Muziqanto brochure 2016

English
The classical music competition
for young adult singers!
Prize Money
Overall Winner
R45 000
Additional Prizes
•
Second PrizeR25 000
•
Third PrizeR15 000
•
Prize for the best interpretation of a R 6 000
South African work during the second round
13
English
Course of the Competition
First Round
The first round takes place during May 2016 at various centres
around the country. Three continuity adjudicators, Lize Coetzer,
John Theodore and Denise Sutton adjudicate this round.
Closing date for entries: Monday 25 April 2016
Centres and dates for the first round
Region
Venue
Date
Gauteng,
Limpopo,
Mpumalanga
University of Pretoria
& Tshwane University of
Technology, Pretoria
9 & 10 May (morning)
North West
Potchefstroom Campus,
North-West University
10 May (afternoon)
Free State &
Northern Cape
University of the Free State,
Bloemfontein
11 May
KwaZulu-Natal
University of KwaZulu-Natal, 12 May
Durban
Western Cape
University of Stellenbosch
University of Cape Town
13 & 14 May
Eastern Cape
Nelson Mandela
Metropolitan University,
PE & Rhodes University,
Grahamstown
16 May
* DATES ARE SUBJECT TO CHANGE.
Second Round
Ten candidates will proceed to this round
Should a candidate proceed to the second round, he/she will be contacted
during May to make arrangements for participation.
This round is to be held on 23 September 2016 at the Hugo Lambrechts
Music Centre in Parow, Cape Town.
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Third/Final Round
English
At the end of the second round five candidates are selected to compete in
the third and final round on Saturday 24 September 2016. In the third
round the finalists are accompanied by the Cape Philharmonic Orchestra
under the baton of maestro Brandon Phillips.
At this event the prizes will be officially awarded and the overall winner
announced.
* ALL ROUNDS ARE OPEN TO THE PUBLIC AND ENTRANCE IS FREE!
Rules and Programme Requirements
1.Age
Competitors must be between 18 and 35 years of age (as on
31 December 2016).
Standard: Minimum requirements: Unisa (Practical) Grade 6 or
equivalent qualification at a similar institution, unless otherwise
agreed with the project organiser.
2.Adjudication
Experts in Western Art music will assess the candidates during the
three rounds.
If a candidate is or was as recently as two years ago a student of one
of the adjudicators, the adjudicator in question might be asked to
recuse him-/herself. This arrangement is applicable to all rounds.
All rounds are adjudicated separately. A candidate’s performance
in the second round is not taken into consideration in the
assessment of his/her performance in the third round.
Adjudicators base their decisions solely on the quality of the
performance during the competition and not on any previous
performances they may have heard, nor on the competitor’s
reputation, his/her teacher’s reputation or on other matters.
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English
The adjudicators’ decisions during the different rounds are final
and endorsed by the ATKV. There will be no debate of any form
on these decisions during any round or after the conclusion of the
competition.
3.
Criteria for adjudication
•
•
•
•
•
•
•
•
Vocal quality and intonation
Breath control, articulation and general technical skill
Diction and correct pronunciation
Phrasing and authenticity of style
Variation of tone colour and dynamic levels
Insight in and interpretation of text
Posture, communication and presentation
Mastery of chosen repertoire
4.
Programme content and time requirements for each round
No items of round one may be repeated in round two.
All works performed in the second and third rounds must be
memorised.
A participant may request permission to perform a contemporary
work with a score.
First Round
Number of participants: unlimited
Duration: 15 minutes
•
•
•
•
•
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A balanced programme must be performed and the following
included:
A work or works preceding ±1750 (including Arie Antiche)
Any work(s) from the Romantic and/or Classical period
Any opera/operetta/oratorio aria
Any indigenious work in any of the official South African
languages
A balanced programme of at least three style periods and inclusive
of the following must be performed from memory:
• Any South African indigenous composition
• Two contrasting opera/operetta/oratorio arias in any language
English
Second Round
Number of participants: 10
Duration: 15-20 minutes
Third Round (with orchestral accompaniment)
Number of participants: 5
Duration: 10-12 minutes
•
•
•
•
All works presented in this round must be selected from the
prescribed repertoire list on page 24
Both art songs and arias may be included in the same
programme.
All opera/operetta/oratorio arias must be sung in the original
key and language. Art songs in this round may only be offered
in the keys prescribed.
If the orchestral material is not readily available, a
candidate will be requested to change the programme
submitted.
General
All time limits refer to real performance time; breaks between
works, applause, entrance and exit times, are not taken into
account. The adjudicators reserve the right during all the rounds to
assess only that part of a candidate’s performance which is within
the prescribed duration for the competition.
Candidates may perform works which were not originally composed
for voice.
Except in the third round, the order in which works are performed
in each round is left to the discretion of the candidate.
The programme selected should display the candidate’s vocal ability
to his/her best advantage.
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English
5.Memorisation
All works performed in the second and third rounds must be
memorized. A participant may request to perform a contemporary
work from a score.
6.
Entry Fees
Entry fees of R100 per entry are payable to the ATKV. The entry
fee must be deposited into the cheque account of the ATKV (refer to
attached form). Proof of payment must accompany the entry form.
