.[1803-1902]
Recumbent ewes and standing ram in a meadow landscape, cattle grazing in the distance
signed T. Sidney Cooper RA and dated 1890 bottom right
oil on panel
30.5 x 35.5cm.
£2000 - 3000
Provenance. Lucy Bramwall.
H. Wolfenden 1935 and thence by family descent.
We are grateful to Kenneth J. Westwood in helping with the cataloguing of this lot.
Note. Sold with this lot are two signed letters from Thomas Sidney Cooper to Mr. Richardson
[TSC’s dealer] relating to another painting bought by Mr. Bramwall Sheep in a meadow, 50inches x
30inches.
Biography. Thomas Sidney Cooper was an English painter noted for his fine detailed images of
cattle and sheep in extensive pastoral landscapes. He was born at Canterbury in Kent and from
a small child showed strong artistic inclinations. At the age of twelve he was working in the shop
of a coach painter and later in his youth he worked as a scene painter. He left for London and
drew extensively in the British Museum, then entering the Royal Academy Schools. He returned to
Canterbury and took up teaching as a drawing master .In 1827 he settled in Brussels and married.
It was here that he met the celebrated animal painter Eugene Joseph Verboeckhoven who had
a large influence on his work. He left Brussels at the start of the revolution returning to London
and exhibited his first painting at the Royal Academy in 1833. He went on to paint numerous
works largely on the same theme, his 266 R.A. exhibits shown without a break until 1902. After
about 1870 his commissions were constant and very lucrative making him a wealthy man and in
consequence a generous benefactor to the city of Canterbury. Between 1847 and 1870 Cooper
collaborated on a number of works with the landscape painter Frederick Richard Lee R.A., Cooper
adding animals to complete the scene. His studio sale at Christies lasted three days!
62
291
Jacobus Storck [1641-c.1693, Dutch]
An Eastern Mediterranean harbour capriccio with Dutch mano-war offshore, merchants, elegant figures and seamen on the
quayside
signed J.Storck and indistinctly dated 1678? bottom right
oil on canvas
60 x 83cm.
£4000 - 6000
63
292
Italian School [19th Century]
A canal scene, with elegant figures on a quay, gondolas in the
foreground
oil on canvas
73 x 131cm.
£2000 - 3000
Provenance. According to a label on the reverse, bought in Italy
in 1917.
64
293
Bouvard [19/20th century]
Venetian canal scene
signed Bouvard bottom right
oil on canvas
23.5 x 32.5cm
£2500 - 3500
Provenance. With Haynes Fine Art, Broadway, as
Antoine Bouvard.
65
294
• Robert O Lenkiewicz
[1941-2002]
Girl on bed
signed and inscribed
watercolour
22.5 x 34cm.
£600 - 800
294
295
• Robert O Lenkiewicz
[1941-2002]
Lisa Stokes, 3.20pm Wed.
17th May 2000
signed and inscribed as titled
watercolour and bodycolour
25 x 29cm.
£600 - 800
295
296
• Robert O Lenkiewicz
[1941-2002]
But Greenie.... its my hand - my hand on your
breast
signed, inscribed with artist’s and sitter’s notes
watercolour
25 x 32.5cm.
296
But Greenie.... its my hand - my hand on your
breast - its me, me; you know...that old man...my
hand on your beautiful - beautiful breasts - not
a thought in your head?...about my hand, you
know that old man; my hand on your breast the so slight, slight curvature, I can sense on my
palm. How comes if such a timid half-accidental
gesture can wake earthquakes.
Monday 1st November. A frustrating and
complicated man sits in my shadow - both
encouraging [A lovely sexy image] and dismissive
- asking me to write my feelings or thoughts impossible with my need for privacy-----
66
£1000 - 1500
297
• Robert O Lenkiewicz [1941-2002]
The Painter with Fiorella
signed twice and inscribed with title on the reverse
further inscribed Non-Project Piece
oil on canvas
48 x 48cm.
£8000 - 10000
67
298
• Robert O Lenkiewicz [1941-2002]
Bianca Ciambriello
signed twice on the reverse
and inscribed Study/Bianca Ciambriello
oil on board
20.5 x 15.5cm.
