Contents
Roberto Illiano
Musical Notation and Figurative Arts
ix
Encounters between Composers and Artists
Gianfranco Vinay
Il tempo qui diventa spazio. Astrattismo pittorico e musica
3
Muriel Joubert
Quand la figure disparaît des espaces picturaux et musicaux
du début du xxe siècle: l’exemple de la musique de Debussy
21
Manuel Farolfi
Pierre Boulez incontra Paul Klee: Structure Ia,
un’opera d’arte ‘al limite del paese fertile’
35
Michael Christoforidis
Mediterranean Encounter: Pablo Picasso,
Igor Stravinsky and the Étude for Pianola (1917)
61
Marina Lupishko
Konyus’ ‘Metrotechtonism’ and Yavorsky’s ‘Modal Rhythm’:
Parallels Between Music and Architecture in Early Soviet Music Theory
73
Luisa Balaguer
Requiebros de Enrique Granados: una fenomenología
hermenéutica Ricœuriana-Orteguiana de la imaginación en música
95
Iconography, Public Art & Pop Art
Matthias Tischer
Musikikonographie und Kalter Krieg
111
Björn R. Tammen
Musikdarstellungen im Sozialen Wohnungsbau.
Städtische Bildpolitik und die Freiräume künstlerischer
Imagination am Beispiel der Wiener Gemeindebauten
125
Marie Louise Herzfeld-Schild
Musical Pop-Art: Cathy Berberian’s Stripsody (1966)
149
Marita Fornaro Bordolli
30.5 x 30.5: Music and Image on the Covers
of Vinyl Records of Uruguayan Popular Music
167
Composing in Colour
Bianca Ţiples Temeş
Componer con colores: el caso de Ligeti
193
Agnieszka Draus
Cognitive Blending and Intertextual Strategies
in the Stage Cycle Licht by Karlheinz Stockhausen
211
Monika Fink
Zwischen Imagination und Realität.
Bilder für Orchester von Michael Denhoff
221
Renata Borowiecka
The Musical Image of an Angel
in Paweł Łukaszewski’s ‘Symphony of Angels’
231
Daniela Tortora
I Collage di Aldo Clementi
247
Political Issues, Music and Figurative Arts
Ma Isabel Cabrera García – Gemma Pérez Zalduondo
Le concept d’unité dans le discours et la pratique
artistiques aux premiers temps du Franquisme
271
Javier Suárez-Pajares
El himno falangista Cara al sol. De la composición a la ilustración
289
Germán Gan Quesada
Plastic Frames for New Sounds: Spanish avant-garde Music
and Abstract Painting in the Mid-Franco Regime (1957-1963)
323
Mark E. Perry
Catalan Nationalism and the Collaboration
between Joan Miró and Roberto Gerhard
347
Concurrences of Musical and Artistic Aesthetics
Alejandro Barrañón
The Mexican Artistic Renaissance in the Twentieth Century:
Influences of Revolutionary Painting in the Ballets of Carlos Chávez
355
Aleksandra Kłaput-Wi"niewska
Bogusław Schaeffer et Ewa Synowiec:
créateurs polonais de graphies musicales.
Deux générations — une même philosophie de l’art
367
Bélen Vega Pichaco
Performing Cubanity in Sounds and Images:
Cuban Painting and Music Avant-Garde through the
Looking-Glass of MoMA in the Early 1940s
387
Jordi Ballester
Música, espiritualidad y poder evocador en la obra de Antoni Tàpies
411
Appendix
Biographies
433
Index of Names
437