The entry fee will not be refunded in case of cancellation, illness or
absenteeism.
7.
Unforeseen Circumstances
If a problem arises during any of the rounds (for instance coughing,
a power failure or a memory lapse), the candidate may not leave the
stage without the permission of the project organiser/adjudicators.
The project organiser/adjudicators will consult with the candidate
about a solution to the problem.
8.
Travel and Accommodation
Candidates are responsible for their own travel and
accommodation arrangements and costs during the first round.
ATKV will be responsible for travel and accommodation costs
during the second and final round.
Please note that participants who need to travel from abroad
are responsible for their own travelling costs to and from South
Africa.
9.
Accompanists and page turners
Candidates have to make arrangements for their own accompanists
and page turners in the first round. The candidate’s teacher may
not act as accompanist or page turner.
During the second round accompanists and page turners will be
provided. Philippus Hugo and Victor Tichart will be the official
accompanists for 2016. The ATKV reserves the right to allocate
the candidates to the above mentioned accompanists.
The third round candidates will be accompanied by an orchestra.
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10. Competition Facilities
Practice facilities will be provided during all the rounds, but the
use of the piano in the competition hall during the first round is
prohibited, unless otherwise arranged with the project organiser.
However, during the second round and third round rehearsals will
be scheduled in the competition venue.
English
11.Recordings
Candidates not residing in South Africa, or candidates who cannot
attend the first round, may obtain permission from the project
organiser to submit a DVD recording for assessment in the first
round. The recording must be of a good quality, made during 2016,
and the costs involved must be carried by the candidate. DVDs
which were recorded abroad must be compatible with South African
technology. This recording (together with the entry form as well
as three copies of the necessary sheet music) must reach the project
organiser no later than Monday 25 April 2016.
Candidates must perform in person in the second and third rounds.
12. Overall winners may not enter this competition again.
If, for any reason, the auditions for the first round cannot take place
at a scheduled centre, the ATKV undertakes to make an alternative
arrangement and to carry all costs involved.
13. Candidates must conform to the project organiser’s arrangements
for the competition, including media relations.
14. Sheet Music
Candidates must submit three bound copies of sheet music to all
rounds. Original sheet music must be used as far as possible. The
ATKV accepts no responsibility for copyright infringements if copies
of sheet music are used.
15.Copyright
The ATKV reserves the right to make recordings of performances
during the competition and to use those recordings without
compensation to the artists. However, no recordings of any part of
the competition may be made without the permission of the project
organiser.
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English
16. Winners and Prizes
The ATKV reserves the right to withhold a prize, depending on the
quality of the performances.
Prizes may not be shared.
The ATKV and the overall winner will discuss possible media
interviews and concert performances, depending on available
opportunities and the financial implications thereof. Co-operation
by the winner is expected in this regard.
Please note: It is mandatory that all semi finalists attend the
final round.
17.Entries
The closing date for entries is Monday 25 April 2016.
All entry forms must be completed in full as incomplete information
will result in the disqualification of the entry.
Candidates will receive a separate entry form from the project
organiser for the second and third rounds. A specific deadline will
be set for providing programme content and no programme changes
will be allowed after that.
Upon signing of the first round entry form, a basic agreement is
established between the ATKV and the candidate.. This agreement
implies that the candidate will act strictly according to the rules
of the competition and that the ATKV will present the competition
strictly according to the rules.
Upon qualifying for the second round, the candidate has
24 hours to declare (in writing) to the ATKV what other
obligations he/she has towards other competitions or
organisations. After signing this declaration no candidate
will be allowed to withdraw from the second or third round
except in the case of sickness, emergency, or death of a loved
one without paying a penalty fee of R3 000 to the ATKV.
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18. Other matters
Any uncertainties about or omissions from the competition
regulations will be settled by the project organiser and adjudicators.
Candidates participate in the competition at their own risk.
The ATKV is in no way responsible for any loss, damage, injury or
illness suffered during or en route to or from the competition.
Non-compliance with or transgression of the rules of this
competition will result in the disqualification of the entry.
The ATKV reserves the right to cancel or to stop the competition at
any time if circumstances should necessitate it.
English
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Entry Form
English
Please email the completed form and proof
of payment to [email protected]/
[email protected]
Closing date: 25 April 2016
Name of individual
Voice type:
ID number:
Age on 31 Dec 2016:
Name of accompanist for first round:
Tel (h):
Cell:
E-mail:
Centre for first round:
Name of teacher:
Contact number of teacher:
Do you have any special needs (e.g. music stand)?
Where did you hear about this competition?
Where did you get a copy of the brochure?
I have read the rules and accept the conditions. I hereby also confirm that I meet the minimum
requirements of Grade 6 (Practical) at Unisa or an equivalent institution, unless otherwise
agreed with the project organiser.
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Signature
-
Date
-
English
Programme to be presented in the first round:
Name of individual:
COMPOSER
COMPLETE TITLE
PUBLISHER DURATION GENRE OF MUSIC
(birth and death
(e.g. opera aria)
date included Payment:
Amount:
R
Banking Details:
Account name: ATKV
Bank: ABSA Randburg
Branch code: 632005
Account number: 017-016-67-28
Reference: Muziqanto+Name
Date of payment:
-
-
* Please attach proof of payment
when the entry form is emailed.