£2000 - 3000
298
299
• Robert O. Lenkiewicz [1941-2002]
Study Lisa, St Anthony Theme
signed and inscribed on the reverse
oil on canvas
127 x 90cm.
£2000 - 3000
299
68
300
• Robert O Lenkiewicz [1941-2002]
Study of Anna Navas with water
bottle
signed twice and inscribed with title
on the reverse
oil on board
31.5 x 24cm.
£4000 - 6000
300
301
• Robert O Lenkiewicz [1941-2002]
Lisa Stokes
signed twice on the reverse
and inscribed Study/Lisa Stokes
oil on board
20.5 x 15.5cm.
£2000 - 3000
301
69
302
302
• Robert O Lenkiewicz [1941-2002]
Mouse, head and shoulders
signed
pen and ink drawing
16 x 14.5cm.
£120 - 160
303
303
• Robert O Lenkiewicz [1941-2002]
Rueben the Painters Son
signed
further signed and inscribed on the
reverse, also inscribed N.P.P.
pencil drawing
24.5 x 19cm.
£120 - 160
304
• Robert O Lenkiewicz [1941-2002]
Mouse, head and shoulders
signed
pen and ink drawing
18.5 x 26cm.
£120 - 160
304
305
• Robert O Lenkiewicz [1941-2002]
Study of Mary
coloured print
signed, inscribed and numbered
110/350
sight size 48 x 40.5cm.
£200 - 300
306
• Robert O Lenkiewicz [1941-2002]
The Mary Notebook, White Lane
Press, one volume.
£150 - 200
70
305
307
308
307
• Robert O Lenkiewicz [1941-2002]
Self-Portrait
signed and inscribed
pencil drawing
27.5 x 29cm.
£400 - 600
308
• Robert O Lenkiewicz [1941-2002]
Diogenes with Belle
Project 5. Love & Mediocrity
bears signature bottom right
signed and inscribed on the backboard
pencil drawing 41.5 x 34cm.
£300 - 500
309
• Robert O Lenkiewicz [1941-2002]
Greenie thinking....
signed, inscribed with artist’s and sitter’s notes
watercolour with bodycolour
35 x 26.5cm.
£700 - 900
310
• Robert O Lenkiewicz [1941-2002]
Warren Woods
silkscreen print
signed, inscribed and numbered 288 x 375
sheet size 50 x 120cm.
£300 - 500
309
310
71
Artist Index
ARTIST
Lot Nos.
ARTIST
Lot Nos.
Bennett G.
249
Jenkins P.
222
Bertram W. J.
230, 231
Keene A. J.
256
Bone H.
271
Lamorna Birch S. J.
246
Bouvard
293
Langlois M. W.
269
Bright H.
253
Lanyon A.
237
Bromley (J. M.)
255
Lee F. R.
Butler M. A.
247
Callow W.
277
Cazotte L. de
262
Civet A.
223
Clark F. A.
282
Collins C.
244
Loder E.
289
294, 295, 296,
297, 298, 299,
300, 301, 302,
303, 304, 305,
306, 307, 308,
309, 310,
281
Cooper T. S.
290
Mason A. H.
260
Cubley H. H.
250
Morley R.
285
Dawson A.
254
Parker H. H.
258
Dixon P.
240
Parsons A. W.
243
Dufy R.
236
Ross R. T.
268
Eliot M.
229
Ryan A.
248
English F. F.
251
Snow M. S.
226
Fedarb D.
228
Stael N. de
232
Fletcher E. H.
252
Storck J.
291
Flint W. R.
245
Strachan C.
242
Freyburg C.
280
Tebbitt H.
239
Ganne Y.
221
Thomas M.
227
Gill C. U.
233
Venard C.
225
Havell W.
279
Verge D.
257
Hilton R.
235
Waite R. T.
241
Hunt C.
275
Walbourne E.
287
Hurt L. B.
286
Widgery F. J.
238
72
Lenkiewicz R. O.

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