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Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
24
Derde Ronde Voorgeskrewe Repertoriumlys
(vir optrede saam met die Kaapse Filharmoniese Orkes)
Third Round Prescribed Repertoire
(for performance with Cape Philharmonic Orchestra)
Maksimum totale tydsduur: 10 – 12 minute
Maximum total duration: 10 – 12 minutes
COMPOSER
Bach
Bach
Bach
Bach
Bach
Bach
Bach
Bach
Bach
ORATORIO/
OPERA/WORK
Hohe Messe
Hohe Messe
Hohe Messe
Johannes Passion
Johannes Passion
Johannes Passion
Johannes Passion
Magnificat
Matthäus Passion
Bach
Bach
Matthäus Passion
Matthäus Passion
Bach
Matthäus Passion
Bach
Matthäus Passion
Bach
Bach
Matthäus Passion
Matthäus Passion
Bach
Bach
Bach
Matthäus Passion
Matthäus Passion
Matthäus Passion
Bach
Matthäus Passion
Bach
Bach
Beethoven
Missa in A
Missa in A
Fidelio
TITLE (Aria, Recitativo, Art Song)
Benedictus
Et in spiritum sanctum
Laudamus te
Ach, mein Sinn
Es ist vollbracht!
Von den Stricken meinen Sünden
Zerfliesse mein Herze
Deposuit potentes
Am Abend da es kühle war
- Mache dich mein Herze rein
Blute nur, du liebes Herz
Der Heiland fällt vor seinem Vater
nieder - Gerne will ich…
Du, lieber Heiland, du - Buss' und
Reu'
Er hat uns allen wohlgetan - Aus
Liebe will mein Heiland sterben
Erbarme dich mein Gott
Erbarm'es Gott! - Können Tränen
meiner wangen
Gebt mir meinen Jesum wieder
Ja freilich will - Komm süsses Kreuz
Mein Jesus schweigt…
- Geduld! Wenn mich falsche
Wiewohl mein Herz in Tränen
schwimmt - Ich will dir mein Herze
Domine Deus
Qui tollis
Abscheulicher! Wo eilst du hin?
- Komm, Hoffnung
TONALITY ROLE
Leonore
Bellini
Bellini
ORATORIO/
OPERA/WORK
Fidelio
Fidelio
Fidelio
I Capuleti e I Montecchi
I Puritani
I Puritani
Bellini
La Sonnambula
Bellini
La Sonnambula
Bellini
Berlioz
Berlioz
Berlioz
Berlioz
Bizet
La Sonnambula
Les nuits d'été
Les nuits d'été
Les nuits d'été
Les nuits d'été
Carmen
Bizet
Bizet
Bizet
Carmen
Carmen
Carmen
Bizet
Bizet
Carmen
Carmen
Bizet
Les pêcheurs de
perles
Les pêcheurs de
perles
Les pêcheurs de
perles
Ein deutsches
Requiem
Ein deutsches
Requiem
La Wally
Louise
Adriana Lecouvreur
Adriana Lecouvreur
Beethoven
Beethoven
Beethoven
Bellini
Bizet
Bizet
Brahms
Brahms
Catalani
Charpentier
Cilea
Cilea
Cilea
Cilea
Cimarosa
Delibes
TITLE (Aria, Recitativo, Art Song)
Ha, welch ein Augenblick
Hat man nicht auch Gold beineben
O wär ich schon mit dir vereint
Eccomi in lieta vesta
- Oh! Quante volte
A te o cara
Or dove fuggo - Ah! per sempre
(Cavatina)
Care Compagne, teneri amici Come per me sereno - Sovra il sen
Oh! Se una volta sola - Ah, non
credea mirarti - Ah! non giunge
Vi ravviso, o luoghi ameni
Vilanelle
Vilanelle
Le spectre de la rose
Le spectre de la rose
C'est des contrebandiers
- Je dis que rien ne m'épouvante
TONALITY ROLE
Pizarro
Rocco
Marzelline
Giulietta
Arturo
Riccardo
Amina
Amina
Rodolfo
Mezzo
Soprano
Mezzo
Soprano
Micaëla
La fleur que tu m'avais jetée
Près des remparts de Séville
Quand je vous aimerai
- L'amour est un oiseau rebelle
Votre toast, je peux vous le rendre
Voyons que j'essaie
- En vain pour éviter
Je crois entendre encore
Don José
Carmen
Carmen
L'orage s'est calmé
- O Nadir….Tendre ami
Me voilà seule dans la nuit
- comme autrefois
Herr lehre doch mich
Zurga
Escamillo
Carmen
Nadir
Leïla
Ihr habt nun Traurigkeit
Ebben? Ne andrò lontana
Depuis le jour
Acerba volutta, dolce tortura
Ecco: respiro appena
- Io son' l'umile ancella
Adriana Lecouvreur Poveri fiori
L'Arlesiana
È la solita storia
Il Matrimonio
Perdonate, signor mio
segreto
Lakmé
Où va la jeune hindoue?
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
Wally
Louise
Princesse
Adriana
Adriana
Federico
Carolina
Lakmé
25
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Donizetti
Dvořák
Dvořák
Dvořák
Dvořák
Elgar
Elgar
Elgar
Fauré
Gershwin
Gershwin
Gershwin
Giordano
Gluck
Gluck
Gluck
Gounod
Gounod
Gounod
26
ORATORIO/
OPERA/WORK
Don Pasquale
Don Pasquale
Don Pasquale
Don Pasquale
TITLE (Aria, Recitativo, Art Song)
Bella siccome un angelo
Povero Ernesto - Cercherò
Com'è gentil
Quel guardo il cavaliere
- Son anch'io la virtù magica
Don Pasquale
Ah! un foco insolito
La favorita
Fia dunque vero
- Oh mio Fernando!
La favorita
Spirto gentil
L'elisir d'amore
Come Paride vezzoso
L'elisir d'amore
Una furtiva lagrima
Linda di Chamounix Cruda, funesta smania
Linda di Chamounix O luce di quest'anima
Lucia di LammerIl dolce suono - Ardon gl'incensi
moor
- Spargi d'amaro pianto
Lucia di LammerQuella fonte - Regnava nel silenzio
moor
- Ah mai senza tremar
Lucia di LammerTombe degl'avi miei - Fra poco…
moor
- Tu che a Dio spiegasti l'ali
Lucrezia Borgia
Tranquillo ei posa - Come è bello
Rusalka
Aria from the Prince
Rusalka
Mêsičku na nebi hlubokem
Stabat Mater
Fac, ut ardeat cor meum
Stabat Mater
Inflammatus et accensus
The Dream of Ger- I went to sleep
ontius
The Dream of Ger- Jesu, Maria, I am near to death
ontius
The Dream of Ger- Take me away
ontius
Requiem
Pie Jesu
Porgy and Bess
My man's gone now
Porgy and Bess
Summertime
Porgy and Bess
I got plenty o' nuttin'
Andrea Chénier
Nemico della patria
Alceste
Divinité du Styx
Orfeo ed Euridice
Ahimè! Dove trascorsi?
- Che farò senza Euridice?
Orfeo ed Euridice
Qual vita è questa mai
- Che fiero momento
Faust
Faites-lui mes aveux
Faust
Je voudrais bien savoir
- Ah! Je ris de me voir si belle
Faust
Le veau d'or
TONALITY ROLE
Dottore
Ernesto
Ernesto
Norina
Pasquale
Leonora
Fernando
Belcore
Nemorino
Enrico
Linda
Lucia
Lucia
Edgardo
Lucrezia
Le Prince
Rusalka
The Soul
Gerontius
The Soul
Serena
Clara
Porgy
Carlo Gérard
Alceste
Orfeo
Euridice
Siebel
Marguerite
Mefisto
Gounod
ORATORIO/
OPERA/WORK
Faust
Gounod
Faust
Gounod
Gounod
Gounod
Gounod
Faust
Roméo et Juliette
Roméo et Juliette
Roméo et Juliette
Gounod
Händel
Sapho
Alcina
Händel
Händel
Händel
Händel
Händel
Händel
Händel
Händel
Alcina
Alcina
Alcina
Alcina
Alexander's Feast
Alexander's Feast
Giulio Cesare
Giulio Cesare
Händel
Giulio Cesare
Händel
Giulio Cesare
Händel
Händel
Händel
Händel
Giulio Cesare
Giulio Cesare
Giulio Cesare
Jephta
Händel
Jephta
Händel
Joshua
Händel
Joshua
Händel
Messiah
Händel
Messiah
Händel
Messiah
Händel
Messiah
Händel
Messiah
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Oh sainte médaille
- Avant de quitter ces lieux
Quel trouble
- Salut, demeure chaste et pure
Valentin
Vous qui faites l'endormie
Ah, je veux vivre
Ballade de la reine Mab
L'amour, l'amour
- Ah, lève-toi soleil
Où suis-je? - O ma lyre immortelle
Ah! Ruggiero crudel!
- Ombre pallide
Barbara! Io ben lo so
Ma quando tornerai
Tornami a vagheggiar
Verdi prati, selve amene
Revenge, Timotheus cries
War, he sung
Cara speme
E pur così in un giorno
- Piangerò la sorte mia
Figlio non è
- L'angue offesto mi riposa
In tal modi
- Dal fulgor di questa spada
Se a me non sei crudele
V'adoro pupille
Vani son… - Svegliatevi nel core
A father, off 'ring up…
- Waft her, angels
Ye sacred priests - Farewell,
ye limpid springs
Blest be the pow'r
- Oh! Had I Jubal's lyre
The walls are levell'd… - See the
raging flames arise
Behold - O thou that tellest good
tidings to Zion
Behold, I tell you a mystery
- The trumpet shall sound
Comfort ye my people
- Ev'ry valley shall be exalted
For behold - The people that walked
in darkness
He that dwelleth in Heaven
- Thou shall break them
Mefisto
Juliette
Mercutio
Roméo
Faust
Sapho
Alcina
Oberto
Alcina
Alcina
Ruggiero
Sesto
Cleopatra
Sesto
Achilla
Achilla
Cleopatra
Sesto
Jephta
Iphis
Achsah
Kaleb
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
27
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
28
COMPOSER
ORATORIO/
OPERA/WORK
Messiah
Messiah
Messiah
TITLE (Aria, Recitativo, Art Song)
Hofmeyr
Hofmeyr
Khumalo
He was despised and rejected
I know that my Redeemer liveth
If God be for us, who can be
against us?
Messiah
Rejoice greatly
Messiah
Then shall the eyes of the blind
- He shall feed his flock
Messiah
Thou art gone up on high
Messiah
Why do the nations so furiously
rage together?
Samson
Let the bright Seraphim
Die Jahreszeiten
Der muntre Hirt versammelt nun
Simon
Die Jahreszeiten
Gefesselt steht der breite See
Lucas
- Hier steht der Wand'rer nun
Die Jahreszeiten
Nun zeiget das entblösste Feld
Simon
- seht auf die breiten Wiesen hin
Die Jahreszeiten
Von Widder strahlet jetzt Simon
Schon eilet froh der Ackersmann
Die Jahreszeiten
Wilkommen jetzt - Welche Labung
Hanne
für die Sinne
Die Schöpfung
Er sammle sich das Wasser
Raphael
- Rollend in schäumenden Wellen
Die Schöpfung
Es bringe das Wasser - Auf starkem
Gabriel
Fittiche
Die Schöpfung
Es bringe die Erde Gras hervor
Gabriel
- Nun beut die Flur
Die Schöpfung
Gleich öffnet sich der Erde Schoss
Raphael
- Nun scheint in vollem Glanze
Die Schöpfung
Und Gott schuf den Menschen
Uriel
- Mit Würd und Hoheit angetan
Of Darkness and the Selection from Cycle of Four Songs Soprano
Heart
Ode to the West
Wind
Gedig vir klein Estie
Mezzo/Bar
Op slag gedood
Mezzo/Bar
Princess Magogo
Uyepi Na? (mezzo)
Princess Magogo
Khumalo
Khumalo
Princess Magogo
Princess Magogo
Khumalo
Princess Magogo
Khumalo
Khumalo
Princess Magogo
Princess Magogo
Khumalo
Princess Magogo
Woza Ntandokazi (baritone/bass)
Hayan Ingoma
- Sabulawa Kwazulu (mezzo)
Mantithi Qopha Lo Mlando
(baritone/bass)
Ujehova Ungumlondolozi (mezzo)
Ndiyakwethembisa, Mantithi
(tenor)
Ngibambeni, ngibambeni! (mezzo)
Händel
Händel
Händel
Händel
Händel
Händel
Händel
Händel
Haydn
Haydn
Haydn
Haydn
Haydn
Haydn
Haydn
Haydn
Haydn
Haydn
Hofmeyr
Hofmeyr
TONALITY ROLE
King Dinizulu
Princess Magogo
King Dinizulu
Princess Magogo
Prince Solomon
Princess Magogo
Khumalo
Lehár
Lehár
Lehár
Lehár
Lehár
Leoncavallo
Leoncavallo
Leoncavallo
Leoncavallo
Liszt
Mahler
ORATORIO/
OPERA/WORK
Haya Mntwan'
Omkhulu!
Giuditta
Giuditta
Das Land des
Lächelns
Die Lustige Witwe
Paganini
I Pagliacci
I Pagliacci
I Pagliacci
I Pagliacci
Kindertotenlieder
Mahler
Mahler
Mahler
Kindertotenlieder
Kindertotenlieder
Kindertotenlieder
Mahler
Mascagni
Mascagni
Mascagni
Mascagni
Massenet
Massenet
Massenet
Kindertotenlieder
Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana
Manon
Manon
Manon
Massenet
Massenet
Manon
Manon
Massenet
Massenet
Massenet
Werther
Werther
Werther
Mendelssohn
Mendelssohn
Mendelssohn
Mendelssohn
Mendelssohn
Meyerbeer
Elijah
Elijah
Elijah
Elijah
Elijah
L'Africaine
Meyerbeer
Millöcker
Le Prophète
Die Dubarry
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Song Cycle (mezzo)
Princess Magogo
Freunde, das Leben ist lebenswert
Meine Lippen, sie küssen so heiss
Dein ist mein ganzes Herz
Octavio
Giuditta
Prince
Es lebt' eine Vilja
Liebe, du Himmel auf Erde
O Colombina il tenero
Qual fiamma - Stridono lassù
Recitar - Vesti la giubba
Si può, si può
Die Lorelei
Oft denk' ich, sie sind nur
ausgegangen
In diesem Wetter, in diesem Braus
Nun will die Sonn' so hell aufgeh'n
Nun she' ich wohl, warum so
dunkle Flammen
Wenn dein Mütterlein
Il cavallo scalpita
Mamma, quel vino è generoso
Viva il vino spumeggiante
Voi lo sapete
En fermant les yeux
Je suis encore étourdie
Je suis seul, seul enfin
- Ah! Fuyez douce image
Regardez-moi bien dans les yeux
Obéissons quand leur voix…
- Profitons bien de la jeunesse
Pourqoui me réveiller?
Va! Laisse couler mes larmes
Werther! Qui m'aurait dit
- Ces lettres!
Hear ye, Israel
Is not his word
It is enough
Lord God of Abraham
Then shall the righteous shine forth
Pays merveilleux
- O, paradis sorti de l'ombre
Ah, mon fils
Ich schenk mein Herz
Hanna
Anna Elisa
Beppo
Nedda
Canio
Tonio
original
E flat maj
D min-maj
D min
C min
C min
Alfio
Turiddu
Turiddu
Santuzza
Des Grieux
Manon
Des Grieux
Lescaut
Manon
Werther
Charlotte
Charlotte
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
V da Gama
Fides
Jeanne
29
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
30
COMPOSER
Millöcker
Moerane
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
ORATORIO/
OPERA/WORK
Gasparone
(arr Roosenschoon)
Concert Arias
(KV 578)
Concert Arias
(KV 583)
Così fan tutte
Così fan tutte
Così fan tutte
Così fan tutte
Così fan tutte
Così fan tutte
Così fan tutte
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Entführung aus
dem Serail
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Die Zauberflöte
Don Giovanni
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Dunkelrote Rosen
Barali ba Jerusalema
Alma grande e nobil core
Tenor
Erminio
Vado, ma dove? Oh! Dei!
Ah, scostati! - Smanie implacabili
Donne mie, la fate a tanti
È amore un ladroncello
Ei parte - Per pietà ben mio
Temerari, sortite fuori
- Come scoglio
Un aura amorosa
Una donna a quindici anni
Ach ich liebte, war so glücklich
Dorabella
Guglielmo
Dorabella
Fiordiligi
Fiordiligi
Durch Zärtlichkeit und
Schmeicheln
Ich baue ganz auf deine Stärke
Blondchen
Konstanze, Konstanze
Belmonte
Martern aller Arten
Konstanze
O wie will ich triumphieren
Osmin
Solche hergelaufne Laffen
Osmin
Welche Wonne, welche Lust
Blondchen
Welcher Wechsel herrscht in meiner
Seele - Traurigkeit ward mir…
Wenn der Freude Tränen fliessen
Konstanze
Wer ein Liebchen hat gefunden
Osmin
Ach, ich fühl's
Der Hölle Rache
Der Vogelfänger bin ich ja
Dies Bildnis ist bezaubernd schön
In diesen heil'gen Hallen
O Isis und Osiris
O zittre nicht - Zum Leiden bin ich
Papagena! Weibchen! Täubchen
Amici miei - Il mio tesoro
Pamina
Nacht
Papageno
Tamino
Sarastro
Sarastro
Nacht
Papageno
Don Ottavio
Ferrando
Despina
Konstanze
Belmonte
Belmonte
Mozart
ORATORIO/
OPERA/WORK
Don Giovanni
Mozart
Don Giovanni
Mozart
Don Giovanni
Mozart
Don Giovanni
Mozart
Don Giovanni
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Mozart
Don Giovanni
Don Giovanni
Exsultate, Jubilate
(KV 165)
Exsultate, Jubilate
(KV 165)
Exsultate, Jubilate
(KV 165)
Grosse Messe in c
Grosse Messe in c
Idomeneo
Idomeneo
Idomeneo
Idomeneo
Mozart
Idomeneo
Mozart
Idomeneo
Mozart
Mozart
Idomeneo
Le Nozze di Figaro
Mozart
Mozart
Le Nozze di Figaro
Le Nozze di Figaro
Mozart
Le Nozze di Figaro
Mozart
Mozart
Mozart
Mozart
Mozart
Le Nozze di Figaro
Le Nozze di Figaro
Le Nozze di Figaro
Le Nozze di Figaro
Le Nozze di Figaro
Mozart
Le Nozze di Figaro
Mozart
Le Nozze di Figaro
Mozart
Mozart
TITLE (Aria, Recitativo, Art Song)
Come mai creder deggio
- Dalla sua pace
Crudele! Ah no, mio bene
- Non mi dir, bel idol mio
Fin c'han dal vino
In quali eccessi, o Numi
- Mi tradì quell'alma ingrata
Ma se colpa io non ho
- Batti, batti, o bel Masetto
Madamina, il catalogo è questo
Or sai chi l'onore
Alleluia (allegro)
TONALITY ROLE
Don Ottavio
Donna Anna
Don Giovanni
Donna Elvira
Zerlina
Donna Anna
Donna Anna
Exsultate (allegro)
Fulget, amica dies
- Tu virginum coronam (andante)
Et incarnatus est
Laudamus te
Il padre adorato
Non ho colpa
Oh smanie - Tutto?
Popoli! A voi l'ultima legge
- Torna la pace al core
Quando avran fine…
- Padre, germani, addio!
Solitudini amiche
- Zefiretti lusinghieri
Fuor del mar
Bravo, signor padrone Se vuol ballare
E Susanna non vien? - Dove sono
Giunse alfin il momento
- Deh vieni, non tardar
Hai già vinta la causa
- Vedrò mentr'io sospiro
La vendetta
Non più andrai
Non so più cosa son, cosa faccio
Porgi amor
Presto avvertiam Susanna
- Il capro e la capretta
Tutto è disposto
- Aprite un po' quegl'occhi
Voi che sapete
Idamante
Idamante
Elettra
Idomeneo
Ilia
Ilia
Idomeneo
Figaro
Contessa
Susanna
Contessa
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
Bartolo
Figaro
Cherubino
Contessa
Marcellina
Figaro
Cherubino
31
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
32
COMPOSER
Pergolesi
ORATORIO/
OPERA/WORK
Les Contes
d'Hoffmann
Les Contes
d'Hoffmann
Les Contes
d'Hoffmann
La serva padrona
Pergolesi
Ponchielli
Ponchielli
Ponchielli
Ponchielli
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Puccini
Purcell
La serva padrona
La Gioconda
La Gioconda
La Gioconda
La Gioconda
Gianni Schicchi
Gianni Schicchi
La Bohème
La Bohème
La Bohème
La Bohème
La Bohème
La Rondine
Madama Butterfly
Manon Lescaut
Suor Angelica
Tosca
Tosca
Tosca
Turandot
Turandot
Turandot
Turandot
Dido and Aeneas
Rossini
Rossini
Rossini
Rossini
Rossini
Il Barbiere di Siviglia
Il Barbiere di Siviglia
Il Barbiere di Siviglia
Il Barbiere di Siviglia
Il Barbiere di Siviglia
Rossini
Rossini
Rossini
Rossini
Il Barbiere di Siviglia
La Cenerentola
La Cenerentola
Semiramide
Offenbach
Offenbach
Offenbach
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Elle a fui la tourterelle
Antonia
Les oiseaux dans la charmille
Olympia
Scintille diamant
Dapertutto
Or indovina chi sarà…
- Son imbrogliato io già
Stizzoso, mio stizzoso
Cielo e mar
Pescator, affonda l'esca
Suicidio! ... In questi fieri momenti
Voce di donna o d’angelo
Firenze è come un albero fiorito
Oh mio babbino caro
Che gelida manina
Donde lieta uscì
Quando m'en vo
Si, mi chiamano Mimi
Vecchia zimarra
Ch'il bel sogno
Un bel dì vedremo
Sola, perduta, abbandonata
Senza mamma
E lucevan le stelle
Recondita armonia
Vissi d'arte
Nessun dorma
Non piangere, Liù
Signore ascolta
Tu che di gel sei cinta
Thy hand, Belinda
- When I am laid in earth
A un dottor della mia sorte
Ecco ridente in cielo
La calunnia
Largo al factotum
Una voce poco fà
Uberto
Una voce poco fà
Come un'ape nei giorni d'aprile
Nacqui all'affanno, al pianto
Bel raggio lusinghier
- Dolce pensiero
Serpina
Enzo
Barnaba
Gioconda
La Cieca
Rinuccio
Lauretta
Rodolfo
Mimi
Musetta
Mimi
Colline
Magda
Butterfly
Manon
Angelica
Cavaradossi
Cavaradossi
Tosca
Calaf
Calaf
Liù
Liù
Dido
Mezzo
soprano
Soprano
Don Bartolo
Almaviva
Don Basilio
Figaro
Rosina
Rosina
Dandini
Cenerentola
Semiramide
Rossini
Rossini
Rossini
Rossini
Saint-Saëns
Strauss, J
Strauss, J
Strauss, J
Strauss, J
Strauss, J
Strauss, J
Strauss, J
Strauss, R
ORATORIO/
OPERA/WORK
Semiramide
Stabat Mater
Stabat Mater
Tancredi
Samson et Dalila
Die Fledermaus
Die Fledermaus
Die Fledermaus
Eine Nacht in
Venedig
Eine Nacht in
Venedig
Der Zigeunerbaron
Der Zigeunerbaron
Acht Lieder aus
letzte Blätter
Der Rosenkavalier
Der Rosenkavalier
Sechs Lieder
Sechs Lieder
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Strauss, R
Tchaikovsky
Tchaikovsky
Tchaikovsky
Tchaikovsky
Thomas
Vier letzte Lieder
Vier letzte Lieder
Vier letzte Lieder
Vier letzte Lieder
Evgeny Onegin
Evgeny Onegin
Evgeny Onegin
Evgeny Onegin
Mignon
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Aïda
Aïda
Aïda
Don Carlo
Don Carlo
Don Carlo
Don Carlo
Don Carlo
Verdi
Ernani
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
In si barbara
Cujus animam
Inflammatus est
Oh patria! - Di tanti palpiti
Mon cœur s'ouvre à ta voix
Ich lade gern mir Gäste ein
- Chacun à son goût
Klänge der Heimat
Mein Herr Marquis
Ach wie so herrlich zu schau’n
Arsace
Tancredi
Dalila
Orlofsky
Rosalinde
Adele
Caramello
Komm in die Gondel
Caramello
Als flotter Geist
Ja das Schreiben und das Lesen
Allerseelen
Barinkay
Zsupán
Di rigori
Wie du warst
Ständchen
Amor
Cäcilie
Zueignung
Frühling
September
Beim Schlafengehen
Im Abendrot
Kuda, kuda
Liubvi vsie vozrasty pokorny
Ougel' ta samaia Tatiana
Vy Mnie pisali? - kogda by zhyzn'
Oui pour ce soir
- Je suis Titania la blonde
Celeste Aïda
Qui Radames verrà - O patria mia
Ritorna vincitor
Ella giammai m'amò
O Carlo ascolta - Io morrò
O don fatale
Per me giunto
Tu che le vanità conoscesti del
mondo
Che mai vegg'io - infelice! E tuo
credevi
E flat maj
Sänger
Octavian
F maj
G maj
Lenski
Gremin
Onegin
Onegin
Philine
Radames
Aïda
Aïda
Filippo
Rodrigo
Eboli
Rodrigo
Elisabetta
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
Silva
33
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Elvira
Verdi
Surta è la notte - Ernani, Ernani
involami
Il Trovatore
Ah, si ben mio
Il Trovatore
Condotta ell'era in ceppi
Il Trovatore
Di quella pira
Il Trovatore
Stride la vampa
Il Trovatore
Tacea la notte placida
Il Trovatore
Tutto è deserto - Il balen
Il Trovatore
Vanne…lasciami - D'amor sull'ali
rose
La Forza del Destino La vita è inferno…. - Oh, tu che in
seno agli angeli
La Forza del Destino Morir! Tremenda cosa - Urna fatale
La Forza del Destino Pace, pace mio Dio
La Traviata
Di Provenza il mar
La Traviata
È strano - Ah, fors'è lui - Folie!
- Sempre libera
La Traviata
Lunge da lei - De miei bollenti
spiriti
La Traviata
Teneste la promessa Addio del passato
Macbeth
La luce langue
Verdi
Macbeth
Nel dì della vittoria - Vieni, t'afretta
Verdi
Verdi
Macbeth
Macbeth
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Macbeth
Nabucco
Requiem
Requiem
Requiem
Rigoletto
Rigoletto
Rigoletto
Duca
Verdi
Verdi
Verdi
Verdi
Verdi
Rigoletto
Rigoletto
Rigoletto
Rigoletto
Simon Boccanegra
Verdi
Un ballo in
maschera
Un ballo in
maschera
O, figli - Ah, la paterna mano
Studia il passo
- Come dal Ciel precipita
Pietà, rispetto, amore
Vieni, o Levita - Tu sul labbro
Confutatis maledictis
Ingemisco
Liber scriptus
Cortigiani
Ella mi fu rapita
- Parmi, veder le lagrime
Gualtier Maldé - Caro nome
La donna è mobile
Pari siamo
Questo o quella
A te l'estremo addio
- Il lacerato spirito
Alzati - Eri tu
Morrò, ma prima in grazia
Amelia
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
Verdi
34
ORATORIO/
OPERA/WORK
Ernani
Manrico
Azucena
Manrico
Azucena
Leonora
di Luna
Leonora
Don Alvaro
Don Carlo
Leonora
Germont
Violetta
Alfredo
Violetta
Lady
Macbeth
Lady
Macbeth
Macduff
Banco
Macbeth
Zaccaria
Gilda
Duca
Rigoletto
Duca
Fiesco
Renato
Wagner
Wagner
Wagner
Wagner
Wagner
Wagner
Wagner
Wagner
ORATORIO/
OPERA/WORK
Un ballo in
maschera
Un ballo in
maschera
Un ballo in
maschera
Der fliegende
Holländer
Der fliegende
Holländer
Der fliegende
Holländer
Der fliegende
Holländer
Die Meistersinger
von Nürnberg
Lohengrin
Lohengrin
Lohengrin
Lohengrin
Lohengrin
Tannhäuser
Tannhäuser
Tannhäuser
Wagner
Wagner
Weber
Wesendonck Lieder
Wesendonck Lieder
Der Freischütz
Weber
Der Freischütz
Weber
Der Freischütz
Weber
Weber
Weber
Der Freischütz
Der Freischütz
Der Freischütz
Verdi
Verdi
Verdi
Wagner
Wagner
Wagner
Wagner
Wagner
TITLE (Aria, Recitativo, Art Song)
TONALITY ROLE
Re dell'abisso - È lui!
Ulrica
Saper vorreste di che si veste
Oscar
Voltea la terra fronte alle stelle
Oscar
Die frist ist um - Wie oft in Meeres
tiefsten Schlund
Johohoe! - traft ihr das Schiff
Holländer
Mögst du mein Kind
Daland
Willst jenes Tag's
Erik
Morgenlicht leuchtet
Walther
Einsam in trüben Tagen
Euch Lüften, die mein Klagen
Gerechter Gott - In seiner Blüte
In fernem land
Schon sendet - Mein lieber Schwan
Allmächt'ge Jungfrau
Dich teure Halle
Wie Todesahnung… O du mein holder Abendstern
Träume
Schmerzen
Einst träumte meiner sel'gen Base Trübe Augen
Kommt ein schlanker Bursch
gegangen
Nein, länger trag ich nicht…
- Durch die Wälder
Schweig, schweig
Und ob die Wolke
Wie nahte mir der Schlummer
- Leise. Leise
Elsa
Elsa
Ortrud
Lohengrin
Lohengrin
Elisabeth
Elisabeth
Wolfram
Senta
A flat maj
E flat maj
Ännchen
Ännchen
Max
Kaspar
Agathe
Agathe
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
COMPOSER
35
Third Round Prescribed Repertoire/Derde Ronde Voorgeskrewe Repertoriumlys
36
Navrae/Enquiries
Ilse Schürmann
082 851 7157
[email protected]
www.atkv.org.za

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